Illinois State Fair officials unveil 2023 Butter Cow sculpture
By Admin in Photography
In the modern world of photography, it’s easy to be lured into the belief that owning the latest and most expensive gear will automatically elevate your skills as a photographer. However, the truth is far from this misconception. While high-quality equipment can undoubtedly enhance certain aspects of your photography, it is essential to understand that gear alone does not make you a better photographer. In this article, let’s delve into the reasons why true photographic prowess lies in the photographer’s skill, creativity, and vision rather than the equipment they possess.

One of the most significant aspects of landscape photography is the photographer’s vision and creative expression. While a high-end camera and lens can offer technical advantages, they are merely tools that serve the artist’s creative intentions. Owning top-of-the-line gear won’t help if you lack a compelling vision for your photographs. The most iconic landscape images are born from us photographer’s ability to see and capture unique compositions, lighting, and moments that evoke emotions and tell stories.
Vision and creativity are the cornerstones of great landscape photography, and they transcend the limitations of equipment. While modern cameras and lenses have advanced capabilities, it is the photographer’s unique vision and creative approach that truly make an image stand out. Let’s delve deeper into why vision and creativity should be prioritized over gear:

A camera is only as powerful as the person wielding it. A landscape photographer must understand the principles of photography, such as exposure, composition, and lighting to create impactful images. In-depth knowledge of these fundamental techniques allows the photographer to use any camera, whether it’s a high-end DSLR or a smartphone, to its full potential. Understanding how to manipulate settings like aperture, shutter speed, and ISO is essential in achieving the desired artistic effects, regardless of the gear’s sophistication.
Composition Is KingThe heart of a compelling landscape photograph lies in its composition. The ability to compose a scene effectively is not dependent on gear but rather on the photographer’s artistic eye and creativity. A skilled photographer can craft striking compositions with any camera by thoughtfully arranging elements within the frame, paying attention to leading lines, symmetry, balance, and framing. These composition techniques are universal and applicable across all levels of gear.

Light is the soul of photography, and mastering its interplay with the landscape is crucial for producing captivating images. While advanced camera sensors can handle challenging lighting situations, understanding and harnessing the light’s qualities is a skill that comes from experience and observation. Being able to recognize the right time of day for the desired mood, or making the best of adverse weather conditions, separates skilled photographers from those who rely solely on equipment.

Great landscape photography evokes emotions, connects with viewers, and transports them to the scene captured by the photographer. Achieving this emotional connection is not achieved through gear but rather through the photographer’s ability to convey their own emotions and experiences into the images they create. Whether it’s a sense of wonder, tranquility, or awe, it is the photographer’s artistic expression that creates this bridge between the viewer and the photograph.

Limitations in gear can sometimes foster creativity and ingenuity. Working with a less sophisticated camera or lens encourages photographers to think outside the box and find innovative ways to capture stunning landscapes. Embracing limitations can lead to unique perspectives and a more personal touch in your work, which is often lost when relying heavily on gear alone.

Landscape photography often requires patience and mindfulness to wait for the perfect moment to capture the desired shot. It’s about being in tune with the environment, observing subtle changes in lighting and weather, and being ready to seize the right opportunity. These traits are cultivated through practice, experience, and passion for the art, not through the gear you carry.

In conclusion, gear undoubtedly plays a role in landscape photography, but it should never be the primary focus or the sole measure of a photographer’s skill. The true essence of landscape photography lies in the photographer’s vision, creativity, knowledge, and ability to connect emotionally with the audience. Mastery of composition, light, and technique are what sets outstanding photographers apart from the crowd, regardless of the equipment they use.
Instead of chasing the latest gear trends, aspiring landscape photographers should invest in honing their craft, learning from experienced photographers, and spending more time in the field to develop their artistic voice. After all, it is the passion, dedication, and the pursuit of excellence that ultimately defines a photographer’s journey and leads to creating breathtaking landscape photographs that stand the test of time.
Am I right in this view in your opinion, or have I got it totally wrong? Let me know your thoughts in the comments below and let’s chat.
By Admin in Photography
In the world of photography, the debate over whether gear truly impacts the quality of a photographer’s work has been going for years. Some argue that it is the photographer’s skill and vision that matter most, while others firmly believe that having the right gear can significantly elevate one’s abilities. This article aims to shed light on the argument that gear does make you a better photographer, by exploring how advanced equipment empowers photographers, enhances creative possibilities, and enables the pursuit of excellence.

