People visit photography exhibition with theme of “And in its Heart There is a Wall” in Jerusalem

People visit photography exhibition with theme of “And in its Heart There is a Wall” in Jerusalem

A visitor looks at a photo displayed on a photography exhibition with the theme of “And in its Heart There is a Wall” in Jerusalem on June 19, 2023. In June 2002, Israel started to build a separation wall on the Palestinian lands adjacent to the borders between Israel and the West Bank, claiming the wall would prevent Palestinian militants from entering Israel to carry out attacks. (Xinhua/Chen Junqing)

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A visitor walks past photos displayed on a photography exhibition with the theme of “And in its Heart There is a Wall” in Jerusalem on June 19, 2023. In June 2002, Israel started to build a separation wall on the Palestinian lands adjacent to the borders between Israel and the West Bank, claiming the wall would prevent Palestinian militants from entering Israel to carry out attacks. (Xinhua/Chen Junqing)

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A visitor looks at photos displayed on a photography exhibition with the theme of “And in its Heart There is a Wall” in Jerusalem on June 19, 2023. In June 2002, Israel started to build a separation wall on the Palestinian lands adjacent to the borders between Israel and the West Bank, claiming the wall would prevent Palestinian militants from entering Israel to carry out attacks. (Xinhua/Chen Junqing)

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People visit a photography exhibition with the theme of “And in its Heart There is a Wall” in Jerusalem on June 19, 2023. In June 2002, Israel started to build a separation wall on the Palestinian lands adjacent to the borders between Israel and the West Bank, claiming the wall would prevent Palestinian militants from entering Israel to carry out attacks. (Xinhua/Chen Junqing)

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People visit a photography exhibition with the theme of “And in its Heart There is a Wall” in Jerusalem on June 19, 2023. In June 2002, Israel started to build a separation wall on the Palestinian lands adjacent to the borders between Israel and the West Bank, claiming the wall would prevent Palestinian militants from entering Israel to carry out attacks. (Xinhua/Chen Junqing)

The art of crafting engaging experiences

The art of crafting engaging experiences
Source: Steves&Co

In today’s highly competitive communication landscape, creating a compelling brand experience has become indispensable for companies striving to thrive in the market.

One such example comes courtesy of the crypto-gaming entertainment brand Roobet, owned by RAW Entertainment. Through a collaboration with branding and marketing agency Steves&Co, the company gained new perspectives into the significance of brand experience throughout the customer journey, both online and offline.

“What is greater than witnessing your customers not only being delighted with the product you offer but also seeing them transform into genuine fans and brand ambassadors?” asks Roobet’s director of marketing, David Kostap.

“The process of turning customers into passionate advocates heavily relies on the exceptional experiences they receive. This fosters stronger and more enduring relationships between the brand and its customers, amplifying their loyalty and endorsement.”

Kostap further highlights the importance of brands consistently delivering a high-quality representation of themselves at every interaction point. Aligning all aspects of the brand journey is key, as individuals constantly seek holistic entertainment and personal value from brands.

Roobet, as an online entertainment provider, understands the significance of maintaining consistent touchpoints through user-friendly website journeys and interfaces to attract and retain customers. Seamless and intuitive interactions have played a pivotal role in enhancing the online experiences of its customers.

Memorable brand moments

From the moment Steves&Co embarked on the project with Roobet, the main objective was to craft and maintain a captivating brand experience that remained authentic and comprehensive.

“Our teams constantly ensure that the brand guidelines and tone of voice are robust and relevant, aligned with Roobet’s vision and any new directions it takes,” emphasises Emily Micallef, head of marketing and strategy at Steves&Co. “The stewardship of a brand, ensuring it is genuine and appropriately represented in the market, has been a significant factor contributing to the success we have observed during our 15 years in business,” she continued.

Steve Ciantar-Barbara, CEO of Steves&Co, echoes this sentiment, emphasising the importance of creating memorable brand moments. He states: “Brands have the opportunity to forge deep connections and elevate their relationship with their audience. It’s about consistently exceeding expectations, surpassing previous achievements to truly differentiate yourself in the market.”

The process of turning customers into passionate advocates heavily relies on the exceptional experiences they receive.

David Kostap, Roobet

An important aspect of this client-agency work was the incorporation of a group of high-profile ambassadors, whose distinct personalities were seamlessly merged into the tone and fabric of the brand.

One successful collaboration example was the partnership between Roobet and Snoop Dogg. Steves&Co took the lead in global communication and marketing, creatively building campaigns and utilising dedicated boards and websites that effectively portrayed both Roobet and Snoop Dogg in a shared space.

Roobet’s Kostap explains: “We were very pleased to see the effective response and positive engagement from our valued customers and players. The increasing number of return players and a surge in member signups reflect the steady growth of our vibrant online and offline communities.”

