Choctaw Artists’ Works Sought for Choctaw Landing Resort

Choctaw Artists’ Works Sought for Choctaw Landing Resort

DURANTChoctaw Landing, the new resort under construction in Hochatown, has announced they are actively seeking Choctaw artists’ work for the new facility. Works are sought in all styles and media, including paintings on paper and canvas, dimensional work, murals, drawings, photography, sculpture, basketry, pottery, beadwork, carvings and weavings. Submission deadline is Thursday, Sept. 7, with full details and criteria available at choctawlandingart.com.

Choctaw Landing is a $238 million resort designed to be part of the natural beauty of the surrounding landscape with a goal to keep as many of the native trees and plants intact as possible. The four-story, 200,000 square-foot entertainment destination will feature 100 hotel rooms, casino gaming, several restaurants and bars, a pool, an outdoor venue with an amphitheater, beer garden and a family-friendly game zone.

Selection of artworks will be chosen for their significance and connection to the vision of Choctaw Landing and their visual impact, said organizers. The final artwork will be chosen by the Choctaw Landing Art Committee, who is charged with selecting works of high quality and diversity of expression. “The vision of the art program at Choctaw Landing is to curate a remarkable collection of Choctaw-driven artwork that reflects the unique tapestry of perspectives and rich history of the community,” according to the art project’s website.

The invitational call is open only to Choctaw Nation of Oklahoma tribal members or Choctaw CDIB cardholders.

The selection committee will notify chosen artists by October 2023.


About The Choctaw Nation

The Choctaw Nation is the third-largest Indian Nation in the United States with more than 212,000 tribal members and 12,000-plus associates. This ancient people has an oral tradition dating back over 13,000 years. The first tribe over the Trail of Tears, its historic reservation boundaries are in the southeast corner of Oklahoma, covering 10,923 square miles. The Choctaw Nation’s vision, “Living out the Chahta Spirit of faith, family and culture,” is evident as it continues to focus on providing opportunities for growth and prosperity.

Inquiries

Contact Kristina Humenesky for any media relations needs at [email protected].


About Choctaw Landing

Located in Hochatown, Oklahoma, near Broken Bow Lake and Beavers Bend State Park, Choctaw Landing will be an entertainment and resort destination that will instantly feel like home upon arrival, serving as an overlook into the natural beauty of the surrounding area and a guide into the history and culture of the Choctaw people. The four-story, 200,000 square-foot resort features historical information about the third-largest Indian nation in the United States plus a world-class collection of Choctaw art by tribal members. Choctaw Landing plans to open at the end of 2023 and will include 100 hotel rooms, 600 slot machines, eight table games, several restaurants and bars, a pool, an outdoor venue with an amphitheater, beer garden and a family-friendly game zone. A 12,000 square-foot mercantile will adjoin Choctaw Landing, offering a small grocery store and market, three dining options and a fuel station with 24 pumps. For more information, visit choctawlanding.com.

A new face at SWAIA highlights a busy weekend at Indian Market

A new face at SWAIA highlights a busy weekend at Indian Market
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One of the biggest weekends in Santa Fe is only days away.

As many as 100,000 people will descend upon downtown Santa Fe and the surrounding area for Indian Market weekend, a three-day celebration of Native art and culture that has become a staple of the city’s summer scene and an increasingly popular draw.

The Southwestern Association for Indian Arts is celebrating the 101st anniversary of the market and expecting another year of growth, said executive director Jamie Schulze. More than 1,400 artists applied to be part of the event and 1,000 were chosen from more than 200 tribes, she noted.

Creative Photography and Experimental Media Alumni Awarded Prestigious 2023 California Arts Council Individual Artist Fellowships

Creative Photography and Experimental Media Alumni Awarded Prestigious 2023 California Arts Council Individual Artist Fellowships

Two CSUF College of the Arts alumni – out of 779 applicants – were recently awarded prestigious 2023 California Arts Council (CAC) Individual Artist Fellowships which celebrate the excellence of California artists. Artists were selected by peer review panels comprised of artists, arts administrators, arts educators and arts funders assembled from the participating counties in the region.

Fellowship grants support individual artistic practice through unrestricted funding and support a broad spectrum of artists in a variety of disciplines working across the state of California.