High-quality gear offers technical advantages that cannot be denied. State-of-the-art cameras boast superior sensor technology, higher resolutions, and improved dynamic range, allowing photographers to capture images with exceptional detail and clarity. Advanced autofocus systems enable swift and precise focusing, especially in challenging shooting conditions, ensuring critical moments are not missed. Additionally, better low-light performance reduces noise and allows for high-quality images even in dimly lit environments.

Having a wide array of lenses, filters, and accessories at your disposal provides creative flexibility that can significantly enhance your photographic expression. Specialized lenses, such as ultra-wide-angle or telephoto lenses, open up new perspectives and enable photographers to experiment with unique compositions. Filters like polarizers and neutral density filters allow for greater control over light and exposure, resulting in visually stunning and creatively compelling images.

Photographers who specialize in specific genres, such as wildlife, sports, or macro photography, often require specialized gear to excel in their field. Fast telephoto lenses enable wildlife photographers to capture elusive creatures in their natural habitat, while macro lenses bring out the intricate details of tiny subjects. Specialized gear allows photographers to push the boundaries of their craft and achieve outstanding results in their chosen niche.

High-end gear can significantly improve a photographer’s workflow, leading to increased efficiency and productivity. Fast camera processors, larger buffer capacities, and high-speed memory cards enable photographers to shoot continuously without interruption, essential in fast-paced events or wildlife photography. Advanced editing software, coupled with powerful computers, streamlines the post-processing phase, allowing photographers to fine-tune images with ease.

Investing in quality gear instills confidence in photographers, allowing them to focus on their creative vision without being hindered by technical limitations. Knowing that their equipment is up to the task empowers photographers to take risks, experiment with different techniques, and push the boundaries of their creativity. This sense of trust in their gear can lead to more inspired and daring photographic endeavors.

While gear alone cannot make someone a better photographer, it can undoubtedly encourage growth and skill development. As photographers become familiar with advanced gear, they gain a deeper understanding of its capabilities and nuances. This knowledge empowers them to make informed decisions, use their equipment to its fullest potential, and explore new possibilities in their photography.

