WW2 aerial photos opened to public for first time

WW2 aerial photos opened to public for first time
Photo of damage during a bombing raid, taken in May 1944USAAF Photography/PA

A collection of photographs taken during World War Two have been opened to the public for the first time.

The aerial images were taken by the US Army Air Forces (USAAF) Photographic Reconnaissance units while stationed at bases across England in 1943 and 1944.

The 3,600 photographs offer a birds-eye view of the country as it changed during the war.

This includes bomb damage to towns and cities as well as Old Trafford football stadium in Greater Manchester.

Damage to the main stand of the Salford football ground can be seen in the photo, after it was hit in a bombing raid in March 1941.

The home of Manchester United was not used again for football until 1949.

A vertical aerial photograph looking down through a break in the clouds on Eighth Air Force B-17 bombers flying over The Brecks area of Norfolk.

USAAF Photography/PA

They also captured ancient monuments surrounded by anti-tank defences in West Sussex, such as Cissbury Ring Iron Age hillfort in Worthing where ditches and concrete cubes can be seen laid out to impede an enemy advance.

There is also a low-level photograph showing part of a US Army camp in Wiltshire which shows firing ranges in the foreground while troops play a game of baseball in a recreation field in the top left of the image.

The collection has been made available to the public for the first time in an online, searchable map on the Historic England Archive.

A photo of Newbury Racecourse marshalling yard, 2 December 1943

USAAF Photography/PA

Duncan Wilson, chief executive of Historic England, said the collection recorded “changes taking place in England” as well as “capturing fascinating incidental detail, like American troops playing baseball”.

“Our collection of USAAF wartime photographs were taken in England by the pilots and aircraft of squadrons that provided intelligence for the eventual defeat of Nazi Germany,” he said.

“This came at a cost, with many pilots killed in the line of duty.

“We are making these images available to the public for the first time online, giving people access to this remarkable collection of historic photographs.”

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Historic England opens WWII collection of aerial photographs to the public

Historic England opens WWII collection of aerial photographs to the public

A collection of aerial photographs taken during the Second World War have been opened to the public for the first time.

The black and white images were taken by the US Army Air Forces (USAAF) Photographic Reconnaissance units, stationed at bases across England in 1943 and 1944, after the US joined the war in December 1941.

The 3,600 photographs offer a birds-eye view of the country as it changed during the Second World War, including bomb damage to towns and cities such as Old Trafford football stadium in Greater Manchester.

Damage to the main stand of the football ground can be seen in the photo, after it was hit in a bombing raid in March 1941. The home of Manchester United was not used again for football until 1949.

They also capture ancient monuments surrounded by anti-tank defences in West Sussex, such as Cissbury Ring Iron Age hillfort in Worthing where ditches and concrete cubes can be seen laid out to impede an enemy advance.

Meanwhile, there is low-level photograph showing part of a US Army camp in Wiltshire which shows firing ranges in the foreground while troops play a game of baseball in a recreation field in the top left of the image.

A photograph of Worthing Pier in West Sussex, taken in April 1944, also shows part of its decking removed to make an enemy landing more difficult, while an image taken on Christmas Eve in 1943 at Stonehenge in Wiltshire shows the markings highlighting the location of a First World War aerodrome and camp.

The collection, which capture a variety of locations and an “astonishing level of detail”, have been made available to the public for the first time in an online, searchable map on the Historic England Archive.

Duncan Wilson, chief executive of Historic England, said: “Our USAAF Collection records changes taking place in England as a result of the Second World War, as well as capturing fascinating incidental detail, like American troops playing baseball.

“Our collection of USAAF wartime photographs were taken in England by the pilots and aircraft of squadrons that provided intelligence for the eventual defeat of Nazi Germany. This came at a cost, with many pilots killed in the line of duty.

“We are making these images available to the public for the first time online, giving people access to this remarkable collection of historic photographs. They help to highlight the vital role aerial reconnaissance played in the Second World War.”

‘Dream come true’: Chippewa Cree artist designs piece for Xbox

‘Dream come true’: Chippewa Cree artist designs piece for Xbox

When Kaylene Big Knife was 17 and working as an assistant for a print shop at Stone Child College, she never imagined that she’d one day produce an art piece for a video game giant.