By embarking on this series of successful high-profile collaborations, Roobet has not only added significant brand value but also achieved remarkable milestones. Notably, the partnership formed in March of this year with Snoop Dogg presented exciting opportunities to create fresh brand experiences and propel further development for the brand.

“Steves&Co played a crucial role in developing our communication strategy for the brand ambassadors projects, ensuring that all creative elements are captivating and enjoyable,” Kostap continues.

This involved implementing engaging content across websites in various languages, dynamic digital ads, captivating video ads and impactful OOH campaigns across Mexico, Brazil and Canada, featuring dedicated billboards and websites that seamlessly integrated the worlds of Roobet and Snoop Dogg. Furthermore, Roobet took the celebration of this partnership to new heights by launching an exclusive game dedicated to their fans.

Offline experiences also contribute to establishing a brand’s identity and forging emotional connections with customers. Whether through physical spaces, events or face-to-face interactions, offline experiences offer unique opportunities to engage with customers on a personal level.

Marian Melinte, head of customer acquisition for Roobet, agrees: “Creating memorable offline experiences at trade show expos has allowed us to build trust and establish Roobet as a leading brand in the gaming entertainment industry. It’s all about connecting with our customers and partners on a deeper level.”

He adds: “Roobet’s commitment to offline touchpoints – such as branded presence in spaces and communications through a branded fleet of shuttle buses at trade shows and expos worldwide, as well as OOH ads – played a significant role in portraying the brand and facilitating interactions with visitors and media partners. Steves&Co’s dedication to create unique approaches and interactions for physical environments consistently elevated the brand, attracting more customers and increasing consumer satisfaction.”

Immersive brand experience

Recognising the significance of establishing engaging interactions with audiences, Roobet extends its commitment beyond offline touchpoints to the digital realm. A brand’s website is a digital representation of its values, offerings and personality, with an opportunity to engage visitors. The team at Roobet believes that a compelling website is paramount.

Kostap states: “Our website serves as a window into our brand. It’s not just about the games and products we offer but also about showcasing our commitment to innovation, entertainment and customer satisfaction.”

The collaborative efforts between Steves&Co and Roobet have successfully orchestrated a thrilling and immersive brand experience that transcends the boundaries of the online and offline worlds. By meticulously crafting authentic touchpoints, aligning brand elements, and incorporating high-profile ambassadors like Snoop Dogg, Roobet has not only attracted and engaged customers but also cultivated a community of passionate brand advocates.

Through its commitment to innovation, customer satisfaction and strategic digital and physical interactions, Roobet continues to elevate its position in the competitive online entertainment industry, leaving an indelible mark on the minds and hearts of its audience.

Community News – Kennebunk Free Library introduces July’s featured artist

Community News – Kennebunk Free Library introduces July’s featured artist

The Speers Gallery at the Kennebunk Free Library will present Recent Works, an exhibition of watercolor, pastel, and pencil by Kennebunk resident Wendy Gallart.

The exhibit runs July 1-31, and the public is invited to an opening reception 4 to 6 p.m. Wednesday, July 5.

According to a June 13 news release from the library, “Pursuing her lifelong desire to study art and art history, Wendy Gallart received her undergraduate degree in fine arts and education. Subsequently, Wendy began her career in marketing and commercial art. Her career led to increasingly responsible positions at several Fortune 500 companies, where she directed design and public relations teams through branding and logo designs, extensive advertising and public relations campaigns and product launches.

The Speers Gallery at the Kennebunk Free Library will present Recent Works, an exhibition of watercolor, pastel, and pencil by Kennebunk resident Wendy Gallart. The exhibit runs July 1-31, and the public is invited to an opening reception 4 to 6 p.m. Wednesday, July 5. Courtesy image

“Wendy then applied her knowledge and experience to the not-for-profit sector. She received a masters of public administration and then worked toward bettering the health and welfare of animals. Since her retirement, she has returned to her true loves, drawing and painting. She has studied under internationally renowned painters and teachers such as Peter Barnet and Theresa Troise Heidel and currently works with local artist Russell Whitten. In addition, she has remained an avid collector of photography and fine art through her past business connections with auction houses and dealers.

“Wendy enjoys the beauty of the hills, fields and coastline of southern Maine every day, often accompanied by her dog Summer. She primarily works in watercolor and has recently begun to show her work in York County community venues.”

The public is invited to view the exhibit in the library’s Speers Gallery from July 1-31 at 112 Main St., Kennebunk, during regular library hours when the gallery is not in use for library programs. For library hours and gallery access, visit www.kennebunklibrary.org.

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Southern Maine Health Care announces new chief operating officer

Southern Maine Health Care announced last week that Kathryn Cope will serve as its new chief operating officer. Cope currently serves as vice president of operations and critical care at Maine Medical Center, a role she assumed in 2019.

Cope takes over for Nathan Howell, who was named president and CEO of MaineGeneral Health in Augusta.