In some situations, exceptional gear can be the differentiating factor between capturing an outstanding shot and missing the opportunity altogether. Fast-action sports photography, wildlife in low light, or challenging environmental conditions are scenarios where having superior gear can be a game-changer. In these instances, advanced equipment enables photographers to rise to the occasion and produce exceptional images that might have been otherwise unattainable.
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While it is true that a skilled photographer can create beautiful images with any camera, it is essential to acknowledge the undeniable advantages that advanced gear brings to the table. High-quality equipment empowers photographers with technical capabilities, creative flexibility, and confidence to pursue their vision and master their craft. It is the combination of a photographer’s skill, vision, and the right gear that unlocks their full potential, leading to outstanding results and continued growth as an artist. In the end, gear may not be the sole determinant of a photographer’s success, but it is undoubtedly a valuable tool that plays a crucial role in helping them become a better photographer.
Has having the latest and best gear helped you in your own photography journey or so you think that gear doesn’t even matter ?
Let me know in the comments below and let’s chat.
Stonington Gallery Rudy Willingham
Pioneer Square has dozens of superb galleries along its appealing brick streets and hosts America’s longest-running monthly Art Walk, held on first Thursdays. Stop by Greg Kucera Gallery (212 Third Ave S), which opened in 1983 and showcases a mix of museum-quality pieces from local and international artists, and Stonington Gallery (125 S Jackson St) for weavings, jewelry, and sculpture by Native American talents. More than 30 resident artists work from the studios inside the Tashiro Kaplan Artist Lofts (115 Prefontaine Pl S), while Method Gallery (106 Third Ave S) shows compelling site-specific installations.
The Frye Art Museum is always free to visit and displays modern and contemporary art from the collection of Charles and Emma Frye as well as rotating temporary exhibits. Photographic Center Northwest (900 12th Ave) stages innovative photo exhibitions, many that focus on social justice. During Capitol Hill Art Walks on the second Thursday of each month, bustling Chophouse Row (1424 11th Ave) marketplace joins in on the fun with art, food, drink, and live DJ sets. Georgetown abounds with places to engage with original art, especially during Georgetown Art Attack, held every second Saturday. Art talks take place at contemporary studio e (609 S Brandon St). In a creatively transformed gas station, Mini Mart City Park (6525 Ellis Ave S) serves as a community art space and pocket park. Also check out the thoughtful exhibitions at Koplin Del Rio (6107 13th Ave S) and the colorful home of alternative comics publisher Fantagraphics Bookstore (1201 S Vale St).
By Admin in Art World News
It was just over a month ago at Sotheby’s London that the already slim 17-lot sale of ultra-contemporary art, known as “The Now,” became even slimmer when it was revealed on the day of the auction that three lots, all paintings by sought-after female artists, had been withdrawn.
These included works by Louise Bonnet, Hilary Pecis, and Emily Mae Smith, with a cumulative estimate range of £440,000 to £660,000 ($560,000 to 840,000). After the sale, observers buzzed about the gap in lots. One said they were “great paintings,” while others spoke of market jitters, and another said they belonged to an Asian collector. After all, the respective markets for all three artists have been on a tear in recent years, with auction results far exceeding estimates.
One collector’s name came up repeatedly, Ding Yixiao a contemporary art collector who goes by “Xiao” and who founded the Xiao Museum of Contemporary Art in Rizhao, in China’s Shandong province. His Instagram feed is packed with images of buzzed-about contemporary names including the aforementioned artists as well as numerous pieces by Javier Calleja, KAWS, Takashi Murakami, Yoshitomo Nara, and Ed Ruscha.
When Artnet News finally connected with Xiao, he confirmed that the three artworks are his, writing in an Instagram direct message, that he had withdrawn them pre-sale because the market is “bad now” and adding that he still owns them, adding “Well, These are my works, I can do whatever I want to do,” in response to Artnet’s queries about the withdrawals. The Pecis and the Bonnet appear in his previous Instagram posts.
Sotheby’s declined to comment citing client confidentiality.
Just two years ago, it was Xiao himself who was behind the current record auction price of an Emily Mae Smith painting, Broom Life (2014) that sold for HK$12.4 million ($1.6 million) at Phillips Hong Kong in June 2021, smashing the high estimate of HK$600,000 ($78,000).
Artnet News identified him at the time as “an extremely private deep-pocketed Shanghai-based collector who’s aggressively building a collection fit for a private museum, regardless of the cost.”
According to the report: “Xiao wanted the piece so badly that, a day before the sale, he posted a now-deleted Instagram of Broom Life with the caption: ‘Plz don’t fight with me tmr for this EMS. We are in LOVE,’ followed by three crying-laughing-squinting emojis.” The Smith painting still appears in several of his Instagram posts including one that read “Welcome to home” posted shortly after the auction.
However, along with Xiao’s confidence in the market for Emily Mae Smith, his relationship with Phillips auction house has also taken a turn for the worse. Phillips declined to comment citing client confidentiality, but sources said Xiao’s business dealings with the house have become so problematic that he is now banned from doing business with the auction house altogether. Friday (August 4) marked a deadline for Xiao to make a payment towards an outstanding balance he allegedly owes Phillips, and sources familiar with the situation confirmed that the payment was not made on time.
Xiao confirmed some of the details but had a different story to tell. “I banned [sic] from Phillip because I’m suing them. They took my works for sale and never paid me money after the sale,” he told Artnet News via direct message. “I will never do business with Phillips again.”
In early May, his attorney wrote letters to Phillips Hong Kong demanding hammer proceeds from sales of seven artworks, one of which failed to sell in an auction and was sold privately and the remainder of which were sold across two auctions. The attorney said that legal proceedings would commence within seven days if the funds were not paid.
A source familiar with the situation said that no legal proceedings have been brought against Phillips by Xiao to date, and that Xiao still owes a sum that exceeds the money he claims he is owed, which is roughly $300,000.
Emily Mae Smith, Broom Life.(2014) Image courtesy Phillips and Poly Auction.
Further, the Xiao Museum is closed until the end of August citing maintenance, according to the museum’s official WeChat account.
Xiao told Artnet that the museum will re-open, and that the next show will be in November. He said the closure is due to an ongoing tax fraud investigation, that he is a victim of a related “scam,” and that he is cooperating with the investigation. He also said he still plans to open another space, which sources said had been slated for Shanghai.
After fielding some questions via direct message, Xiao stopped communicating with Artnet News for this story and referred us to a former associate of the museum. That person declined further comment.
Meanwhile, Xiao’s difficulties with business partners may be spreading. While several art dealers and shippers told Artnet News that they have transacted business and art deals with Xiao without any trouble, more recently sources reported requesting invoices that then went unpaid. One dealer canceled a planned sale after repeated delays, while another that had completed a transaction was unable to arrange for shipment of the work to China and was ultimately told by an advisor that Xiao was “indisposed” until further notice. Another source acted as a proxy for Xiao at an auction, only to find themselves on the hook when he allegedly refused to pay for an artwork that was won on his behalf.
To be sure, many sources in the Chinese-speaking art world that Artnet News spoke with were tight-lipped on the topic of Xiao. Some refused to comment or declined to acknowledge that they knew him.
Still, as Artnet News’ investigation progressed, more dealers and other art professionals who had transacted with Xiao surfaced. Another dealer said they had been warned not to do business with him, while a third dealer was concerned how Xiao’s reputation may impact that of fellow Chinese art collectors and private museums.
“Chinese collectors and private museums are not like that,” the third dealer said.
More Trending Stories:
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By Admin in Photography