But this summer, that’s exactly what happened.

In June, Big Knife got a call from Xbox, a video gaming brand owned by Microsoft, asking if she’d be interested in doing a project. Big Knife jumped at the opportunity, but so did lots of Indigenous artists, who entered into a pool hoping to be selected by Xbox. Big Knife and other Native graphic designers submitted portfolios and presentations.



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Kaylene Big Knife, Chippewa Cree graphic designer, commissioned a piece with Xbox. 




After several rounds, Big Knife, who is Chippewa Cree and grew up on the Rocky Boy Reservation, was selected to create a piece for the gaming giant as part of its campaign to increase representation of Indigenous people.

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Once she was selected, Big Knife and the Xbox team entered several rounds of design decisions. First, Big Knife presented three mood boards, and the Xbox team picked one, which featured ribbon skirts and ribbon shirts. Next, she submitted artwork based on that concept and entered several rounds of revisions with Xbox.

“It was a crazy amount of deliverable assets,” Big Knife recalled. “I think I turned in more than 40 different designs. It’s definitely one of the most intense projects I’ve ever been a part of.”

A few months later, Big Knife had her design.



xbox facebook.PNG

Xbox commissioned a piece from Kaylene Big Knife. Her design is featured on the company’s social media pages and is available for users as a wallpaper or profile picture. 




Her piece — featuring deep purples, bright oranges and vibrant greens — includes flowers, geometric shapes and the “X” symbolizing Xbox as the glowing sun. She said she intentionally chose a balance of cool and warm colors and avoided typical design schemes, like portraying a yellow sun against blue sky. The piece, called “Dancing in the Arbors,” is featured on Xbox’s social media pages, and players can use it as a free wallpaper, profile picture or for their avatar in games.

Big Knife drew inspiration for the piece from an old black-and-white photograph of her great-grandfather. The floral designs in her graphic mirror the flowers on his regalia.

“Overall, the design scheme is reminiscent of summertime in Rocky Boy,” Big Knife said. “During powwow, I’d be at my Grandma Minnie’s house. She lives over the hills, and when the powwow goes late into the night, people are still out there, there are stars and lights on the arbor. It’s a very lively place.”



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Kaylene Big Knife drew inspiration for her piece from this photo of her great-grandfather. 




Big Knife studied at Stone Child College on the reservation and went on to earn a degree in graphic design from the Institute of Native American Art. She also has degrees from the University of Arizona and University of Montana. In her early college years, Big Knife said she played a lot of Xbox and made lifelong friendships through gaming.

“It’s a dream come true,” she said of the piece. “I never thought I’d be doing something like this for a video game giant like Xbox. It’s just funny to see life come full circle. It was just an incredible experience.”



Rocky Boy Reservation

View of the Bears Paw Mountains where a vast majority of the Rocky Boy Reservation is situated, home to about 3,770 people and  composed of more than 170 square miles of hilly terrain.




Despite her success, Big Knife said her pursuit of graphic design wasn’t always easy. There were times she considered leaving the field altogether and times when she worried her art wouldn’t be taken seriously since it wasn’t tactile, like beading or weaving. But, as Big Knife put it, “Life always led me back to graphic design. It’s what I’m good at.”

Now, Big Knife said she appreciates the medium more than ever. She uses graphic design for more than just art — helping local organizations promote events, create business cards and logos, and she’s even created free materials to help preserve the Cree language.

“The digital realm is a very powerful place to be,” she said. “Indigenous professionals and organizations need art, whether it’s branding or selling merchandise. … We, as Indigenous people, need to have a presence in digital art and in digital spaces. This is how I contribute to my community.”

To learn more about Kaylene Big Knife’s work, visit kaybigknifedesign.com.

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Historical Art Center On OU Campus Calling Native American Artists For Art Exhibition

Historical Art Center On OU Campus Calling Native American Artists For Art Exhibition

A historical art center in Norman is making an open call for Native American artists. Specifically, artists from Oklahoma tribes.

