British Automotive History Colors These KEF LS60 Wireless Lotus Edition Speakers

British Automotive History Colors These  KEF LS60 Wireless Lotus Edition Speakers

Audio manufacturer KEF and automotive brand Lotus’ association with British performance within their respective realms make for an interesting, if not natural, partnership. KEF have already lent the performance-oriented automaker their engineering team’s expertise, with the same audio experts responsible for the brand’s flagship premium loudspeakers powered by their signature Uni-Q driver array, Shadow Flare, Uni-Core, and 3D surround sound outfitting the vehicles with systems capable of an immersive aural experience. But now with the KEF LS60 Wireless Lotus Edition Speakers, one does not have to consider the partnership a one-way street.



The first installment of a collection of KEF x Lotus products for the home, the floor standing LS60 Wireless Lotus Edition brings over the same specs as the first LS60 launched back in 2022. The only changes are visual, rather than anything specifically auditory, with differences limited specifically to a golden hued Lotus logo and of course, the hue most commonly associated with British motoring culture: British Racing Green. Beyond these details, the system remains a handsome example of the work of KEF collaborator and industrial designer Michael Young, the same designer responsible for the much smaller KEF LSX wireless bookshelf speakers.

Angled view of KEF LS60 Wireless Lotus Edition Speakers in British Racing Green within modernist concrete wall interior and abstract framed art and vases in background.

Angled view of KEF LS60 Wireless Lotus Edition Speakers in British Racing Green within modernist concrete wall interior, one facing forward, another toward back wall.

It is worth mentioning while Lotus is historically British in origin, the brand is now majority owned by Chinese multinational Geely, the same group responsible for steering the route for Volvo Cars, Polestar, Lynk & Co, Proton, and their own stable of vehicles under its own branding such as Geely Auto, Geometry, Maple, and Zeekr. KEF on the other hand remains a staunchly British affair, with product development, research, and manufacturing of the brand’s signature products still stationed in the original Maidstone headquarters based in England.

Front view of KEF LS60 Wireless Lotus Edition Speakers in British Racing Green within modernist concrete wall interior.

Angled view of single KEF LS60 Wireless Lotus Edition Speakers in British Racing Green staged within modernist concrete wall interior.

Angled view of single KEF LS60 Wireless Lotus Edition Speakers in British Racing Green staged within modernist concrete wall interior.

Angled view of single KEF LS60 Wireless Lotus Edition Speakers in British Racing Green staged within modernist concrete wall interior.

Like most special editions, these emerald speakers come attached to a premium. While others will undoubtedly become green with envy upon spying this audio system stationed in your listening space, you’ll have to part with a chunk of green yourself, $7999.99 to be exact. For a thousand less, you can compromise for a standard blue, titanium, or white option.

Gregory Han is the Managing Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Whimsical Creatures, Mechanics, and Celestial Details Collide in Ori Toor’s Frenzied Illustrations

Whimsical Creatures, Mechanics, and Celestial Details Collide in Ori Toor’s Frenzied Illustrations

“TJF.” All images © Ori Toor, shared with permission

Tucked in the cramped confines of a rectangular form, the lively and fantastical illustrations of Tel Aviv-based artist Ori Toor (previously) are suffused with chaotic energy. Set on solid backdrops, the works are a frenzied mishmash of overlapping mechanical components, cartoonish characters, and natural elements like flowers with faces or pill-shaped planets. Toor plays with scale and perspective in a way that creates several winding narrative paths throughout each piece, along with seemingly endless visual intrigue.

While the artist often works digitally, he shares that he’s returned to doodling in ink in his sketchbooks. “It’s something I used to do all the time but suddenly stopped a few years ago. It’s a lot of fun and takes off the pressure of posting everything you make—when it’s on the computer, it’s already one step away from Instagram—but still very challenging,” he says. “Things look different when you can’t use undo.”

