Four Tips for Getting Started as a Landscape Photographer

Four Tips for Getting Started as a Landscape Photographer

If you’re looking to shoot landscapes or to grow your current landscape portfolio, here are some pointers for every photographer.

I am so inspired by a beautiful landscape. I think that’s why I was so drawn to California, not to mention the beautiful light here. When shooting a subject, I do feel like there should be some meaning behind it or a story of some sort. What do you want to say or want people to feel? Of course, everyone is going to have their own interpretation and feeling, but you should have some intention behind it. Set out to tell a story that will serve as motivation for you and hopefully evoke a feeling in the viewer.

The below image was taken in Maui on a photography trip I took last year. I wanted to capture the vibe and culture of the Hawaiian people. Every morning from my balcony, I could see these canoes coasting by at top speed. It has been part of the Hawaiian culture dating back centuries, so this was inspiration that came to me while on location in Maui.  I’m always exploring and trying to find something new and interesting and a way to tell a story.

Inspiration

What and where do you want to shoot? What inspires you, and what story do you want to tell? Yes, you can tell a story with landscape photography, and you should. What is the subject you want to photograph? A beach in Hawaii or a mountain in Japan?

Create a mood board, Pinterest board or just create a folder on your computer with images you like. Ask yourself why you like those images. What about them inspires you? Is it the colors, the mood, the time of day, is it black and white, is it the low angle from which the subject was photographed?

From there, you have to decide what time of day and what time of year you want to shoot; this all plays into the look of the photos. The time of year will change the light and seasons, so if you want bright, direct light coming from high above, then shoot during the summer. If you want a moodier, overcast, and cold vibe, then shoot during the fall and winter. I did a series of ocean landscapes in Malibu, all shot in early morning in the winter, so I could get a misty, cloudy, blown-out look; that’s the vibe I wanted for these photos. I also have plenty of photos taken on a bright summer day, giving the sky a beautiful, bright blue color, with the subject fully lit by the sun.

Equipment

There are some basic tools that you will need such as a wide angle lens, tripod and a good camera bag. But also, work with what you have; there’s no need to break the bank in the beginning. I use a Nikon 16-35mm lens, and you will also want a lens to get closer to the subject. I use my Nikon 50mm, and I usually have my 85mm just in case I want to get even closer to a subject. But typically, you use a wide angle lens to capture the vastness of a landscape.

A tripod is important so that you can get a straight horizon line and to avoid camera shake if you’re taking long exposure shots. I am very guilty of shooting without a tripod on a lot of my landscape photos, but I turn the shutter speed up to help with camera shake. With that said, I suggest using a tripod and probably a travel tripod; they are more compact and lighter.

A good camera bag is important as well, preferably water-repellent, like this one I purchased. I had learned this lesson on my trip to Maui. I was using a great backpack, but it was most effective for street photography or quick jobs that don’t involve hiking or wet climates, like the bamboo forest I was hiking though. I suggest a backpack to save the pain of a shoulder bag. I learned this a long time ago, and my back is still out of alignment from using a shoulder bag for years. You want enough room for all your lenses, and a tripod holder is key, so you don’t have to hold it. I bring a small flashlight, so when it gets dark, I can find my way back to my car, like the lesson I learned in Joshua Tree, which is a desert, and if you don’t know, you can get lost in the desert really easily as there are no land markers and everything looks the same, especially in the dark. So, have pockets for a small flashlight, your phone, and a water bottle holder. This is important: bring water. 

Location

Where do you want to go? Is the location in your own city, your own state, or out of the country? You need to create a detailed plan.
 
Traveling is a great way to capture landscapes that most people can’t get to or have only dreamed of. It’s also a great way to challenge yourself and grow as a photographer. As I mentioned, I recently traveled to Maui, a place I have never been, so I didn’t know the island. I did research online before I went, so I knew the places I wanted to go. There is plenty of information on the internet that will tell you the best places to shoot. I use this information as guides, then from there, I find what inspires me. I will also walk or drive around, exploring new places that I find interesting enough to shoot. It’s important to get outside of your comfort zone and explore!

I create a shot list in a Word document before each trip that I print. It’s just easier for me to have a hard copy on me, especially if I’m doing a lot of driving. The shot list has a day-to-day list so that I can keep on track and make sure I shoot everything I had planned. I list the day, time I want to shoot the location, and address, as well as what the significant landmark is, a tree or rock formation, etc. I will also note how I want to shoot it: sunrise, bright daylight, overcast for a moody look. or sunset to create interesting shadows. You can’t control the weather conditions, but you can get an idea of what it may be like depending on the time of year and time of day. 

