New Mexico Magic: Santa Fe Indian Market 101 Preview

New Mexico Magic: Santa Fe Indian Market 101 Preview

Here, where the Old World and the Wild West meld magically, it’s always the Land of Enchantment. But New Mexico is especially enchanting, and the City Different is wonderfully so in August during Santa Fe Indian Market.

Santa Fe Indian Market 101 arrives in August with artists, fashion, and frybread.

Close to 1,000 artists from more than 200 Indigenous nations in the U.S. and Canada. New fashion designers, among them the on-the-rise Montana beader Elias Not Afraid (Apsaalooké). A new “Diamond Experience” ticket for VIP seating at Sunday’s Indigenous Fashion Show. A fresh tagline (“The First Year of the Next Century”), a new executive director (Jamie Schulze, who’s Northern Cheyenne/Sisseton Wahpeton Oyate), and a later opening time (9 a.m.). That’s what to expect as Santa Fe Indian Market rolls into its 101st year on August 19 – 20. And, oh yeah, gonna be turquoise everywhere.

The action gets underway on Wednesday, August 16, when artists arrive at the art receiving station. Thursday is for official judging. Come Friday, winners are announced at the best-of-show ceremony. On Saturday and Sunday, it’s the grand affair — look for 650 booths, with 30 percent of the artists newcomers in 2023. They’ll be offering up jewelry, pottery, paintings, sculpture, beadwork, photography, and more. Bringing the glam? The gala live auction, fashion shows, art auction, and thought panels — and the surge in lapis, sugilite, and opal stones. It’s all part of Indian Market, the largest juried Native American art market in the world. It attracts some 100,000 visitors annually, with Ali MacGraw, Tom Ford, Robert Redford, Wes Studi, and Diane Keaton sometimes among them.

Wes Studi walks at the 2019 Santa Fe Indian Market fashion show.

Lives can change at Indian Market. Fine-art photographer Cara Romero (Chemehuevi) landed her first major museum acquisition there when artist Tony Abeyta (Navajo) brought a curator from the Smithsonian Museum of the American Indian to her booth. In 2021, Romero was again at her booth when U.S. Secretary of the Interior Deb Haaland (Laguna Pueblo) came by. “I got a selfie with Deb,” Romero recalls. “That was probably one of the most exciting people who ever came by.” Romero’s favorite thing to see at market? “The best-of-show preview on Friday night.” To do? “Purchase something from an emerging artist and an elder every year.” To eat? “Lamb frybread tacos with green chile.” Last year, Romero became a best-of-class winner.

Evolvers, Cara Romero, 2019.

So did jeweler Ernest Benally (Navajo). “They called me Thursday afternoon and told me to come to the best-of-show luncheon, and not to tell anybody. It’s like a big secret. Don’t tell anybody you won,” he remembers. He only told his kids, “Want to have lunch in Santa Fe?” His favorite thing to do at market? “Do sales and meet the customers.” To eat? “Something from The French Pastry Shop. And dinner at Tomasita’s.”

Glenda McKay (Ingalik Athabascan) won best of class last year, too, for her traditional harpoon. She loves when the artists set up at dawn before the show opens and “everyone goes around to see everyone’s things first, before anybody else.”

Potter Russell Sanchez (San Ildefonso Pueblo) won the big award last year: best of show. Even before that, when he would show up to unload his pots on Saturday at 6 a.m., there would already be a line waiting at his booth. “I get a lot of calls before market. To be fair, I tell them to get there early and get on my sign-up list,” he says. He usually sells out within an hour of opening. For dinner that night? You may spot him at Geronimo or The Shed with one of his collectors.

Russell Sanchez


This article appears in our August/September 2023 issue, available on newsstands now or through our C&I Shop.

Santa Fe Indian Market takes place August 19–20. For more information, visit swaia.org.

Should we look? Professor helps shed light on atrocity photography

Should we look? Professor helps shed light on atrocity photography

Scholar Valerie Hébert served as an author and editor for a new book called Framing the Holocaust: Photographs of a Mass Shooting in Latvia, 1941.

The Lakehead University professor is one of eight contributors to the book, which takes a deep dive into 12 photographs that document a mass shooting of Jewish people on a beach in Latvia in December 1941.

“When a lot of people think about the Holocaust, they think of Auschwitz and they think of trains,” Hébert said. “Before the death camps were built, the mass killings began with mobile shooting squads that combed through the Eastern Front as the Nazi army advanced.”