Toor was recently commissioned to illustrate a map of the multiverse for the collector’s edition of A24’s award-winning Everything Everywhere All At Once, in addition to a soothing, black-and-white piece for WeTransfer’s new coloring book. He currently has a limited-edition print available through Massbase and a few other works on Society6. You can follow his latest illustrations on Behance and Instagram.

 

on a beige-orange backdrop, a chaotic mishmash of cartoon characters, mechanics, and flowers

“GHFHJ”

on a blue backdrop, a chaotic mishmash of cartoon characters, mechanics, and natural details all tucked in a puffy pink cloud

“Inside the Flamingo Cloud”

on a purple grid backdrop, a chaotic mishmash of cartoon characters, mechanics, and natural details with a large hand descending toward the right

“Plant Friends”

on a blue backdrop, a chaotic mishmash of cartoon characters, mechanics, and planetary details

“Ride”

on a black backdrop, a chaotic mishmash of cartoon characters, mechanics, and natural details with a moon at the top and a drippy, tendril like form in the center

“Salads”

on a blue backdrop, a chaotic mishmash of cartoon characters and a dog near the bottom

“Dogwalking Machine”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Whimsical Creatures, Mechanics, and Celestial Details Collide in Ori Toor’s Frenzied Illustrations appeared first on Colossal.

David VanderSchee Navigates the Path of Photography Skill Development

David VanderSchee Navigates the Path of Photography Skill Development

David VanderSchee is a hobby photographer who enjoys snapping shots of wildlife in their unedited, natural form. In the following article, David VanderSchee takes readers through developing skills in photography, ensuring every hobbyist or amateur can take professional grade photos of their favorite things.

Every great professional photographer was once an amateur.

As a child, acclaimed food photojournalist Derek Pfohl honed his craft while hanging out in his parent’s restaurant, snapping photos of the intricate plates leaving the kitchen. Anne Geddes, known for her fantastic baby photography, was self-taught – she created a portfolio of family photos before opening her first studio.

Legend Ansel Adams received his first camera at 14 on a family trip to Yosemite National Park.

The art of photography is never mastered overnight. It takes experience and patience, passion, and creativity. Developing the essential skills is challenging, but above all, it’s exciting!

Smartphones have turned nearly everyone into an amateur photographer, but they can also reveal what kind of shutterbug one may be.

David VanderSchee explains that if an interest in photography goes beyond the standard selfie or vacation pictures, spend some time looking through a personal camera roll. Are there certain subjects that are commonly shot? Is it nature? Landscapes? Portraits of friends?

Basic photography skill then moves to knowing one’s camera well. For those interested in moving past the smartphone and into a professional type of camera should know the ins and outs of the lenses, shutter speeds, and how the aperture works. Not all zoom lens cameras are the same – do extensive research and be sure to choose the best camera for the job.

Snapping wildlife photos will require a larger zoom lens with a faster shutter speed and wide aperture, compared to what’s needed for say, still photos, or more controllable objects, such as people or still landscapes. Budding photographers should spend time trying out different focuses and exposures to get the shot they want.

David VanderSchee provides one final assignment: When first learning to take photos, one should spend time shooting what they love, whether that’s photographing a pet or the flowers in the yard.

An understanding of how a camera works and its unique features is just the beginning. Now it’s time to practice. Try all a camera’s buttons, bells, and whistles. Read through the camera’s manual at least twice – it’s even recommended to keep the manual handy, in the camera case as a quick reference guide when needed. Try shooting photos in different conditions with the goal of having them all be of the same quality or sharpness.

David VanderSchee provides more essential tips below:

David VanderScheeExplore Others’ Work

Just as artists appreciate other artists and writers learn from fellow writers, photographers can learn a lot from other photographers. Many professional photographers maintain a portfolio online, and that’s a great place to start for photographers to get a strong sense of different techniques and what cameras are capable of capturing.

David VanderSchee notes that photography blogs don’t just post photos but usually offer tips on how to use a camera well in different settings among other important information. Such blogs can function as free, regularly updated textbooks for budding photographers and a way to keep up with the best new photography trends.

