Large Format Photographer Considered ‘Underrated’ is Finally Recognized

By in Photography

Large Format Photographer Considered ‘Underrated’ is Finally Recognized

Evelyn Hofer photography

In her lifetime, Evelyn Hofer was underrated in photography circles mainly because she was seen as too “commercial.” But, the incredible body of work she left behind is challenging this assessment.

Hofer is being given posthumous exhibitions and recognition including a new book that has just been released. Her intriguing and brilliantly-executed portraits of people from all over the world are simply too good to ignore.

Evelyn Hofer photography
Phoenix Park on a Sunday, Dublin, 1966.
Evelyn Hofer photography
Hot Dog Stand, New York, 1963.
Evelyn Hofer photography
Car Park, New York, 1965.

Unusually for a documentary photographer, she used a large format 4×5 inch Linhof Technika view camera that required patience and engineer-like understanding to operate.

“She was always studying the light,” Andreas Pauly, her former assistant, and executor of her estate, told the New York Times in 2010. “She had a little notebook and would write down when the light would be good, then she would come back at that time. It was rare she set up a camera and did something quickly.”

Evelyn Hofer photography
Lorry Drivers, London, 1962.
Evelyn Hofer photography
42nd Street, New York, 1964.
Evelyn Hofer photography
Harlem Church, New York, 1964.
Evelyn Hofer photography
Springtime, Washington, DC, 1965.

In the mid-1950s, Hofer began working with the writer Mary McCarthy who commissioned her to illustrate The Stones of Florence. So began a fruitful relationship that saw Hofer travel across the world capturing the sights of New York, Ireland, London, and Italy.

Despite her travel photos being seen by millions of people on the pages of magazines and in books, Hofer, who died aged 87 in 2009, was not a prominent photographer in her lifetime.

Evelyn Hofer photography
Arteries, New York, 1964.
Evelyn Hofer photography
Bicycle Girl, in the Coombe, Dublin, 1966.
Evelyn Hofer photography
Chinatown II (Little Girl), New York, 1964.
Evelyn Hofer photography
Girl, Barcelona, 1963.
Evelyn Hofer photography
Four Young Men, Washington, DC, 1968.
Evelyn Hofer photography
The Duomo, Florence, 1958.

Clare Grafik, co-curator of a retrospective of Hofer’s work at the Photographers’ Gallery, London, thinks that the perceived commerciality of these commissions might have worked against Hofer being seen as a serious artist.

“Her color work, particularly her portraits of people in their urban settings, is so extraordinary that it’s difficult to understand why she is not more well known and appreciated,” Grafik tells The Guardian.

“Through those books Hofer’s work undoubtedly reached a lot of people, [but] many readers perhaps did not take that much notice of the photographs other than as illustrations of the writing. In art circles, there may have also been a latent snobbery towards her because she was seen as a commercial photographer, but working on the travel books is how she developed her own style.”

Evelyn Hofer photography
Gravediggers, Dublin, 1966.
Evelyn Hofer photography
Queensboro Bridge, New York, 1964
Evelyn Hofer photography
Greenwich Villagers, New York, 1964.
Evelyn Hofer photography
Guard, Paris, 1967.
Evelyn Hofer photography
Lock’s St. James Street, London, 1962.

Evelyn Hofer: Eyes on the City is available from DelMonico Books. Curated by Gregory J Harris, April M Watson, and Brandi T Summers it is available from bookshops and online booksellers for $55.

Interview: Amy Sherald On Bearing Witness, Social Anxiety, and Finding Respite in Her Work

By in Art World News

Interview: Amy Sherald On Bearing Witness, Social Anxiety, and Finding Respite in Her Work

“The lesson of the falling leaves” (2017), oil on canvas, 54 x 43 x 2 1/2 inches. Photo by Joseph Hyde. All images © Amy Sherald, courtesy of the artist and Hauser & Wirth, shared with permission

Here’s what painter Amy Sherald has always known about herself: She was born to be an artist.

In a new conversation with Colossal contributor Paulette Beete, Sherald says that she was born to bear witness to Black life, with painting becoming a “corrective” to the struggle story that’s often the only one told about Black communities.

Portraiture, for me, is having the opportunity to tell a story, to tell my story, to tell our story (as Black people), to have the portrait work in ways that are creating a counter-narrative, a corrective narrative, but then also a narrative that can carry us into our future selves. They have the capacity to be mirrors for today and also vessels to look through to see into the future.

Sherald discusses her early desire to work with her hands, why she prefers removing context and instead painting solid backgrounds, and how her practice offers a place of rest and hope in a heartbreaking world.