Hébert says the mobile shooting squads would gather alleged racial and political enemies and shoot them to death. More than a million people were killed using this terrorizing tactic.

“These 12 photographs show the sequential steps in one of these shooting actions,” she explained. “Jews were brought to this place, were made to undress. They were separated into smaller groups and brought to a ditch that was dug parallel with the sea, and they were shot. Their bodies fell into the ditch.”

Four men are connected to the photographs, but it’s unknown for sure who took them. The photos were turned in to the Soviet investigators by a Jewish Latvian man and are commonly used today in Holocaust museums but are rarely attributed to the correct time and place.

“This book provides an in-depth study and the historical context for these photos,” Hébert said.

In 2017, Hébert organized a workshop at the United States Holocaust Memorial Museum in Washington, D.C. on atrocity photography.

“Photographs are sort of at the cutting edge of Holocaust research in particular,” she said. “There is more and more interest in this field of atrocity photography.”

She invited scholars from Canada, the U.S., Germany and Australia to the two-week workshop to talk about their work in atrocity photography and to look at materials from the museum.

“The idea was to put together a book where we are all speaking about the same images,” she said. “We chose these 12 photos because it’s rare to have so many in a clear sequence.”

The images show partially clothed and naked women and children caught in moments of terror.

“They really push us to the edge of what it is we can bear to look at,” she said. “The key question of the book is if they are so unbearable to look at, why should we even engage with them? What can we gain from them? And what can they tell us?”

Each author in the book brings a different question to the photos.

For Hébert, studying photos goes back to her childhood. Her interest in history comes from looking through her grandfather’s Time Life coffee table book of photographs from the 20th century.

“From the time I was little, I would look at this book and would be really drawn to photographs,” she said.

Hébert, who has a PhD in history, uses photographs often in her teaching at Lakehead University.

“I’ve taught Holocaust courses, I’ve taught courses on the world wars, and at first I was always uneasy about showing photographs of dead bodies and people in distress,” she said.

“There are some really important questions around these people not giving their consent to be photographed. A lot of times, the photographs are a part of the torture and humiliation because the photographer is using the moment to deepen their suffering.”

Through the process of creating the book, Hébert asked herself if bringing light to the photographs continued the humiliation and horror of victims. She also asked herself if the pictures were important evidence that help people understand history.

“The chapter that I contributed to the book looks at that ethical question,” she said. “Should we look at these? Should we not? And what are the arguments on both sides?”

The chapter sets the stage for all of the following chapters in the book, and Hébert hopes readers who pick up the book will gain a new appreciation for how rich and complex photographs are.

“We have this idea that photographs tell us everything, the truth is on its surface, and we understand everything by looking at the photograph, but we don’t,” she said. “So, it’s really important to consider who took the photograph, who was the intended audience, and what that might mean.”

While the photographs in the book were taken as a celebration of the crime, they’re also an indictment, which makes it important to understand the many meanings photographs hold, Hébert says.

“It helps us think more critically about historical photographs that we see,” she said. “We are a more visual culture now with social media and Instagram. It’s all image based now.”

She says photographs can transcend language, time and geography, which makes it important to have a more critical and nuanced way of understanding pictures while being aware of their ethical complications, which makes people better consumers of present-day photojournalism.

“The ones in the book help us understand this particular event in the Holocaust,” she said. “The way that the authors model how we read and interpret these photographs, there is a lot of crossover to how you may engage in photographs of other historical events or present-day crises and human rights issues.”

Framing the Holocaust: Photographs of a Mass Shooting in Latvia, 1941 will be available for purchase on Amazon starting Aug. 22.

Learn photography or carpentry, go paddling, meditate, more for your West Seattle Monday

Learn photography or carpentry, go paddling, meditate, more for your West Seattle Monday

Thanks to John Skerratt for the photo of canoes that landed on Alki Sunday for the Paddle to Muckleshoot journey (WSB coverage here) and remain there while canoe families share a week of protocol at the Muckleshoot Community Center in Auburn. Here in West Seattle, highlights for today/tonight include:

LOW-LOW TIDE: It was out to -3.1 feet at 10:20 am, so it’s still way out right now (and even lower the next two days – here’s the chart).

SUMMER MEALS FOR KIDS: Here’s the list of local sites where free food is available for kids on weekdays this summer, 11:30 am-1 pm lunch, 2-3 pm snacks.

