Ann Demeulemeester Debuts Her First Furniture Line With Serax

Ann Demeulemeester Debuts Her First Furniture Line With Serax

This summer, fellow Belgians Ann Demeulemeester and Serax are debuting their first collaborative furniture collection, Ann Demeulemeester-Serax. The contemporary family is the first furniture designed by the fashion designer, who has worked with the brand on tableware, glassware, cutlery, and lighting collections since 2019. Equal parts sculpture and function, it marks a widening of the creative world she and her longtime partner, Patrick Robyn, have been expanding for decades.

“I make something because I miss it, I want it, and I can’t find it,” says Demeulemeester. The duo often develop pieces that answer their own needs or explore a personal interest, naturally distancing their work from trends. The pieces of luxury furniture within the Ann Demeulemeester-Serax collection looks to both proportion and simple geometries to create a natural dialogue.

There are plenty of distinct design elements to be found within. Long tapered legs in the Éloïs and Cora tables, and origami-like angles in the Malé and Stella tables. The Beth, Ono, and Taka families include day beds, ottomans, sofas, and chairs with low, elongated profiles, deep seats, and cross-braced oak. In contrast, the Elé chair lightly touches the ground with a slender silhouette. Robyn’s expertise with structure is put on display in the twist in the profile of Elé’s legs, transforming from circle to square, and the smart structure for the upholstered back of the Ono sofa. While many of the collection’s pieces feel elevated, simple integrated lighting and textural shifts help to add more depth.

Ann Demeulemeester-Serax collection’s materials include linen, oak, wool, velvet, and canvas, as well as a palette of exclusive textures and colors. Of course, black and white, but also pale pink, moss green, and more.

dark grey day bed

dark grey day bed with two side tables

five illuminated vases of different shapes and sizes with flowers

one black and one white and black lounge chair

orange and light grey armless sofa

one rectangular and one square bench

one black and one white sculptural chair

console and three occasional tables/stools

console and tables/stools with orange detailing

round black and white dining table with coordinating black stools and a black pendant light overhead

modern black dining armchair

three modern black and white occasional tables

three red, white, and black occasional tables

three hanging red and white light pendants

five hanging white light pendants

five hanging light pendants

Now available online, the collection will follow with a retail launch this month. For more information about the Ann Demeulemeester-Serax, visit serax.com.

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

August 2023 Opportunities: Open Calls, Residencies, and Grants for Artists

August 2023 Opportunities: Open Calls, Residencies, and Grants for Artists

“Universe of Words” by Emmanuelle Moureaux

Every month, Colossal shares a selection of opportunities for artists and designers, including open calls, grants, fellowships, and residencies. If you’d like to list an opportunity here, please get in touch at hello@colossal.art. You can also join our monthly Opportunities Newsletter.

 

Open Calls

SculptureCenter In Practice 2024 Open Call (International)
In Practice 2024 invites artists who have not yet had an institutional solo exhibition in New York City to submit proposals for solo shows in designated gallery spaces at SculptureCenter. Proposals for off-site projects, publishing initiatives, performances, and nontraditional formats are also accepted. Up to seven applicants will be chosen and receive $6,000 project budgets and $1,000 honorariums.
Deadline: 11:59 p.m. ET on August 6, 2023.

Nest Heritage Craft Prize (Texas)
Applications should represent heritage craft found across Texas, which includes but is not limited to: pottery, enamelwork, quilting, woodworking, leathersmithing, basketry, lampworking and glassblowing, silverwork, embroidery, textile creations, and visual arts.
Deadline: August 21, 2023.

Malta Biennale Open Call (International)
Artists in any stage of their career and working in any medium are invited to apply to exhibit at the 2024 Malta Biennale. Awardees are provided with a stipend of up to €13,000.
Deadline: August 25, 2023.

L+A+N+D: An Experience of Discovery—Bernheim Arboretum and Research Forest (International)
Located just outside of Louisville, Kentucky, Bernheim Arboretum and Research Forest’s new initiative L+A+N+D (Landscape + Art + Nature + Design) invites proposals for immersive outdoor installations. The organization will provide creative outdoor experiences with topics addressing humans’ connection to nature, beauty in the landscape, biodiversity, conservation, sustainability, and climate change, along with a stipend and a construction budget for fabrication and installation expenses.
Deadline: September 4, 2023.

