Photography: 12 Rules for 12 months

Photography: 12 Rules for 12 months

Last week we went through 10 tips for amateur photographers. This week I will add to the professionals’ tips by suggesting 12 rules for 12 months. These came from a similar article I wrote 20 years ago, and all of them are still very important if you want to continue to improve.

In no particular order, by following these “rules” you will improve your picture taking.

  1. 1. Shoot more
  2. 2. Walk closer
  3. 3. Use the focus lock
  4. 4. Buy a tripod
  5. 5. Have more than one memory stick
  6. 6. Make enlargements of your better prints
  7. 7. Use different formats
  8. 8. Use a polarizing filter
  9. 9. Carry your camera with you
  10. 10. Use the flash during the day
  11. 11. Develop a project
  12. 12. Change the batteries

Let’s expand on these somewhat. Shooting more images – photography, like any sport, recreation or pursuit is something where the more you do it and practice it, the better you get. That just means shooting more and improve by doing. Capturing an image is really the cheapest part of photography, especially when you compare it to the purchase price of a half decent camera. Shoot more!

The one major fault in most amateur photographs is taking the shot from too far away. The “hero” becomes so small in the final image that is it no longer the hero. Make the subject the “hero” and walk in several meters closer to make the hero fill the frame. Don’t be lazy and use the zoom instead of walking closer.

With modern auto-focus cameras the most obvious focussing problem is where the subject is off-center. The magic electronic eye doesn’t know this and focuses on the center being background, leaving your close-up subject soft and blurry. Focus on the subject and keep your finger depressed on the focus lock while arranging the shot.

Tripods we covered recently, but one of these will expand your picture taking no end. Get a good quality sturdy tripod, not one of the cheap aluminium ones.

Memory sticks/cards, always have one in the camera and another safely in the camera bag. Trying to delete images on the fly is not the way to winning pictures.

Another thing to keep your interest going and give you pride in your work is to make some enlargements of your better photos. At around 100 baht for most places, this is very cheap and enlargements do make good presents at Xmas time too.

We all get lazy and it is too easy to end up just taking every picture in the horizontal (landscape) format. Always take two shots of each subject – one in the horizontal format and the other in the vertical. You can get some surprising results that way. Don’t be lazy – do it every time!

With color photography, which covers about 99.99 percent of most people’s pictures these days, the one major factor to give your skies and seas and scenery some color oomph is the use of a polarizing filter. Get one and use it.

You will always miss some “classic” shots and regret it later, but you certainly will never get them if you don’t have a camera with you. With so many incredible sights around Pattaya you should be photographically ready at all times!

To give your daytime shots some extra sparkle, use “fill-in” flash. Most new cameras have a little setting that will do this automatically for you – even with point and shooters. If you haven’t, then spend some time learning how to do it. It’s worth it when you see the results you get.

To give yourself the impetus to go out and take photos, develop a project and spend your leisure time building up the images. It can be flowers or fashion, cars or canaries, but fix on something and follow it through. It’s worth it, just for the fact that it makes you become an “enquiring” photographer.

Finally, every year at the end of December, give the camera a birthday by buying it some new batteries. You won’t have a problem damaging the sensitive innards with neglected battery acid and the camera’s light metering system will work correctly every time. Cheap insurance.

Exquisite Porcelain Figures by Vipoo Srivilasa Express the Ineffable Nature of Beauty and Connection

Exquisite Porcelain Figures by Vipoo Srivilasa Express the Ineffable Nature of Beauty and Connection

Left: “My Fabulous Self” (2023), porcelain with cobalt pigment and gold luster, 37 x 22 x 12 centimeters. Center: “Free As An Independence Bird” (2023), porcelain with cobalt pigment and gold luster, 38 x 23 x 12 centimeters. Right: “You Make Me Happy” (2023), porcelain with cobalt pigment and gold luster, 38 x 20 x 10 centimeters. All images © Vipoo Srivilasa, courtesy of Edwina Corlette, shared with permission

Flowers in gold luster and cobalt, small portraits of mythical creatures with feathers and polka dots, and various geometric motifs embellish Vipoo Srivilasa’s porcelain figures, which celebrate abundance and joy through opulent details. On view now at Edwina Corlette in the artist’s solo show Solitude and Connection, the sculptures are otherworldly in form as they meld human anatomy with flora and fauna, exploring “the diverse ways in which love takes shape.”