For photographers who cannot get enough of photography in the real world, there are plenty of ways to enjoy it in the virtual world.
Perhaps the most famous photography game of all time is Pokémon Snap, a cult classic for the Nintendo 64 that has received a much-anticipated sequel on Nintendo Switch. However, photography games go far beyond on-rails “point and shoot” games like Pokémon Snap.

Some games, such as Season, A Letter to the Future, instead use photography as a vital narrative element to tell a compelling story. Others try to simulate photography in video game form, proposing a realistic photo experience.
There is even a subset of photography games that are “horror” video games, where the character uses a camera to photograph ghosts and monsters or sometimes even must survive a terrifying situation armed only with a camera.
Some games are not about photography but include sophisticated “photo modes,” allowing virtual photographers to capture incredible, lifelike images of amazing scenes or even plan out real-world shoots using a game. Beginner photographers can also learn some basic skills using photo modes. For example, games with realistic lighting engines can teach people much about how light interacts with different subjects.
These video games are ones where photography is the sole or primary way the player interacts with the game. The gameplay loop itself is photography. This does not necessarily mean a game is a photography simulator, although it can be. It just means the player spends most of their time taking photos during normal gameplay.
Available on: Switch, $60
Retro alternative: Pokémon Snap (Nintendo 64, $14-100 depending on condition)
New Pokémon Snap is the long-awaited sequel to Pokémon Snap on Nintendo 64. Released more than 20 years after the original game, New Pokémon Snap on Nintendo Switch is a beautiful game that offers the same fundamental gameplay loop as its predecessor, albeit with way better visuals, many more Pokémon, and a handful of new features.
In New Pokémon Snap, players assume the role of a Pokémon Photographer and travel around different habitats in an on-rails hovercraft. The craft moves through the levels at a constant rate, although the player can speed up. Players can capture photos of a wide range of Pokémon exhibiting different behaviors and interesting poses by using different items and paying close attention to their surroundings. Players are scored based on how centered a Pokémon is, its pose and behavior, its size in the frame, and its rarity. Players are encouraged to replay levels to see new areas and unlock secret interactions.