Passepartout Photo Prize (International)
Open to photographers at any stage of their careers, the Passepartout Photo Prize is accepting submissions for its seventh edition. Winners receive exhibition and publication opportunities, with one 500 Euro award. There is a 25 Euro entry fee.
Deadline: October 10, 2023.

Sony Future Filmmaker Awards (International)
The Sony Future Filmmaker Awards elevates voices that bring a fresh perspective to storytelling. The shortlisted filmmakers are flown to Los Angeles for an exclusive four-day event to gain unparalleled insight into all aspects of the filmmaking process to advance their careers.
Deadline: February 15, 2024.

 

Grants

2024 Joyce Awards (Great Lakes region)
The final 2024 funding cycle for the Joyce Awards is now open to cultural workers and organizations working toward racial equity and economic mobility.
Deadline: September 11, 2023.

$1,800 Innovate Grants for Art + Photo—Summer 2023 Open Call (International)
For its Summer 2023 cycle, Innovate Grant will offer two awards of $1,800 each to one visual artist and one photographer. Six honorable mentions are also featured on the Innovate Grant site. Applications are open to anyone 18 and older from anywhere in the world.
Deadline: 11:59 p.m. PST on September 14, 2023.

Foundwork Artist Prize (International)
The Foundwork Artist Prize is an annual juried grant that recognizes outstanding practices by emerging and mid-career artists working in any media. The 2023 honoree will receive an unrestricted $10,000 grant.
Deadline: September 26, 2023.

The Adolf and Esther Gottlieb Emergency Grant  (International)
The Adolph and Esther Gottlieb Emergency Grant program provides one-time interim financial assistance to qualified painters, printmakers, and sculptors whose needs are the result of an unforeseen catastrophic incident and who lack the resources to meet that situation. Awardees typically receive $5,000, up to $15,000.
Deadline: Rolling.

Adobe Creative Residency Community Fund (Ukraine or refugee)
Adobe’s Creative Residency Community Fund commissions visual artists to create company projects on a rolling basis. Awardees will receive between $500 and $5,000.
Deadline: Rolling.

Pollock-Krasner Foundation Grant (International)
The Pollock-Krasner Foundation Grant is open to mid-career professional artists with demonstrable financial need. Awardees receive between $5,000 to $30,000 depending on need and circumstance.
Deadline: Rolling.

 

Residencies, Fellowships, & More

The Farm Margaret River (International)
Open to all disciplines, individuals, and collectives, this residency focuses on site-specific projects created during eight weeks at The Farm Margaret River in Australia. Chosen applicant(s) will receive lodging, studio space, and a $7,500 grant.
Deadline: August 1, 2023.

Bemis Center for Contemporary Arts Residencies (International)
The Bemis Center has two residencies open, one 18-month program for curators and another for artists. One chosen curator will receive private living and workspace, a $40,750 stipend, a research budget, a curatorial honorarium, and a $750 travel stipend. Artists receive private live and work studios, a $1,250 monthly stipend, and a $750 travel stipend. There are $40 application fees for both programs.
Deadline: August 1, 2023.

Peters Valley School of Craft (International)
Artists working in blacksmithing, ceramics, fibers, fine metals, wood, drawing, painting, collage, or printmaking are eligible for this two-week to one-month program. Residents receive a private room in a shared house, studio access, and stipends ranging from $500 to $1,000. Chosen applicants must have access to a car.
Deadline: August 1, 2023.

First Peoples Fund Artists in Business Fellowship (National)
First Peoples Fund welcomes submissions from artists who are also enrolled members or can provide proof of lineal descendancy of a U.S. or state-recognized tribe, or are an Alaska Native or Native Hawaiian. The program provides technical support, professional training, and working capital needed to pursue arts business development goals. The award is $7,500-$10,000.
Deadline: August 8, 2023.

First Peoples Fund Cultural Capital Fellowship (National)
This fellowship provides grant funding for artists whose practice is centered on cultural heritage and community, furthering the work of passing on ancestral knowledge and cultural practices within tribal communities. This award is between $7,500 and $10,000.
Deadline: August 14, 2023.

Centrum Residency Programs (International)
Centrum has several residencies open for artists, writers, and curators. All are funded, last one to four weeks, and come with honorariums.
Deadline: August 15, 2023.

Corning Museum of Glass BIPOC Residency (International)
The BIPOC (Black, Indigenous, and people of color) Residency allows artists to spend a month at The Corning Museum Studio exploring new directions in glassmaking or expanding on their current bodies of work while using the resources of the world’s leading glass museum.
Deadline: August 31, 2023.