Awards have been made in the following categories:

Emerging Artist Fellows – $5,000
Established Artist Fellows – $10,000
Legacy Artist Fellows – $50,000

William Camargo (Established, Orange County) – William Camargo is a photo-based artist in Anaheim whose work centers on Latinx/Chicanx histories and his response to them in his photographic work. Camargo’s interventions serve as documentation of these hidden and erased histories. His work also examines the struggles of labor, gentrification and police violence in Southern California. In 2020, the CSUF Begovich Gallery, in partnership with CSUF Grand Central Art Center (GCAC) and MUZEO Museum & Cultural Center, presented Camargo’s “Origins & Displacements, Vols. 1 & 2.”

Sant Khalsa (Legacy, San Bernardino) – Sant Khalsa is an artist and activist whose work delves into critical and complex environmental issues. Khalsa received her M.F.A. from CSUF in 1990. She lives and works in Joshua Tree.

Additionally, we congratulate three recipients with ties to the College of the Arts:

Brothers Einar and James de la Torre (Legacy, San Diego) are Mexican-American artists who live and work on both sides of the border. Their work was exhibited at Cal State Fullerton in 2005.

Sara Guerrero (Established, Orange County) is a versatile theatre artist and educator who has been actively creating theatre-making opportunities for and with the Orange County community and beyond for 25+ years. Guerrero is a faculty lecturer in the Department of Theatre and Dance. In 2021, she directed students in a CSUF production of “The Wolves” and will direct the Obie Award-winning “Marisol” on campus spring 2024.

Man photographs Bristol Balloon Fiesta with 1890s camera

Man photographs Bristol Balloon Fiesta with 1890s camera
Photo taken of balloons over Clifton Suspension Bridge with 1890s cameraSimon Williams

A photographer has used a 100-year-old camera to take pictures of the Bristol International Balloon Fiesta.

Simon Williams, who is from the city, used a Kodak Panoram to take photos of the Clifton Suspension Bridge as balloons flew over during Friday morning’s mass ascent.

The panoramic camera was designed in the 1890s but was taken out of production 30 years later.

“I just love the look you get from the camera,” Mr Williams said.

Simon Williams with one of his 19th century cameras

Simon Williams

He bought his first 19th-century camera five years ago, after he retired from being a teacher.

“I saw one for sale and it felt like a challenge I wanted to take on,” Mr Williams said.

“Now I’ve got a bit of a collection going.”

He said he takes photos of places around Bristol such as the historic Underfall Yard on the city’s harbourside, and the Clifton Suspension Bridge.

One of Simon Williams's cameras on location

Simon Williams

“I love that you can hold the photos in your hand. I got a bit disillusioned with digital photography,” Mr Williams added.

“The cameras need maintenance and you can improve them by hand – I love the satisfaction of using something I’ve made.”

Mr Williams will be exhibiting some of his work at the Artport festival in Portishead in September.

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Today’s Photo from Ted Grussing Photography: Without Which … We Perish

Today’s Photo from Ted Grussing Photography: Without Which … We Perish

… humans have done a miraculous job in creating a complex food gathering, processing and distribution system for the primary necessities of life and especially this is true with food … most of us never have to think about where or how we get our food, we simply go to the grocery store and choose from an incredible variety of food products (my current preference is Entenmann’s chocolate covered donuts) bring our choices home and then feed our families.

It was not always so for us, and we used to be much closer to what the other species on the planet still do on daily basis … that is to daily gather food so that we can make it to the next day. Above is a photo I took last Thursday as Lo IV carried his hard-earned dinner of cottontail rabbit into the arroyo for a hard one feast. I had thought about making some humorous comments concerning the manner in which he is gripping the rabbit, but decided to take a pass on it 🙂

Below is a photo I took on my last outing on Lake Mary and it shows a variegated meadow hawk dragon fly as he is taking off from the surface of the lake after engaging in an incredible battle on the surface with a blue darner dragon fly, he prevailed and is taking his prey off so that he can consume him for breakfast. The prey is almost the same size as the predator and yes, dragon flies do eat each other!

