Good Counsel art finding new homes at sales

Good Counsel art finding new homes at sales

Art adorned the walls on Good Counsel for decades, said Sister Mary Kay Gosch, and a Friday sale on the hill was about finding homes where the pieces can continue to be appreciated.

The School Sisters of Notre Dame’s transition from Mankato to Shakopee prompted the art sale, which will continue from 9 a.m.-4 p.m. Saturday.

The vast collection up for sale includes paintings, photographs, religious symbols and more that the School Sisters created, collected or were gifted over decades on the Mankato campus.

Interest was strong even before the get-go Friday. People lined up outside 40 minutes before the sale was set to start.

It was wonderful to see people come in and show their appreciation for the works, Gosch said.

“We’ve been gifted in many ways,” she said. “My hope was that someone might find something that touches them, and they might have an appreciation for and meaningful way to keep them.”

She remembered various works from when they were in offices, hallways and elsewhere on campus. Some pieces not for sale ended up going to Shakopee with the sisters who’ve already relocated there.

“It didn’t feel like there was so much, but when you start taking it off the walls in different rooms, then you realize all that you have,” Gosch said.

Hundreds of pieces remained left over for the sale, including a large section of religious artwork, crucifixes and rosaries. In some cases, including portrait sketches, photographs and paintings, sisters created the artwork.







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Sister Mary Kay Gosch (middle) of the School Sisters of Notre Dame prepares a bag for customers at an art sale on Good Counsel Hill on Friday.



Lynda Goette, a volunteer on Friday, visited with the sisters at a previous event and said she was left “in awe” of the chapel and campus. She knew the sisters wanted to put items in the collection up for sale and offered to lend her sales and marketing experience to them.

Between the art and a garage sale with furniture a few doors down, the response was strong, Goette said.

“There are lots of people who want a piece of history,” she said. “People are so supportive of the sisters.”







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Crucifixes and rosaries sit on a table waiting for a new owner at a sale on Good Counsel Hill on Friday. The sale continues Saturday.



Loading a few paintings and an African powder horn in her vehicle, Jane Haala came away from the art sale feeling thrilled about her finds. The history buff found a historic painting of Mankato by A.A. Anderson, along with a Franciscan cross that her sister-in-law had seen posted on Facebook and requested she get.

“It is astounding,” she said of the collection. “I was amazed at the number of statues and articles from different countries.”

Works from Central America, Africa and Asia reflected the sisters’ work around the world.

Gosch said much of the collection will likely be gone by the end of Saturday, although more sale days could be in the offing if pieces remain.

Follow Brian Arola @BrianArola

If You Go What: School Sisters of Notre Dame art sale When: 9 a.m.-4 p.m. Saturday, July 15 Where: Good Counsel Hill

Preparations begin for 2023 Ann Arbor Art Fair

Preparations begin for 2023 Ann Arbor Art Fair

ANN ARBOR, Mich. (CBS DETROIT) – Preparations began Friday morning for the Ann Arbor Art Fair, which returns next week.  

Art Fair staff began mapping the streets in phase one of the setup for the annual event, which spans 30 city blocks. 

“Today we are out mapping, which means we are putting chalk lines, so all the artists know exactly where their booths go and where all the sponsors go,” said marketing director for the Ann Arbor Summer Art Fair, Allison Buck. “Basically, (we’re) breaking the streets up into 10×10-foot squares. 

“We’re doing some today, some next week, so it will all be ready for Wednesday when they all show up to move their tents in.”  

The art fair is put on each year by three separate nonprofit organizations: The Ann Arbor Summer Art Fair, the Ann Arbor State Street Art Fair and the Ann Arbor Street Art Fair, the Original.  

To the average fairgoer, it looks like one big event, but each fair has its unique jurying process and artists.  

The State Street area has been under construction since June 2022 for streetscape improvements and a water main replacement. But for the Art Fair, it’s all going away. 

“There’s a lot of construction work in the city of Ann Arbor right now, and Spartan is doing the barricades for most of them,” said executive director of the State Street Art Fair Frances Todoro-Hargreaves. “So, they’re also doing the barricades for Art Fair. What we’ll do is we’ll take these down, we’ll switch them up, redeploy them around the boundary of the fair to secure the fair. When the fair’s over, they’ll come back and put everything back together and continue the construction.” 

The fair is extensive, and temperatures can run high, so the event’s organizers encouraged visitors to prepare for the event ahead of time. 

“The fair is massive, so don’t expect to come out here and walk the whole fair in one day without taking breaks,” said Buck. “I encourage people to go inside the restaurants, take a long leisurely lunch, enjoy the air conditioning, hydrate, wear lots of sunscreen and comfortable shoes.” 

Todoro-Hargreaves said the event’s website has useful information for those planning to visit the fair. 

“Get a feel for the map and the area,” she said. “It’s really big, so it’s a long walk. Make sure you have your water. And if there’s any of your favorite artists that you really want to make sure you want to see, you can always circle them.” 