Willapa Bay AiR: 2024 Residencies (International)
These month-long residencies are open to emerging and established artists, filmmakers, writers, playwrights, scholars, singer/songwriters, and musical composers. Each month, six chosen applicants receive lodging, meals, and workspace at no cost. There is a $30 application fee.
Deadline: August 31, 2023.

Bryn Du’s Artist in Residence Program (International)
Artists working in visual arts, literature, music, theater, fashion, dance, storytelling, and audiovisual studies are eligible for this eight or 12-week residency. Stipends range from $2,000 to $3,000, and lodging and studio space are provided. There is a $15 application fee.
Deadline: August 31, 2023.

Kimmel Harding Nelson Center for the Arts Artist Residency (International)
Open to visual artists, composers, and writers, this program offers two to eight-week residencies with private studio space, housing, and a $175 per week stipend.
Deadline: September 1, 2023.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article August 2023 Opportunities: Open Calls, Residencies, and Grants for Artists appeared first on Colossal.

Black Belt Eagle Scout’s latest record inspired by return home to Swinomish tribe’s ancestral lands

Black Belt Eagle Scout’s latest record inspired by return home to Swinomish tribe’s ancestral lands
image

CHICAGO (AP) — The beginning of the pandemic was devasting for the leader of the indie rock band Black Belt Eagle Scout, Katherine Paul. All her tours, including one headlining across North America, were canceled and she feared her ascending music career might be over.

She got a day job at a nonprofit and returned to the Swinomish Indian Tribal Community’s homelands in Western Washington. But as Paul, or KP to her friends, spent time in the cedar forests and walked along the Skagit River, she turned to her guitar to deal with the isolation and stress. Those snippets, recorded on her phone, provided the foundation for what would become songs on her powerful, grunge-soaked new record “The Land, The Water, The Sky.”

“I feel like if the pandemic hadn’t happened, I probably wouldn’t have made this record,” said KP, who writes the songs, sings and plays guitar in the band that was the only Native American artist at the Pitchfork Music Festival in Chicago this month.

“I spent a lot of time outside. I spent a lot more time than normal going on hikes, being part of the land,” she continued. “It’s not like I never do that stuff but it brought me back to a place where this is who I am.”

The new record, which came out in February, helped launch what has probably been the most successful year so far for Black Belt Eagle Scout. The band toured Europe and will go to Australia later this year. Two of her songs, “Soft Stud” from an earlier record and “Salmon Stinta” from her latest, appear this season on the television series “Reservation Dogs.”

Reservation Dogs Music Supervisor Tiffany Anders said she was introduced to the band’s music by the show’s creator, Sterlin Harjo, when they started working on the second season.

“It’s always been important for us on this show to include Native American artists, but beyond representation, Black Belt Eagle Scout’s music is beautiful and emotional, and fits these characters, their world and landscape — and the vibe of the show,’” she said in a statement.

Then there was Pitchfork, a three-day festival that is a significant milestone for indie musicians. The festival is held every year in Chicago’s Union Park and this year’s headliners included Bon Iver, Big Thief and The Smile, which has members of Radiohead.

She admitted stepping on that stage last weekend was nerve-wracking given her high hopes for the show, a feeling compounded by concerns that storms could scuttle their performance. But as she launched into the blistering set of mostly new songs in front of thousands of eager fans, KP found solace in her guitar. She launched several long jams that were punctuated by her twirling her jet-black hair around to the point it obscured her face.

“It was totally a moment,” she said with a laugh.

“I kind of cried after we played because it felt so meaningful,” she added. “Like, I’ve always wanted to play this music festival. I remember trying to play one of the years before the pandemic when I was touring and it didn’t happen. This year, I was just so stoked to play.”

Reaching Pitchfork has been a long journey for the 34-year-old artist, who is a member of the Swinomish Indian Tribal Community and left her home on the reservation in LaConner, Washington, when she was 17 to attend Lewis & Clark College in Oregon and play rock music.

Growing up on the reservation off the Washington coast on islands in the Salish Sea, she drummed and sang cultural songs. As a teenager, she discovered local Pacific Northwest bands like Mount Eerie and the sounds of the Riot Grrrl movement and played one of her first gigs at a small bar called Department of Safety. She moved to Portland, Oregon, due to its outsized role in the indie scene that featured bands like Sleater-Kinney and quickly immersed herself in the music scene playing drums and guitar.