“Kathryn is an experienced health care executive with more than 25 years of experience in acute care clinical operations, finance, and service line strategy,” said Joel Botler, MD, chief medical officer and interim president of MaineHealth’s Southern Region, which includes both SMHC and MMC, in an email. “Her experience as a community-oriented collaborator with proven skills in advancing innovative solutions to complex challenges make her a perfect fit for SMHC.”

Cope earned her undergraduate degree in economics and classics from Bowdoin College and her MBA from the Darden Graduate School of Business, University of Virginia. She has been at Maine Medical Center since 2012, serving in several leadership roles before her current position.

Authors to visit Graves Library

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Graves Library announced that it will host several authors in June, including the Rev. Dr. Russell J. Levenson, Jr. on Monday, June 26 at 5:30 p.m.

Levenson will discuss “Witness to Dignity” and his personal relationship with George H.W. and Barbara Bush. “Witness to Dignity” details Levenson’s relationship with the former president and his wife.

On Thursday, June 29, at 10:30 a.m., Maureen Lee and Jennifer Cooley, authors of the children’s book, “A Puppy in Maine,” will be at Graves Library. The family program will include a craft.

On Thursday, June 29, at 6 p.m., Mike Urban, New England author (and editor), will visit and share stories from “Unique Eats and Eateries of Maine,” his newest book. The library will serve a Maine dessert.

Copies of the books will be for sale and signing after each presentation. Light refreshments will be served.

The Library is located at 18 Maine St., Kennebunkport. For more information, call 967-2778 or visit www.graveslibrary.org.

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Maine Women in the Arts names award winners

Ellen Pelletier Courtesy photo

Maine Women in the Arts launched its 2023 show season with its annual Awards Show on May 26-28.

Forty-two local artists participated with their work being judged by Heather Lewis. Lewis is a studio arts instructor. She has taught and conducted workshops throughout the northeast. She currently is a studio arts professor at York County Community College in Wells (20 years), and The River Tree Arts Center (10 years) in Kennebunk.

First-place recipient was Ellen Pelletier for her pastel “Moonlit.” Show attendees were asked to vote for their favorite piece of artwork and that people’s choice award went to Kathy Chase for her oil painting, “Three Seconds in Time at Boothbay.”

There were six other awards presented at the show.

Second place went to Mary Greto-Brunner for her acrylic/mixed media piece titled “What the Wind Knows.” Third place was Norma Johnson’s pastel “Workshop.” Three honorable mentions included Anne Bertucci’s woven piece, “An Aspect of Pitch;” Ellen Blum’s photograph, “The Tides;” and Lisa Roderick’s oil, “Evening Reflections.” In addition, Sarah Ostrov’s pastel, “Early Spring,” was a judge’s choice.

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Maine Women in the Arts has four shows a year. The next show will be July 28-30.

Kathy Chase Courtesy photo

The objective of Maine Women in the Arts is to promote and give exposure to local artists and their work in all media. For more information about MWA, visit www.mainewomenarts.com.

Art Guild of the Kennebunks awards scholarship

Kennebunk High School graduate Emily Mains is the recipient of the annual $500 scholarship awarded each year by the Art Guild of the Kennebunks … along with another five scholarships awarded by other service organizations.

According to an Art Guild of the Kennebunks news release, “Emily’s forte is metalsmithing which she studied in the Kennebunk High School Alternative Education Program, turning out a variety of ornamental pieces (rings, bracelets, pendants, etc.) featuring combinations of different metals coupled with designs in glass or gemstones.

“Metalsmithing, however, will have to go forward as a much loved hobby, for her true interest lies in cosmetology — her goal: to make her way into the glamor of movies.”

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Most artists can trace their passion to some early moment in which they could actually feel the tug of pencil or brush — or whatever a given medium requires for tools. For Emily it was her mother’s love of crafts. “She was always engaged in some project or another,” Mains said in an email.

Kennebunk High School graduate Emily Mains, recipient of the 2023 Art Guild of the Kennebunks Art Scholarship, at work in her metalsmithing studio. Courtesy photo

A major part of the alternative program involved experiences outside the normal school environment; traveling to different locations of cultural or natural interest and volunteering in certain work projects. “This broadens the world view,” Mains said. “It has made me much more open-minded.”

The Art Guild of the Kennebunks is a juried art organization representing artists throughout southern Maine. It sponsors exhibitions during the spring and summer months and during the annual Winter Prelude in Kennebunkport. Each year it awards a scholarship to a graduating Kennebunk High School senior who has shown both interest and achievement in the arts.

Kennebunk High School graduate Emily Mains, recipient of the 2023 Art Guild of the Kennebunks Art Scholarship, at work in her metalsmithing studio.

Model of Positive Living Award nominees wanted

The Center is seeking nominations for its ninth annual Model of Positive Living Award.