WADING POOLS OPEN: Noon-7 pm. Today’s scheduled pools in West Seattle: EC Hughes (2805 SW Holden) and Lincoln Park (8011 Fauntleroy Way SW).

COLMAN POOL OPEN: This outdoor salt-water pool at Lincoln Park is open noon-7 pm daily through Labor Day. See the session schedule here.

LEARN TO PHOTOGRAPH ISS SOLAR TRANSITS: West Seattleite Kevin Freitas‘s free 2:30 pm event for interested photographers has moved to Magnolia because the International Space Station‘s path moved, but you’re still invited – info including location map is in our calendar listing.

LEARN BASIC CARPENTRY SKILLS: Skillshare event at The Heron’s Nest, 4 pm – more info in our calendar listing. (4818 Puget Way SW)

COMMUNITY PADDLE: Monday nights all summer long, get out on the water with Alki Kayak Tours, 6 pm. (1660 Harbor SW).

CRAFTING AND CREATIVITY NIGHT: 6-10 pm at The Missing Piece (9456 35th SW), info here.

OPEN MIC: Weekly BedHead Open Mic continues at West Seattle Church of the Nazarene (4201 SW Juneau), 6:30 pm – info in our calendar listing.

D&D: Open D&D starts at 6:30 pm at Meeples Games (3727 California SW), all welcome, first-time players too. $5.

FAUNTLEROY MEDITATION: Free weekly Zen sitting/meditation event at the chapel at Fauntleroy UCC (9140 California SW), 7 pm-8:30 pm.

PLAY TRIVIA! Here are three Monday night options for trivia – 7 and 8 pm Sporcle Pub Quiz at Three 9 Lounge (4505 39th SW); 7 pm at The Good Society (California/Lander), 7:30 pm at The Skylark (3803 Delridge Way SW)

MONDAY MUSIC: Live music with The Westside Trio, 8 pm at The Alley (behind 4509 California SW), 21+, no cover.

Have a West Seattle/White Center event to add to our calendar ? Please send info to westseattleblog@gmail.com – thank you!

Spruce to share New England photography at LeConte Photographic Society

Spruce to share New England photography at LeConte Photographic Society
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The LeConte Photographic Society will host Barry Spruce on Saturday, Aug. 12, at 10 a.m. at the King Family Library in the Burchfield Room for a photo program titled “Photographing New England”. The program is free and open to the public.

Barry Spruce is a nature and wildlife photographer based in Townsend. He owns and operates the Cades Cove Gallery and Spruce Photo Tours. Barry has been a professional photographer for 17 years and does presentations around the Southeastern United States.

Viewers are offering free photography sessions to a woman who went viral saying her $3,000 wedding photos made her want to cry

Viewers are offering free photography sessions to a woman who went viral saying her $3,000 wedding photos made her want to cry
  • A TikToker said she paid $3,000 for her wedding photos and hated the result.
  • She shared some images in a viral video, and viewers flocked to her defense.
  • Some viewers said they were photographers and offered to re-shoot the wedding for free.

TikTokers are flooding a creator with sympathy and offers of free photography services after she said she was unhappy with her wedding pictures.

On May 10, a TikToker who goes by Brooke posted a video asking viewers for their help, saying she paid $3,000 for her wedding photos, but what she received made her want to cry “every single day.”

She also shared some images that appeared to be taken at her wedding which were blurry or taken from unusual angles, saying they were the images she paid for.

Her story quickly blew up, receiving 2.5 million views, and over 6,400 comments as TikTokers rallied around her.

“I’m a photographer in CO, if youre ever here and would like to do a wedding attire session, I’d love to do them for free I’m so sorry this happened,” wrote one viewer.

“Not sure where you’re located but I’m a wedding photographer in Ohio. If you’d like to do a session in your wedding attire it’s on the house,” another commenter offered.

Each of these comments received a wave of praise from fellow viewers who applauded them for stepping in, and a further commenter wrote that they were going to suggest the same thing. Many sympathised with her story, saying they would not be happy with the quality of the photos she showed if they came from a professional photographer.

In a follow-up video, Brooke shared more photos she said she was unhappy with, including an image where her head had been cut out of frame, and another of her standing next to a wine barrel which she said, although she was aware was taken from a “bad angle,” still made her feel self-conscious about her appearance. 

In a further upload Brooke said she’d been a wedding photographer herself since 2015, had met the photographer she said she’d hired at a wedding fair, had liked their style of photos, and checked in with mutual friends who she said gave the photographer “glowing recommendations.” 