The Jacobson House Native Art Center on the University of Oklahoma campus had an extended closure due to the pandemic and renovations. The staff wants the public to know they are still there and better than ever.

A piece of rich Oklahoma history in the heart of Norman.

“It all started kind of right here, ”Jacobson House Native Art Center Board Chairman Brent Greenwood said. “Has a special place in my heart.”

Brent Greenwood’s art career along with many other Native artists started at the Jacobson House Native Art Center.

“So yeah, this is over 100 years old,” Greenwood.

He wants to help kickstart other careers through the center’s Fall art show dubbed “Twenty-First Century.”

“Some are going to be from the early 2000s and some will be from last month,” said Greenwood. “To see that gambit of narratives and expressions is going to be really cool.”

Greenwood said so far, they have 15 artists representing Oklahoma tribes on board for the art show. However, he would like to have artists from all 39 tribal nations. Greenwood’s other goal is to put the art center back in the spotlight of the community. The historical building recently underwent a major renovation and facelift.

“OU reinvested in the house and did major upgrades,” Greenwood said.

Greenwood is ready to showcase the art that made the center locally famous and keep the tradition alive for years to come.

“That’s what I want this to be for our people,” Greenwood said. “A sense of place, self, and community.

The open call for Native artists ends Aug. 30, and selected artists will be notified by Sept. 3. Contact the Jacobson House Native Art Center for more details.

‘Hasselblad Ballet’ Celebrates Beauty of Dance and Analog Photography

‘Hasselblad Ballet’ Celebrates Beauty of Dance and Analog Photography

David Teran - Hasselblad Ballet

Fine art portrait photographer David Teran traveled the world with his 1969 Hasselblad 500C/M camera to capture beautiful black and white portraits of some of the most talented and powerful ballerinas. Teran has launched a Kickstarter campaign to celebrate the multi-year project to release a special book, Hasselblad Ballet.

“Over the past five years, I’ve taken from Hasselblad camera from 1969 around the world and photographed some of the most extraordinary ballerinas in 19 different countries using only one roll of Ilford black and white film,” Teran says.

David Teran - Hasselblad Ballet

“Drawing inspiration from the ballet world, David has meticulously curated an enchanting and sublime collection that showcases the grace and elegance of ballerinas from various countries around the world. David has crafted a visual masterpiece that pays homage to the artistry of both photography and ballet. Just as a ballet performance captures the essence of movement, David’s photography captures the heart and soul of each ballerina, creating a captivating narrative that unfolds with every image,” the Kickstarter campaign explains.

Teran describes his project as showcasing ballerinas in a quirky and whimsical way, bringing the talented dancers outside their typical studio surroundings and placing them in beautiful locations worldwide.

David Teran - Hasselblad Ballet

“Creating Hasselblad Ballet has been a true labor of love. This project has allowed me to combine my passion for photography (and food!) and the beauty of ballet in a way that is both unconventional and unique,” says David Teran.

David Teran - Hasselblad Ballet

The book features over 100 ballerinas photographed in 53 cities across 19 diverse countries. Teran worked with famed ballerinas such as Isabella Boylston from the American Ballet Theater and dancers from the Paris Opera Ballet, San Francisco Ballet, The Royal Danish Ballet, Dutch National Ballet, and many others.

David Teran - Hasselblad Ballet

Teran worked alongside Sofiane Sylve, the renowned artistic director of Ballet San Antonio, Teran’s hometown.

David Teran - Hasselblad Ballet

There is also an interesting juxtaposition between the speed and agility of ballerinas and Teran’s choice of camera. Unlike modern digital cameras, the Hasselblad 500C/M is a relatively slow camera that requires careful consideration for every shot.

David Teran - Hasselblad Ballet

The Hasselblad 500C/M, like other 500 series cameras, has played an important role in photographic and human history. Hasselblad 500C cameras have been into space. NASA astronaut Walter Schirra took a 500C aboard the Mercury rocket in 1962, making the Hasselblad 500C the first camera to “properly document space,” per Hasselblad.