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According to a June 19 news release, “The Model of Positive Living Award is given to a community member who is 50 or older who makes a difference in the lives of others through kind gestures, volunteerism and a can-do attitude. We are looking for individuals who live their lives with vitality and compassion. We’re confident you know someone who has demonstrated these inspiring traits. Help us recognize their impact and influence.”

To fill out a nomination form, visit  www.seniorcenterkennebunk.org. The deadline to nominate is Aug. 1. To make a submission, call 207-967-8514 or email [email protected] The award will be announced by The Center in September.

Arundel will conduct RSU 21 recount

The town of Arundel sent out notice on Tuesday, June 20, that on Wednesday, June 21, 2023, at 10 a.m. a recount for the RSU 21 director three-year term would take place at the Arundel Municipal Building in the Town Meeting Room.

Registration open for eighth annual charity 5K

Spurling Fitness announced it will host its eighth annual Spurling Charity 5K on Saturday Aug. 12. The family-friendly event invites participants to “walk, run or dance” across the finish line. The event, designed for all ages and abilities, begins at 8 a.m.

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Each year, a new beneficiary is chosen. This year’s event will benefit The Center for Grieving Children, Maine.

Registration is open and costs $25 for those who sign up by July 15. The first 100 registrants are guaranteed a race T-shirt. To register, visit https://racewire.com/register.php?id=13534.

Stuffed animal adoption at Kennebunk Free Library

On Wednesday, June 28, from 2 to 4 p.m., Kennebunk Free Library will be an adoption center for stuffed animals that are looking for forever homes. Drop in during adoption hours to pick out a stuffie to keep.

Participants will also receive an adoption certificate to take home. The Animal Welfare Society will be on hand to talk about their organization. While at the library, participants are encouraged to sign up for this year’s summer reading program.

The program will be held outside of the Children’s Room. In the event of rain, the program will be inside the Children’s Room. The event is free and wheelchair accessible. Kennebunk Free Library is located at 112 Main St., Kennebunk.

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For more information, call 985-2173. The Stuffed Animal Adoption is part of All Together Now summer reading program. For more information about summer programs, visit www.kennebunklibrary.org.

Library plans ‘Groovy 60s’ summer reading party

This year’s summer reading theme is All Together Now at Kennebunk Free Library. On June 26 from 5-7 p.m., the library will host a Groovy 60s Party. Participants are encouraged to dress in a 1960s-era costume. The party will include a DJ, crafts for all ages, games, a photo booth, and treats.

All ages are welcome to participate in the summer reading program and keep track of how many hours they’ve read using a paper log and earn raffle tickets for local business gift cards. All ages will be eligible to enter a raffle in their age group. The summer reading program will run from June 26 to Aug. 19. Programs offered include:

Adults

· Shank Painters pirate band

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· Carey Kish, author of Beer Hiking New England

· Craft programs for adults

Teens (ages 10 and older)

· Teen Tie Dye Party

· Dungeons and Dragons

· Anime Club

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· Mario Kart Tournament

Children

· Stuffed Animal Adoption

· Special guests Mad Science of Maine and Children’s Museum of New Hampshire

· 31st Annual Pet Parade and Show

· Messy Art

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All ages

· Groovy 60s Summer Reading Kickoff Party

· Ice Cream Social Finale Party

For more information, call 985-2173.

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Captivating captures: A stunning glimpse into the wonders of global and Israeli natur

Captivating captures: A stunning glimpse into the wonders of global and Israeli natur

The Eretz Israel Museum in Tel Aviv will open Local Nature, Global Nature on Wednesday, featuring two complementary nature photography exhibitions: Picture of Nature and the international exhibition Wildlife Photographer of the Year from the Natural History Museum in London.

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The exhibitions are presented side by side, providing a comprehensive snapshot of the natural world and its future. This marks the sixth time that these two exhibitions are showcased together at the museum.

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סייפן נוחת בשלולית חורף, בבוקר ערפילי קר, על רקע הזריחה בחוף הכרמלסייפן נוחת בשלולית חורף, בבוקר ערפילי קר, על רקע הזריחה בחוף הכרמל

An avocet lands in a winter puddle, during a chilly, overcast morning, against the backdrop of the sunrise on HaCarmel Beach

(Photo: Yosi Hen)

The Picture of Nature Exhibition, organized by the Eretz Israel Museum in Tel Aviv in collaboration with the Nature Photographers Association, showcases images from the natural world of Israel, including wildlife, plant life, and ecological systems in our region.

The exhibition’s panel, composed of professional nature photography experts, anonymously selected the winning photographs through a judging process. The winners of the local photography competition categories will be announced at the opening ceremony on June 20. Nature photographers from Israel and around the world will present selected photographs, video works, and more in these exhibitions.