Some viewers questioned whether the images shown were taken by a professional photographer at all. 

Storytime videos of TikTokers sharing shocking or surprising anecdotes they say occurred at a wedding often go viral on the app, and Brooke did not provide any evidence in her viral video that the photographer in question had taken these images, or that she had paid $3,000 for them.

Brooke has 5,000 followers on TikTok where she posts painting and decoration-themed videos which generally receive several thousand views. Her wedding photography saga was by far her most viral moment, as she made over 12 videos on the topic which received over 3 million total views. She did not immediately respond to Insider’s request for comment. It’s unclear whether she will be taking up any of her viewers’ offers of a free photoshoot.

Viewers often come to the aid of people who have shared their bad experiences or struggles online. In April, a TikTok dad was inundated with donations when he said he needed to raise $6,000 to buy a large van he and his kids could move into after living on the road for over a year, and in March a struggling bookstore owner was able to pay her bills after she appealed to Twitter users to help keep her business afloat.

For more stories like this, check out coverage from Insider’s Digital Culture team here.

Burgatoi: A Nautical-Inspired Apartment With an Unexpected Blue Wall

Burgatoi: A Nautical-Inspired Apartment With an Unexpected Blue Wall

In the heart of Bilbao, Spain, a modern slash industrial apartment by TENKA ARKITEKTURA has taken shape, transforming a 1960’s former office and residence into a unique living space. Named Burgatoi, this renovation project is inspired by the nautical world, where a curved piece of wood, also known as “burgatoi,” is used in ship construction. The project’s goal is to create a parallel with the curved construction of the living space, adding personality and breaking from conventional design.

The original layout presented challenges with its narrow and elongated L-shaped floor plan, interrupted by vertical structural elements and scattered ventilation “patiejos.” However, creative ideas emerged as the project expanded to include adjoining spaces, allowing for a street-facing facade and an outdoor terrace.

Closeup partial view of modern light blue kitchen with concrete details

Triangular fluted panels in blue wrap the kitchen cabinets and island, standing out amidst the concrete details and grey epoxy resin floors. The paneling continues through the dining room and down the hallway following the new design’s new curves.

angled view of modern light blue kitchen with concrete details

side view of modern light blue kitchen with concrete details

side view of modern light blue kitchen with concrete details

overall interior view of modern industrial apartment with light blue kitchen, minimalist living room, and concrete details

angled view of modern light blue kitchen with concrete details

The incorporation of the curve served a dual purpose. Firstly, it allowed for continuous spaces, promoting flexibility in usage and eliminating the need for unnecessary corridors. Secondly, it cleverly concealed the scattered ventilation “patiejos,” making use of the hidden spaces for required services and storage. Also living behind the curved walls is the laundry and bathroom.

partial interior view of curved fluted blue structure that's part kitchen and divides it with the dining room

The defining element of Burgatoi is the introduction of a soft curve that shapes the interior spaces, forming a separation between public and private rooms. This continuous, fluted blue wall adds fluidity to the layout and replaces traditional compartmentalized forms, aligning with Le Corbusier’s architectural promenade concept.

interior view of modern dining room with colorful pendant lights, wood table, and yellow chairs

interior view of modern dining room with colorful pendant lights, wood table, and yellow chairs

Following the curved wall from the kitchen into the dining room nook, the color continues with two sunshine yellow dining chairs and a trio of Junit pendants by Schneid.

interior view of modern dining room with colorful pendant lights, wood table, and yellow chairs with blue wall behind

interior view of modern dining room with colorful pendant lights, wood table, and yellow chairs

interior view of modern minimalist industrial living room with beige modular sofa

angled view of small bathroom with navy blue tiles

In the bathroom hiding behind the curved wall, dark graphite tiles with specks of confetti-like colors line the floor and shower walls with bright blue shower fixtures that pop.

view in dark speckled black tiled shower with bright blue fixtures

curved hallway view with blue fluted walls looking into kid's room

curved hallway with blue fluted wall

modern bedroom with built-in bed with mattress inset

The hallway, or architectural promenade, of Burgatoi culminates in the primary bedroom, emphasizing the transition from the expansive daytime area to the private nighttime zone. The bedroom seamlessly combines different elements, such as an open, step down bathtub/shower, table, dressing room, and bed, creating a visually cohesive space.

modern bedroom with built-in bed with mattress inset

modern bedroom with built-in bed with mattress inset

view into open bathroom with dark blue glossy tile and red shelf

Glossy, ocean blue tiles make the open primary bathroom shine in the neutral bedroom surrounding it.

view into open bathroom in modern bedroom with dark blue glossy tile and red shelf

view into open bathroom with dark blue glossy tile and red shelf

interior view of open modern bedroom

view of open minimalist beige shower tub combo

Photography by Erlantz Biderbost.