Many community centers host photography workshops that can be invaluable sources of advice and inspiration — and great ways to put new skills and styles to practice. Such workshops are a fantastic way to connect with other photographers and learn about job opportunities or internships.

Be Distinctive and Try New Things

David VanderSchee says that amateur photographers usually have a favorite professional or shot they follow, so it’s tempting to shoot the same objects or scenery as those they admire — and shoot them in similar ways. Instead, try different angles and compositions that set one’s work apart from the thousands of professionals (and amateurs) on Instagram.

Think of new ways to get images of popular subjects and scenery. It’s one of the biggest ways to grow technically and creatively.

Find the Light

David VanderSchee says that the power of photography often rests on its use of light or shadow. Taking a good photo means not only using light effectively but studying it, too. How does light change during the day and rest on subjects in unique ways?

Those looking to develop photography skills should practice taking photos in different lighting environments, analyzing them, and tweaking techniques as needed through a camera’s settings.

Don’t Forget the Background

First comes light, then comes background. Every photographer has to factor in what’s known as “mergers,” an array of elements that can create distractions in photos, such as background items like telephone poles or signs, or other people passing by.

It’s important to develop an awareness of these mergers and move their focus (or themselves) in different angles to effectively avoid them. (It’s much easier to avoid an unwanted merger than edit it from the picture once it’s there – plus, it’s less time consuming to take that extra step or angle in the first place).

Volunteer

David VanderSchee notes that photographers are always in demand, especially for weddings, graduations, family portraits, and countless other needs. When starting out, volunteering services for such events is the perfect way to practice new skills and begin to establish a professional portfolio. Start with events for friends and family, gathering a familiar client base.

Photography is a difficult industry to break into, but getting the most experience possible and earning a solid reputation comes much quicker when one commits to putting their name out there — even for little or no pay at first.


Post Views:
37

Racism in Early Color Photography

Racism in Early Color Photography
Doku | Die Erfindung des Rassismus in Farbe
Image: WDR

During his travels, from 1907 to 1909, he photographed the German colonies — in color, for the first time. In doing so, he laid the photographic foundations of racism.

Doku | Die Erfindung des Rassismus in Farbe
Image: WDR

The young photographer‘s trip to the German colonies of Togo, Cameroon, German Southwest Africa (now Namibia) and German East Africa (now Tanzania) was taken at the height of German imperialism. In his photographs of his travels, Robert Lohmeyer generated enthusiasm for these distant lands that Germany considered its possessions. 

Doku | Die Erfindung des Rassismus in Farbe
Image: WDR

Making use of the most up-to-date photographic equipment at the time, Lohmeyer’s project was a meticulously planned PR campaign. Its goal? A celebration of colonialism and empire. 

Lohmeyer’s resulting photography books were seen by huge numbers of people. Even today, the pictures are still in circulation. Lohmeyer’s photos convey the image of a “peaceful savage” in a paradisiacal landscape. A colonial idyll.

Doku | Die Erfindung des Rassismus in Farbe
Image: WDR

Because the images are in color, they evoke a feeling of authenticity and truthfulness. War, disease, hunger and death do not appear in Lohmeyer’s pictures. 

Based on unpublished written sources and photographs, the documentary follows Lohmeyer’s journey. It tells the story of a chapter in the history of photography. But it also tells the story of a propaganda coup. Finally, the film explores Lohmeyer’s contribution to a new kind of racism — in color – the effects of which can still be felt today.  