Read the conversation.

 

A portrait of a young girl wearing a yellow dress with strawberries on a pink background

“They Call Me Redbone but I’d Rather Be Strawberry Shortcake” (2009), oil on canvas, 54 x 43 inches, National Museum of Women in the Arts

 

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Interview: Amy Sherald On Bearing Witness, Social Anxiety, and Finding Respite in Her Work appeared first on Colossal.

“(Women) Artists from the Collection 1800-2022,” Albrecht-Kemper Museum of Art

By in Native

“(Women) Artists from the Collection 1800-2022,” Albrecht-Kemper Museum of Art

Hedda Sterne, Everyone, ca. 1970, Oil on unstretched canvas. (Albrecht-Kemper Museum of Art)

In the 1850’s, Rosa Bonheur was officially granted permission by the French government to wear trousers. While permits were generally issued to those with medical issues, Bonheur, who spent much of her time in the countryside, in barns, the fields and even slaughterhouses to make drawings of the animal subjects for which she is so well-known, was given an exception. Wearing male attire, along with a pistol she sometimes carried, afforded her a freedom of movement as well as offering her a bit of protection as a solitary woman among men.

This permit was referenced, parodied and handed out to the guests at the opening of the exhibition, “(Women) Artists from the Collection 1800-2022” at the Albrecht-Kemper Museum of Art in St. Joseph, as a subtle reminder of the many challenges both women and female artists have had to endure. The show’s theme also serendipitously pays homage to the women who helped found the museum.

Mary Cassatt, “Mother Looking Down, Embracing Her Children” (1905-1908), pastel (Albrecht-Kemper Museum of Art)

The idea for the exhibition came about during conversations between Megan Benitz, the museum’s registrar, Soodie Beasley, an art appraiser for the IRS, and Megan Wyeth, a St. Joseph native and artist. While the Albrecht-Kemper can tout the fact that their permanent collection holds a higher percentage of female artists than the national average of 13%, some of the works selected for “(Women),” had never been exhibited before.

Works by blue-chip artists such as Lillian Westcott Hale and Mary Cassatt will be familiar to those who already know the permanent collection. But there are many surprises to admire or study. The earliest work is an elegantly simple sterling silver tea tray by Ann Bateman, whose first mark was registered the year her silversmith husband died in 1791, emphasizing how many women were dependent upon their husbands to learn an artistic skill (and perhaps only able to emerge from their shadow when alone).

Marisol, “Women’s Equality” (1975), lithograph (Albrecht-Kemper Museum of Art)

The wall text for “Women’s Equality,” a double portrait of Elizabeth C. P. Stanton and Lucretia P. Mott by Marisol Escobar states that the artist’s work was often marginalized by fellow artists in the Pop Art movement, as they mocked its “feminine sentiments.” It is gratifying to see the lithograph by Jaune Quick-to-See Smith as well as it is to learn that she was the first Native American artist to have had a retrospective exhibition at the Whitney Museum in New York earlier this year. The provocative “Metamorphosis (Eleanor Roosevelt),” by Tina Mion, is just one of the artist’s intriguing portraits of first ladies from her series “Ladies First.”

According to Benitz, “Museums have responsibility to the public to help preserve and share everyone’s story. Exhibitions like this one are one step in presenting the work of women who were active, influential, or innovative in their time, but may have been overshadowed due to cultural prejudices, art market biases, or simply bad luck. “

A lavishly illustrated catalogue with thoughtful essays by the co-curators discussing the presence of women in museums, at work and in the marketplace accompanies the exhibition. Quotes by or about each artist are featured with a reproduction of their art.

A charming lithograph of apple pickers by Doris Lee is presented with her astute assessment: “We cannot afford to neglect or discourage any talent because of the artificial barriers of race, class or sex.”

“(Women) Artists from the Collection, 1800-2022” continues at the Albrecht-Kemper Museum of Art, 2818 Frederick Ave., St. Joseph, through Sept. 17. Hours are 10 a.m. to 4 p.m. Tuesday-Friday and 1 to 4 p.m. Saturday and Sunday. Admission is $10 for adults, $8 for seniors, $7 for under 18 and students. For more information 816.233.7003 or albrecht-kemper.org.

Intricate Architectural Sculptures

By in Sculpture

Intricate Architectural Sculptures
architectural sculpture – The Kigumi at Alberni by Kengo Kuma is an ambitious and visually striking architectural sculpture that stands as the centerpiece of Westbank’…

Photographer Sues NYC Socialite For Getting Him Jailed on False Charges

By in Photography

Photographer Sues NYC Socialite For Getting Him Jailed on False Charges

A photographer is suing New York City socialite and client Libbie Mugrabi for getting him jailed on false charges and destroying his career.