David Teran - Hasselblad Ballet

Teran joins an illustrious group of photographers who have created art with Hasselblad 500-series cameras. Ansel Adams, Sid Avery, and Gered Mankowitz are just a few who have used 500 cameras to capture landscapes and portraits.

Teran’s all-or-nothing Kickstarter campaign is essentially a pre-sale for Hasselblad Ballet, with early bird pledging options for the book starting at $75.

David Teran - Hasselblad Ballet

A Limited-Edition Box Set option for $250 includes a signed copy of the book inside a linen cloth clamshell box. It also includes a handmade gelatin silver contact sheet. Each one-of-a-kind sheet has Teran’s darkroom markings, offering purchasers a look at the analog photographic process.

Additional backing options include digital phone backgrounds, a Hasselblad Ballet t-shirt, and limited-edition prints. All backing options and complete campaign details are available on Kickstarter.

David Teran - Hasselblad Ballet

If Hasselblad Ballet reaches its $33,400 campaign target, the book will begin shipping in May 2024. As of writing, the campaign, which started today, has earned just over $4,000 in funding. The campaign ends on September 20, 2023.


Disclaimer: Make sure you do your own research into any crowdfunding project you’re considering backing. While we aim to only share legitimate and trustworthy campaigns, there’s always a real chance that you can lose your money when backing any crowdfunded project.


Image credits: All images © David Teran. Additional images from “Hasselblad Ballet” are available on Teran’s website.

Photography + Review: Ed Sheeran and John Mayer

Photography + Review: Ed Sheeran and John Mayer

Posted: 15th August, 2023 by The Editor

Ed Sheeran is selling out stadiums all across the country to support his latest and final album in the “Mathematics” series, – (Subtract). 

While Khalid was originally the direct support for this tour, an unfortunate car accident forced him to miss this leg of the tour while he recovered. Ed announced the morning of his first show in Massachusetts that John Mayer would be opening the show that night. A Friday evening, with one of our favorite artists, leading into a holiday weekend? A perfect trio. 

Unlike most stage setups, this tour has the main stage directly in the center of Gillette Stadium and fans packed in all around without a bad view in the house. John Mayer promptly took the stage at 7pm and shared how thankful he was that his friend Ed asked him to open. Despite being in the middle of Dead and Co. tour, Mayer rerouted his flights to ensure he could be there. John Mayer sells out arenas around the world, yet here he was in front of thousands of adolescent Ed Sheeran fans who had no knowledge of who he was. To win over the new fans watching his set, he kicked off his set with acoustic renditions of “No Such Thing”, “In the Blood”, and “Slow Dancing in a Burning Room” (and yes – he sang the bitch line instead of the crowd this time). At the halfway point of his set, John pulled out his acclaimed cover of Tom Petty’s “Free Fallin” that much of the audience was able to sing along to. To close out his opening set, he played “New Light” from his latest release Sob Rock and his infamous acoustic rendition of “Neon”.

Ed Sheeran rose from the center of the stage at 8:30pm and showed off the tricks that his intricate stage setup was hiding. It featured a conveyor belt that moved him in a continuous circle the whole night so everyone in the audience could see him properly. Starting with full band songs like “Tides” and “BLOW”, Ed had the crowd ecstatic in no time. He swiftly moved into his signature solo set with an announcement that there were no backing tracks in use and everything was live looped with his custom looping stating. We got to hear his hits “The A Team”, “Castle on a Hill”, and “Eyes Closed” inside of this seven song solo section before bringing his full band back out. This second full band section featured a guest violin player during “Galway Girl” immediately before Ed brought John Mayer back out to play “Thinking Out Loud” together, a moment truly unique to this night of the tour. To round out his 25 song set, Ed played another stretch of solo songs that featured a cover of Justin Bieber’s “Love Yourself” (though is it a cover if Ed wrote it and sold it to Justin?) before exiting the stage. It wasn’t long until the 70,000 members in attendance cheered for an encore and Ed returned to play “Shape of You” and “Bad Habits”. While the remaining dates of the tour will see the original lineup of Ed Sheeran and Khalid, it was incredible to witness the special occasion of John Mayer and Ed Sheeran playing Gillette Stadium together.


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Kyle Musser//