Exceptional Winners of the 2023 Nature inFocus Photography Awards

Exceptional Winners of the 2023 Nature inFocus Photography Awards
Nubian Ibexes jumping on a cliff

“The Things You Do for Love” by Amit Eshel. Winner, Wildscape & Animals in Their Habitat.
“Looks like the set for the next Mission Impossible, but for Nubian Ibexes, the high-altitude rocky terrains are home. The vulnerable ibex species is known for many things–large semi-circular horns, the ability to scale mountains with ease and the territorial fights that males engage in during the rutting season. Displays of dominance begin with showing off their impressive horns. If that doesn’t do the trick, it’s time to escalate by pushing and shoving the opponent and literally locking horns with them. Ibexes also stand on their hind legs as they get ready to strike.”

The 2023 Nature inFocus Photography Awards recently announced its winners during a ceremony held in Bangalore, India. The winners were selected from 24,000 images of wildlife submitted by over 1,500 photographers. In the end, filmmaker and conservationist Srikanth Mannepuri was named Photographer of the Year for a portfolio of images that highlight the threats facing mangrove forests along the coast of India.

Photographers from around the globe were invited to submit their best photography to six categories—Animal Portraits, Animal Behaviour, Conservation Focus, Creative Nature Photography, Wildscape & Animals in Their Habitat, and Photographer of the Year Portfolio. While the contest’s origins are in India, this year’s competition saw increased participation from international photographers.

“The Nature inFocus Photography Awards has grown to become a meeting place for national and international photographers,” says Rohit Varma, one of the founders of Nature inFocus. “Every year, we see images that reveal new facets of our natural world while shining a light on pertinent global conservation issues. We are thrilled to see the growth in the number of participants and the geographical locations. It truly has become an international platform for wildlife photographers!”

From exciting moments of leopards stalking their prey to incredible compositions using insects, the creative visions of nature from this year’s winners are exceptional. We’ve gathered some of our favorite winners from this year’s contest below, and you can check out the full list on the Nature inFocus website.

The Nature inFocus Photography Awards highlights the power of wildlife.

Tiger pulling softshell turtle from a lakeTiger pulling softshell turtle from a lake

“Shell I Eat You?” by Sankhesh Dedhia. Winner, Animal Behaviour.
“This stunning action shot captures a rarely-seen natural history moment, where the legendary Arrowhead of Ranthambhore fishes out an Indian Softshell Turtle from the lake for lunch. A tiger’s diet in the wild can be very varied as the felid can prey on pretty much everything on its turf, even a turtle, hence proved!”

Nature inFocus Photography Awards 2023Nature inFocus Photography Awards 2023

“Disappearing Guardians” by Srikanth Mannepuri. Winner, Photographer of the Year – Portfolio.
“Entirely shot from a drone, the photographer zooms out on the mangrove forests of coastal Andhra Pradesh to capture the magnitude and scale of the threats this unique ecosystem is facing today.”

Spinner Dolphins diving into the PacificSpinner Dolphins diving into the Pacific

“Lights Will Guide You Home” by Merche Llobera. Special Mention, Animal Behaviour.
“A pod of Spinner Dolphins dives back into the beautifully lit waters of the Pacific Ocean, creating this stunning scene of a cetacean avalanche. One of the dolphins can be seen gazing into the camera lens, adding a touch of curiosity and connection to the frame.”

Leopard pulling langur into a treeLeopard pulling langur into a tree

“A Love Like No Other” by Afroj Sheikh. Winner, Animal Behaviour.
“Caught in the crosshairs of a hungry leopard, the vulnerable mother and baby langur had little chance of survival. The hunt and the chase had led the predator and prey up a tree before the mother succumbed to the suffocating hold of the large cat. But in embracing death, the mother was able to save her offspring.”

Ant eating honeydew on a plantAnt eating honeydew on a plant

“A Sappy Alliance” by Avinash PC. Winner, Animal Behaviour.
“Symbiotic relationships are plenty in the natural world! But none as sappy and sugary as the mutualistic relationship between ants and aphids. Aphids are tiny, sap-sucking insects that are serious plant pests. They secrete a sugar-rich liquid called honeydew, a favorite food of ants! So much so that the ants protect these insects from other predators and even shepherd them to the healthiest parts of the plant to maintain a steady stream of sweet honeydew!”

