On Broadway paints the town

On Broadway paints the town

Third annual Mural and Busker Festival happening this weekend

With help from a committee of art community members, On Broadway will bring in an array of artists, representing a wide array of different backgrounds, ethnicities, genders, skill-levels and geographical locations, to add color and beauty to the Broadway District during the third annual Mural and Busker Festival. Submitted photos

By Janelle Fisher

City Pages Editor

A colorful crew of artists and performers will fill the streets of Green Bay’s Broadway District this weekend, June 17 and 18, to take part in On Broadway, Inc.’s Mural and Busker Festival.

The festival, which was put on for the first time in 2021, surrounds attendees with art as murals come to life on the walls and buskers — including jugglers, stilt walkers, human statues, aerial dancers and more — captivate audiences with their live performances.

A variety of buskers will perform throughout the festival, including jugglers, stilt walkers, human statues, aerial dancers, musicians, belly dancers, circus performers, poets and more.

“We are so excited to be hosting the Mural and Busker Festival for its third year. Each year we commission 10 murals in the Broadway District and fill the streets with buskers,” Brooke Hafs, director of marketing for On Broadway, Inc., said. “I believe the community has become more familiar with the term busker and is enjoying the concept. These street performers add an element of performance art to the event and help create an immersive experience that is everything art. Your senses are overloaded with talent when you walk through the district taking in sights, sounds and beauty all around you. This year we have a nice mix of buskers demonstrating a variety of skills and artistic abilities. You will find musicians, belly dancers, circus performers, poets and so much more. We have some returning performers and some new ones!”

In addition to being surrounded by art, Hafs said attendees of this year’s Mural and Busker Festival will also have an opportunity to participate in the art.

“There is a community mural this year. Heather Peterman will be leading this project on the barricades in front of The Fort at the Railyard construction site,” she said. “Heather is a three-time returning artist to this event. People can come out and help paint and learn!”

The community mural is not the only learning experience taking place at the festival, though, Hafs said.

“Also, SAGE is sponsoring a young artist (Aleesha Ocasio) to paint a mural behind Platten Place,” she said. “This is meant to be a mentorship-style project where the young artist will learn how to create a mural from start to finish.”

Ocasio, a Latinx artist and student at John Dewey Academy of Learning, will be the youngest contributor to the Mural and Busker Festival.

On Broadway has found that public art installations, including murals, are a large contibutor to the success of a downtown area and aid the organization in its goal to beautify the Broadway District and support the local art community.

Joining Ocasio to add color to the buildings of Broadway will be an array of artists from near and far, including Peter Koury, who already has one mural in the Broadway District; Erin LaBonte and Don Krumpos, the founders of Yonder, a creative space and storefront in Algoma; Andrey Kravtsov (KEY DETAIL), a New York-based artist with murals in Europe, Asia and across the U.S.; Matthew Mederer, a self-taught artist whose art has been utilized by brands such as Vans, and TV shows such as NBC’s Chicago P.D.; Pablo Riesco (Kalaka), a contemporary muralist with pieces in a large number of cities around the world; Sylvia Hecht, a nomadic artists who draws inspiration from her travels; Natasha Platt, a New York-based artist whose work is inspired by the color and rhythm of textile traditions, as well as her personal connection to nature and meditative states; John Kowalczyk, who oversees large-scale community and public art projects throughout the City of Milwaukee from his position as the artist in residence program director for Artists Working in Education; and Heather Peterman, a Midwest artist whose art has been on displayed at several venues around the greater Green Bay area.

“This year several artists are from out of state,” Hafs said. “On Broadway is supporting some local artists and bringing in talent from as far away as New York. We are excited to watch the artists interact and learn from one another. This event is a great networking opportunity for artists and the community to learn about art, different styles and more!”

Hafs said this year’s muralists were carefully selected by community members, taking into account a variety of factors before making a final decision.

“Our organization created a committee of members in the art community to assist with artist selection,” she said. “Each artist needs to apply with samples of their artwork. We aim to bring in artists of different backgrounds, ethnicities, genders, skill-levels and geographical locations.”

It was actually feedback from local artists, Hafs said, that prompted the inclusion of some less local artists in this year’s festival.

“We love supporting our local artists but also have received feedback that there is a lot of value in bringing in artists from outside of our area as well so we can bring a wide variety of art to our community,” she said. “It is fun to watch the artists interact and learn from one another.”

All of the artists participating in the Mural and Busker Festival are helping to work towards On Broadway’s goal to bring beauty, color and welcoming public spaces to Broadway.