Born and raised in Thailand and now based in Melbourne, Srivilasa often explores how these two cultures overlap and diverge and what it means to occupy the space in between. Most figures in this recent menagerie hold two fingers in the air, a hand gesture with widely varied meanings depending on the location and context.

Evoking the divine and interconnected forces, the collection also references the unearthly features of deities, profuse growth, and the pleasure derived through simplicity. “Like a diverse array of flowers, love permeates various relationships, encompassing friendships, familial bonds, and the profound connection with nature,” the artist shares. “These relationships, like vibrant petals in a vast garden, remind us that love knows no boundaries or limitations.”

Solitude and Connection is on view through July 4. Find more of Srivilasa’s works and glimpses into his studio and process on his site and Instagram.

 

Three sculptural figures in glazed porcelain, all three are different heights, with floral details on their bodies. Each is holding up their fingers in a peace sign

“Enduring Unity” (2023), glazed porcelain and gold luster

A figure holding up their gold hands with two head-like features and a polka dotted and striped garment

Back of “You Make Me Happy” (2023), porcelain with cobalt pigment and gold luster, 38 x 20 x 10 centimeters

A porcelain figure with a snake in cobalt on its belly, holding up peace signs, with a smaller feathered figure with pointy ears on its head

“I Dream of Three Snakes and None of Them Are My History” (2023), porcelain with cobalt pigment and gold luster, 48 x 23 x 11 centimeters

A porcelain figure with flowers on its body and two head like characters holds up its arms. Its palms have yin yang symbols on them

“Harmonising Souls in Sweet Symphony” (2023), porcelain with cobalt pigment and gold luster, 37 x 22 x 12 centimeters

the back of a small porcelain figure with flowers on its body and its hands holding up the peace sign

Back of “Enduring Unity 2/3” (2023), glazed porcelain and gold luster, 26 x 21 x 12 centimeters

A porcelain figure with pants and a garment covered in flowers in blu and gold stands with as smaller smiling figure on its head and holding up its hands in two peace signs

“Self-partnered” (2023), porcelain with cobalt pigment and gold luster, 38 x 22 x 12 centimeters

A figure with flowers on its pants and top holding up its hands in peace signs, with a smaller, feathered figure with pointy ears resting on its shoulders

Back of “Free As An Independence Bird” (2023), porcelain with cobalt pigment and gold luster, 38 x 23 x 12 centimeters

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Exquisite Porcelain Figures by Vipoo Srivilasa Express the Ineffable Nature of Beauty and Connection appeared first on Colossal.

7 Invaluable Accessories for Wedding Photography

7 Invaluable Accessories for Wedding Photography

Let’s talk about gear, I know some of you are obsessed with it and the act of photography is just an excuse for acquiring more gear. I can kind of relate because chips are just delivery devices for salsas. But for me, it’s actually the other way around, photography gear is all about making my job easier so that I can do it better, anything else is just in the way.

Especially on the wedding day when you have a million things to think about and a hundred once-in-a-lifetime moments that you can’t miss, it’s imperative that your photography gear makes your life easier.

I’m going to walk through some of my favorite accessories for wedding photography. You might see some crossover between these and my favorite accessories for outdoor and adventure photography. After all, the only thing better than gear that makes my job easier is gear that serves multiple purposes.

1. Spider Holster and Removable Camera Strap

Image: Spider Holster

One of the most helpful pieces of gear is my Spider Holster. As we started shooting weddings I quickly learned how impactful photography is on my body. Anything that helps me have better body mechanics is essential.

You’re walking around on the wedding day and you might need to set your camera down to put up a light stand or position some flowers. Or you need to be able to dig in your bag for a lens or a fresh battery. Essentially, even if you think you’re going to hold your camera all day you actually need to be able to be hands-free sometimes too.

A camera strap around my neck never felt right. A camera hanging from my hip feels a lot better. I still might have a camera strap during times of the day when I’m shooting two cameras or when I’m in a precarious situation (i.e. near a lake or cliff) but the rest of the time the weight of my camera hangs from my hip, not my neck.

2. Lightweight and Compact Tripod

We don’t need a tripod that often but it’s really nice to have the option, especially for night portraits. Since it doesn’t get used a lot, for me it needs to be lightweight and compact. I also appreciate it if it’s easy to use in the dark and possibly even the cold since a lot of the time we’re using it for star photos.