Brown booby dipping its head underwaterBrown booby dipping its head underwater

“Inspector Booby” by Suliman Alatiqi. Winner, Animal Portraits.
“Brown Boobys spend a significant portion of their lives in the open ocean. Their clumsy nature on land earned them their namesake, derived from the Spanish word bobo, which means stupid or daft. They are excellent foragers of the sea and plunge-dive to feed on anything from anchovies and sardines to squid and shrimp. The photographer watched this individual dipping its head underwater at short intervals and got in position to capture a close-up portrait of the bird from the perspective of its fated prey.”

Bonobo holding a mongoose pupBonobo holding a mongoose pup

“The Bonobo and His Pet” by Christian Ziegler. Winner, Animal Portraits.
“The last great ape to be described, the Bonobo, is one of our closest living relatives. Here, a wild Bonobo who caught a mongoose pup is looking after it like a pet. He later released the animal unharmed. This behavior has only been recorded once before by Prof Barbara Fruth at this site.”

The winners were selected from 24,000 images.

Line-forest Skimmers position themselves aptly on the perennial Phanera vahlii creeperLine-forest Skimmers position themselves aptly on the perennial Phanera vahlii creeper

“Symmetry in Mimicry” by Arkaprava Ghosh. Winner, Creative Nature Photography.
“Mimicry is the highest form of flattery, they say. But in the animal world, it is among the best defense mechanisms. Here, Line-forest Skimmers position themselves aptly on the perennial Phanera vahlii creeper to resemble an inflorescence. Notice how the dragonflies have raised their abdomens in unison? Fooling a predator never looked this intricate.”

Harvestmen at night with dew on its legsHarvestmen at night with dew on its legs

“Slender in the Night” by Arnav Deshpande. Winner, Young Photographer.
“Like the spiders they are commonly confused with, Harvestmen too have eight legs–mostly long and thin in contrast to their bodies. They are living fossils, the original ‘Daddy Longlegs,’ having remained unchanged for millions of years. On a rainy night, the young photographer spotted this Opilione sheltering in a crevice, raindrops glistening on its limbs.”

Silhouette of mayfly on a blade of grassSilhouette of mayfly on a blade of grass

“Chiaroscuro” by Kai Kolodziej. Winner, Creative Nature Photography.
“Here is a gentle reminder that photographing the natural world is not just about documenting the megafauna but also zooming in on the speck on a blade of grass to reveal the chiaroscuro of a mayfly.”

Andaman Day Gecko inside a chandelierAndaman Day Gecko inside a chandelier

“Gecko’s Garage” by Vidyun Hebbar. Special Mention, Young Photographer.
“The Andaman Day Gecko or the Green Emerald Gecko is a bright-colored gecko endemic to the Andaman islands. The young photographer was on vacation when he spotted this shy creature lurking inside a chandelier light.”

Amur leopard in the snowAmur leopard in the snow

“The Rarest of Them All” by Sergey Gorshkov. Special Mention, Wildscape & Animals in Their Habitat.
“One of the rarest cats in the world, the Amur Leopard certainly makes you earn your sighting. The critically endangered felid faces several threats, including poaching for its fur. While suitable habitats are present across Russia and China, these leopards are threatened by the scarcity of prey animals.”

Conservation of elephants in Sri LankaConservation of elephants in Sri Lanka

“Giants in Peril” by Lalith Ekanayake. Special Mention, Photographer of the Year – Portfolio.
“In Sri Lanka, Asian Elephants are considered sacred animals, associated with the Temple of the Sacred Tooth Relic in Kandy. Despite this cultural status, they face challenges such as human-elephant conflict and habitat loss. Villagers often suffer crop destruction, yet maintain respect for these majestic creatures.
Once found throughout the island, the elephants’ ancient homes and migratory routes are now restricted. They are classified as Endangered by the IUCN, highlighting the need for immediate conservation efforts.”

Two Indian SkimmersTwo Indian Skimmers

“Skimmer Love” by Padmanava Santra. Special Mention, Creative Nature Photography.
“The atmospheric blue brushstrokes, the warm sunset glow on the orange bills of the Indian Skimmers and the bokeh on the water body; what’s not to love about this image?”

Lion Rolling on its BackLion Rolling on its Back

“Easy Like a Sunday” by Bharath Kumar V. Special Mention, Animal Portraits.
“Live life king-size, they say. So if you are the king of the jungle, what do you do after a hearty meal but roll over and relax? Never mind the flies all around, trying to break your siesta.”