“It is a big part of our mission to beautify the Broadway District with public art and to support our local art community,” Hafs said. “We have researched revitalization efforts in cities across the nation and we find that the implementation of public art is a large contributor to the success of a downtown area. Public art makes spaces feel safe, clean, and active.”

Helping to make public art, like the pieces created during the Mural and Busker Festival, are the various businesses which call the Broadway District home.

“We work closely with business and property owners who have an interest in beautifying the Broadway District with us,” Hafs said. “Most are very receptive and supportive of this festival and some even contribute financially to the artwork. It is a very collaborative effort and most people see the value in public art.”

Hafs said that as much as Broadway business and property owners support the cultivation of public art in the district, that public art has the potential to support them, too.

“We can transform spaces into places where people want to spend time and elongate their stay in our district, which will lead to them spending more money in our district. Our businesses will thrive and succeed if we create a dense and walkable downtown that is pleasing to the eye.”

The 10 murals commissioned for this year’s Mural and Busker Festival will add to the nearly 30 murals already on display within the Broadway District. A map of the Broadway District’s existing murals and public art installations and details about each piece can be found at downtowngreenbay.com/visit/publicart.

To learn more about the Mural and Busker Festival, including the locations of this year’s murals and buskers, visit downtowngreenbay.com/explore/broadway-events/mural-and-busker-festival.

Mantra’s Immense Butterfly Murals Flutter Across Buildings and Walls

Mantra’s Immense Butterfly Murals Flutter Across Buildings and Walls

Jackson, Michigan. All images © Mantra, shared with permission.

Seemingly floating atop vast brick exteriors and inside massive specimen boxes, enormous butterflies stretch their wings, casting a soft shadow on building facades. Now based on both sides of the Atlantic—Switzerland and Mexico City—French artist Mantra (previously) continues to lean into the passion, curiosity, and respect he harbors for nature. Pursuing his childhood dreams of becoming a naturalist, the artist’s signature take on exploring the Lepidoptera through freehand acrylic murals is monumental.

Mantra is inspired by insects’ seemingly effortless movements and motions that are, in actuality, incredibly complex. He explains to Colossal that “it is quite challenging to study a butterfly so closely that your presence will not disturb them. Their flight patterns are unpredictable, and they rarely spend much time resting on a leaf or flower. However, this is precisely what captivates me.” The artist has also had recent opportunities to affirm his artistic practice, such as accompanying a volunteer research program and census by the Cerro Prieto community inside the Monarch Butterfly Biosphere Reserve in Mexico.

As he works toward his first museum show in the United States projected to open next year, you can keep up with his work on his Instagram and website.

 

Large butterfly mural on the side of a building

Switzerland

Large butterfly mural on the side of a building

Mantra’s summer studio

Large butterfly mural on the side of a building

Italy

Large butterfly mural on the side of a building

Italy

Large butterfly mural on the side of a building

Spain

Large butterfly mural on the side of a building

Mantra’s studio

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Mantra’s Immense Butterfly Murals Flutter Across Buildings and Walls appeared first on Colossal.

Lord Rothschild: Art, gangsters and my giant sculpted cake

Lord Rothschild: Art, gangsters and my giant sculpted cake
As a vast wedding cake sculpture is unveiled on the lawn at his stately home Waddesdon Manor, Lord Rothschild, scion of the banking dynasty, tells Geordie Greig about his lifelong passion for collecting, and the time he saved Lucian Freud from the clutches of the Krays

Rivian Wants to Redesign EV Shopping Into an Inviting Space

Rivian Wants to Redesign EV Shopping Into an Inviting Space

“Disruptive” is thrown reflexively and regularly when discussing electric vehicles’ impact upon automotive manufacturing, fuel efficiency, mobility technologies, and ultimately how we drive. But alongside these developing changes, the public’s expectations related to the car shopping experience is also evolving, one veering away from the haggle and hassle of dealership-oriented car buying of yesteryear. The introduction of EV truck and SUV maker Rivian’s Spaces in New York City’s Meatpacking District is the first of several brick-and-mortar retail showrooms meant to connect with new EV buyers who want to casually get to know the brand, vehicles, and electric vehicle technologies all without the dreaded hard sell.

Interior of Rivian Spaces High Line, with wood shelves displaying Rivian branded accessories with three people browsing.

Interior of Rivian Spaces High Line, New York City with parked Rivian R1T and R1S parked inside.