Into a new day and week … methinks it is going to be a very good one! Smile, keep breathing and enjoy each moment you have the privilege of being here … also that we are high up on the predator list …

Smiles,

Ted

Let saints declare I shall not dare
or burn in the pits of hell.
Let loud men scorn and women mourn
Whene’re my tale they tell;

I cannot stay in the deadened way
Of sorrow, hide-bound creeds;
I’ll win the smile that shall beguile
My heart where’re it leads.

Away with tears and shrinking fears
That breed from the gossip’s tongue.
I’ll live today in my own way,
Though night shall find me hung,
And my good name be dragged to shame
And damned for evermore;
So here’s farewell to them that tell
My tale when all is o’er.

His Last Toast by Max Ehrmann

###

photo_tedgrussingThe easiest way to reach Mr. Grussing is by email: ted@tedgrussing.com

In addition to sales of photographs already taken Ted does special shoots for patrons on request and also does air-to-air photography for those who want photographs of their airplanes in flight. All special photographic sessions are billed on an hourly basis.

Ted also does one-on-one workshops for those interested in learning the techniques he uses.  By special arrangement Ted will do one-on-one aerial photography workshops which will include actual photo sessions in the air.

More about Ted Grussing


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Ukraine Launches Database to Track Art Owned by Sanctioned Russians

Ukraine Launches Database to Track Art Owned by Sanctioned Russians
Francis Bacon Triptych

This triptych by Francis Bacon is listed as being owned by Roman Abramovich in the new database.
Cate Gillon / Getty Images

Amid the Russian invasion, Ukraine has launched a new database that tracks art owned by Russian nationals under Western sanctions.

“Russian oligarchs, despite the sanctions imposed on them, can still easily hide and launder their money through art objects,” writes Ukraine’s National Agency on Corruption Prevention (NACP) in a statement. “Painting, sculptures, artistic jewelry—this is exactly what is used as a loophole to circumvent sanctions.”

Currently, the searchable list, part of the Ukrainian “War & Sanctions” project, contains some 300 art objects, according to the NACP. Entries note the work’s title, artist, price and current owner.

“The inclusion of famous works by artists as varied as Claude Monet, Damien Hirst and Auguste Rodin highlights the extraordinary wealth accumulated by those said to be supporting the Russian leadership,” writes the Guardian’s Daniel Boffey.

Other major entries in the database include a triptych by Francis Bacon (said to be owned by billionaire Roman Abramovich), René Magritte’s The Domain of Arnheim and several works by Mark Rothko.

“Each listing contains basic details about the given artwork, including who made it and when, as well as its estimated value and connection to sanctioned individuals,” reports Artnet’s Taylor Dafoe. “The portal also contains a system through which users can report other relevant artworks and owners.”

The database includes art currently owned by sanctioned Russians, as well as pieces they’ve bought or sold, since 2014. Information in the database is collected from open sources and can be changed or updated during the verification process, according to the NACP.

Per the NACP’s statement, the agency hopes the database will “make it easier for virtuous art market participants to carry out ‘sanctions’ checks and make it difficult for Russian oligarchs to sell such assets.” Art dealers and insurers often use resources like the Art Loss Register to perform similar investigations into a work’s provenance to ensure it hasn’t been marked as stolen, notes Business Insider’s Mia Jankowicz.

Art has played a key role throughout the war. As part of a larger effort to erase Ukraine’s cultural heritage, Russian forces have been looting, damaging and destroying a number of valuable Ukrainian artifacts and cultural institutions.

The United States, the United Kingdom and the European Union are among the world powers that have issued sanctions against Russia and Russian oligarchs. The individuals under sanctions include billionaires Petr Aven, Viatcheslav Kantor, Andrey Melnichenko and Arkady Rotenberg, all of whom are listed in the new art database, reports Artnet.

“From now on,” says the NACP, “everyone can easily monitor the circulation of art products that are bought or sold by sanctioned Russians.”

Beyond art, Ukraine’s allies have introduced sanctions targetting a number of Russian oligarchs’ assets. These policies are meant to “[promote] accountability for President Putin and those enabling Russian aggression,” as U.S. Secretary of State Antony Blinken said in a statement last year.

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New gallery Good Medicine Creatives highlights Seneca artists

New gallery Good Medicine Creatives highlights Seneca artists
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SALAMANCA — Good Medicine Creatives art gallery has opened its doors at 215 Broad St., the former WGWE radio station building, serving as both a classroom and space for 10 local Seneca Nation artists to display and sell their work.