Mugger Crocodiles in a river in IndiaMugger Crocodiles in a river in India

“Cry Me a River” by Hiren Pagi. Winner, Conservation Focus.
“Every once in a while, news sites report that a dead crocodile was found in the Vishwamitri river, a fleeting acknowledgment of the water body’s ~270 Mugger Crocodiles. The image shows the conditions in which these reptiles coexist with humans. The river has become a dumping yard for the nearby establishments, and in various places, drainage water also makes its way into the mix. The Mugger Crocodiles of the river face many threats, including habitat loss and water pollution.”

A pair of Oriental Honey Buzzards raid a beehiveA pair of Oriental Honey Buzzards raid a beehive

“Raiders of Hives” by Pranav Mahendru. Winner, Young Photographer.
“In the dense forests of Satpura, a pair of Oriental Honey Buzzards raid a beehive. These raptors hunt for food in beehives and wasp nests but, unlike what their name suggests, they prefer bee and wasp larvae over actual honey.”

Animals in Dubai with skyscrapers in the backgroundAnimals in Dubai with skyscrapers in the background

“Worlds Apart” by Dileep SS. Winner, Wildscape & Animals in Their Habitat.
“Think Dubai and the first thing that comes to mind is architectural marvels that make the sky seem at arm’s reach. The tall buildings may be Dubai’s trademark visuals, but another world coexists alongside the dazzle, where wildlife thrives in the desert. The image juxtaposes these two worlds—the towering skyscrapers and the endless sands—a gentle reminder to look beyond the concrete.”

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My Modern Met granted permission to feature photos by Nature inFocus.

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Free smartphone photography workshop at Neal Smith Wildlife Refuge

Free smartphone photography workshop at Neal Smith Wildlife Refuge

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Join photographer Mike Cox as he covers the world of smartphone photography at Neal Smith National Wildlife Refuge from 10 a.m. to noon Saturday, Aug. 19.

Cox will discuss the limitations of mobile phone photography, how to choose the right phone, various phone camera modes, phone accessories and tips for improving your shots.

After the classroom session, Cox will lead the group on the photo walk from 11:00 a.m. to noon. Participants will have the opportunity to capture some of the beautiful summer prairie sights using their phones only. To register and for information, contact Nancy Coronoa at nancy_corona@fws.gov or call 515-994-3400

The refuge is located right off highway 163 in Prairie City at 9981 Pacific Street — only about 30 minutes east of Des Moines. For more information about the refuge and event, including driving directions, visit fws.gov/refuge/neal-smith.

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Bruce Mathews captures flowers in abstract – The Martha’s Vineyard Times

Bruce Mathews captures flowers in abstract – The Martha’s Vineyard Times

Bruce Mathews transforms breathtaking floral specimens into glorious works of art. His not-to-be-missed photography show, “Flowers When No One’s Looking,” at the Edgartown library runs through the end of August.

Mathews eliminates the existing background from his still lives, which he sets up by suspending his flowers in water, freezing them, and tugging apart their blossoms or seed pods. He locks his subject matter into place with a solid black or pure white background, eliminating any illusion of depth and thereby transforming nature into elegant abstract compositions of color and shape that he composes intuitively with his keen eye.

Moving chronologically from left to right along the wall, we begin with the white background prints from around 2020, with flattened flower petals that spread out, caught in a moment of time. Those in “Yellow Flag Iris” seem to twist and turn in the wind. Shot through a car window, the petals have different levels of luminosity, sheer translucency at certain points, and darker intensity when they fold over on themselves. 

Quite the opposite are Mathew’s photos with the deep black background, which increases the flowers’ brilliant hues and creates razor-sharp edges that emphasize the organic shapes and focus our eyes on the overall composition. His works are produced as giclée prints. These high-quality pieces are made on fine-resolution printers capable of fine detail and color range, giving the prints a painterly quality. This is immediately apparent when you approach the pieces, as in his exquisite “Bird of Paradise,” which, like an avian, appears caught mid-flight. Another with inherent movement is “Moth Orchid,” where three specimens float by as we gaze straight on, mesmerized by the intricacy Mathew captures with his lens.

There is plenty of motion in his black-and-white milkweed series as well. In “Milkweed Seeds No. 6,” for example, a succession of black seeds, with their dangling, wispy threads, line up back-to-back to create a fan-like arc of figures — perhaps wearing African masks and flowing robes — that whimsically falls backward from a standing position until hitting the ground. Of course, another might see a completely different scene. Each print beckons for its own interpretation, bestowed by the eyes of the beholder.