Interior of Rivian Spaces High Line, New York City with parked Rivian R1T and SUV parked inside.

Interior of Rivian Spaces High Line, New York City with parked Rivian R1T truck parked inside with person seated on truck bed door swinging legs.

“Rivian Spaces are purposefully designed to be casual and inviting, where anyone who is curious is welcome to come in to learn more about us and our products,” said Denise Cherry, Senior Director of Facilities Design and Retail Development at Rivian. “We’ve peeled away the formality that can be associated with automotive retail and focused on creating a relaxed, family-friendly environment that invites guests to stay awhile and discover at their own pace.” That’s all a nice way of saying Rivian’s Spaces are imagined to be more like other retail experiences and less of the unwelcome persuasive spiel attached to today’s auto dealerships.

Render of Rivian NYC Space retail exterior.

A render for comparison. Located under the High Line in New York City, the product displays inside the New York City Spaces are made from diverted ocean-bound plastics from Rivian’s factory in Normal, Illinois while greenery throughout takes cues from the High Line which is just above the retail space.

Cherry emphasizes the difference between these Spaces and a traditional dealership is their “casual, warm atmosphere”, an environment expressed through their choices in materials, eclectic furnishings and interactive educational displays. “Through Spaces, we want to inspire people to imagine where they can go and what they can do in a Rivian.”

Additionally, reflective of Rivian’s environmental efforts in manufacturing their vehicles, so too will Spaces be designed with consideration of their footprint and impact. “For example, for our 10th Avenue Space in New York City, we intentionally minimized the structural buildout in favor of modular components that can be moved from site to site,” explains Cherry, “Future Spaces locations like Laguna Beach, CA and Groveland, CA, showcase adaptive reuse, breathing new life and purpose into existing structures.”

A converted movie theater in downtown Laguna Beach converted into the South Coast Rivian Spaces showroom with blue Rivian truck parked out front and sunset skies with clouds overhead.

Render of interior space for Rivian Spaces planned for Laguna Beach within former theater building.

Rivian is bringing in architectural experts to ensure historically-significant features of the historic South Coast theater were retained while updating the interior to contemporary energy, code, and accessibility standards.

Rivian Spaces will eventually roll out across the country in other markets, joining the company’s existing network of over two dozen service centers across the U.S. and Canada. These other new Spaces include a showroom housed within a converted movie theater in downtown Laguna Beach, California (above), and also an indoor-outdoor 10,000-square-foot site in Austin, Texas complete with a green space, rooftop patio with panoramic views of the city. Rivian emphasizes the architecture and interior design of each location will reflect their locale, including distinct furnishings within.

Rivian's Austin Space exterior painted black with colorful snake motif painted across it.

Rivian’s 10,000 sq. ft. Austin Space will offer direct access to the Ladybird Lake biking and running trail in the city’s South Congress district and a rooftop patio.

Render of future Space in Williamsburg, Brooklyn within brick building. Shown with open garage and Rivian truck parked inside.

Space in Williamsburg, Brooklyn

A render of cabin-like Rivian Spaces, a location of a former historic gas station, with Rivian trucks parked out front.

Rivian Space in Groveland, California – a gateway town to Yosemite National Park – is housed within a former historic gas station converted into a modern cabin design aligned with the brand’s modernist adventure lifestyle.

In numerous ways Rivian is steering the EV buyer closer to something akin to customers and the Apple Store, wooing potential customers into uniquely designed retail destinations showcasing product to try without the hovering pressure to buy, emphasizing product-focused experiences and education rather than immediate sales. While nothing is guaranteed, we’re apt to predict the future of buying your next car will become nearly as easy as buying an iPhone one day – albeit a bit more expensive.

The first Rivian Space opens today, June 16th, at 60 10th Avenue in New York City’s Meatpacking District, with additional locations TBD.

Gregory Han is the Managing Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Five on Photography

Five on Photography

An Organic Image

image
Currituck Window – 2021, Canon EOS R

image
James Neihouse, ASC

I was on a trip to photograph lighthouses on the Outer Banks of North Carolina and ended up at the Currituck Beach lighthouse earlier than I wanted for the light, so I decided to climb up to the lantern room to check out the view. I was mesmerized by the spiral stairs and spent most of my time shooting inside the structure. For this image, I knew I had to carefully balance my exposure to retain some detail outside the window, so I picked a window that was mostly looking out at the green foliage.