The gallery will give the artists a space to create new art and interact with the public by teaching classes and holding exhibits to educate, connect and inspire the community.

In addition to workshops and classes, the artists plan to have speakers and, eventually, some digital art classes. Artist Penelope Minner said they also plan to have an open studio where the public can observe an artist at work.

Fellow artist Cliff Redeye said he’ll be working on a leather project Wednesdays from 1 to 6 p.m. He invites people to stop in and watch. He’ll be happy to answer any leather-related questions.

Minner said there are stories behind every piece the artists create. A number of her handmade baskets are on display that she has incorporated with her delicate beadwork. She is also showing corn husk dolls, an art that was passed on to her by her mother.

“The dolls make us realize we are not alone,” she explained. “They were a play object for the Haudenosaunee children way back when.”

Minner is trying to make at least six to eight dolls this season representing women in the Haudenosaunee culture. The first one was a no-face doll and it has a story explaining why the corn husk dolls don’t have a face. According to Minner, several different stories have been handed down through the generations between the nations and tribes. She said “it’s all about vanity.”

The basketmaker, shown in a display case, was her second doll. Minner laughed as she said “this one is like a self-portrait of me busy making my baskets.”

There are some particularly moving art pieces in the gallery, especially that of Redeye, who explained a few currently on display. He dedicated a large leather tooled bag to his grandmother, Phoebe Redeye, who went to the Thomas Indian School when orphaned at 7 years old.

“The piece portrays her going to the school as a child and having the native teachings of the Three Sisters (corn, beans and squash) discouraged by the school matrons around her,” he said. “The piece represents the traditional teachings of the Seneca being replaced by the school. The wooden handle actually came from my grandmother’s house.”

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Good Medicine Creatives is part of the Artist Employment Program under the Creatives Rebuild New York (CRNY) award in collaboration with the Seneca-Iroquois National Museum (SINM).

Minner said the gallery was made possible through the two-year program that funds employment for 300 artists working in collaboration with community-based organizations across New York state. She said participating artists receive an annual $65,000 salary plus benefits and dedicated time to focus on their artistic practice. Collaboratives, the SINM/OCC, will receive money for hosting the artists and working with them. Each collaboration is different across the state.

“We began showing our work and selling it at the SINM, but this gallery is an extension of the museum and (the artists) are a separate entity,” she said. “Hayden Haynes, director of the Onöhsagwë:de’ Cultural Center at the museum, oversees the program and has worked with the artists from the start.”

Minner said the 10 artists from the Allegany and Cattaraugus territories came together as a group and applied for the grant under the SINM. Redeye said they applied as a group and developed what they wanted and envisioned.

“When we applied for the grant, we had a goal to get a building to create an arts district of sorts. There are so many artists in town and it’s a way to highlight the ones that people don’t realize are here,” he said.

Good Medicine Creatives is an art collective established in 2022 on the Seneca Nation Allegany Territory. As artists and culture bearers, they seek to inspire and be inspired by art in all forms to promote positivity and good medicine for the people.

The artists and culture bearers include Cliff Redeye (leatherwork, painting, carving); Leeora White (traditional Iroquois interpreter, watercolor, crafts; Patrick Redeye (photography, video); Maurice John Jr. (painting, visual art, photography); Tami Watt (graphic art, photography, beadwork); Penelope Minner (baskets, beadwork, corn husk dolls); Karlene Familo (painting, beadwork, skirts, hats); Hilton Johnny-John (gustowehs, gunstocks, rattles, drums, performer); Jocelyn Jones (performing and body artist, public speaker, botanicals); and Brett Maybee (traditional Iroquois orator, musician, and host of a national radio show with Native Voice called Gaënö’ that highlights native artists).

Regular gallery hours are Wednesday through Friday from 1 to 6 p.m., Saturday and Sunday from 10 a.m. to 4 p.m. Closed Monday and Tuesday. For more information, visit goodmedicinecreatives.com

For information about classes, events and featured speakers, scan the QR code found in the gallery. For more details about Creatives Rebuild New York, visit creativesrebuildny.org.