This year, over 4,000 photographs were submitted to the competition, captured by 410 photographers, from which 45 participants were chosen to display 60 photographs and four video works in the following categories: Birds, Mammals, Humans and Nature, Abstract in Nature, Invertebrates, Reptiles and Amphibians, the Submarine World, Landscape Photography, Documentary and Youth Photographers.

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צב ושפיריתצב ושפירית

A Balkan terrapin and a Northern banded groundling firefly

(Photo: Tzahi Finkelstein)

Among the featured photographs, there is an image of a turtle and a firefly captured by Tzahi Finkelstein in the Jezreel Valley. This particular photograph received extensive coverage in the past year. In the description of the image, it was written that it captures a “unique moment between two very different creatures: a Balkan terrapin and a Northern banded groundling firefly, perched on its nose. In this case, the firefly saw the turtle’s nose, elevated and protruding from the water, as a suitable landing spot, and it appears that the ‘smiling’ turtle was surprised by its unexpected guest.”

Another photo to be displayed at the exhibition, which has already won third place in the global Ocean Art competition, depicts a coral spawning event and was captured in Eilat. “Catching coral spawning is tricky business as it usually happens only once a year in a certain month of the year, on a specific night of the month, and at a certain hour of the night for a very short time window of only a few minutes.

Usually, at the exact same time, thousands of corals of a given species along hundreds of kilometers of the reef reproduce by spawning egg-and-sperm bundles altogether into the open sea. These bundles will be carried away by the currents, mixing in the water, until they finally encounter a match—a sperm will fertilize an egg and new life will be created.”

The Wildlife Photographer of the Year exhibition is a prestigious photography competition initiated by the Natural History Museum in London. It is considered the largest and most esteemed nature photography exhibition of its kind worldwide. Serving as a platform to showcase the top-ranking photographs from the competition, the exhibition travels across the globe, captivating millions of visitors.

Additional photographs from the Israeli Nature exhibition

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Drone footage of crevices on the ground in the northern Negev

(Photo: Asaf Amran)

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עכביש ממשפחת הקופצניים טורף זבוב ממשפחת הַטַרְפָנִיִּים ביער שוהםעכביש ממשפחת הקופצניים טורף זבוב ממשפחת הַטַרְפָנִיִּים ביער שוהם

A spider devours a fly in Shoham Forest Park

(Photo: Hillel Shmuel)

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ארבע נקבות מהמין כריש עפרורי ליד פתח פליטת מי הקירור של תחנת הכוח בחדרהארבע נקבות מהמין כריש עפרורי ליד פתח פליטת מי הקירור של תחנת הכוח בחדרה

Four female dusky sharks near the Hadera power plant

(Photo: Ido Meirovich)

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דורבן שותה בלילהדורבן שותה בלילה

A porcupine going out for a night drink

(Photo: Gad Shmila)

Photographs from the Wildlife Photographer of the Year exhibition

How Greg Williams Became The A-List’s Favourite Photographer

How Greg Williams Became The A-List’s Favourite Photographer
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As for the irreverence evident in his work, he adds, it comes from not “putting people on pedestals and shooting them as celebrity gods. I don’t take it all too seriously”. That is perhaps due to the rather unusual way in which Williams entered the world of entertainment photography. Aged six, he remembers a distant relative coming to visit him and his family at home and bringing a load of cameras. “I was immediately interested in the kit,” he recalls. “And then this guy left and later sent me one of his old, nearly broken cameras because he thought I might be interested in photography. I loved it. I was also very dyslexic and, from the age of 11, it was clear that I had a strong interest in photography and was pretty ghastly at most other things. I was either going to join the army or become a photographer, and photography worked out.”

At 19, he and a friend took summer jobs and saved enough to buy tickets to Thailand. He flew out, got smuggled into Myanmar and spent a few weeks living with a guerrilla army that was fighting the government. “We didn’t wait for the phone to ring. I literally just went off and started bullshitting my way into where I needed to get and taking photos,” he laughs. More photojournalism followed in conflict zones in Chechnya and Sierra Leone, though his experiences in the latter led him, at 23, to give up on war photography. “I just thought I was going to die on many occasions,” he says frankly of the experience. “It was absolute hell and I was petrified.” After returning home, he began working on a series of “quite full-on” medical stories for The Sunday Times Magazine, and then was given free rein to choose a new subject. He picked a project celebrating the British film industry and, before he knew it, actors were badgering him to shoot their portraits.

His time on the ground in volatile environments taught him to work quickly and trust his instincts in order to create dynamic, emotive images – lessons he still carries with him today. And as for his advice to young aspiring photographers? “You’ve got to have a point of view now and decide what it is that you do,” he asserts. “There’s no point saying, ‘Here’s my fine art, here’s my landscape, here’s my commercial, here’s my fashion.’ It’s not enough to be ‘a photographer’. You have to do what only you can do.”