Broadcasting Hours: 

DW English

THU 07.09.2023 – 01:15 UTC
THU 07.09.2023 – 04:15 UTC
THU 07.09.2023 – 18:15 UTC
FRI 08.09.2023 – 09:15 UTC
SAT 09.09.2023 – 19:15 UTC
SUN 10.09.2023 – 02:15 UTC
SUN 10.09.2023 – 15:15 UTC
MON 11.09.2023 – 12:15 UTC

Lagos UTC +1 | Cape Town UTC +2 | Nairobi UTC +3
Delhi UTC +5,5 I Bangkok UTC +7 | Hong Kong UTC +8
London UTC +1 | Berlin UTC +2 | Moscow UTC +3
San Francisco UTC -7 | Edmonton UTC -6 | New York UTC -4

DW Deutsch+

FRI 08.09.2023 – 09:15 UTC

Vancouver UTC -7 | New York UTC -4 | Sao Paulo UTC -3  

More Is Merrier With the Modular Case Study® Furniture Fjord Series

More Is Merrier With the Modular Case Study® Furniture Fjord Series

We love all things modular and we love Case Study® – so the two together are truly a dream come true. The new Case Study® Furniture Fjord series from Modernica is a modular seating system with individual components that can be joined together endlessly. Create lounge chairs with or without arms, while two corner modules form a loveseat. You can even execute a modern take on the retro “sofa pit!” There’s also the option for different seat heights by simply stacking two modules together. The versatility is incredible and the overall design even better.

[embedded content]

Each module in the family is detachable, and features an extremely strong internal structure that’s lined with high resilience HR28 foam for maximum support and long-term durability. In other words, it’s ready to handle whatever you – and life – throw its way. The Case Study® Furniture Fjord series is manufactured from raw materials in Modernica’s California factory. All modules are upholstered in the fabric of your choice, then finished by hand.

three-seater single layer white sofa in a styled interior space

three-seater double layer white sofa in a styled interior space

three-seater single layer white sofa with extended cushions in a styled interior space

three-seater single layer white sofa with extended cushions in a styled interior space

three-seater single layer white sofa in a styled interior space

two-seater single layer white sofa with extended cushions in a styled interior space

two-seater double layer white sofa in a styled interior space

corner of white modular sofa on white background

two-seater double layer white sofa with one arm

single layer white chaise lounge without arms

single layer modular white sofa with one arm

white modular corner seat

detail of white modular corner seat

detail of white modular seating

detail of white modular seating

detail of white modular seating

To learn more about the new Case Study® Furniture Fjord series from Modernica, visit modernica.net.

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

No more Native sidekicks

No more Native sidekicks

Theo Tso, an enrolled member of the Las Vegas Paiute Tribe, is the creator of the comic book superhero Captain Paiute.

Like some other Native independent comics artists—including Michael Nicoll Yahgulanaas (Haida) and Cole Pauls (Tahltan)—he uses comics as a vehicle to talk about modern Indigenous life, and the sometimes powerful, sometimes fraught connection to Native traditions.

Tso has an upcoming exhibition of sketches, drawings and prints at the Clark County Library, running from Aug. 17 to Nov. 5. He also has a comics workshop scheduled for Sept. 29 and 30 at Great Basin Community College in Elko. Below is a conversation we had about Captain Paiute, water rights, and the power of representation. The transcript has been lightly edited for flow and clarity.

Theo Tso at work. Photo: Rebecca Snetselaar, courtesy Nevada Arts Council Folklife Archives

Could you walk me through what your inspirations were for the design of Captain Paiute’s costume?

When I first created him back in the 90s—back in high school—the original idea was based on Batman. He was more like a Batman clone than anything else. He had a cape, and a full-headed cowl. He was basically a Batman rip-off—a bad Batman rip-off. Many superheroes have gotten their start by being a Batman rip-off. I pulled him out of my portfolio about eight, almost 10 years ago, and looked at him, like, “Oh my God, I’ve got to revamp this guy. This costume is not going to work, especially around the reservation.” I just simplified it—took away the cape but added a loincloth. I needed something to show action. I cut the top of his cowl off to expose his hair—you know, the “hair in the wind” effect. Even if he’s standing still there’s always that motion of action, either with his hair or his loincloth flowing in the wind.