Nintendo even worked with Fujifilm to make a mobile app for the game that allows players to print images from an Instax Mini Link printer. There is also a Pokémon-themed printer available.

Summary: This game is suitable for players of all ages and is a great choice for anyone who loves Pokémon. It is not a great choice for people who want their images judged based on genuine composition or people who want a photography simulator.
Available on: PC and Consoles, Coming Soon
While not yet available, Lushfoil Photography Sim is poised to be a beautiful, realistic photography simulation game on PC and consoles. Published by Annapurna Interactive, Lushfoil is currently in beta testing and is built upon developer Matt Newell’s prior games, Castle Rock Beach, West Australia and Mýrdalssandur, Iceland.
Using Unreal Engine 5, Lushfoil promises significantly improved visuals with better fidelity and realism. Many locations will appeal to landscape and nature photographers, including environments in Italy, Japan, France, Nepal, and China.
The game provides players with a realistic DSLR camera and a first-person drone that they can use to explore environments and capture lifelike photos.
Summary: This photography simulation looks like it will offer a fun, realistic photo experience for its players. While it may not have the charm of a game like New Pokémon Snap, Lushfoil will probably appeal to more serious photographers.
Available on: PlayStation 3, $100-$150 used
Given that Afrika is a PlayStation 3 game – and very expensive on the used market – it is only a compelling choice for video game collectors or extreme photography gamers. However, if someone could find the game for cheap, they will find a relatively in-depth game with many exciting photography features.
In Afrika, the player is a photojournalist or zoologist hired to photograph wild animals in Africa. The game is all about missions, which players receive at base camp. Traveling by foot, car, or even hot air balloon, players must explore and find specific animals to photograph.
Completing missions earns players in-game money, which they can spend on new supplies, like an upgraded camera or new lenses. Given that it is a PlayStation game, it is no surprise that the in-game cameras are Sony models, including the Sony a100, a350, and a700. Players can even unlock a vertical grip for the a700 model. Lenses include various Sony A-mount zooms and the 300mm f/2.8 G, which is the cream of the crop.
There are also remote control cameras, camera traps, and automatic “Crittercam” equipment to unlock.
When players photograph virtual animals, they unlock real-life photos and videos of animals. Be careful, though, as being attacked by an animal in the game results in losing all the photos from a safari.
Summary: Despite receiving mixed reviews and not selling well, Afrika is a very in-depth game. Having imported the game when it launched in Japan, I would welcome a sequel, but that will never happen.
Available on: PC, Switch, and Xbox, $15-25
An indie darling, Umurangi Generation, landed on PC in 2020 and arrived on consoles the following year. In the stylized first-person game, players must take photos of objects with specific lenses. Aside from these missions, players can explore the world to their heart’s content.
By progressing through the game and completing missions, players unlock different lenses, including telephoto and fisheye optics, and can apply additional edits and effects to their images.
There is an expansion, Umurangi Generation Macro that added camera systems like shutter speed, aperture, and ISO adjustments, plus four new levels. The DLC also added roller skates to allow players to move around the world more rapidly.
Umurangi Generation delivers a strong narrative, offers interesting photography elements, and has been received very well by critics.
Summary: Some photography games offer a compelling story, while others offer interesting photography simulation elements. Very few games offer both. Umurangi Generation is one of those rare gems.
Available on: PC, Switch, and Xbox, $14-20
Few photographic subjects are as popular as cute animals, especially dogs. Some dogs even have their own Instagram accounts with millions of followers. Pupperazzi is all about taking photos of virtual dogs to build a social media following.
Players are tasked with getting the best photos of the cutest and most stylish dogs. As players get more followers, they can acquire upgraded camera gear. Players must overcome obstacles to get the best shot of the most popular dogs.
In their review for Game Informer, Jill Grodt says that Pupperazzi is “…the gaming equivalent of cotton candy. It’s sweet and makes the day feel more festive, but it’s not going to tide you over if you’re looking for something with real substance.”
The game is simple, sweet fun with a charming exterior and not an awful lot happening under the surface. There is nothing wrong with that, by the way. When you crave cotton candy, it tastes great, even though it is shallow and fleeting.