Ahead of his book’s publication on 22 June, Williams shares the extraordinary tales behind some of his favourite shots in it, below.

Youth post-floods photography

Youth post-floods photography
Photo: David Lowe

The Uniting Church ran a photography competition for young people living in the Northern Rivers. The theme of the competition was ‘Youth Post-Floods’ with the aim of the competition being to help young people in our community reconnect – to themselves and to the people around them.

Highly acclaimed and local photographers, Cait Miers and Duncan Macfarlane, judged the entries, and the winners will be announced at an exhibition on Monday 26 June, from 4.30pm to 6.30pm at Ignite Studios in Ballina where photographs taken by the finalists and winners will be on display.

Everyone is welcome to attend the exhibition, enjoy some delicious mocktails and nibbles, and view some up-and-coming young local talent.

Tish review: A rousing and intimate portrait of British photographer Tish Murtha

Tish review: A rousing and intimate portrait of British photographer Tish Murtha
Jun 20, 2023 10:59 AM IST

Tish review: Chronicling the life of British working class photographer Tish Murtha, Paul Sng’s docu-biopic is a moving tribute to the legacy of an artist.

There’s a feather-weight touch of ferocity in Paul Sng’s docu-biopic Tish, that evolves as an intimate and expansive portrait of British Documentary photographer Tish Murtha, who died just a day before her 57th birthday from a brain aneurysm. Hers was a life dedicated to people from working class communities: their hope and strength, their shared distance, and the unspeakable despair in their everyday struggle. If you haven’t heard of her, you are not alone. Go and search for her photographs documented on Instagram at @tishmurtha, and you will uncover a special, tragically beautiful series of pictures. Serving as the opening film of the 30th Sheffield Doc Fest, Tish grows and grows in its reflective abundance, just like her vivid pictures. (Also read: Scoop review: Hansal Mehta sets the bar high in one of the best shows of the year)

Tish screened as the opening night film at the 30th Sheffield Doc Fest.
Tish screened as the opening night film at the 30th Sheffield Doc Fest.

Tish begins with a straightforward direction- and it works primarily because the subject itself is so rich and dense, with a strong contextual hold; that any narrative and expositional trickery would have put the semblance of her journey off balance. Her daughter Ella is the one asking the questions and trying to locate her mother’s journey as an artist- someone she knew from within and yet she was not always that. The camera spans her talking with her mother’s family, which consists of her sister Eileen, and brother Carl, and some of her friends and advisors along the way. Through their insight, it is as though Ella is seeking out a parent who was a photographer first- someone whose passion and dedication to her art remained constant throughout her whole life.

The journey takes off through these anecdotes and pictures, as they appear in the years that followed. Her black-and-white, 35mm-gauge portraits of Newcastle’s working-class residents, appear to have their own journey through the course of the film, which also earns her the nickname ‘Demon Snapper’ in the papers. These pictures are interspersed with her anecdotes, memorabilia, and words that provide subtext to the turbulent time of the 1970s and 80s. Her pictures are at once reflective and resonant- focused mostly on the faces of young children who were at the forefront of mass unemployment. Yet their faces reveal a striking optimism and resilience. The beauty in her pictures has got no will to indulge in poverty, but in their scattershot moments of joy, dissent and earnestness. Take note of a picture where it’s just a boy posing directly with his pack of cards, persistent in showing his expression. Such a photograph cannot be taken without building a connection with the subject, we are told. Tish’s primary intention was to connect and to invest in the harshness of her subjects- the camera was a secondary, almost secondary player that arrived a few moments later. It was always the resilience that stood out.

Tish, with its decades-long story, flows gently like a river of genuine emotions, thanks greatly to the editing work of Lindsay Watson and Angela Slaven. The focus remains squarely on Tish’s unwavering commitment to her craft, and one witnesses the growth of perspective and definition in her subjects. From the striking portraits of youth in the Thatcher-era recession, later she would focus her gaze on prostitutes and brothels; in all its provocative, defiant glory. Brief interludes of anecdotes and memories from her life through interviews are filled with her pictures appearing one after the other, as the viewer reaches closer and closer towards the sensibility of an artist at work.

A beautiful moment arrives in this journey when Ella herself is photographed as a child, and the seemingly innocent recital of the nursery rhyme ‘Twinkle Twinkle’ in an audio footage becomes a breathtakingly poignant moment of introspection for a daughter assembling the life and legacy of her mother as an artist. The effect is galvanizing. This is a quietly wondrous film and a profound tribute on the lifelong work of a committed artist.

(Santanu Das is covering Sheffield Doc Fest for Hindustan Times as part of the accredited press.)

Get more updates from Bollywood, Hollywood, Musicand Web Seriesalong with Latest Entertainment Newsat Hindustan Times.