She joined an all-female outfit whom she met at the Rock ‘n’ Roll Camp for Girls in Portland. She went on to play a lot of small, basement shows with bands like Genders — whose wolf tattoo she still has on her left arm.

But she wanted to write her own songs and formed Black Belt Eagle Scout in 2013. Her early music was defined by her ethereal singing about love, friendship and healing — often only accompanied by minimal guitar strumming. But she did rock out on songs like “Soft Stud,” which featured searing solos.

“She is a really an authentic musician and she carries a lot of power on stage with her presence and sound,” Claire Glass, who plays guitar in the band and first saw KP seven years ago.

KP has said her Native American identify has always been present on her records. But her latest music paints a more vivid picture of life on the Swinomish reservation. There are references to chinook salmon, which are traditionally fished, and a powwow dance.

“I started thinking of feeling grateful for the life that I have been given; this place that I’m from; how much the land, the water, the sky means to me — being surrounded by it,” KP said of writing the song ”Don’t Give Up.” “It has so much more meaning because the land, that’s where my people are from.”

Her songs aren’t meant to directly confront issues like the crisis of missing and murdered Native American women or tribes’ forced relocation. It’s not the way she writes songs. Instead, she envisions them connecting with people, drawing more Native Americans to indie rock shows in places like Minneapolis, which has a vibrant Native American community, and inspiring young Native Americans to connect with her after shows.

“Isn’t me like being here existing with my music good enough? Can’t I just be who I am?” she asked, adding she doesn’t need to speak out from stage about these issues because being Native often means she is already wrestling with them. A judge, for example, ruled in March that BNSF Railway intentionally violated the terms of an easement agreement with the tribe by running 100-car trains carrying crude oil over the reservation.

“As a Native person, you know someone who is missing. Your tribe is trying to get your land back. Those are topics that are part of your every day life,” she said. ”I care about those things deeply but there are certain ways in which my music is, maybe not as direct, but it can be healing.”

KP also doesn’t want to be seen just as a rock musician or as a Native artist. “I am a musician who happens to be Native, but I am also a Native musician … I think I am always both,” she said.

Her latest record aims to show that.

“I kind of had in the back of mind, just kept thinking what would Built to Spill do,” KP said of the guitar-heavy, indie-rock band from the Pacific Northwest. “I’ve gone on tour with them and seen their three guitars at one point playing together and how they overlap and all these other things.”

It’s also a more collaborative effort with more musicians playing on the record— a departure for KP, who is accustomed to doing everything herself. A cellist who played with Nirvana, Lori Goldston, is featured on several songs, as are two violinists, as well as a saxophone and mellotron player.

Takiaya Reed, a first-time producer who is also in a doom metal band, described the experience of working on the record as “beautiful and amazing” and said the two bonded over their love of punk. Reid also brought her classical training and love of “heavier sounds” to the studio.

“We approached it fearlessly. It was wonderful to be expansive in terms of sonic possibilities,” she said.

KP also wanted to find a place for her parents, whom she had grown especially close to during the pandemic, to play on the record. She chose the song “Spaces,” which she described as having a “healing vibe.” Her dad, who is one of the main singers at the tribe’s cultural events, embraced the idea of lending his powerful powwow chant to the song. Her mom sang harmonies.

KP said: “It meant the world to me to have my parents sing because it felt like it was full circle in who I am.”

The Photographer Who Captured Hip-Hop’s Coming of Age

The Photographer Who Captured Hip-Hop’s Coming of Age
yo yo at the desalvio playground in nolita 1996

Yo-Yo at the DeSalvio Playground in NoLIta, 1996.

Sue Kwon

Sue Kwon didn’t set out to chronicle the evolution of hip-hop. In the late 1980s, Kwon, who had grown up in Connecticut and studied photography at New York University, was living in lower Manhattan. For a while, she wanted to become a war photographer, but the birth of her eldest son, Kainoa, changed that calculus. She also became immersed in the city’s blossoming second-wave hip-hop scene. At the time, New York was teeming with new acts like A Tribe Called Quest, De La Soul, Mobb Deep, and Wu-Tang Clan, with a powerful group of female MCs like Roxanne Shanté and Salt-N-Pepa taking the mic.