Summary: Cute dogs, photography, and photos of cute dogs. What else could somebody want? Depth? That is not here. But did I mention the cute dogs?
There are also many games where photography is part of a game’s design but is used more to help tell the story or work alongside other essential gameplay elements. While a game like Season, A Letter to the Future has players use a camera a lot, the photography elements work alongside other activities to tell an engrossing story. The camera is part of the experience but not the entire experience.
Available on: PC, Switch, and Xbox, $10
A very affordable game, Beasts of Marvilla Island puts players in the shoes of a young wildlife photographer as they explore an island and try to capture photos, solve puzzles, and learn more about the mysterious locale.
Based on reviews, the game does not seem especially impressive, and it runs poorly on Nintendo Switch. However, it still earns a spot on this list because it is just $10, and it sports an engaging art style. Besides, on Steam, players enjoy the game, so it is far from universally panned.
Summary: This game has mixed reviews but is an affordable photography-oriented game with a lovely art style and interesting premise. It is a good choice for people who want a quick game at a fair price.
Available on: PC, PlayStation, $25-30
PetaPixel’s Jaron Schneider wrote a fantastic, in-depth review of Season, A Letter to the Future earlier this year. That is the best place to learn about the game. However, very broadly, the game is about investigating the idea of memory and experience.
Through exploration; recording using a camera, tape recorder, and journal; and digging into the mysterious world, the game leads the player to question the concept of remembering. The in-game camera is straightforward, although not quite as simple as the one in New Pokémon Snap, it remains a valuable tool for the player to grapple with the idea of the temporariness of memories and the permanence of photographs.
Summary: A good choice for people who want to enjoy a relatively short story in a mysterious world. Photography matters here, but not in the way that it does in a photo simulation game.
Available on: PC, Switch, Xbox, Playstation, $20-40
Armed with a camera and the ability to transform into an animal, the protagonist in The Good Life tries to solve a murder mystery in a strange British town. In her human form, the hero, Naomi, is a journalist able to take photos. Exciting photos will earn Naomi more social media followers, which results in more money to spend on items.
Naomi can explore the town in different ways as a cat or dog. Yes, it is a strange game.
As the player tries to get to the bottom of the underlying mystery, they must also ensure Naomi is clean, rested, and fed. The game is part investigation, part exploration, and part role-playing game.
Summary: The RPG uses photography as a gameplay element, but the star of the show is the complete absurdity of nearly everything that occurs.
Available on: PC and Mac, $10
Snapshot is an odd game challenging to fit into a box. On the one hand, the main character’s camera is required to play the game, so photography is a critical gameplay element. On the other hand, the player’s camera is used to manipulate objects in the world rather than take photos.
The side-scrolling game forces players to capture “snapshots” of objects in the world and then use those photos to solve puzzles and overcome obstacles.
Summary: Photographers who enjoy puzzles but do not necessarily need great photos in their video games should consider Snapshot.
Available on: PC, Xbox, PlayStation, $12-25
This is a weird one. In Eastshade, the player is a traveling painter exploring the eponymous island of Eastshade. Anthropomorphic animals populate the island, and the player explores from a first-person perspective.
Technically the player is painting pictures, but the process is a lot like composing a photograph, so it is more of an adventure photography game than anything else. Alongside these compositional exercises, players must also use their artistic talents to help the island’s inhabitants.
Despite its oddities, the game has fared quite well with critics, with many lauding Eastshade for its immersive world and lack of combat elements.
Summary: Eastshade is a good choice for adventure game fans. It is a serene, peaceful game that is somewhat light on “photography” but heavy on character.
Available on: PC, Xbox 360, $10
Will Beyond Good & Evil 2 ever come out? It is hard to say, given that the game was first announced more than six years ago with no release date in sight. However, the original game, launched in 2003, remains a classic.
Players take control of Jade, an investigative reporter armed with a camera. Jade is much more than just a photographer, though, she is also skilled in martial arts and is a hitwoman. She has quite the CV.