I drew on my history. There’s a few old pictures of some of the old people wearing loincloths. It’s regalia, basically—I don’t call it a costume, it’s regalia. I think people overdo this, but some people say superheroes are like the new mythology.

You have these characters who have great powers—whether you’re talking about Greek mythology, or if you’re talking about folk figures like Paul Bunyan. There’s this sense of magic with characters like Coyote—or, since I’m in Northern Nevada I’m familiar with the Paiute story of the Stone Woman who, in grief, turned to stone and filled up Pyramid Lake with her tears. I was wondering if there’s a sense of continuity, for you, between these kinds of folk characters that have magical dimensions or powers, and the appeal of superheroes.

Actually mine is drawn on our traditions, our traditional ways. “Paiute” means “Water Ute,” [a member of the Ute tribe who lives near water]. I got the “Captain” from a Northern Nevada Native, a Paiute they just called “The Captain.” If I’m remembering right, he was a medicine man or a holy man. I thought that was kind of cool—it’s not a rank, it’s just a name.

Down here we’re desert dwellers, and we know how sacred water is. It’s a harsh environment and my ancestors carved away and farmed these lands down here. They knew where all the good springs were at. I took my ancestry and my heritage and gave it to Captain Paiute—some of the stuff that old people taught me, some of the old stories that they told me.

It’s kind of what you were just talking about, the mythology—but I took it and flipped it. I took it as a teaching tool for our young people, because a thing that our young people don’t have is a sense of tradition anymore. We’re all modernized now, and we need to bring that tradition back. We need to teach our young ones the traditional ways because we’re dying out. If we don’t have our traditions we’re going to fade quick.

Could you spell out some of the traditional ethics, or the traditional wisdom, that you think gets scattered in modern life—that you really want people to reconnect to?

Well, I watched a lot of Ghost Adventures with Zak Bagans, and it’s a pet peeve when he’s always saying that the land is cursed—that the Native Americans have cursed the land. No, we didn’t do that—we were stewards of the land. We took care of the land! We never cursed anything. I don’t know, maybe we cursed each other [laughs], but we never cursed the land because we all fed off the land. It took care of us.

One of the lessons I teach in my books is—we took care of the land. All Natives are stewards of the land—we fight for our water rights. We fight for our land rights. A lot of our good hunting areas are being taken up by corporations who want to put single family homes on there. Out here we’ve got the Nellis bombing range. It’s been saved for the time being, but they want to open up more bombing ranges, and it’s a sacred area to us. It’s something we as Native people have to fight for on a daily basis.

Captain Paiute’s powers are water-based. Could you unpack that a bit? Taking the notion of a Water Protector and transferring that into a superhero metaphor?

He can manipulate water. He can control the ambient temperature of his core, and create steam for a diversion. Or he can lower his body temperature down to almost zero, and create ice. He pulls his powers from Mother Earth. He’ll hold his hand to the ground and the groundwater will seep up and transform him into Captain Paiute. And after he’s done being Captain Paiute, he returns the power, he returns the water back to the ground. That’s me using that symbol as a metaphor—again, we take care of the land, we replace what we take.

You’re trying to communicate traditional ideas, but superheroes are a relatively new thing. I’m curious how you think about using a non-traditional framework to convey traditional ideas or ethics.

Comics were the bottom end of the art world back in the day. With these movies popping up, it’s become popular now. “Oh wow, this is cool now.” So with the young ones, it gives them a cool character—somebody that looks like them, who understands what goes on in a reservation.

Growing up at school I didn’t have anybody who looked like me. I was the only Native kid, out of a handful of kids I went to school with. We were in different classes, so I was the only Native one in the class, and I got singled out. Every time the teacher mentioned something about being a Native, all the kids looked back at me, and I’m like “Whoa—I don’t know what they did. I’m a kid. I’m here to learn the white man way.”