Kwon began to document it all, scoring assignments for The Village Voice and The Source. But what she captured wasn’t just the explosive energy of a musical genre finding its footing—it was a culture coming of age.

de la soul 1996

De La Soul, 1996.

Sue Kwon
pharrell with chad hugo and shay haley of nerd in a virginia beach virginia studio 2001

Pharrell (left) with Chad Hugo (center) and Shay Haley of N.E.R.D in a Virginia Beach, Virginia, studio, 2001.

Sue Kwon
method man, 1995

Method Man, 1995.

Sue Kwon

There’s an intimacy and immediacy in Kwon’s images that somehow managed to bottle the creativity, community, camaraderie, and joy that have always been at the center of hip-hop. There are the members of De La Soul crammed into the back of a car. There’s Yo-Yo enjoying a Popsicle on a playground. There’s a young Pharrell, with his turn-of-the-century outfit N.E.R.D, toiling away in a studio, dreaming up new things.

There are eerie moments, like Kwon’s pictures of Biggie Smalls, a.k.a. the Notorious B.I.G., presiding over a listening session for his album Life After Death just 11 days before he was killed in 1997, and lighter ones, like Kwon’s portraits of Method Man, whom she once shot brushing his teeth. There’s also an image of Method’s Wu-Tang-mate Raekwon with Kainoa, who was often by Kwon’s side.

“I would just bring him with his toys,” she says. “Nobody knew hip-hop would become what it is today. I’m just grateful that I was there.”

arrested development, 1992

Arrested Development, 1992.

Sue Kwon
beastie boys’ mca, aka adam yauch, 1992

Beastie Boys’ MCA, a.k.a. Adam Yauch, 1992

Sue Kwon
big daddy kane, 1991, outside the building club

Big Daddy Kane, 1991.

Sue Kwon
brand nubian on a soho rooftop, 1992

Souleymane Dicko, 1985.

Sue Kwon

“I loved the music,” Kwon says. “I would go to DJ seminars and different events for fun. And I always had a camera because I was obsessed with just documenting. I wanted to stop time. I don’t know why. Maybe Freud or some therapist might have something to say about that. But it’s a good thing for me that I did,” she continues. “I just remember always having a backpack with my Rolleiflex and a light meter. We all had our little side hustles, and we were just trying to survive, right? But of course, it was exciting. I mean, I can’t deny that. I was like, ‘I’m listening to their music and loving it, and then I get to shoot and work with them?’ I was excited.”

brand nubian on a soho rooftop 1992

Brand Nubian on a SoHo rooftop, 1992.

Sue Kwon
mobb deep, 1995

Mobb Deep, 1995.

Sue Kwon
dres from black sheep at the apollo, 1991

Dres from Black Sheep (top center) at the Apollo, 1991.

Sue Kwon
nwa, los angeles, 1991

N.W.A, 1991.

Sue Kwon
dj maseo, monie love, trugoy the dove, and jarobi white of native tongues, 1990

J Maseo, Monie Love, Trugoy the Dove, and Jarobi White of Native Tongues, 1990.

Sue Kwon

“Right after college, I started assisting a fashion photographer. We’d be shooting 10 or 15 rolls of one dress down a beach, and I’d have with three cameras around my neck. And I just remember thinking, ‘This doesn’t matter. Conflict and war—that’s what really matters,’” Kwon says.

“I was always interested in stuff like that. I think it was because of my dad. He was a history buff. We talked about the Vietnam war and the Korean war. I thought documenting war was important because that was something that really could maybe change the world,” she continues.

“Robert Capa, who helped start Magnum [the legendary photo agency], was one of my first influences. And then I did an internship at the Magnum agency for a bit and was able to pour through all their negatives. That’s where I discovered Susan Meiselas, who took also those pictures of the conflict Nicaragua and also became a big influence.”

yasiin bey mos def circa 1999

Yasiin Bey, who previously performed as Mos Def, circa 1999.

Sue Kwon
busy bee in nolita, 1992

Busy Bee in NoLIta, 1992.

Sue Kwon
epmd’s erick sermon, 1995

EPMD’s Erick Sermon, 1995.

Sue Kwon
kool g rap, 1995

Kool G Rap, 1995.