With just a few exceptions, Mathews arranges his “subjects” rather than capturing flowers as they appear in their natural, outdoor environment. There is nothing random in “Siberian Iris,” for instance, where a dominant, fabulously hued central purple bloom is flanked by two duplicate sentinels on either side, thereby establishing perfect symmetry. The title of “Arrangement No. 3 with Peruvian Lily” denotes Mathews’ intentionality with his composition. While still quite close up, he fills the space with a variety of very different flowers, which burst the confines of the picture frame.

Mathews began his photographic journey at about 18 years old, working in a darkroom and taking pictures of his own. He then studied at Boston’s Museum School and at Pratt Institute in New York. In the late 1970s, he started assisting a great many photographers, doing mostly corporate industrial work, producing annual reports, brochures, and the like, building a client list that included AT&T, American Express, Citibank, JPMorgan, Wall Street Journal, and Young & Rubicam, among others. Working with some 60 photographers over the years, he recounts, “That’s where you really learn photography. There’s nothing like it.”

When Mathews first moved to the Vineyard full-time in 1999, he started out by giving bus tours for a few years, and then picked up his own photography again. At first, he shot flowers outdoors, but yearned for something unique. Also, with health challenges, he says, “I needed to get some specialty that didn’t require a lot of moving about, so I decided to shoot flowers just in my home.” His approach, he says, “Is picture-making; that other was picture-taking.” 

With his unique vision, Mathews gives us an alternate vision of the botanical world that brings nature to a high art.

Bruce Mathews’ “Flowers When No One’s Looking,” on view at the Edgartown library throughout August. Reception on Monday, August 14, from 4 to 6 pm. For more information about Bruce Mathews, visit brucemathewsphotography.com.

New Fashion Photo Book by Jvdas Berra is Treasure of Inspiration

New Fashion Photo Book by Jvdas Berra is Treasure of Inspiration

You might not necessarily know the name Jvdas Berra, but you’ve surely seen his photos. The Mexican photographer who has had his work published by Vogue, ELLE, Nylon, Marie Claire, InStyle, Image Amplified, Vanidades, Photography Master Class, and NatGeo among others, is now coming out with a new book entitled Jvdas. And just like many photographers, he got into the art form just by trying it out — telling us that he abandoned his studies in film a long time ago.

Part of what makes Jvdas’s work so peculiar is his ideas. He told us several years ago that his mind is more or less mental chaos. “My inspiration comes from many places, born from a sound, an image, to a feeling I may be experiencing,” he told us. “Similarly, cinema greatly influences my thinking, so I attribute much of my changing style to filmmaking.” He added on that he’s not a very tidy person overall.

My love for animals is even greater than my love for fashion. From childhood I always looked at the beautiful pictures in National Geographic magazines and one of my biggest dreams since I can remember was dedicate myself to wildlife photograph until I met fashion photography and gradually I was able to make riskier projects.

Jvdas Berra to us in an interview

Jvdas mixes in several romantic and magical elements to his imagery, and that’s why we called him one of the best fashion photographers of 2023. His Birds of Prey series, specifically incorporated the use of avian friends to promote conservation in a subtle way throughout the images. The same idea was applied to Autumn for the Elephants. And while still quite magical, we don’t see the animals in Desperate Hollywood Wife. His entire output of artwork, however, is unified with a sense of beauty, mystery, and surreal creativity that isn’t seen all that often anymore.

In the new book by Jvdas Berra, you’ll find several of these images for you to be inspired by. The photographer tells us that he manages every part of the production — including location scouting. That’s a major part of how these images happen. Additionally, we also have to consider things like the set design, pre-production, and all. For sure, Jvdas’s work is a production in and of itself. There’s a lot of work involved, and it shows.

More importantly, Jvdas’s work is all things done mostly in-camera. This isn’t a book of AI artwork. Instead, it’s a body of photography that has been created with real people — not some sort of composite put together with prompts. The images are all real.

That statement brings us to the point of authenticity — which is something that the pandemic majorly emphasized but that has started to disappear. Images are things that we simply consume as part of digital content. But this is a book. A photography book is far different from what you see on a screen. It contains within it several images that you can sit and stare at. There are no distractions or apps pinging you for attention. Instead, it lets you stare and ask yourself several questions about the photo. More importantly, it forces you to move around and interact with it vs sitting in front of a screen. Depending on the paper that you’re printing the photo on, you’ll get one experience or another.

Photo books are incredibly important, and Jvdas’s is no exception.

All images used with permission in our interviews from Jvdas Berra.