If you do opt to get a super lightweight tripod, I recommend you weigh it down with a backpack or other heavy object to make it more stable. Adding a few pounds to the center column hook will keep your camera steady to create tack-sharp images with slow shutter speeds.

3. Drone

Talk about making our job easier. Now, my husband Marc’s the drone pilot, not me, so I feel a little unfair saying this but it seems like drone footage is the easiest way to get the most dramatic footage. We can climb a tree, scale a mountain, or stand in a river to get the shot and it still doesn’t compare to the impact of seeing things from the POV, point of view, of the drone.

The trick with drones and wedding photography is that you don’t want to disrupt the ceremony with a loud buzzing noise. You also have to ensure that you can legally fly at the venue. We mostly use the drone for unique scene-setting shots or couples portraits but we’ve also used it to get a unique perspective on the first dance.

On a wedding day, we move light and fast so stopping to fly the drone isn’t always the best use of time. However, any time we’ve captured some unique angles for our couples they’ve appreciated and remembered it. It’s definitely a great addition to a wedding photography gear list.

4. Field Pouch or Fanny Pack

As I just mentioned, it’s important to be able to move quickly and efficiently on a wedding day. There are also tight aisles that you can’t work your way through with a big camera bag on your back. It’s important to be able to move lightly while still having access to everything I need.

We use the Peak Design field pouches but there are probably a lot of other great options out there now that the fanny pack is back in style. I need something to hold spare batteries, filters, a lens cloth, and my notes with things like the family picture list. That way I can set my backpack somewhere but still be completely functional during the ceremony.

On a rare occasion, I’ll stash an extra lens in this bag but only the most compact mirrorless lenses will fit safely. If you need to carry an extra lens, I recommend getting a separate lens pouch (also available from Peak Design) or getting a bigger waist bag.

5. Accessory Pouch, Card Wallet, Battery Bags

Accessories are more helpful if you know where to find them. Therefore, having an accessory pouch for all your miscellaneous items is super helpful. Most of the time I don’t need an Allen wrench but when I do need it I better know exactly where it is.

Similarly, at the end of a wedding night, it’s helpful to have a plan for what we’re going to do with all those dead batteries and full memory cards. We put dead batteries in a red sack and full batteries in a green sack so that we know what needs to be charged when we get home. Our cameras all have dual card slots so one card is taken out and put into a card wallet that we keep on us at all times until we import the photos as soon as we get home.

This organization saves us from making any irreversible mistakes after a long work day. It’s late, we’re physically exhausted and emotionally drained, it’s helpful to have a system for ending the day in a way that makes us ready for tomorrow.

6. Backpack

All of your wedding photography gear needs to be accessible if it’s going to be helpful which is where a solid backpack comes in. We have grown partial to the Shimoda Designs packs which are both functional and durable. They are made with waterproof material and offer back panel access to your camera gear which is perfect since it might rain on your wedding day.

Image: Shimoda Designs

People that work at more indoor-style venues might prefer a rolling bag or a Pelican case. It’s all about finding the bag that works for you and your style!

7. Headlamp

A headlamp is a key wedding photography accessory for the end of the night when the dance floor is dark but you’re trying to find a fresh battery or pack up your gear to go home. It’s also great for night portraits and star photos so that you can see your subject or your camera.

I strongly recommend getting one that is rechargeable and has a variable brightness so that you can use it as a video light if needed. We’ve filmed first dances illuminated by the spotlight of a headlamp.

Summary

Gear is fun, sure. It’s cool and flashy. But more importantly, as you’ve seen by my descriptions, it can make or break a wedding day. I can’t afford to be weighed down by gear that doesn’t pull its own weight but some accessories do more than their share.

The smallest thing like a red stuff sack for dead batteries can save a huge headache. Having an ergonomic way to carry your camera can save a backache. The reality of a wedding is that you have to be prepared for any situation but it’s also nice to not be overly reliant on all the things.

Hopefully, you found something on this list that will make your life easier and your photos better. What did I miss? What’s on your must-have list?


About the author: Brenda Bergreen is a Colorado wedding photographer, videographer, yoga teacher, and writer who works alongside her husband at Bergreen Photography. With their mission and mantra “love. adventurously.” they are dedicated to telling adventurous stories in beautiful places.