Each fair has a list of all of its artists, including booth locations. 

Shuttles will be running around the clock for fairgoers who want to park and ride from Briarwood Mall and Huron High School. 

Also returning to the event will be the Art-Go-Round shuttle that runs around the perimeter of the fair. 

The Ann Arbor Art Fair will run July 20-22. 

For more information, visit www.theannarborartfair.com.

Papua New Guinea: “Heaven on Earth” for Photography

Papua New Guinea: “Heaven on Earth” for Photography

When Belgian photographer and photo tour leader David Van Driessche sought new locations for his photo trips, he decided to explore Papua New Guinea and its many cultures.  Little did he know that his travel to this country would evolve into a truly memorable adventure as he developed close friendships with tribal members. He found new friends and colorful models for his photography tours, but more importantly, Van Driessche successfully encouraged the tribes to build living quarters in their remote villages where tourists and photographers could reside for a few days.

Today, several tribes are building small cottages and rooms to accommodate tourists and photographers. Construction is primarily with wood collected from the surrounding forests. The units are artfully designed and include the amenities of home, such as a comfortable bed, shower, toilet, dresser, and clothing rack. Air conditioning is unnecessary because of the mild mountain climate.

“Travel agencies currently book tourists in hotels located in faraway cities like Goroka or Mount Hagen, requiring long hours of travel to the tribal villages. This allows only a few hours with the tribes before returning the same day to the hotels in those cities,” says Van Driessche. “With these new cottages, I can take groups of tourists and photographers from one tribe to the next without having to leave the area and go back to the city. It means the clients get a ‘full immersion experience’ with the tribes and their way of life.” 

About two years ago Van Driessche had the good fortune of meeting Randy Hanna, also a professional photographer and photo tour leader who is based in the United States. Together they collaborated on ways to help generate income for ethnic groups in Papua New Guinea. With the cooperation and financial support from Hanna, Van Driessche started building eco-lodges with two of the most famous, colorful, and exciting cultural groups in Papua New Guinea – the Asaro Mudmen and the Mindima Skeleton tribes.

According to Van Driessche, the best part of Papua New Guinea is the road between Goroka and Mount Hagen. Located here is The Asaro Mudmen Tribal Eco Lodge with ten rooms and more under construction. From this location, photographers can experience six different cultural events ranging from the Moko Moko Victory dance of the Asaro Warriors to the Burning Heads of Gimmesave.

Just a two-hour drive from the Asaro Mudmen lodge is the Omo Bruglgamo Skeleton Tribe Eco Lodge. This lodge has five budget rooms and three deluxe rooms, with more under construction. Found next to the Skeleton tribe are the Insect Hunters and Dusk Shaker cultures, as well as the famous Chimbu Bila with their long-feathered headdresses.

Who are the Mudmen and Skeleton Tribes?

Van Driessche, who now lives in Thailand, spent months exploring the tribes of Papua New Guinea. He worked most closely with the Mudmen and Skeleton tribes and was thrilled when they agreed to build lodging for his photography tours. As they have worked together, Van Driessche has learned many of the legends and history that make each tribe distinctly different. Each tribe has unique ceremonies and festivals which require masks or body paint to create special, colorful appearances.

The Mudmen from Asaro pay tribute to their ancestors by covering their bodies with mud and wearing heavy masks also made of mud. Centuries ago, the Asaro were known as shy jungle-dwellers. Legend has it that one day they were attacked by a powerful tribe and fled to the nearby Asaro River. When their assailants reached the river, they came upon figures coated in white and gray river mud. Believing they had met the ghost spirits of the Asaro they had just killed, the aggressors panicked and quickly fled from the ghosts. They never returned.

Members of the Skeleton Tribe from Mindima use white paint on their bodies to appear as skeletons. As the story is told now, a few villagers went hunting in the mountains but never returned. A search party found a small cave containing numerous human bones. They believed a big monster (probably a bear or wolf) had killed the hunters. To get rid of the monster they painted themselves as skeletons and laid next to the bones. When the monster returned and had his back to the living skeletons, they killed it. To this day the Skeleton Tribe continues to paint their bodies like skeletons to ward off evil and honor their ancestors.

Two More Projects in the Making

Van Diessche has two more eco lodge projects underway, one in the Jiwaka Province with the Sekaka Tribe. Known for their elaborate headresses made of colorful bird  feathers as well as the Forest Skull Kids of Koskala, this ethnic group is building the Koskala Gerupeng Lodge near the town of Banz. The village is only a one-hour drive from Mount Hagen Airport and an hour’s drive from The Skeleton Tribe Eco Lodge.

The other project is in Enga Province with the Black Faced Tribe of Suli Muli. This small group of people, known for using distinctive black face paint, is one of the most isolated in Papua New Guinea.  They live in small, scattered communities throughout the mountains, and their way of life has remained largely unchanged for centuries.  The Suli Muli people have recently started building their first eco lodge units. “Because this area has had no tourism, the experience is truly amazing,” says Van Driessche. “To be with a tribe that has experienced very few visitors has always been my dream. It’s like going back in time and learning to appreciate how our ancestors lived – but it’s real life now.”