Visit playful sculpture garden in Chilmark – The Martha’s Vineyard Times

Visit playful sculpture garden in Chilmark – The Martha’s Vineyard Times
On Saturday, August 12, artist Jay Lagemann will open up his Chilmark studio and sculpture garden to the public. Lagemann’s family has lived on the Island for 69 years, building two houses and raising three generations of kids. Though his “Swordfish Harpooner” sculpture in Menemsha is well-known, his sculpture garden is filled with playful sculptures […]

Cultivating art: Living plant material is artists’ medium in Gardner Museum exhibition – The Bay State Banner

Cultivating art: Living plant material is artists’ medium in Gardner Museum exhibition – The Bay State Banner
Cultivating art: Living plant material is artists’ medium in Gardner Museum exhibition

Rashid Johnson, “Antoine’sOrgan ” 2016, black steel, grow lights, plants, wood, shea butter, books, monitors, rugs, piano. PHOTO: © ISABELLA STEWART GARDNER MUSEUM

With its flower-filled courtyard and Monk’s Garden, the Isabella Stewart Gardner Museum has always been a home to both horticulture and fine art. Now through Sept. 17, its exhibition “Presence of Plants in Contemporary Art” presents works by eight artists that incorporate living plants.

Organized by Pieranna Cavalchini, the Gardner’s curator of contemporary art, and Charles Waldheim, its curator of landscapes, the exhibition begins outdoors with a 32-by -16-foot panel on the museum façade entitled “The Declaration of Interdependence” (2023).  Australian Natalie Jeremijenko’s environmental manifesto is laced with more than 100 flowering plants, including the Gardner’s signature blossoms, nasturtiums.

Ackroyd & Harvey, left to right: “Netooeusqua / West Woods, Shinnecock Tribal Territory, Long Island, New York” 2023; “Elizabeth Solomon / Muddy River, Fenway, Boston, Massachusetts” 2023, seedling fescue, native and perennial ryegrass, clay, jute. PHOTO: © ISABELLA STEWART GARDNER MUSEUM

Inside the palazzo, a video by Zheng Bo of Hong Kong follows a group in a subtropical Taiwanese forest. Most of the show is in the special exhibition gallery of the museum’s contemporary wing. In the first room are three images fashioned in grass by the UK-based duo Ackroyd & Harvey. Two large portraits of Indigenous advocates for environmental justice are lawns of light and shadow. Another work presents an equation to track energy released from fossil fuels. An elegant sculpture by Piero Golia of Los Angeles pairs living, growing mushrooms with a marble column. 

In the main gallery, works by two artists are silent accompanists to a grand installation that transforms the room into a temple. Swedish artist Henrik Håkansson’s wall-mounted cuttings of plants are arranged like musical notes. And Welsh artist Cerith Wyn Evans presents a pair of entwined willow saplings which, slowly rotating on electric turntables, resemble music stands. 

Dwarfing these works is “Antoine’s Organ” (2016) by Rashid Johnson of Brooklyn, which with sound and sight celebrates African American culture and history. Within this 16-by-28-by-10-foot grid of black steel is an array of evocative objects, primarily 285 plants (more than 32 species), from huge cala lilies and ferns to tiny succulents, many in pots of assorted shapes and sizes handmade by Johnson in earthen metallic tones.

Piero Golia, “Ikebana #3” 2021, wood, mushrooms, marble PHOTO: SUSAN SACCOCCIA

The display also includes iconic books such as Richard Wright’s “Native Son” and Debra Dickerson’s “The End of Blackness”; and muted monitors playing video loops by Johnson. Surrounded by the greenery and barely visible is an upright piano. The installation’s title is a nod to pianist Antoine Baldwin (aka Audio BLK), whose performances inaugurated the installation. At the Gardner, his seat is taken by 13 students and alumni of the Berklee College of Music and New England Conservatory of Music, whose contemporary jazz improvisations animate the installation daily, from 1 to 3 p.m. and 6 to 8 p.m. every Thursday, throughout the run of the exhibition.

At the keyboard last week was Jonathan Paik, NEC ’23. Visiting from Los Angeles, where he curates the concert series “Fire Spitter,” Paik was invited by his former NEC professor, renowned jazz musician Jason Moran. Paik’s expansive chords and now and then, his pulsing backbeat, induced a meditative mood as visitors viewed Johnson’s intricate structure or gazed through the gallery’s wall of windows at the sky, the majestic trees along the Fenway, and below, the Monk’s Garden.

“I felt suspended in mid air,” said Paik after concluding his two-hour set. “The whole structure is an instrument.” 

Of and beyond time, the work and its music bring the gallery, and the show, to glorious life.