A professional photographer is suing a New York City socialite and former client for getting him jailed on false charges and destroying his once-promising career.

On Sunday, photographer Jacob Beam filed a multi-million dollar lawsuit against socialite Libbie Mugrabi claiming that he now works as a part-time food deliveryman after the “horrific ordeal” she launched on him.

According to a report by The Daily Beast, the photographer claims he met Mugrabi, who is the ex-wife of billionaire Andy Warhol collector David Mugrabi, through a mutual friend in December 2021.

Mugrabi, who produces a streetwear accessories line called Libbie Love, was impressed with Beam’s photography portfolio and wanted to hire him to do a shoot for her company.

According to the lawsuit, Mugrabi flew Beam to Hawaii for a photoshoot. Although the shoot in Hawaii was later canceled, Mugrabi asked the photographer to come to work with her in New York.

The socialite allegedly paid for Beam to move in from Indiana and work for her. The Daily Beast reports that Beam worked out of Mugrabi’s home studio, doing photography, web design, and graphic design for her company Libbie Love — while also working as her personal assistant.

‘A Fit of Rage’

However, on May 22, 2022, Beam alleges that Mugrabi suddenly turned on him and “had a fit of rage” and ordered him to get out of her townhouse.

According to the lawsuit, Mugrabi had “rummaged through [his] personal belongings and found a journal that he was keeping, which made reference to her.”

Beam says that Mugrabi was furious that he had written about her in his journal as she had a book deal with a publishing company. The photographer claims Mugrabi threatened to have him shot if he tried to sell any details about her.

The complaint states: “She loudly told him, ‘How dare you write about me. You know I have a book deal with Simon and Schuster, and if you try to profit off my name I will send someone to shoot you through the head. Do you understand?’”

According to the lawsuit, Beam left Mugrabi’s townhouse and the socialite’s then-publicist booked him a room at a nearby hotel, which the photographer paid for upon arrival.

But the next day, Beam was walking in Central Park when Mugrabi contacted him demanding that he return some clothing designs that he had stored on his laptop. The photographer also claims that the socialite “threatened him, telling him that she was calling the police.”

When the photographer returned to his hotel room, New York City Police Department (NYPD) officers had shown up at his door.

NYPD Officers told Beam that “a woman reported that you had held her at gunpoint and forced her to book this hotel room.” According to the lawsuit, Beam “was never in possession of and has never owned a gun.”

Beam was also told by NYPD officers that Mugrabi had accused him of stealing her camera — which actually belonged to him.

Despite this, Beam was allegedly arrested on a raft of charges, including stalking, menacing, and criminal possession of a weapon. The photographer spent a night in jail before being arraigned the next day in New York County Criminal Court and released on his own recognizance.

‘Horrific Ordeal’

Beam returned home to Indiana shortly after and all of the charges against him were eventually dismissed on September 6, 2022.

However, Beam says he has “continuously suffered from extreme anxiety and depression” following the incident. He has not been able to work as a professional photographer since the ordeal.

“Due to the post-traumatic distress that he has continued to experience, [Beam] has been unable to work full-time, and has been in a near-constant state of anxiety and depression,” the complaint states.

“He supports himself as best he can by delivering food on a part-time basis, and he has sought the assistance of a therapist to help him try to function and to try to overcome his psychological and emotional issues caused by the horrific ordeal he has undergone, which was directly caused by [Mugrabi’s] outrageous and malicious actions.”

Beam is asking for a jury trial and at least $5 million in damages. The Daily Beast reports that Mugrabi did not immediately respond for comment.

Mugrabi previously made headlines when she was arrested for allegedly breaking her ex-housekeeper’s phone and threatening her with a knife when her employee asked for the money she owed her.

Image credits: Header photo licensed via Depositphotos.

Karen Navarro Puzzles and Stacks Fragmented Portraits Into Explorations of Identity

By in Art World News

Karen Navarro Puzzles and Stacks Fragmented Portraits Into Explorations of Identity

“Fragment” (2019), from ‘The Constructed Self,’ archival inkjet print, wood, acrylic paint, and epoxy, 56 x 48 inches. All images © Karen Navarro, shared with permission

Stacked, spinning, and puzzled together, Karen Navarro’s vibrant portraits explore myriad facets of identity. Photography provides the foundation for the Houston-based artist’s practice, which often encompasses sculpture, text, and collage to examine ideas around self-representation, gender, race, and a sense of belonging. In two of her recent series, The Constructed Self and Neither Here Nor There, Navarro slices bold portraits into cubes or strips, then rearranges the pieces into shape-shifting patterns.