Post-Production

Retouching is a very important part of any landscape photo and can transform the image from good to incredible. I always shoot in raw so that I have total control of the image. Retouching is a personal choice; some people like an HDR look or an oversaturated, deep color palette, and some people leave the image pretty close to the way it was shot. 

There are plenty of presets out there that you can purchase or use directly in Lightroom. Post-production is all part of the creative process, so play around and create your own style. There are so many variables, but it comes down to the look and feeling you want to evoke.

Once you have your images retouched, it’s time to share them with the world!  Get a professional website like Squarespace, or if you plan on selling them, I would suggest Shopify. I use both, but for selling, Shopify is the best. Share your images on social media; this will help you gauge what people like and maybe what they don’t like as much. It’s really just for learning. Don’t read too much into social media and people’s opinions. You should always shoot for you and the things that inspire you.

Stui Spice Shaker: The Future of Spice Travel

Stui Spice Shaker: The Future of Spice Travel

For many the end of summer equals emptying the suitcase. Unpacking after a journey often reveals more than just souvenirs – it unveils the quirky and individualistic items we’ve lugged along “just in case.” From books to pencil sharpeners, our travel companions speak volumes about our priorities and aspirations. My hats go off to those who carry hot sauce and salt, showcasing a commitment to flavor, even on the go.

German designer Jonas Finkeldei, during his tenure at the Academy for Design in Münster, ingeniously crafted a solution for flavor enthusiasts. His brainchild, the Stui dual spice shaker, seamlessly integrates salt and pepper into a minimalist, oak and beech design. Housing two distinct chambers, this travel-friendly companion boasts a color-contrasting slider that regulates the release of your chosen seasoning. Whether you’re a traditionalist or an unconventional coffee connoisseur blending sugar and cocoa, Stui accommodates your palate.

hand drawn image of two wood shaker designs

Finkeldei’s creation resonates with practicality. Imagine compact New York City studios with limited counter space, park concert picnics, or adventurous camping trips – all scenarios where space is a luxury. With its versatile design, Stui transcends boundaries, catering to various settings.

closeup of tops of two-tone wood spice shakers

several two-tone wood spice shakers

box and packaging of Stui, a two-tone wood spice shaker

TJ Girard is a sought-after food designer and creative consultant, celebrated for staging theatrical, interactive food + beverage experiences. She now resides in California where her creativity is solar powered! TJ writes the Design Milk column called Taste.

Artists You Should Know: Beguile Yourself with the Music of Amapiano Ambassadors Native Soul

Artists You Should Know: Beguile Yourself with the Music of Amapiano Ambassadors Native Soul

Native Soul creates entrancing electronic dance music born from a mix of styles and genres made popular in South Africa. The Pretoria-based duo — comprised of Alfred Mhlanga and Kgotatso Tshabalala — has released four albums to date since their formation in 2019 at the ripe ages of 18 and 19 years old. Quickly establishing themselves as worthy ambassadors of both amapiano and gqom on their instrumental first album Teenage Dreams.

Ad

Please note: This post may contain affiliate links.

Native Soul’s debut revealed the producer duo’s talents for crafting elusively alluring and electrifying soundscapes, relying heavily on the galvanizing exchanges of piano-drum-synthesizers that interlace amapiano. Every track on the record unfolds as this borderline cinematic and exceptionally paced crescendo. One that edges you forward via the vigorous melodies that evolve from drummed bass lines into swelling mixtures of jazz, folk, afro, deep, and tech house, as well as kwaito and dibacardi.

Selena Tribute at The FordSelena Tribute at The Ford
Ad

Their sophomore album Native Roots continued to coalesce their sound around amapiano while also adding a cast of contemporaries to flesh out their music. Whether that’s on the hypnotic opening track “Labo Bhuti” (feat. Blaq K & Mrs Rain) or the explosively frenetic “Forth Line” (feat. Tshepzin Loco). For their 2023 follow-up Rise Up they joined forces with Jacksman (who also appeared on their second album) to propel themselves into even more futuristic iterations of their constantly morphing amapiano sound.

Only two months into the new year Native Soul dropped its colossal fourth album Undisputed, a sizzling and sprawling collection that ambitiously ups the ante on everything they’ve released thus far. Embracing both their love of enthralling instrumentation and the inclusion of choice features that only enhance the energies that course through their tracks. Be that on the droning fixations of “Siren” or the absolutely stacked but mesmeric “Hello” (feat. Aembu, Jacksman, Kha Ching Vocals, Blaq Boy ZA).

artist to watch in 2023artist to watch in 2023

Visit Native Soul on their Bandcamp and Instagram to stay updated on new releases and tour announcements.