Mastering the art of shockvertising in a crowded ad space

Mastering the art of shockvertising in a crowded ad space

Last week, Singapore Realtor Inc’s real estate agent, Shahirah Shaik came under public scrutiny for using fliers that emulated parking summons tickets. 

In an anonymous post on Facebook page ‘Complaint Singapore Unrestricted’, a user angrily bemoaned the misleading quality of the advertisement. “Got this on my windscreen. I must say this is very lame and not funny at all,” the post said as seen by MARKETING-INTERACTIVE. “No driver like to see this kind of joke on their windscreen. And you jolly well don’t litter with your cheap marketing gimmick on our cars,” the post continued.

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The flier bore Shaik’s details under the header ‘Notice of no offense’ before continuing that the driver’s ‘transgression’ was them “parking beautifully”. It also encouraged users to post and caption the ad saying, “we’ve got your summon” and to tag their Instagram page if users liked the advertisement.

While the anonymous user was upset about the shocking marketing tactic, a majority of netizens expressed their enjoyment over the flier with 29 out of the 48 likes on the post being a laughing face.

Shock marketing, or shockvertising, which is the act of deliberately shocking or startling viewers with a marketing campaign, is not uncommon in this day and age especially considering that there is so much content competing for one’s attention. More marketers are attempting to stand out and to do so, employ creative and innovative methods. 

“Researchers claim the average person sees hundreds to thousands of ads in a day from what is now an endless supply chain — it’s easy for brands to get lost in that mix,” said Don Anderson, the CEO of Kaddadle “So, it’s no surprise that some marketers may get frustrated and show signs of desperation in their communications, in order for their work to get recognised and for consumers to respond. But there is always a fine line,” he cautioned. 

Crafting a good shockvertising campaign

He noted that a good shockvertising campaign will elicit a dialogue on topics that societies may not always want to confront or discuss publicly.

“The shockvertising label is usually applied to advertising that is considerably more of an affront and taps themes that are taboo or provocative in nature, such as topics of culture, race, sexuality, health and social injustice,” he said, citing an example of some of the United Colors of Benetton ads from the 80s and 90s which showed a variety of shocking images such as a priest and a nun kissing, a baby still attached to an umbilical cord and actual images of a murder. 

“Although those campaigns yielded an avalanche of hostility and negativity, it knew what it was doing,” said Anderson. 

 Agreeing with him, Lars Voedisch, the principal consultant, managing director of PRecious Communications noted that before one can convey any message, they need to grab the attention of their target audience. 

 “Let’s be honest – there are way too many similar-looking letters and flyers of real estate agents with limited to no real differentiators,” he said. “Generally, the more crowded or dry a topic, the more creative you need to get to stand out.”

He added:

Unfortunately, then, the creative approach sometimes overshadows the actual story you want to tell. 

Measuring ROI for shockvertising campaigns

Saying that, capturing the attention of a target audience is not all you need. After all, when you have shockvertising campaigns, you are likely to get a wide variety of responses such as the real estate agent who equally angered some and also got many to laugh at the creativity and the joke of it all. As a result, measuring ROI then tends to become an issue. 

“Brands gauge brand awareness, reach, social media metrics, sales, and other direct in indirect impact metrics like changes in brand perception and consumer behavior,” explained Voedisch. “When you go out with a riskier approach, it is harder to predict the direct outcome. For example, even if you get a lot of attention, this might not convert into sales. On the other hand, you might offend a large majority of the general public. But if your objective was only to get a rather niche target group to connect even stronger with your brand, you might achieve your ROI by willingly upsetting larger audiences.”

He concluded by noting that the nuances between being witty or becoming a nuisance can sometimes be very narrow saying:

What works for some might upset others. That’s the reality for anything that goes beyond being straightforward – today, more than in the past. 

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Photographer captures moment of inspiration on Mount Washington

Photographer captures moment of inspiration on Mount Washington
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A photo that captured the moment a 21-year-old runner helped his 82-year-old mentor finish the Mount Washington Road Race is bringing some people to tears.Runners faced rain, cold and overall dreadful conditions during Saturday’s race.Around mile 7, hall-of-fame runner Ron Paquette, 82, of Maine was frozen, cramping and showing other signs of hypothermia setting in.Paquette is a mentor of fellow runner John McGinty, 21, had other plans.“It was maybe an hour after he had finished,” McGinty’s mother Laura Chadwick told WMUR. “So, he knew at that point Ron might be in trouble, so he headed back down the mountain.”McGinty found Paquette right before Paquette was ready to give up and started helping him up the mountain.Photographer Joe Viger was there and captured the moment of hope.“Out of the fog came John and Ron literally kind of with their arms wrapped around each other,” Viger said. Viger posted the photo on social media not knowing who the runners were, until McGinty’s mother came across the photo.“I know what my son looks like. I know his stance,” Chadwick said. “And you know, I could tell from the silhouette that it was wrong. And I zoomed in on it. And sure enough, as soon as I zoomed in and saw I just the tears just came.”That inspiration captured the attention of people online.“People are highs and lows and struggles and peaks and valleys and all those things and you see it and you get to witness it and hopefully capture it, and it’s always a gift when you do,” Viger said.McGinty and Paquette ended up running the last stretch of the race and crossed the finish line together.