Born in Argentina, Navarro later immigrated to the United States, and in 2014, she discovered that she could trace her ancestry to the Mapuche culture. “I have always been interested in identity, but this piece of information shook my past understanding of who I was,” she says. The Constructed Self developed from an interest in the simultaneously personal and universal human experience of building and exuding a persona. She is also interested in how one’s perspective can alter what one sees.

Through fragmenting, layering, and reassembling, Navarro splices images with bright edges that draw attention to negative space, uneven surfaces, and intersections. She captures digital portraits of her sitters in front of solid backgrounds, emphasizing their direct gazes and garments. While she focuses on others, she sees the work as self-reflective and driven by “the need to celebrate diversity to reframe the representation of historically marginalized identities.”

 

A photograph of a Black woman in a bright pink shawl that has been fragmented and reassembled.

“Untitled (rearranged)” (2021), from ‘The Constructed Self,’ archival inkjet print, wood, acrylic paint, and epoxy, 30 x 24 inches

Neither Here Nor There centers on first, second, and third-generation immigrants and reconfigures the images to visualize the endless process of forming one’s identity. “I’m attracted to the contradiction of creating work that is made out of a photograph but ceases to be one when I separate it into pieces and add other materials like wood, paint, and resin,” she says. “It’s no longer a photograph, but it doesn’t become a sculpture either…The hybridity of the final artwork conceptually embodies how I feel, that I don’t belong here or there.”

Navarro recently traveled to Argentina to photograph people reconnecting with their Indigenous heritage, and she plans to return to present an exhibition of the final works. To help fund the project, she will launch a series of prints on Indigenous Peoples Day (October 9). “The work is about reconnecting with my Indigenous identity and celebrating its beauty,” she tells Colossal. “For me, reconnecting with that part of my identity is a profound act of resilience, resistance, and reclamation.”

Find more of Navarro’s work on her website, and follow Instagram for updates about the print release and future projects.

 

A photograph of a white woman with pink hair that has been fragmented and reassembled.

“Untitled (perspective)” (2021), from ‘The Constructed Self,’ archival inkjet print, wood, acrylic paint, and epoxy, 35 x 28 x 3 inches

A photograph of a Native American man in a patterned shirt that has been fragmented and reassembled.

“Displaced” (2022), from ‘Neither Here Nor There,’ archival inkjet print, wood, acrylic paint, , and epoxy, 24.75 x 23 inches

A photograph of a Black man in a striped shirt that has been fragmented and reassembled.

“Rearranged ll,” (2021), from ‘The Constructed Self,’ archival inkjet print, wood, acrylic paint, and epoxy, 32 x 30.5 inches

Left: A photograph of a Black man in a hat and button-down shirt that looks like it has been folded, and a hole is obscuring his face. Right: A constructed photograph of a white woman with red hair that hands from a string.

Left: “Fractured” (2021), from ‘The Constructed Self,’ archival inkjet print, wood, acrylic paint, epoxy, and vinyl, 50 x 40 inches. Right: “Twisted” (2020), from ‘The Constructed Self,’ archival inkjet print, wood, epoxy, acrylic paint, and metal rope, 52 x 18 x 18 inches

A photograph of a Black man that has been fragmented and reassembled.

“Puzzled” (2020), from ‘The Constructed Self,’ archival inkjet print, wood, acrylic paint, and epoxy, 50 x 36 inches

A photograph of a white woman in a patterned shirt that has been fragmented and reassembled.

“Untitled (perspective ll)” (2021), from ‘The Constructed Self,’ archival inkjet print, wood, acrylic paint, and epoxy, 30 x 24 x 3 inches

A photograph of a Black man that has been fragmented and reassembled on a pedestal.

“Twisted variation” (2021), from ‘The Constructed Self,’ archival inkjet print, wood, gesso, metal, acrylic paint, and epoxy, 24 x 24 x 15 inches

A photograph of an Asian woman in a striped shirt that has been fragmented and reassembled.

“Sliced” (2022), from ‘Neither Here Nor There,’ archival inkjet print, wood, acrylic paint, and epoxy, 27 x 27.5 inches

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Karen Navarro Puzzles and Stacks Fragmented Portraits Into Explorations of Identity appeared first on Colossal.