Caroline Williamson is Editor-in-Chief of Design Milk. She has a BFA in photography from SCAD and can usually be found searching for vintage wares, doing New York Times crossword puzzles in pen, or reworking playlists on Spotify.

Take a journey into the world of Gene Swallow’s textile sculptures and dolls

Take a journey into the world of Gene Swallow’s textile sculptures and dolls

The Sioux Indian Museum in The Journey Museum proudly hosts the remarkable art exhibition of Gene Swallow, a talented artist with roots in the Pine Ridge Indian Reservation.

From June to August, visitors have the opportunity to witness the captivating display of contemporary Native American art through Swallow’s unique textile sculptures and dolls. With a strong cultural influence and a passion for relatable and imaginative creations, Swallow’s artwork weaves a tapestry of tradition and creativity that will leave an indelible mark on all who experience it.

A Serendipitous Artistic Journey

Gene Swallow’s path to becoming an artist was serendipitous, an unplanned adventure that found its roots in the artistic circles that surrounded him. Growing up in the small community of Red Shirt on the Pine Ridge Indian Reservation, Swallow had a childhood filled with fond memories of toys that have since inspired his artwork.

Though his background lies in elementary education, his artistic friends and encounters with galleries and markets sparked a desire to create art of his own. Encouragement from a friend led him to enter his first piece in the Red Cloud Art Show, marking the beginning of his artistic journey.

Textile Sculptures and Dolls

Swallow’s chosen medium, textile sculptures and dolls, reflects his desire to honor both his cultural heritage and the toys that enchanted his younger days. These dolls are characterized by the presence of buffalo-inspired traits, incorporating horns and braids, emblematic of his artistic identity.

Swallow’s style continues to evolve with each series of dolls, ensuring that they remain relatable, covetable and sparks of imagination akin to cherished playthings found in toy stores.

Natural Fiber Magic

A key element of Swallow’s artistic process lies in his use of natural fibers, such as linen, wall cottons, wool roving and silk. The selection of materials plays a pivotal role in dictating the direction of each project.

Swallow’s preference for natural fibers not only ensures the quality of his creations but also brings an organic touch to his art. By letting the materials guide him, Swallow avoids the struggle of disguising imperfections, allowing the essence of his vision to flow effortlessly into the tangible form of his dolls and sculptures.



Gene Swallow Doll Exhibit 8.png

The Journey of the Exhibition

Gene Swallow’s exhibit at the Sioux Indian Museum commenced on June 16 and will continue its inspiring journey until August 27. This showcase of contemporary Native American art holds special significance, as it aligns with a growing movement that celebrates the cultural essence of Native American heritage through various artistic mediums.

Encouraging Creativity and Expression

As a pioneering figure in the world of contemporary Native American art, Swallow seeks to inspire others to explore their creativity and express their unique identities through doll-making. He recognizes that the craft of doll-making is not new, but it is experiencing a resurgence among artists who are finding joy and fulfillment in this age-old art form.

Swallow encourages people to explore their artistic potential, fostering a growing community of doll-makers who breathe life into their creations.

‘A simple painting will lift you’: Avon Arts Celebration’s 100 artists shared art and stories

‘A simple painting will lift you’: Avon Arts Celebration’s 100 artists shared art and stories
Ray Goodluck, a Diné (Navajo) artist based in Arizona, incorporates life lessons designed to bridge the gap between older and younger generations into his paintings.
Zoe Goldstein/Vail Daily

The first sense activated as you approach Harry A. Nottingham Park to attend the Avon Arts Celebration is, unexpectedly, your hearing; an artist himself, the event’s curator, Darren Skanson, plays the guitar, and has a friend on the keyboard. Skanson, whose summer art festival series is called Colorado Art Weekend, traffics in stories—he has formed personal connections with each of his artists, and cares deeply about giving them the ability to share their experiences.

The Avon Arts Celebration, which is in its fourth year, has weathered its fair share of complications. The show began in the pandemic summer of 2020, with around 45 artists, and then endured the Avon mudslide of 2021 that forced many artists to move their booths. The conditions were more amenable this weekend; patrons strolled around with free mimosas in the Sunday morning sunshine.