Winners of the 2023 BigPicture Natural World Photography Competition

Winners of the 2023 BigPicture Natural World Photography Competition
image

Entrants in this year’s contest—now in its tenth year—were invited to submit images showcasing life on Earth, and illustrating some of the many threats that our planet faces. These images originally appeared in bioGraphic, an online magazine about nature and regeneration and the official media sponsor for the California Academy of Sciences’ BigPicture Natural World Photography Competition. The organizers were once again kind enough to share some of the winners and finalists here. The captions were written by the bioGraphic editorial staff and edited for style.

Local artists’ sublime skills shine in ‘Treasure Coast Creates’

Local artists’ sublime skills shine in ‘Treasure Coast Creates’

The extraordinary talents of area artists are on full display at the Vero Beach Museum of Art in the juried fine art exhibition Treasure Coast Creates: A Tribute to Local Artists, on view through Sept. 3.

“This show stemmed from the immense popularity of Vero Collects, which we did last winter. And, as a result of seeing the level of talent that we have within our artistic community, there was this really strong feeling that we wanted to showcase that talent,” says Sophie Bentham-Wood, VBMA director of marketing and communications.

“It’s not going to be the first show of its kind. This is the beginning of a continued relationship and connection with our very lively artist community.”

The application process, which began in September, was extended to Indian River, Martin and St. Lucie county residents, and to museum members.

Ellen Roberts, the former senior curator of American Art at the Norton Museum of Art, was given the daunting task of choosing from more than 800 pieces submitted (only one per artist was selected).

“They asked me to pick 100, but they were such a strong group that we added 35. It was difficult to choose,” said Roberts. “I particularly am impressed by the great talent of this community in all of these different media.”

The hanging of the show came at a transitional time for Anke Van Wagenberg, then VBMA senior curator. Van Wagenberg was appointed effective June 1 to replace Roberts in an expanded capacity at the Norton as senior curator of American and European Art.

To best display the diversity of the works, Van Wagenberg and her curatorial staff hung the show in sections, categorized as cityscape, landscape and seascape; abstract; figurative; and photography; with sculpture, ceramic and other 3D pieces disbursed throughout the galleries.

“It’s a really nice mix. And I think they did a really nice job of grouping the pieces. It could feel very much disjointed, because there are so many different media, but because they chose to organize it by these different sections, it works better,” says Roberts.

Roberts conducted the juried process remotely, and judged the works the evening before the show’s opening reception on May 26, when winners were announced.

The show was judged in its entirety, as opposed to mediums, due to the diversity of works, from sculpture and paintings to drawings, photography and mixed media.

“They asked me to choose first, second and third prize overall. But I thought, it’s such a strong group, let’s choose some honorable mentions as well. So there’s also seven honorable mentions,” Roberts explains.

First Place was awarded to Jensen Beach artist Eduardo Gomez Rojas for “Mountain of Grief,” an exquisitely carved marble sculpture that clearly emotes sadness despite its beauty.

“There’s some great sculpture in the show, which is impressive to me, because these are very hard media to work with. I think this artist is very talented in terms of the ability to carve marble, which is very difficult, and also to convey this emotion just through this posture,” says Roberts.

Second Place was awarded to Danielle Deptula Pokrandt, a Vero Beach Art Club member, for “Fentanyl,” a thought-provoking mixed media artwork.

“This one is just very dark, about the fentanyl opioid epidemic, but I think it’s very powerful. To me they look like tombstones, but it’s like you’re looking through an arcade at this landscape. And, when you look closely, these are maps of certain places,” says Roberts, referencing the area behind each tombstone.

“I feel like the opioid epidemic is so much worse in certain places, so it’s kind of a nice way to highlight that whole aspect of it.”

Third Place was awarded to Torenzo Gann of Martin County for his acrylic painting “Breakthrough.”

“I love this one also. The artist has written a haiku about it, which I think helps you kind of see what they’re thinking about in terms of emerging from the ashes,” says Roberts of the haiku:

‘Out of the Ashes
After the Raging Battles
The Victor Rises’

“But also, it just says acrylic, but there’s a thickness to it and holes, so the surface is very interesting,” says Roberts.

Honorable Mentions were awarded to the following seven artists.

Dennis Bartholomew of Vero Beach received one for “Conflict,” a striking bronze sculpture of conjoined faces.