Words: Steven Ward

Listen to Teenage Dreams the debut album from Native Soul below!

Best Summer Music Festival in Southern CaliforniaBest Summer Music Festival in Southern California
submit your new songsubmit your new song
influential black women femalesingersinfluential black women femalesingers

6 Questions with Art Advisor Gladys Lin About the State of the Asian Art Market

6 Questions with Art Advisor Gladys Lin About the State of the Asian Art Market

This article is part of the Artnet Intelligence Report Mid-Year Review 2023. Marking five years of our biannual Intelligence Reports, this inaugural half-year edition paints a data-driven picture of today’s art world, from the latest market results to the artists and artworks leading the conversation. Read the full report here.

In three words, how would you characterize the state of play in the Asian art market at this point in 2023?

“Night’s still young.” People say this when the party is far from over. This is how the art market in Asia feels now. Some are playing at the very high end, speculating on things. There’s still a lot of potential. But the truth is, there are a lot of uncertainties in Asia now, from the economy to geopolitical conflicts.

This feels even more widespread when I talk to dealers in New York. There is this image of the Asian market in the West. Dealers think, “Oh, your clients are based in Asia, so they must be big spenders.” The reality is that Asian clients, at least the ones I work with, are becoming more cautious. Some have been collecting for a while. They do their homework, especially those who have come to realize that some art in the ultra-contemporary category does not have a very long life span. They do not just rely on auction catalogues. They are very rational and sophisticated.

What do the top-line auction numbers not tell us about what’s going on in the market in Asia?

The top-line auction numbers reveal about 5 percent of our market—95 percent of the artists are missing. Yayoi Kusama, Yoshitomo Nara, and artists of similar caliber seem to be the only ones you see. What about the art fairs and galleries? Don’t you think it’s incredible and at the same time ridiculous? Art should be adventurous, but do you see anything meaningful or inspiring from the top-line auction numbers? No.

Visitors to Art Basel Hong Kong 2023 mill around Yayoi Kusama’s Pumpkin sculpture. Photo by Sebastian Ng/SOPA Images/LightRocket via Getty Images.

Visitors to Art Basel Hong Kong 2023 mill around Yayoi Kusama’s Pumpkin sculpture. Photo by Sebastian Ng/SOPA Images/LightRocket via Getty Images.

What region are you paying more attention to this year than last?

New York. It’s still truly the cultural melting pot. The gallery program in New York is very different from the rest of the world, and galleries are confident in their exhibition programs. Asian artists are also getting more exposure in New York. Maybe there’s an Oscars effect [the film Everything Everywhere All at Once and its ensemble Asian cast won seven Academy Awards this year]. In Asia, I’m looking at what’s going on in Hong Kong. Despite the recent changes and the news, Hong Kong is still the best place to see international art, compared with Seoul or Japan. I’m also interested in Hong Kong-based artists.

What has been the most surprising development so far this year in the Asian art market?

How quickly China reopened after the prolonged COVID lockdowns. It is very important because of the sheer size of the market and its influence.

What are your clients looking for right now?

My clients are looking for artists who work with unique concepts and materials. They want to find something rare and fresh—not necessarily young artists but also mid-career artists who are in their 40s or 50s. They are interested in artists who still have regular shows and continue to produce new works.

Follow Artnet News on Facebook:
Want to stay ahead of the art world? Subscribe to our newsletter to get the breaking news, eye-opening interviews, and incisive critical takes that drive the conversation forward.

Photographer’s Viral Timelapse Video Shows a Kitten Ageing Into a Cat

Photographer’s Viral Timelapse Video Shows a Kitten Ageing Into a Cat

Kitten timelapse

A photographer’s timelapse of a kitten growing into a cat has gone viral on TikTok racking up over 21 million views.

Nils Jacobi who goes by the “The Catographer”, took a series of photos of a tuxedo Maine coon kitten from when it was very young to when it was almost 100 days old.

Jacobi explains that “for months” he took new pictures “every few days” before aligning all of them in Photoshop, keeping the cat’s head in the same place throughout the short video.