Futurism + Primary Colors Merge in This London Gamer’s Apartment

By in Design

Futurism + Primary Colors Merge in This London Gamer’s Apartment

In the heart of East London’s vibrant landscape, a lively apartment has emerged, seamlessly blending futuristic design and vibrant colors. Part of luxury development Coppermaker Square, this striking one-bedroom apartment is tailor-made by 2LG Studio for an active gamer and bike enthusiast. The visionary project offers a luxurious yet playful haven for a young professional.

Large windows flood the space with natural light, allowing 2LG Studio’s design to effortlessly pull in the city’s vibrancy to create a seamless connection between the indoors and outdoors.

angled down interior view of modern glass coffee table with blue glass top

The flat evokes a sense of futurism, shown through the black details and silver metallic accents. These elements don’t just add visual interest – they transport you to a realm where modern technology and aesthetics intersect, inviting you to embrace the potential of what’s to come.

interior view of modern kitchen and dining area with small table and three different chairs

partial interior shot of a modern living room full of primary colors including a red wall, yellow donut pouf

The apartment’s quirky personality shines through in its curated design elements. From the neon lights to the donut-like pouf, the cartoonish shelving to the metallic bedding, every detail has been meticulously selected to spark joy and creativity. Collectible toys and graphic rugs add an artistic statement that’s not just visually appealing but also speaks to the interests of the gamer occupant. It’s a testament to the idea that a living space should reflect one’s individuality and passions.

closeup view of red interior wall with black and white cartoonish shelves

interior view of modern apartment looking past red wall with cartoon shelves into cobalt blue bedroom

interior view over dining table looking into open closet painted yellow on inside

From every vantage point, primary colors make the cut, from painted walls to seating to accent pieces, to create a cohesive design that’s bold and playful yet livable.

angled interior view down apartment hallway with blue bench and bike hanging

apartment hallway with blue bench and bike hanging

apartment hallway with blue bench and bike hanging

view down apartment hallway with blue bench and hanging bike looking into open living room and dining room

interior view looking past red wall into cobalt blue bedroom

partial split view of modern bed in bright blue bedroom

view of modern bed in bright blue bedroom

view of modern bed in bright blue bedroom

view of modern bed in bright blue bedroom

corner view in bright blue bedroom with white chair

two men standing in hallway of modern apartment

Russell Whitehead and Jordan Cluroe of 2LG Studio

Photography by Megan Taylor.

Caroline Williamson is Editor-in-Chief of Design Milk. She has a BFA in photography from SCAD and can usually be found searching for vintage wares, doing New York Times crossword puzzles in pen, or reworking playlists on Spotify.

ViewSonic Presents the 4th ColorPro Awards: “RISE” to New Heights in Photography and Videography

By in Photography

BREA, Calif., Aug. 15, 2023 /PRNewswire/ — ViewSonic Corp[i], a leading global provider of visual solutions, is thrilled to announce the launch of the 4th ColorPro Awards. A celebration of artistic expression and innovation, this year’s global visual arts competition takes the theme of “RISE,” inviting participants to soar to new creative heights as they capture their moments of transformation. This year’s edition widens its creative scope beyond photographs to embrace videos as well, offering new possibilities for creatives to express their vision. From August 15th to September 24th, 2023, participants can submit their entries to compete for prizes exceeding US$20,000 in value. Additionally, participants can take part in the Social Media Lucky Draw for a chance to win the ColorPro VP2756-2k monitor.


Continue Reading
ViewSonic ColorPro Awards 2023 Calls for Submission

ViewSonic Presents the 4th ColorPro Awards: “RISE” to New Heights in Photography and Videography. Submission is open from August 15 to September 24.

The theme “RISE” symbolizes transformative power, inviting participants to explore narratives of growth, achievement, empowerment, and resilience within. Whether conveyed through striking photographs or compelling videos, the theme offers artists a platform to captivate and inspire their audience with their visual storytelling. Notably, industry leaders SHOOTERS, PANTONE®, Capture One, Calibrite, and Shoot The Frame will collaborate, not only to host workshops and promotional activities during the Awards, but also as esteemed members of the judging panel.

“Last year, we achieved a remarkable breakthrough by transforming the ColorPro Awards into a global visual arts competition, welcoming more partners and creators into our vibrant global community,” stated Oscar Lin, General Manager of the Monitor Business Unit at ViewSonic. “As we venture into the 4th ColorPro Awards with the new theme ‘RISE’ and the introduction of the Videography category, we aim to inspire and empower creators worldwide to pursue their moments of transformation, urging them to explore uncharted territories and achieve their artistic ‘RISE.'”