“I think this is a very strong sculpture,” says Roberts. “I love the fact that these two people in conflict are so close to each other. It kind of makes you realize how personal conflict is.

And the way he’s kind of distorted the forms of their faces really conveys that very effectively.”

Lawrence Behunek of Vero Beach received it for his mixed polymer abstraction “Boundaries.”

“I honestly had not realized until I saw it in person that it’s two different canvasses, immediately right next to each other. It’s called ‘Boundaries’ and it makes you really think about boundaries,” says Roberts.

“I love the fact that the two sides of it are so different, yet some elements have crossed into both sides, so it’s almost like a permeable boundary. Then you start thinking about, are any boundaries actually absolute?”

Bill Brody of Port St. Lucie received one for his woodcut “Begguyya.”

“I love this one. The title is a native Alaskan word, and it is the name of the mountain chain in Alaska. I love the way he’s used this woodcut medium to really kind of emphasize the dynamism of that landscape. It looks like it’s alive, to me,” says Roberts.

“Leaf Bird,” a mythical bird mélange drawn with Mars Lumograph pencil, earned one for Nancy Baur Dillen of Melbourne.

“This is kind of crazy. The artist is so talented in rendering these leaves and the bird’s feet.

It’s such a weird but fascinating piece. It’s a drawing but it packs a big punch,” says Roberts.

Israel Guevara of Port St. Lucie received it for “Abacu,” a colorful multi-piece installation featuring four rows of 10 acrylic works on wood, that greets viewers as they enter the Holmes Gallery. Bentham-Wood notes that the pieces were installed exactly to the artist’s specifications.

“I really love this piece,” comments Roberts. “It’s so interesting because of how it looks so different from all the different angles. I love the way it changes as you move around and the way the shadows become part of it.”

Vero Beach photographer Nicole Leiner received one for her whimsical “Sunny Side Up,” showcasing the head of a woman resting on plate, a sunny side up egg plastered to her cheek.

“I love, love this photograph. It just makes me laugh, because I feel like that’s how we all feel in the morning. We’re trying to be optimistic that it’s going to be a sunny side up day and instead you just want to go back to bed,” says Roberts.

Vero Beach artist Lori Rowe received it for her radiant oil painting “Summer Breeze.”

“I love the brilliant colors in this one. To me it kind of throbs, in an amazing way, just all the layers” says Roberts. “When you look at it, it seems very static at first glance, but it’s actually not. I think partially because the colors are so vibrant and also the lines are not quite straight. So it kind of gives you that throbbing sense of South Florida.”

“It really is a beautiful show,” says Roberts.

For more information, visit VBMuseum.org, where a full list of the show’s artists is available.

Photos by Joshua Kodis

Picture perfect: Winter Park hosting nature photography contest

Picture perfect: Winter Park hosting nature photography contest

WINTER PARK, Fla. — Winter Park is challenging you to capture the city’s non-invasive plants and wildlife in its city parks and green spaces.

The city is hosting a photography contest starting Thursday, which happens to be National Nature Photography Day.

>>> STREAM CHANNEL 9 EYEWITNESS NEWS LIVE <<<

To participate in the inaugural Nature Photography Contest, photos must be taken in public parks and spaces within Winter Park city boundaries.

The city said the goal is to promote the city’s natural beauty.

Read: Happening today: Winter Park asks for input on ‘smart city’ initiatives

You can click here for more information and to submit your photos.

Click here to download the free WFTV news and weather apps, click here to download the WFTV Now app for your smart TV and click here to stream Channel 9 Eyewitness News live.

Samsung New Bespoke Family Hub Refrigerator Doubles Down on Screen Size

Samsung New Bespoke Family Hub Refrigerator Doubles Down on Screen Size

The earliest versions of Samsung’s Family Hub refrigerators offered what many considered little more than a tablet inset into a refrigerator door experience. But remember, Samsung is the same company that lead the charge with super-sizing phones, nearly single-handedly creating the market for large screen mobile devices known then as “phablets.” No surprise Samsung is taking a similar committed route within the kitchen, maximizing their smart home dashboard and SmartThings ecosystem to an impressive extreme.

The new Samsung Bespoke 4-Door Flex Refrigerator with Family Hub+ is a smart home enabled appliance outfitted with an enormous 32-inch, bezel-less, full-HD screen designed to assist in everyday tasks: following recipes, scheduling/planning, monitoring myriad of smart home controls, or even just catching up on some streaming programming.