Birds of Paradise

Near Mount Hagen is another phenomenon that lures photographers to Papua New Guinea: the birds of paradise. Legend informs us that these birds were forever in flight, never touching the ground nor resting in trees. Whether true or not, the birds of paradise are among the most beautiful and colorful flying creatures on earth.

Of the 42 species of paradise birds, all but two are found in Papua New Guinea. Although most male birds of paradise have spectacular plumage, there are a few species where the male and female have almost identical, generally modest-looking plumage. Coloring and type of plumage vary drastically among species. 

Finding these magnificent birds amidst dense foliage can be extremely challenging. However, with the help of local tribesmen, who know the habits of the birds and the environments in which they live, these gorgeous birds can be readily located.

Come to Papua New Guinea

Long ago, Papua New Guinea was known for cannibalism, but today it is a very safe country for travelers to experience colorful culture and unique tribal traditions. “The headhunters of the past have become tourist hunters of today. They are anxious to share their unique customs and cultures with others,” says Van Driessche.

If you are a photographer, birder or simply an adventurer, join us in Papua New Guinea for the experience of a lifetime.

City Life Org – “Grounded in Clay: The Spirit of Pueblo Pottery” on view at the Vilcek Foundation

City Life Org – “Grounded in Clay: The Spirit of Pueblo Pottery” on view at the Vilcek Foundation
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Developed in partnership with the School for Advanced Research and the Metropolitan Museum of Art, the exhibition features more than 100 historic and contemporary works of Native American pottery

The Vilcek Foundation is pleased to present Grounded in Clay: The Spirit of Pueblo Pottery, with dual presentations at the foundation’s Manhattan headquarters and at the Metropolitan Museum of Art from July 2023 through June 2024. Developed in partnership with the School for Advanced Research (SAR), the exhibition includes more than 100 historic and contemporary works of Native American pottery originating in the Pueblo communities of what is now the southwestern United States.

The exhibition at the Vilcek Foundation opened July 13, 2023, and is on view through June 2, 2024, by appointment. Tours will be conducted by the foundation’s Native American Art Fellow, Povi Romero (Pojoaque, Cochiti, Santa Clara, and Ohkay Owingeh).

The works included in Grounded in Clay: The Spirit of Pueblo Pottery were selected by members of the Pueblo Pottery Collective from the Vilcek Collection and from the collections of the School for Advanced Research and the Indian Arts Research Center in Santa Fe, New Mexico. The collective, established specifically for the purpose of this exhibition, comprises more than 60 curators of diverse ages, backgrounds, and professions from more than 20 Native American communities, as well as non-Native museum professionals.

Curators wrote about the works they selected for the exhibition and its accompanying catalog. Grounded in Clay is enriched by their voices and the diversity of personal, historic, and cultural insights they bring to exhibition visitors’ understanding of these works. The curators’ essays range from recollections on the practices of gathering clay and preparing pigments to poetry and essays reflecting on the works and their meanings. Several curators wrote about the living traditions of pottery-making and today’s artists and makers whose work links the present and future of pottery-making to the rich and important history of pottery-making in Pueblo communities.

Felicia Garcia (Chumash) of the Santa Ynez Chumash Museum and Cultural Center and of Native American Art Magazine writes, “Exhibitions like this are really pushing the needle forward within the field and changing the way that Native art is presented within these spaces. Through this diverse collective of Native voices, we can see what is possible within these institutions when it comes to representing Native communities in a more honest, positive, and accurate way.”

As Grounded in Clay: The Spirit of Pueblo Pottery opens in New York, the Vilcek Foundation launches a digital experience, Pueblo Pottery: Stories in Clay, online. The foundation worked with Pentagram to develop the experience, which serves to highlight and expand on the curatorial insights that make Grounded in Clay so unique, and to bring these insights to a wider audience. Users can navigate three-dimensional views of selected works of pottery that were captured using photogrammetry with the support of foundation partners at Cortina Productions and Forum One.

Learn more about the exhibition: Grounded in Clay: The Spirit of Pueblo Pottery

Schedule a tour:https://vilcek.co/gic-tour

The Vilcek Foundation

The Vilcek Foundation raises awareness of immigrant contributions in the United States and fosters appreciation for the arts and sciences. The foundation was established in 2000 by Jan and Marica Vilcek, immigrants from the former Czechoslovakia. The mission of the foundation was inspired by the couple’s respective careers in biomedical science and art history. Since 2000, the foundation has awarded over $7 million in prizes to foreign-born individuals and has supported organizations with over $6 million in grants.

The Vilcek Foundation is a private operating foundation, a federally tax-exempt nonprofit organization under IRS Section 501(c)(3). To learn more, please visit vilcek.org.

SOURCE The Vilcek Foundation; PRNewswire