Players take photos, sneak around, solve puzzles, and defeat enemies throughout the game’s story. Jade uses her camera to obtain evidence, complete assignments, and earn money. After upgrading her camera, she can even use it to attack enemies.
There is a good reason gamers so badly want Beyond Good & Evil 2 to come out finally — the original game is so good.
Summary: While the game’s graphics have not aged that well, and some gameplay elements are dated, Beyond Good & Evil delivers an engrossing story, stars an excellent protagonist, and uses a camera in interesting, albeit limited, ways.
Horror games and psychological thrillers deserve their own category. They are scary, disturbing, and not for everyone.
Available on: PC and Consoles – Varies
The Fatal Frame series started in 2001 and is still going strong to this day with the latest release, Fatal Frame: Mask of the Lunar Eclipse. While each entry in the series differs a bit, in every case, the player is equipped with a “Camera Obscura.” It is not an actual camera obscura but a special camera that can capture and calm spirits.
The player’s camera is their defense against the horrors lurking in the game’s many shadows. The camera can damage ghosts. The amount of damage the camera deals to an enemy depends on whether they are focused. As players defeat more enemies, they get more points, which they can use to upgrade the camera and acquire more powerful film.
Only some spirits in the games are out to get you. Some are passive and more like collectibles. However, if a player misses a spirit, they may be gone forever, never to be seen again.
While all games in the series are generally well-received by critics, save for a bad entry on Nintendo 3DS, Fatal Frame II: Crimson Butterfly stands above the rest and is considered by many to be among the best horror games ever made.
Summary: For photographers who love horror, are interested in Japanese folklore, and like taking photos under pressure, the Fatal Frame series is perfect.
Available on: PC , on Consoles in August 2023, $14
Fatal Frame is sort of like a ghost-hunting game, but Phasmophobia fully leans into the idea of capturing photos of ghosts. Phasmophobia is also notable because it is a cooperative horror game, one of the few multiplayer games in this guide.
Players communicate using in-game walkie-talkies and work together to complete missions. Of course, these missions are all centered around finding ghosts. Thanks in large part to a lively Twitch community and popularity on YouTube, Phasmophobia has found a passionate community of fans. The game is coming soon to Xbox Series X/S and PlayStation 5.
Summary: This paranormal investigation game is all about using cooperation and a camera to capture footage of ghosts. It is a good choice for horror fans and photographers looking for a game to play with friends.
Available on: PC, Switch, Xbox, PlayStation, $20
In Outlast, players assume the role of an investigative journalist learning more about an abandoned psychiatric hospital.
Played from a first-person perspective, the player must avoid enemies, as they have no weapons to attack any threats or defend themselves. Further, much of the game occurs in pitch darkness, so the only way to see is by looking through a camcorder equipped with night vision.
Summary: A terrifying game that tests the mettle of its players.
Available on: PC, PlayStation, $30
Another first-person game, Martha is Dead, takes place in Italy in 1944 and blurs the lines between reality, superstition, and the tragedy of World War II.
Set in a fictional town occupied by German soldiers, the player takes control of a photography-obsessed young girl, Giulia, who discovers the corpse of her twin sister, Martha, when taking nature photos at a lake near their home.
The narrative-driven game explores trauma, the blurry line between reality and delusion, and mental illness primarily through the lens of Giulia’s 1940 Rolleicord camera. The player uses photography to work through concepts of memory and how tragedy can disrupt the very idea of reality itself.
Summary: Players must confront terror through the lens of a Rollei camera. While emotionally driven, the game sports plenty of jump scares and horror, so it is far from a lighthearted romp through Italy.
Beyond the above games that are, at least in part, about photography and taking photos, plenty of games have nothing to do with photography but include spectacular in-game camera features and photo modes.
Games like Gran Turismo 7 and Forza Horizon 5 enable players on PlayStation and Xbox, respectively, to capture highly realistic and beautiful photos of cars.
Narrative games like Red Dead Redemption, God of War, The Last of Us, and Horizon Forbidden West let players take time away from story progression to capture beautiful, lifelike portraits and landscape images using sophisticated cameras, complete with exposure controls, editing tools, and sometimes even different focal lengths and apertures.