Alongside the cash prize, winners will receive top-of-the-line ViewSonic ColorPro monitors, specially designed for creative professionals seeking true color accuracy and remarkable performance. Winners will also receive a suite of products and memberships designed to optimize their creative workflows. These include Capture One perpetual licenses, color management products courtesy of PANTONE® and Calibrite, and exclusive memberships from Shoot The Frame.

A distinguished panel of internationally acclaimed photographers and videographers will meticulously review the submissions, ensuring impartiality and acknowledging excellence in artistic expression.  The submitted artwork will be evaluated by the panel considering its storytelling, aesthetics, creativity, relevance to the awards theme, and technical execution.

Amongst the panel are four ColorPro ambassadors and creators, invited to share their narratives of “RISE.” Luke Stackpoole captures the theme through awe-inspiring photography of natural wonders, as seen from his drone during his global explorations. Photographer Jack Harding associates the concept of “RISE” with a shoot in Madeira, Portugal. Following a four-day wait for clear weather, the sunshine ignited the clouds, painting the sky with stunning colors and casting a beautiful light over the landscape. Requiring patience, this precise moment marked the culmination of the shoot.

Filmmaker JustKay presents his unique perspective on rising against the odds and confronting the unknown. His compelling short film “Take a Leap of Faith” vividly captures the turning point of his life when he chose not to attend college, bravely abandoning the conventional path to pursue his dream wholeheartedly. Echoing the theme of “RISE,” filmmaker Alice Greenfield beautifully intertwines her love for swimming with her narrative. She conveys the solace she finds in the ocean – a rejuvenating space that clears her mind and empowers her to rise and face each day with renewed vigor.

ViewSonic ColorPro aims to inspire and encourage artistic growth worldwide. Through offering a platform for creators to share their unique visions, ColorPro provides a space for artistic expression to flourish. The ColorPro Awards stand as a testament to ViewSonic’s commitment to empowering creators and nurturing emerging talents in photography and videography.

For more details about the ColorPro Awards 2023, please visit: https://www.viewsonic.com/colorpro/event/colorproawards2023/

To participate in the Social Media Lucky Draw, follow the steps outlined in the official ColorPro Instagram (@colorpro).

[i] ViewSonic International Corp., located in New Taipei City, Taiwan, is the host and sponsor of the contest. ViewSonic International Corp. is a subsidiary of ViewSonic Corp., located in California, USA.

About ViewSonic 
Founded in California, ViewSonic is a leading global provider of visual solutions and conducts business in over 100 countries worldwide. As an innovator and visionary, ViewSonic is committed to providing comprehensive hardware and software solutions that include monitors, projectors, pen displays, commercial displays, All-in-One LED displays, ViewBoard interactive displays, and myViewBoard software ecosystem. With over 35 years of expertise in visual displays, ViewSonic has established a strong position for delivering innovative and reliable solutions for education, enterprise, consumer, and professional markets and helping customers “See the Difference.” To find out more about ViewSonic, please visit www.viewsonic.com

Video – https://mma.prnewswire.com/media/2183331/ColorPro_Awards_2023_Teaser_FULL_1080p_TEXT.mp4

Photo – https://mma.prnewswire.com/media/2183330/ColorPro_Awards_2023_KV_Partner_Horizontal.jpg

SOURCE ViewSonic Corp.

ViewSonic Presents the 4th ColorPro Awards: “RISE” to New Heights in Photography and Videography

By in Photography

BREA, Calif., Aug. 15, 2023 /PRNewswire/ — ViewSonic Corp[i], a leading global provider of visual solutions, is thrilled to announce the launch of the 4th ColorPro Awards. A celebration of artistic expression and innovation, this year’s global visual arts competition takes the theme of “RISE,” inviting participants to soar to new creative heights as they capture their moments of transformation. This year’s edition widens its creative scope beyond photographs to embrace videos as well, offering new possibilities for creatives to express their vision. From August 15th to September 24th, 2023, participants can submit their entries to compete for prizes exceeding US$20,000 in value. Additionally, participants can take part in the Social Media Lucky Draw for a chance to win the ColorPro VP2756-2k monitor.


Continue Reading
ViewSonic ColorPro Awards 2023 Calls for Submission

ViewSonic Presents the 4th ColorPro Awards: “RISE” to New Heights in Photography and Videography. Submission is open from August 15 to September 24.