Samsung’s newest Family Hub+ powered fridge doubles the screen size of their previous model; it’s now nearly as large as one of the refrigerator doors. With support for Google Photos, users won’t have to clutter their fridge with paper and magnets.

New Samsung Bespoke refrigerator with 32-inch screen on left upper door staged in a contemporary kitchen setting with blue cabinetry.

Like other Samsung Bespoke refrigerators, this new Family Hub+ model will eventually allow customization of color and finishes to match the rest of your kitchen. Bespoke Family Hub+ is available in full depth ($4,999) and counter depth ($5,099) models.

Over the span of eight iterations Samsung has committed to making their line of Family Hub technology enhanced smart refrigerators a standard in the evolution of kitchen appliances, integrating ever larger and more capable app-powered displays right into the refrigerator doors.

Large open contemporary kitchen with marble backsplash, herringbone pattern wood flooring, and counters and green-gray cabinetry, with Samsung Bespoke refrigerator inset into cabinetry to the left.

One benefit of this much larger fridge screen is the option to check the contents within without even opening the door. Built-in AI cameras inside allow a peek inside to determine if you should even bother opening the fridge or get working on a new grocery list.

If you already bring a tablet or phone into the kitchen to view recipes, text friends/family, or stream content while cooking or eating, the utility of a 32-inch screen is going to be obvious. Daily tasks like meal planning, creating shopping lists, viewing family calendars, and monitoring connected smart home devices are made more easily accessible and legible. Samsung has integrated 190 Samsung TV Plus free channels to watch from the refrigerator screen (albeit with a vertical aspect ratio), with picture-in-picture (PIP) viewing as an option – such is the benefit of a screen nearly as large as a small 4K television nearly stretching the entire expanse of one of the fridge doors.

Detail shot of the Beverage Center, a hidden interior water dispenser and AutoFill Water Pitcher.

The sleek front of the fridge hides behind one of its doors a hidden interior water dispenser and AutoFill Water Pitcher, complemented by a Dual Auto Ice Maker offering both cubed ice or smaller bite-sized cubes.

Of course the benefits of this latest, or any of the Bespoke Family Hub+ powered refrigerators, is magnified if you’re already invested in Samsung’s own SmartThings ecosystem. Samsung hopes to entice users to buy into their whole range of connected devices – from Galaxy phones, to washers and dryers, smart watches, and this fridge. But even sans that degree of brand/app loyalty, the convenience and options proposed by a built-in 32-inch display is undeniably a unique proposition, one that may warrant reconsideration of what a fridge is capable of offering beyond what the appliances have always done.

The new Samsung Bespoke 4-Door Flex Refrigerator with Family Hub+ is available now for $4999 for Full Depth and $5099 for Counter Depth.

This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

Gregory Han is the Managing Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Photography + Review: City and Colour

Photography + Review: City and Colour

Posted: 19th May, 2023 by The Editor

City and Colour kicked off the summer on a high note by filling out venues across the country where Dallas Green and his accompanying band brought his latest album The Love Still Held Me Near to life. City and Colour took the stage around 9pm and kept the audience captivated for the entirety of their set.  Starting with “Meant to Be” from his latest album, he had the crowd singing along in no time. Between songs, audience members could be heard shouting endless adornments to which Dallas replied “Boston always yells the loudest”. Though this tour was promoting his latest album, Dallas didn’t shy away from playing the earlier songs that fans fell in love with such as “Little Hell” and “Hello, I’m In Delaware”. Before starting “We Found Each Other In the Dark”, a speech was given about how we no longer connect with people who see the world differently than us and that if we agreed with that ideology, the “exit signs are behind us”. After powering through a 14 song setlist, City and Colour exited the stage before returning for a four song encore. Included in this encore was a rendition of Alexisonfire’s “This Could Be Anywhere in the World” that satiated the fans calling out Dallas’ other work at random throughout the night. This was a remarkable performance on all fronts and we encourage everyone to see City and Colour on their next tour. Our photographer Kyle was at the Boston date to capture the night and you can check out his pictures below.


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Kyle Musser//


How Real Estate Photographers Can Use AI: Virual Staging AI App

How Real Estate Photographers Can Use AI: Virual Staging AI App

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