@furryfritz Kitten growing up 🐱📈 this is one of my favorite photography projects. Unfortunately the tuxedo kitten moved out and lives hundreds of kilometers away from me. Luckily the other three kittens moved to homes in my area and I can continue photographing them. Stay tuned for updates! #furryfritz #catographer #kitten #growingup #cutekitty #cat #mainecoon ♬ Love You Still (abcdefu romantic version) (v1) – Tyler Shaw
@furryfritz Update on my kitten growth project 🐱📈 #furryfritz #catographer #cat #kitten #catgrowingup #cutekitten #catphotography ♬ original sound – furryfritz

TikTok viewers were left enthralled by Jacobi’s video. “So interesting how the eyes changed color,” writes one person.

Cat Photographer

Jacobi has previously been featured on PetaPixel where he explained how he became interested in the cat photo niche.

“I had a studio for a few years and mainly photographed people,” he says. “When I realized that my cat photos, which I posted in between, got way more likes than my other photos, I put my focus on it.”

The photographer, who is based in Germany, adds: “Since I preferred to work with animals rather than human models anyway, it became a passion.

“At the time, I was fascinated by photos of running dogs, so I thought: Challenge accepted! I will now take photos like this with cats.”

Jacobi admits there are challenges when it comes to shooting cats — especially when the felines are not willing to be photographed.

“There is no trick to get the perfect shot. Just a lot of patience and dedication. It can be hard to get animals, especially cats, to pose for a photo,” he explains.

“Even as a professional with hundreds of cat photoshoots experience, you always try to push the limits of your creativity to get the cat to do something you want.

“But you just can’t force cats to do anything and of course, you shouldn’t try to do that in general! Fortunately, in most cases, it is enough to take advantage of the cat’s play instinct or appetite.”

More of Jacobi’s work can be seen on his Instagram, TikTok, and his website.

Image credits: All photos by Nils Jacobi/@furryfritz

Eva Jospin’s Vegetal Growths and Enchanting Architectural Ruins Transform the Gothic Palais des Papes

Eva Jospin’s Vegetal Growths and Enchanting Architectural Ruins Transform the Gothic Palais des Papes

“Nymphées (Grande chapelle)” (2022) . All images © OTresson, shared with permission

Within the gothic chapels of Avignon’s Palais des Papes, Eva Jospin carves parallel narratives tinged with enchanting ecologies. The Parisian artist, who’s known for her large-scale sculptures and installations made of corrugated cardboard, positions her architectural works inside the cavernous papal residence, juxtaposing her cut columns and archways with the historic surroundings.

Titled Palazzo, Jospin’s exhibition features several works created within the last few years, many of which contrast the human-made with the natural through scenes veiled with mystery. Vines descend in dense clusters in “Cénotaphe,” a monumental memorial with fantastical details, while the luminous “Nymphées” evokes crumbling geological formations and jagged, rocky openings combined with elements of an ancient Roman fountain. The theatrical “Côté cour côté jardin” structurally mimics a stage or city square with walls of vegetation, as it questions the relationship between inside and out and considers what remains hidden.

In each piece, Jospin draws on art history and antiquities, exploring interactions between differing spaces. Her use of a humble, recyclable material to depict grand scenes in states of ruin emphasizes fallibility and the inevitability of change, as she explores shifts in relevance and power over time.

Palazzo is on view through January 7, 2024.

 

Cardboard vines descend from a tall architectural column

“Cénotaphe (Grande chapelle)” (2020)

Vines hang from an cardboard sculpture with a wide, round, architectural base

“Côté cour côté jardin (Grande chapelle)” (2021)

A cardboard sculpture that appears as architectural ruins

“Forêt Corinthienne, (Chambre antique du camérier)” (2023)

An organic cave-like form made of cut cardboard surrounds an opening

Detail of “Nymphées (Grande chapelle)” (2022)

A small architectural sculpture made of cardboard stands on a white pedestal

“Petite folie (Chapelle St Martial)” (2023)

A viewer stands in front of a cardboard forest sculpture that towers in the air

“Galleria (Chambre de Parement)” (2021)

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Eva Jospin’s Vegetal Growths and Enchanting Architectural Ruins Transform the Gothic Palais des Papes appeared first on Colossal.

Serene Zen Modernity Welcomes Guests at the Nobu Hotel Palo Alto

Serene Zen Modernity Welcomes Guests at the Nobu Hotel Palo Alto

Montalba Architects’ redesign of the Nobu Hotel Palo Alto is an architectural project that could be characterized by a sense of delayed gratification – but one worth the wait. While the property opened its doors to welcome guests into the retreat’s ryokan-inspired accommodations appointed in Nobu Matsuhisa’s modern-meets-traditional-Japanese serene aesthetics back in 2020, the architecture practice has only now been able to unveil a centerpiece addition, one notable as much for its active sustainability as its poetically serene atmosphere.