A photo that captured the moment a 21-year-old runner helped his 82-year-old mentor finish the Mount Washington Road Race is bringing some people to tears.

Runners faced rain, cold and overall dreadful conditions during Saturday’s race.

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Around mile 7, hall-of-fame runner Ron Paquette, 82, of Maine was frozen, cramping and showing other signs of hypothermia setting in.

Paquette is a mentor of fellow runner John McGinty, 21, had other plans.

“It was maybe an hour after he had finished,” McGinty’s mother Laura Chadwick told WMUR. “So, he knew at that point Ron might be in trouble, so he headed back down the mountain.”

McGinty found Paquette right before Paquette was ready to give up and started helping him up the mountain.

Photographer Joe Viger was there and captured the moment of hope.

“Out of the fog came John and Ron literally kind of with their arms wrapped around each other,” Viger said.

Viger posted the photo on social media not knowing who the runners were, until McGinty’s mother came across the photo.

“I know what my son looks like. I know his stance,” Chadwick said. “And you know, I could tell from the silhouette that it was wrong. And I zoomed in on it. And sure enough, as soon as I zoomed in and saw I just the tears just came.”

That inspiration captured the attention of people online.

“People are highs and lows and struggles and peaks and valleys and all those things and you see it and you get to witness it and hopefully capture it, and it’s always a gift when you do,” Viger said.

McGinty and Paquette ended up running the last stretch of the race and crossed the finish line together.

The Art of Hyper-Personalization: Crafting Tailored Marketing Messages

The Art of Hyper-Personalization: Crafting Tailored Marketing Messages

In today’s fast-paced digital world, consumers are bombarded with countless marketing messages every day. To cut through the noise and make a lasting impression, businesses must embrace the art of hyper-personalization, crafting tailored marketing messages that resonate with their target audience on a deeper level. This approach goes beyond merely addressing customers by their first name; it involves leveraging data and insights to create highly relevant and engaging content that speaks directly to the individual’s needs, preferences, and interests.

The concept of hyper-personalization is not new, but recent advancements in technology have made it more accessible and effective than ever before. With the help of artificial intelligence (AI), machine learning, and big data analytics, marketers can now analyze vast amounts of information to uncover patterns and trends that can inform their messaging strategies. By understanding the unique characteristics and behaviors of their audience, businesses can develop targeted campaigns that drive higher engagement, conversion rates, and customer loyalty.

One of the key components of hyper-personalization is data. The more information a business has about its customers, the better equipped it is to create meaningful and relevant content. This data can come from various sources, including customer relationship management (CRM) systems, social media platforms, website analytics, and third-party data providers. By consolidating and analyzing this information, marketers can gain a comprehensive understanding of their audience’s demographics, online behaviors, and preferences.

Once a business has a solid foundation of customer data, it can begin to segment its audience into distinct groups based on shared characteristics. This process, known as audience segmentation, allows marketers to tailor their messaging to the specific needs and interests of each group. For example, a clothing retailer might segment its customers based on factors such as age, gender, location, and shopping habits. By doing so, the retailer can create targeted promotions and offers that are more likely to resonate with each segment, ultimately leading to higher conversion rates and customer satisfaction.

In addition to audience segmentation, businesses can also leverage AI and machine learning algorithms to predict customer behavior and preferences. These technologies can analyze historical data to identify patterns and trends that can inform future marketing strategies. For example, a streaming service might use machine learning to recommend personalized content based on a user’s viewing history and preferences. By providing tailored recommendations, the service can increase user engagement and satisfaction, ultimately driving customer retention and growth.

Another critical aspect of hyper-personalization is delivering the right message at the right time. To achieve this, businesses must have a deep understanding of their customers’ journey and the various touchpoints along the way. By mapping out the customer journey, marketers can identify key moments when personalized messaging can have the greatest impact. For example, a travel company might send a tailored email offering discounted flights to a customer who has recently searched for flights to a specific destination. By delivering relevant content at the right moment, the company can increase the likelihood of conversion and build a stronger relationship with the customer.

In conclusion, the art of hyper-personalization is an essential component of modern marketing strategies. By leveraging data, AI, and machine learning, businesses can craft tailored marketing messages that resonate with their target audience on a deeper level. By doing so, they can drive higher engagement, conversion rates, and customer loyalty, ultimately leading to long-term success in today’s competitive digital landscape. As technology continues to evolve, the possibilities for hyper-personalization will only grow, offering businesses new and innovative ways to connect with their customers and stand out from the crowd.