When a Native kid walks up to me and looks at the book, and his eyes get big and you know he’s drawn to the stories—I know what it’s like to be that kid. For me it was kind of the opposite. I was looking at the comic books, looking at the artwork, and then soon after I noticed there were no comics that featured Native Americans, starring a Native American. They’re sidekicks or trackers, or something like that.

When the X-Men introduced Thunderbird, I think he lasted three issues before he got killed.

Yeah, in the Suicide Squad movie the Native guy gets blown his head blown off in the first three minutes.

Captain Paiute’s alter ego is a hydrologist. I was curious about that piece of it—if it’s a way of grounding it. Playing on the sense that there’s a scientific or real-world way of engaging with these issues, and then there’s an imaginative or fantasy way of engaging with them.

I wanted to keep him in the water field because one thing our people need is clean water. Actually everybody, just people in general, need clean water. That’s why I used the Navajos [in Captain Paiute], who don’t have access to water. They’ve got wells out there, where you have to drive miles to fill your water jugs up. I used that as a springboard where Luther Pah—which is Captain Paiute’s alter ego—could go to other reservations and look at their water situation and say, “Hey, maybe I could design your water system, add a water filtration system, and we’re going to clean this water out.” And then on the on the flip side, maybe something happens at that reservation, and Captain Paiute can battle that.

What specific water issues have you dealt with, or has the Southern Paiute tribe had to deal with?

The big one right now is Lake Mead drying up. That looks like it’s coming back now. The water levels have gone back up. We’ll see what happens—summer’s not over yet. But since the lake has been shrinking, it’s been uncovering a lot of cool things.

Like what?

Like dead bodies, and old boats that have sunk to the lake floor. What I heard back in the day was when they built the dam, they flooded out a lot of old Paiute sacred areas, and there’s petroglyphs and things like that still underwater.

Are there a lot of petroglyphs down where you are?

Oh yeah, there’s rock art all over the place. There’s Valley of Fire, there’s the Overton Arm, up in the mountains …

I’m curious if you connect yourself—as a drawer—to petroglyph art?

Pretty much, yeah. It’s like, “Wow, my ancestors were telling stories before I started telling stories.” [laughs] The thing is, they were doing it on the rock wall, I’m doing it on paper. I was always curious about what kinds of tools they used to do that work. And some of that stuff is way up there, high up—how the heck did they get up there to tell these stories?

Theo Tso’s next exhibition, The Art of Theo Tso, Creator of Captain Paiute, will be on view at the Clark County Library, 1401 E. Flamingo Rd. in Las Vegas, from Aug. 17 to Nov. 5. He also has comics workshops scheduled for Sept. 29 and 30, 1-3 pm at Great Basin Community College in Elko.

Follow @captain.paiute.comics on Instagram.

Lamb auction and church mass reactions: Tuesday’s best photos

Lamb auction and church mass reactions: Tuesday’s best photos
image

Members of La Luz del Mundo church during a mass at Hermosa Provincia, the religious group headquarters as part of the La Santa Convocación celebration. The week-long celebration received thousands of members of the church from across the country and abroad after three years of taking place virtually during the Covid pandemic. Its leader, Naasón Merarí Joaquín García, was sentenced to 16 years and eight months in prison for sexual abuse

Public called on to vote for Cypriot printmaker in EU heritage award

Public called on to vote for Cypriot printmaker in EU heritage award
Nicosia municipality has urged the public to vote for Cypriot printmaker Hambis Tsangaris at the European Heritage Awards. The annual Europa Nostra Awards rewards initiatives and outstanding personalities in the field. This year, 30 outstanding heritage achievements from 21 countries have been awarded Europe’s top honour. But the winner of…

Evoto: Maximizing Profits With Smart Choices in Photography |

Evoto: Maximizing Profits With Smart Choices in Photography |

The more I see AI churn out headshots and portraits with twisted appendages and those weird, dead eyes, the less I’m sweating about artificial presences taking over the photography world. Why fight AI when you can make it work for you? So, instead of pushing it away, I’ve started using AI tools in my day-to-day. It’s not replacing my job; it’s just handling the mundane stuff.