Virtual photographers like Frederic Verdickt show that players must have a photographer’s eye and artistic skills even for virtual photography.
As video games become more realistic and virtual worlds grow richer, there are many ways for real-world photographers to enjoy photography in video games.
Whether it is taking lifelike virtual photos, enjoying a narrative through a virtual camera lens, or melding a passion for cameras with a love of horror, many great photography-themed video games are available on PC and consoles.
By Admin in Photography
… things happen … some bad and some good … sorrow and joy … farewells and hellos … loss and gain and over none of these things do we have a say or control over. A year ago, this past weekend I lost One do to some very rare circumstances and two days later I welcomed Katie into our home.
That is a photo of One above, taken a few weeks before she left … she was with us for almost ten years and below is a photo of Katie, shortly after she was welcomed into our home. She has taken over as the gentle ruler of our home.
The problem with befriending these wonderful creatures and bringing them into our lives is that they have short lifespans when compared with ours … that means we will experience loss and it is difficult to lose a creature that has so intertwined its life with yours. There were thoughts of not welcoming another four-legged friend into my life … the freedom of not having the responsibility was considered, but the thought of the vacuum and joy that they bring into life prevailed, and Katie pictured below, came home just two days after losing One.

Unlike our previous cats, Katie is an indoor cat, and she seems very happy with that … and her three condos and the attention of everyone who enters our home. For me I have the rich memories Of One, Q, and Nimbus whilst building new ones with Katie. Not much travel, but I love where I am and the day tripping that I do in Arizona … it is a good life, and I am blessed!
The Humane Society of Sedona was the temporary home for all of our feline friends whilst in Sedona (33 years … 31+ full time.) Support them … they save a lot of critters and bring joy to a lot of people!
Have a beautiful day, smile at those you meet and greet … keep breathing and share smiles with all whom you meet. Life is beautiful and precious, and the best part is that we can share these blessings with others.
Cheers,
Ted
Love some one—in God’s name love some one—
for this is the bread of the inner life, without which
a part of you will starve and die; and though you feel
you must be stern, even hard, in your life of affairs,
make for yourself at least a little corner, somewhere
in the great world, where you may unbosom and be kind.
Love Some One by Max Ehrmann
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The easiest way to reach Mr. Grussing is by email: ted@tedgrussing.com
In addition to sales of photographs already taken Ted does special shoots for patrons on request and also does air-to-air photography for those who want photographs of their airplanes in flight. All special photographic sessions are billed on an hourly basis.
Ted also does one-on-one workshops for those interested in learning the techniques he uses. By special arrangement Ted will do one-on-one aerial photography workshops which will include actual photo sessions in the air.
More about Ted Grussing …
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The loon traveled from Los Angeles to its permanent home in the Twin Cities.
A new beetle species has been named to honor a fellow Husker, bridging the worlds of academia and wildlife conservation.
Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
The Desert Foothills Land Trust (DFLT) is proud to announce a special presentation event featuring acclaimed botanical photographer Jimmy Fike on Saturday, Oct. 12 at 6:30 p.m. at the Sanderson