The Nobu Palo Alto Garden Restaurant is a 4,100-square-foot complementary component to the Nobu Hotel Palo Alto, but also exists wholly independent once guests cross into its zen-like confines. Accessible from the hotel’s lobby, surrounding conference rooms and from its frontage on Emerson Street, the indoor–outdoor dining experience is confident in its contrast between traditional Japanese landscaping and contemporary interior architecture and furnishings.

View from Nobu Hotel Palo Alto restaurant interior behind frameless glass windows, out into the Japanese garden.

Detail of Japanese rock garden landscaped with California native plants.

“Contrast” may be a misnomer of a description, except in regards to the span of periods from which each element references. The warmly appointed interior is furnished with seating and tables not dissimilar to the modernity for masses of Richard Meier’s Getty Center or Apple’s best efforts within their retail spaces. Meaning, there’s an unobtrusive air to Montalba Architects’ work permitting the garden to breathe as the centerpiece experience for diners and guests alike.

Japanese rock garden landscaped with California native plants illuminated at dusk with dining area to the right.

Overhead view of Japanese rock garden landscaped with California native plants illuminated at dusk with dining tables lined up along the right against hotel wall.

“Overall the design was driven by ideas of composition and warmth of materiality – thinking about how we consider air, water, light, nourishment, comfort and tranquility of mind when seeking a retreat in an urban setting,” says David Montalba, Founding Principal, Montalba Architects.

Man leaning over railing surveying Nobu Hotel's Japanese rock garden landscaped with California native plants and outdoor dining furniture.

Large-format stone tiles extending into the outdoor patio are used as literal stepping stones to connect the architecture to the complementing landscaping. The seating is echoed spatially by vertically arranged boulders sourced from Japan, positioned as an artful garden repose.

Nobu Hotel restaurant's Japanese rock garden landscaped with California native plants and outdoor dining furniture, with stone pagoda statue and large landscape rock in foreground with maple planted in between.

Nobu Hotel restaurant's Japanese rock garden landscaped with California native plants, with small gravel footpath near large landscape rock in foreground and red maple tree behind it.

While Japanese gardens are traditionally planted with species evolved for plentiful rain, like the rest of California, the city of Palo Alto is suffering to adapt under the duress of drought. Montalba Architects thoughtfully chose to reinterpret their Japanese garden planted with California’s native ground cover. The result is a Japanese aesthetic evolved to flourish with less water and maintenance. The garden planting is designed to change throughout the year to reflect the seasonality of the natural landscape.

Overhead drone photo of gravel footpath winding through Nobu Hotel Palo Alto's restaurant Japanese style garden, showing various planting zones and rock placement.

Overhead drone photo of gravel footpath winding through Nobu Hotel Palo Alto's restaurant Japanese style garden, showing various planting zones and rock placement, with four dining tables situated at the bottom.

“We developed the idea of an integrated garden dining experience well before the pandemic,” added Montalba. “The design was driven by a desire to facilitate natural moments of pause and mental rest. It was important to us that non-patrons be able to experience the space, too – that they come upon this unexpected garden scene while walking along the street.”

Montalba Architects’ design is inviting and relaxing, a lush micro habitat designed to evolve seasonally, an example of contemporary biophilic design incorporated into the sum of an experience rather than a simple window dressing.

Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Weekend picks: Packwood flea market, Yakima art studio tours and menudo in Granger

Weekend picks: Packwood flea market, Yakima art studio tours and menudo in Granger
image

Explore readers, we made it! 

It’s Labor Day weekend, the unofficial end of summer, and we survived multiple 100-degree days and wildfire smoke. 

Labor Day is a federally recognized holiday, observed the first Monday every September. It celebrates American workers.

Many people travel during the holiday weekend or stick close to home for one last blast of summer fun. 

Whether you’re sticking to the Yakima Valley or getting out of town, be safe and enjoy your weekend. If you are sticking around, though, here are some things you can do:

Beer Grows Community

Once a month, Single Hill Brewing Company, 102 N. Naches Ave., hosts Beer Grows Community. The brewery partners with a local organization for a presentation and 50% of all draft beer sales for that day are donated to the presenting organization.

This Thursday, Aug. 31, Single Hill and The Seasons Performance Hall partner up for the August edition of Beer Grows Community.