For my still work, I shoot with a variety of Canon cameras: EOS-1D X for high-speed continuous shooting, the EOS 5DS R for its 50-megapixel resolution, and the EOS R for its small and light form factor. Most of my still photography is done with Canon glass. I like the way it looks with their sensors. The sharpness and contrast of their lenses, combined with the dynamic range of the sensor, just seem to fit the way I shoot. I feel that I get a more organic, filmlike image. I have a variety of focal lengths, from full-frame fisheye to 800mm. For some landscapes, I’ll use a tilt-shift lens. For the photo shown here, I used an EF 8-15mm f/4L Fisheye USM.

Mostly, I shoot around f/8 to f/11 for landscapes and do a lot of focus stacking. I use several different filters, all Tiffen, including a polarizer to reduce haze and control glare, a 3-stop graduated ND to control skies in my landscapes and the foreground during long nighttime exposures, and 4- and 10-stop NDs for long daylight exposures. With wildlife, I try to shoot a tight stop — f/16 to f/22 — for the increased depth of field, which means I have to shoot at higher ISOs than I normally do to get a faster shutter speed for controlling motion blur. I use Topaz Labs’ DeNoise AI on those images.

What I’m shooting determines my configuration. I use long lenses with the 1D X when photographing wildlife, and work off a Really Right Stuff tripod with an FG-02 gimbal head. For landscapes, I primarily shoot with the 5DS R and treat it like a view camera. I use a Hoodman loupe magnifier on the rear display screen to help me set critical focus.

I almost never use automatic functions on a camera — which, I guess, is a throwback to my film days — though I do use autofocus and find Canon cameras to be very accurate in this regard. ISO is almost always at the native for the camera I’m using, and I always shoot raw images, with the least amount of compression, because I want the best “negative” to work with in post.

Celebrating a local Sculpture Exhibition in Port Augusta

Celebrating a local Sculpture Exhibition in Port Augusta
We partnered with the local Port Augusta City Council to support a Sculpture Exhibition, in the local area close to the Bungala Solar Farm. The Exhibition celebrates the theme of “Solar & Sun – Harnessing Natural Resources”, with sculptures made from at least 50% raw or recycled materials. Learn about our approach to ‘Creating Shared Value’ and how this initiative acted as opportunity to promote sustainability within the local community and increase local tourism in the area.

Porventura Invites You To Play in Their Sandbox

Porventura Invites You To Play in Their Sandbox

Remember when playing in the sandbox was fun as a kid? Adulthood often leaves play in the rear view mirror but this Sandbox brings it back in the form of a playful storage cabinet. Designed by Tel Aviv-based Roee Magdassi for Portuguese brand Porventura, Sandbox is a modular shelf design comprising an oak wood box and a series of geometric components the user can arrange for their own storage, and aesthetic, needs.

The square shelf, which is elevated on black steel legs, acts as the container to hold all of the colorful pieces. The components, which are a mix of boxes and blocks, come in a series of shapes, sizes, and colors that can be rearranged into endless configurations to hold your most favorite items all while looking like a playful interactive puzzle. Fill it up or leave it sparse as more of an art piece – either way, it would be fun to have.

angled view of modular storage shelf with colorful geometric boxes inside with red lamp on top

closeup partial view of modular storage shelf with colorful geometric boxes inside with red lamp on top

angled view of modular storage shelf with colorful geometric boxes inside

closeup angled view of modular storage shelf with colorful geometric boxes inside

partial view of modular storage shelf with colorful geometric boxes inside

slight angled view of modular storage shelf with colorful geometric boxes inside

modular storage shelf with colorful geometric boxes inside

modular storage shelf with colorful geometric boxes inside

partial corner view of modular storage shelf with colorful geometric boxes inside

modular storage shelf with colorful geometric boxes inside

modular storage shelf with colorful geometric boxes inside

modular storage shelf with colorful geometric boxes inside

modern living room with modular storage shelf with colorful geometric boxes inside

To learn more about Sandbox, visit porventura.pt.

Caroline Williamson is Editor-in-Chief of Design Milk. She has a BFA in photography from SCAD and can usually be found searching for vintage wares, doing New York Times crossword puzzles in pen, or reworking playlists on Spotify.

31-year-old’s dog grooming business brings in $1.3 million a year: ‘I came to the U.S. with two scissors and a clipper’

31-year-old’s dog grooming business brings in $1.3 million a year: ‘I came to the U.S. with two scissors and a clipper’

Gabriel Feitosa has a knack for turning animals into art.

At his grooming salon in San Diego, anything is possible: Bernedoodles become giraffes and poodles become Pokémon.