To Skanson, the quality level, and the number of artists, sets his event apart from other art shows in the area, as well as the culture. “I’m pretty laid-back, Colorado,” he said. As he walked through the more than 100 booths he has brought to Avon, he has a word for or about each of his artists, their work, and their stories.



“I originally painted on a dare in the 1980s,” said watercolorist Peter Freischlag. Newly married and living in Chicago, he told his wife that he could recreate a $300 painting they both loved. He has been showing his work ever since, creating art full-time since 2017 in Golden and in Gilbert, Ariz.

“A simple painting will lift you, when there are days when you are down, lift you up and move you forward.” —Ray Goodluck, Diné painter

Freischlag described his style as painting feeling and color. “I am a contemporary impressionist,” he said. His large-scale, one-of-a-kind watercolor paintings are treated with a beeswax resin, making them UV protected and waterproof. They are mostly brightly colored and incorporate elements of nature, and, recently Western cowboy culture. Freischlag is constantly looking to expand and improve his gallery. “Inspiration can come from photographs, it can come from nature. It can come from a butterfly encounter—when I was cycling, at the top of Deer Creek Canyon, where I ran into the monarchs. They all landed on me, I had to stop, and so I started painting butterflies. I had never painted butterflies before,” Freischlag said.

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“The people are very qualified that are coming here. Some of the most wonderful, richest people in the world come (to the Avon Arts Celebration),” said sculptor Charles Sherman, whose latest project has been tall, unique, steel structures that he calls miracle towers. The towers consist of triangles that form pyramids, all balanced on a one-inch wide base. Many of the miracle towers are also decorated with mirrors, glass, and fossils, among other materials.

Sculptor Charles Sherman presents one of his pyramid-style miracle towers. This one measures 10 feet tall, but still balances on a base of just one inch, like all of his miracle towers.
Zoe Goldstein/Vail Daily

“They have pyramid energy,” Sherman said. “Pyramid energy is strength and balance. It’s also wisdom,” Sherman said. The energy of the miracle towers, some of which measured 10 feet tall, drew a constant stream of visitors in Avon, who also may have appreciated the designs Sherman painted on his face to accompany his zinc sunscreen.

Ray Goodluck, a Diné (Navajo) Native American who works with acrylic paint, paints in the face of fear. Confronting familial history, to him, is one of the most powerful ways to do this. Goodluck tries to bridge two generations in his painting—grandparents and grandkids. He believes there is a fundamental miscommunication between the two, because they were raised in such different environments. The majority of Goodluck’s paintings are portraits of Native American people, or images of animals that are important in Diné culture. “It’s combining two generations: The elderly’s teachings, which is the subject matter, and the bright colored designs (represent) the young generations,” he said.


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Goodluck came to painting by way of setback: After a 2019 work injury put him temporarily in a wheelchair, he began painting as a way to communicate his interpretation of life. Goodluck works to inspire those who view his paintings to defy fear, and learn to lean on themselves. “You could go anywhere in the world, and they’ll teach you how to think. But there’s nowhere—no school—that will teach you how to pay attention to your feelings, your instincts, your gut. Why? Because that’s more pure, more honest, more direct,” he said.

At art shows, Goodluck looks for people who connect with his paintings. Rather than trying to sell his paintings to visitors, he shares the stories behind them with those who ask. It’s the connection with the paintings that will hold meaning for those who keep them in their homes. “A simple painting will lift you, when there are days when you are down, lift you up and move you forward,” Goodluck said.

Lee Hendrickson photographs crystals under a microscope, finding patterns that mimic scenes from nature.
Zoe Goldstein/Vail Daily

Lee Hendrickson, a former research scientist, photographs crystals through a microscope. Before getting into art full-time, he worked in university labs, and then in biotech, and has a degree in biomedical photography. The images of his crystals mimic scenes seen in nature, without any manipulation. Many of the crystals left behind by the evaporated liquid form of chemicals such as acetaminophen, citric acid, and caffeine, resemble forests and sunsets. “People are drawn to the organic fractal quality of the image and the colors. You don’t have to know what it is to still enjoy the composition, and the patterns that are created by nature. The story adds an extra layer that is fun to tell people,” Hendrickson said.

It was impossible to leave this year’s Avon Arts Celebration without feeling uplifted, buoyed by the knowledge the artists all seemed to hold that their work could be a gift to those who took the time to get to know their stories.