Staff from The Seasons Performance Hall will be available in the taproom from 5-7 p.m. to share information about the organization.

Packwood Flea Market

Twice a year, the town of Packwood opens its streets and free spaces to vendors and visitors looking for a great deal.

The Labor Day weekend flea market will take place Friday through Monday. Hundreds of vendors set up shop with antiques, clothing, household items, novelties, décor and more.

Just about an hour and a half drive from Yakima, you’ll travel about 70 miles westbound on U.S. Highway 12.

Art studio tours

More than 30 local artists are participating in this year’s Labor Day Weekend Artist’s Studio Tour from 10 a.m.-4 p.m. Saturday and Sunday and from 10 a.m.-noon on Monday.

Six studios will host artists and guests to celebrate art, meet artists, tour studios, watch the creative process, purchase art and join a mini art class.

Participating studio locations include Artebella Gallery, 2103 W. Yakima Ave.; Rachel Dorn, 203 S. Eighth Ave.; John Barany, 2302 Laban Ave.; Yakima Maker Space, 16 S. First St.; Studio 909 Gallery, 909 S. 30th Ave.; and Yakima Valley Artists Association at St. Timothy’s Episcopal Church, 4105 Richey Road.

Tickets cost $10 per person and allow each person into each studio all three days.

Tickets can be purchased at Better Now Coffee, 4001 Summitview Ave., Suite 22A; Shopkeeper, 3105 Summitview Ave.; John Gasperetti’s Floral and Design, 5633 Summitview Ave.; Stems, 399 E. Yakima Ave.; The Larson Gallery, 1606 W. Nob Hill Blvd.; Yakima Valley Tourism Visitor Information Center, 101 N. Fair Ave.; and Oak Hollow Custom Framing and Gallery, 601 N. First St.

Tickets can be purchased by email or phone by contacting Pamela Searcy at 206-915-4663 or pamelasearcy@iinet.com.

Visit www.artebellagallery.com/studiotour for more information about participating artists.

Granger Menudo Festival

Granger will host its 18th annual Menudo Festival on Sunday from 10 a.m.-6 p.m. at Hisey (Dino) Park, 505 Main St., Granger.

The menudo festival consists of a menudo contest and is open to anyone interested in participating. The registration fee is $20; contact Israel by calling 509-305-6040.

Menudo judging will begin at 12:30 p.m. and winners will be announced at 2 p.m. Judging will be a blind taste test.

The daylong event will also include a car show, volleyball tournament and vendors.

The volleyball tournament starts at 8:30 a.m. and costs $175 to participate. Interested teams should contact Angel Golob at 509-840-4898 or amgolog@gmail.com. Players must be 18 years or older and two players on the court must be women at all times. The top three teams will receive T-shirts and plaques.

First Friday

It’s First Friday, and several downtown businesses, organizations and other downtown spaces are offering specials to highlight art, culture, dining and shopping in downtown Yakima.

Visit downtownyakima.com for more on the following businesses:

• Sewn, 25 N. Front St., Suite 2.

• Stems, 399 E. Yakima Ave.

• Three Sisters Metaphysical Arts, 106 S. Second St.

• Healing Rowan Creations, studio located upstairs from Mama Corie’s Kitchen, 114 Staff Sgt. Pendleton Way.

• Whimsical Details, 30 N. Second St.

• Arcadian Healing Arts, 6 S. Second St.

• The Alignment Co., 12 S. Second St.

• Ron’s Coin & Collectables, 6 N. Third St.

• AntoLin Cellars, 14 N. Front St.

• Schab’s Bier Den, 22 N. Second St., Suite 100.

• Soul Seeker, 108 S. Third St.

• Coffee Cravings, 118 W. Yakima Ave.

• Kana Winery, 10 S. Second St.

• Purrr, 306 E. Yakima Ave.

• The Little Soapmaker, 302 W. Yakima Ave.

• Cowiche Canyon Kitchen and Ice House Bar, 202 E. Yakima Ave.

• Leading Force Energy and Design, 17 N. Third St.

• Sub Shop of Yakima, 20 N. Second St.

• Sports Center of Yakima, 214 E. Yakima Ave.

• Station 1889, 27 N. Front St., Suite 101

• Sweet Sisters Ice Cream Shop, 120 E. Yakima Ave.

• Avenida Cantina, 121 E. Yakima Ave.

• North Town Coffeehouse, 32 N. Front St.

• Single Hill Brewing, 102 N. Naches Ave.