The theme “RISE” symbolizes transformative power, inviting participants to explore narratives of growth, achievement, empowerment, and resilience within. Whether conveyed through striking photographs or compelling videos, the theme offers artists a platform to captivate and inspire their audience with their visual storytelling. Notably, industry leaders SHOOTERS, PANTONE®, Capture One, Calibrite, and Shoot The Frame will collaborate, not only to host workshops and promotional activities during the Awards, but also as esteemed members of the judging panel.

“Last year, we achieved a remarkable breakthrough by transforming the ColorPro Awards into a global visual arts competition, welcoming more partners and creators into our vibrant global community,” stated Oscar Lin, General Manager of the Monitor Business Unit at ViewSonic. “As we venture into the 4th ColorPro Awards with the new theme ‘RISE’ and the introduction of the Videography category, we aim to inspire and empower creators worldwide to pursue their moments of transformation, urging them to explore uncharted territories and achieve their artistic ‘RISE.'”

Alongside the cash prize, winners will receive top-of-the-line ViewSonic ColorPro monitors, specially designed for creative professionals seeking true color accuracy and remarkable performance. Winners will also receive a suite of products and memberships designed to optimize their creative workflows. These include Capture One perpetual licenses, color management products courtesy of PANTONE® and Calibrite, and exclusive memberships from Shoot The Frame.

A distinguished panel of internationally acclaimed photographers and videographers will meticulously review the submissions, ensuring impartiality and acknowledging excellence in artistic expression.  The submitted artwork will be evaluated by the panel considering its storytelling, aesthetics, creativity, relevance to the awards theme, and technical execution.

Amongst the panel are four ColorPro ambassadors and creators, invited to share their narratives of “RISE.” Luke Stackpoole captures the theme through awe-inspiring photography of natural wonders, as seen from his drone during his global explorations. Photographer Jack Harding associates the concept of “RISE” with a shoot in Madeira, Portugal. Following a four-day wait for clear weather, the sunshine ignited the clouds, painting the sky with stunning colors and casting a beautiful light over the landscape. Requiring patience, this precise moment marked the culmination of the shoot.

Filmmaker JustKay presents his unique perspective on rising against the odds and confronting the unknown. His compelling short film “Take a Leap of Faith” vividly captures the turning point of his life when he chose not to attend college, bravely abandoning the conventional path to pursue his dream wholeheartedly. Echoing the theme of “RISE,” filmmaker Alice Greenfield beautifully intertwines her love for swimming with her narrative. She conveys the solace she finds in the ocean – a rejuvenating space that clears her mind and empowers her to rise and face each day with renewed vigor.

ViewSonic ColorPro aims to inspire and encourage artistic growth worldwide. Through offering a platform for creators to share their unique visions, ColorPro provides a space for artistic expression to flourish. The ColorPro Awards stand as a testament to ViewSonic’s commitment to empowering creators and nurturing emerging talents in photography and videography.

For more details about the ColorPro Awards 2023, please visit: https://www.viewsonic.com/colorpro/event/colorproawards2023/

To participate in the Social Media Lucky Draw, follow the steps outlined in the official ColorPro Instagram (@colorpro).

[i] ViewSonic International Corp., located in New Taipei City, Taiwan, is the host and sponsor of the contest. ViewSonic International Corp. is a subsidiary of ViewSonic Corp., located in California, USA.

About ViewSonic 
Founded in California, ViewSonic is a leading global provider of visual solutions and conducts business in over 100 countries worldwide. As an innovator and visionary, ViewSonic is committed to providing comprehensive hardware and software solutions that include monitors, projectors, pen displays, commercial displays, All-in-One LED displays, ViewBoard interactive displays, and myViewBoard software ecosystem. With over 35 years of expertise in visual displays, ViewSonic has established a strong position for delivering innovative and reliable solutions for education, enterprise, consumer, and professional markets and helping customers “See the Difference.” To find out more about ViewSonic, please visit www.viewsonic.com

Video – https://mma.prnewswire.com/media/2183331/ColorPro_Awards_2023_Teaser_FULL_1080p_TEXT.mp4

Photo – https://mma.prnewswire.com/media/2183330/ColorPro_Awards_2023_KV_Partner_Horizontal.jpg

SOURCE ViewSonic Corp.

ViewSonic Presents the 4th ColorPro Awards: “RISE” to New Heights in Photography and Videography

By in Photography

BREA, Calif., Aug. 15, 2023 /PRNewswire/ — ViewSonic Corp[i], a leading global provider of visual solutions, is thrilled to announce the launch of the 4th ColorPro Awards. A celebration of artistic expression and innovation, this year’s global visual arts competition takes the theme of “RISE,” inviting participants to soar to new creative heights as they capture their moments of transformation. This year’s edition widens its creative scope beyond photographs to embrace videos as well, offering new possibilities for creatives to express their vision. From August 15th to September 24th, 2023, participants can submit their entries to compete for prizes exceeding US$20,000 in value. Additionally, participants can take part in the Social Media Lucky Draw for a chance to win the ColorPro VP2756-2k monitor.