Feitosa, a native of São Paulo, Brazil, opened Gabriel Feitosa Grooming Salon in 2018, capitalizing on a $1.3 billion global pet grooming market

Feitosa and his 10 employees groom about 20 dogs a day, and at least 500 per month, the 31-year-old tells CNBC Make It. But many of the animals he works with don’t just get a haircut — they get a full makeover. 

As a dog grooming artist, Feitosa combines traditional grooming techniques with unique designs, and uses vegan, pet-friendly dyes. His larger-than-life creations have amassed a cult social media following, with over 2 million followers on TikTok and 400,000 on Instagram. 

The intricate designs can take between 3 and 5 hours to complete, including food and bathroom breaks for the pup, and cost anywhere from $500 to $1,200. In a typical week, Feitosa works between 40 and 50 hours. 

The salon brought in about $1.2 million last year, according to tax documents reviewed by CNBC Make It. Feitosa earned another $125,500 in 2022 for brand deals and sponsorships. 

“This salon is a dream for me,” says Feitosa. “I came to the U.S. with two scissors and a clipper, and now I have a place where I feel like an artist and show the world that this career is possible.”

Finding career inspiration while running an errand

Feitosa’s dog grooming career began when he was 12. 

Feitosa would take his sister’s dog, Icaro, to the local groomer in São Paulo whenever he needed a bath and a haircut. 

Little did he know these trips to the groomer would jumpstart a fulfilling career of his own. Feitosa was fascinated watching the groomer bathe, cut and spruce up the dogs. 

“I thought, ‘Wow, this lady gets to play with dogs all day and make money?'” he says. “I just got obsessed.”

Feitosa was eager to learn more, so he asked the groomer to teach him how to wash dogs. Soon, he started working at the shop after school. 

He left high school right before graduating to pursue dog grooming as his full-time career, working at the salon and teaching dog grooming at a vocational school based on his real-world learnings. Pet grooming does not require specialized education or certification, and Feitosa says he did not complete a formal education program.

From artist to entrepreneur 

Shortly after he turned 23, Feitosa was offered a grooming internship with a dog breeder in Sacramento, Calif. and moved to the U.S.

He spent the next three years working with groomers and dog shows around the U.S. as part of the internship before settling in San Diego with his then-husband in 2017. 

In San Diego, Feitosa got a part-time job as a dog groomer for a small salon with a pet boutique and bakery in the front. He took on a second part-time gig assisting a poodle breeder to make ends meet. 

Several months later, Feitosa’s boss approached him with a deal: She would sell him her grooming business, which included all of the equipment in the shop, as well as her client list, for about $40,000. He would also have to pay the $1,100 monthly rent for the space.

Feitosa took the offer and grew his grooming business in the back of the building while his former boss ran the pet boutique and bakery in the front.

Feitosa says it was challenging to balance his artistic pursuits with the responsibilities of being a business owner.

Photo: Tasia Jensen

But having the freedom to experiment with designs trumped the headaches of running the shop, like renovating the space and managing employees.

“Sometimes, you need to take a leap of faith not knowing if it’s going to work out,” he says. “But I was excited to create a safe space where people — and their dogs — could feel good, and I could do what I love.” 

The salon shut down for two months at the start of the Covid-19 pandemic, but was deemed an essential business and allowed to re-open in May 2020.

That same month, Feitosa’s former boss retired, and he took over the lease for the entire ground floor of the building.

He received a small business loan of about $60,000 from the government, which helped cover the costs of renovating the space and hiring additional help. 

‘It brings so much joy to people’

In 2021, Feitosa was cast on “Pooch Perfect,” a competition TV show for dog grooming artists on ABC, where he was a finalist. 

That opportunity helped him grow his social media following and business. Feitosa says people have flown in from other states just to bring their dogs into his salon.

He’s transformed shelter pets waiting to be adopted, family pets and therapy dogs that work in hospitals. 

“The designs might seem fancy and unnecessary, but the amount of smiles you put on people’s faces by walking by with a dog in one of these designs is an unforgettable experience,” he says. “It brings so much joy to people.”

Looking ahead, Feitosa hopes to open a second grooming salon in Los Angeles and host his own dog grooming TV show. He thinks his 12-year-old self would be proud of where he ended up. 

“I’ve learned that success is a consequence of following your passion and your purpose,” says Feitosa. “If grooming dogs is the most random thing, but that’s what you love doing and you do it to the fullest and hardest you can … why can’t you achieve wealth and success?”

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