Enter Evoto. I’m sure you’ve heard of it by now. Let’s talk about how AI tools, like Evoto, can actually help you make more money. 

In the bustling realm of photography, one undeniable truth persists: variety is not just the spice of life; it’s the essence of robust sales. Today’s discerning clients crave choices, and the more diverse and enticing your portfolio, the more lucrative your business becomes. Evoto stands out as a beacon in this context, not just amplifying the visual appeal but also driving phenomenal savings and increased profitability for photographers. Let’s break down how.

Multiplying Choices, Multiplying Sales

The equation is simple: the more options you present, the higher the likelihood of a sale. But traditionally, offering variety, especially in terms of background alterations, came with a price tag. If you commissioned a retoucher for background changes, you’d easily be set back by $5-20 for a single swap, at least in my experience. Want to give your client options of white, black, and gray? That’s a whopping $15 or more for one image, and that’s excluding the costs and time dedicated to general retouching.

Enter Evoto. For a minuscule seven cents an image (or less if you purchase bulk credits), not only can you change the background once, but you can also do it repeatedly without incurring extra fees. The math speaks for itself: from $15 with traditional retouching to mere cents with Evoto. This price difference, especially when dealing with large volumes of photos, can lead to exponential savings, effectively lining your pockets with substantial profits or at least lowering your cost of production.

So now, if I’m working with a large brand who wants their brand identity imprinted on their executive headshots, I can color-match their logo and offer that background in addition to the standard white, gray and black I generally recommend for corporate headshots. Can I charge more? You bet. 

The best part of the background replacement tool in Evoto? No more fussing with what your light settings need to be to get a perfect white background.

Cost Efficiency Meets Excellence

It’s rare to find a tool that guarantees both cost efficiency and superior quality, but Evoto achieves this balance impeccably. While its pricing model dramatically reduces expenses, the tool doesn’t compromise on the quality of the results. Each background replacement is seamless, precise, and professional – the kind of quality you’d expect from an experienced retoucher.

If you so dare, you can even tweak the edges in Evoto, but I’ve found doing so actually makes the quality worse. Just leave the accuracy to Evoto.

Uncharted Potential and the Road Ahead

While many photographers, myself included, have tapped into Evoto for its background replacement prowess, it’s essential to remember that this tool has even more to offer. Embedded with advanced AI-driven retouching and cropping tools, the potential for further savings and enhanced offerings is vast. Even if you’ve just scratched the surface, like I have, the savings are already monumental. Fully embracing Evoto’s suite of features could redefine your photography business’s profitability matrix.

The age-old adage, “a penny saved is a penny earned,” holds profound truth in the digital photography landscape. By making the switch to Evoto AI, photographers aren’t just saving pennies; they’re amassing significant earnings. In the competitive world of photography, where every dollar and every second counts, integrating tools like Evoto is not just smart – it’s essential for those eyeing amplified profits and superior client satisfaction.

Acorn Hall to open new photography exhibit celebrating Morris County’s origins

Acorn Hall to open new photography exhibit celebrating Morris County’s origins
image

MORRISTOWN – The Morris County Historical Society welcomes all to learn about Morris County’s history at its new exhibit featured in Acorn Hall, “Morris County Through the Lens of Time: A Photographic Journey by Xiomáro.”

The exhibit will formally be open in mid to late September; a date has not been set yet. The exhibit was open for a special preview from Sunday, July 9 to Sunday, Aug. 13.

HELP SUPPORT OUR WORK: You obviously care about local news and value good journalism. As a community-based publication run by an independent and local nonprofit, the Corporation for New Jersey Local Media, we feel the same. CNJLM supports strong local journalism and engaged communities – but this work isn’t free. With a small donation, you can support this paper and our parent nonprofit. Thank you for reading and for helping secure the future of quality local journalism.