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ViewSonic ColorPro Awards 2023 Calls for Submission

ViewSonic Presents the 4th ColorPro Awards: “RISE” to New Heights in Photography and Videography. Submission is open from August 15 to September 24.

The theme “RISE” symbolizes transformative power, inviting participants to explore narratives of growth, achievement, empowerment, and resilience within. Whether conveyed through striking photographs or compelling videos, the theme offers artists a platform to captivate and inspire their audience with their visual storytelling. Notably, industry leaders SHOOTERS, PANTONE®, Capture One, Calibrite, and Shoot The Frame will collaborate, not only to host workshops and promotional activities during the Awards, but also as esteemed members of the judging panel.

“Last year, we achieved a remarkable breakthrough by transforming the ColorPro Awards into a global visual arts competition, welcoming more partners and creators into our vibrant global community,” stated Oscar Lin, General Manager of the Monitor Business Unit at ViewSonic. “As we venture into the 4th ColorPro Awards with the new theme ‘RISE’ and the introduction of the Videography category, we aim to inspire and empower creators worldwide to pursue their moments of transformation, urging them to explore uncharted territories and achieve their artistic ‘RISE.'”

Alongside the cash prize, winners will receive top-of-the-line ViewSonic ColorPro monitors, specially designed for creative professionals seeking true color accuracy and remarkable performance. Winners will also receive a suite of products and memberships designed to optimize their creative workflows. These include Capture One perpetual licenses, color management products courtesy of PANTONE® and Calibrite, and exclusive memberships from Shoot The Frame.

A distinguished panel of internationally acclaimed photographers and videographers will meticulously review the submissions, ensuring impartiality and acknowledging excellence in artistic expression.  The submitted artwork will be evaluated by the panel considering its storytelling, aesthetics, creativity, relevance to the awards theme, and technical execution.

Amongst the panel are four ColorPro ambassadors and creators, invited to share their narratives of “RISE.” Luke Stackpoole captures the theme through awe-inspiring photography of natural wonders, as seen from his drone during his global explorations. Photographer Jack Harding associates the concept of “RISE” with a shoot in Madeira, Portugal. Following a four-day wait for clear weather, the sunshine ignited the clouds, painting the sky with stunning colors and casting a beautiful light over the landscape. Requiring patience, this precise moment marked the culmination of the shoot.

Filmmaker JustKay presents his unique perspective on rising against the odds and confronting the unknown. His compelling short film “Take a Leap of Faith” vividly captures the turning point of his life when he chose not to attend college, bravely abandoning the conventional path to pursue his dream wholeheartedly. Echoing the theme of “RISE,” filmmaker Alice Greenfield beautifully intertwines her love for swimming with her narrative. She conveys the solace she finds in the ocean – a rejuvenating space that clears her mind and empowers her to rise and face each day with renewed vigor.

ViewSonic ColorPro aims to inspire and encourage artistic growth worldwide. Through offering a platform for creators to share their unique visions, ColorPro provides a space for artistic expression to flourish. The ColorPro Awards stand as a testament to ViewSonic’s commitment to empowering creators and nurturing emerging talents in photography and videography.

For more details about the ColorPro Awards 2023, please visit: https://www.viewsonic.com/colorpro/event/colorproawards2023/

To participate in the Social Media Lucky Draw, follow the steps outlined in the official ColorPro Instagram (@colorpro).

[i] ViewSonic International Corp., located in New Taipei City, Taiwan, is the host and sponsor of the contest. ViewSonic International Corp. is a subsidiary of ViewSonic Corp., located in California, USA.

About ViewSonic 
Founded in California, ViewSonic is a leading global provider of visual solutions and conducts business in over 100 countries worldwide. As an innovator and visionary, ViewSonic is committed to providing comprehensive hardware and software solutions that include monitors, projectors, pen displays, commercial displays, All-in-One LED displays, ViewBoard interactive displays, and myViewBoard software ecosystem. With over 35 years of expertise in visual displays, ViewSonic has established a strong position for delivering innovative and reliable solutions for education, enterprise, consumer, and professional markets and helping customers “See the Difference.” To find out more about ViewSonic, please visit www.viewsonic.com

SOURCE ViewSonic Corp.

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