Sue Kwon

“Downton New York was different. I lived on Mott Street, between Prince and Houston. Def Jam was around the corner on Elizabeth Street. Loud Records, which was Wu-Tang Clan’s label, was on Broadway near The Village Voice,” Kwon says. “I worked at agnes b. in Soho. You would have Rammellzee or Jean-Michel Basquiat coming in, and then they’d converge and hang out across the street in front of a store. You would see all of these different artists or musicians convene. It was a little hub.”

biggie smalls aka the notorious big 1997

Biggie Smalls, a.k.a. the Notorious B.I.G., 1997.

Sue Kwon
biggie smalls, aka the notorious big, 1997

Biggie Smalls, a.k.a. the Notorious B.I.G., 1997.

Sue Kwon

“Biggie was obviously kind of that room. I walked in and ‘Hypnotized’ was blaring and I got goosebumps on my arms because of that song and the hook,” Kwon recalls of photographing the Notorious B.I.G. at Daddy’s House recording studio in midtown. “All these guys are just hanging out and there’s tons of smoke and this champagne and Hennessy. Diddy was dancing around and different people were dancing,” Kwon says. “Biggie had hurt his leg, so he was just sitting at the desk. But I feel like he was just on this throne, this presence. He knew his talent. I mean, he was a baby. He was 24 when he was killed. But he was just so confident at that age.”

redman and method man, 1995

Redman and Method Man, 1995.

Sue Kwon
method man with fans, 1995

Method Man (center) with fans, 1995.

Sue Kwon

“Method Man was so cool, even back then,” Kwon says. “He knew the power go the camera and how to play to its, but not in an annoying ‘Look at me!’ way. He was so charming, of course, he was not hard to photograph,” she explains. “But he was very open-minded. A lot of people might pause and be like, ‘How does this look for my image?’ whereas he was game for anything.”

special ed, circa 1995

Special Ed, circa 1995.

Sue Kwon
wu tang clan on yo mtv raps, 1997

Wu-Tang Clan on Yo! MTV Raps, 1997.

Sue Kwon
mobb deep in times square, 1996

Mobb Deep in Times Square, 1996.

Sue Kwon

“I admire when photographers can extract things and make the subject do something wild, but I’m just a fly on the wall,” Kwon says. “When I’m just in the moment and absorbing it and trying to get done what I have to do, I’m just looking for cool images or moments. I’m just focused on the camera and shooting and not thinking about the ‘big’ moment. I always love the stuff that’s just when the subjects are not working for the camera and they’re just doing their thing.”

lil wayne, 2006

Lil Wayne, 2006.

Sue Kwon
rick ross, 2008

Rick Ross, 2008.

Sue Kwon
swizz beatz, 2006

Swizz Beatz, 2006.

Sue Kwon
roxanne shanté, circa 1998

Roxanne Shanté, circa 1998.

Sue Kwon
eve, 2000

Eve, 2000.

Sue Kwon
mobb deep, queens

Mobb Deep, year unknown.

Sue Kwon
naughty by nature’s dj kay gee

Naughty By Nature’s DJ Kay Gee, year unknown.

Sue Kwon
raekwon with kwons son kainoa 1995

Raekwon with Kwon’s son Kainoa, 1995.

Sue Kwon

“There was a lot of male energy. But if you were a woman and you could hold your own, it was fine. I think it took a certain type of personality to exist in that world,” Kwon says. “It’s a very special memory to me to have had my child with me on these shoots. A lot of times, if I photographed artists in the studio, I would just bring him with his toys and he would play. I’m grateful I was able to do that. Nobody was like, ‘Oh, you have your kid.’ It was very natural,” she explains. “At one point, I really wanted to do a project on rappers and their babies. The Source finally let me.”


A version of this story appeared in the August 2023 issue of Harper’s Bazaar.

Award-winning photographs you won’t believe were taken on an iPhone

Award-winning photographs you won’t believe were taken on an iPhone
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An iPhone is a tool for astounding creativity in the hands of these talented photographers.

Their work has been honoured in the 2023 iPhone Photography Awards, an annual contest that sets out to showcase the most showstopping images captured on Apple devices. 

This year the contest, which has been running since 2007, welcomed submissions from photographers from more than 140 countries. For a place in the running, photographs must have been captured on an iPhone or an iPad, and the use of desktop image editing programs such as Photoshop is forbidden.

Reigning supreme overall, this year’s grand prize winner is Mexican photographer Ivan Silva, who captured a magnificent shot of a young football fan on an iPhone 12 Pro. Other shots to gain recognition include a moody picture of Dartmoor National Park in southern England, a vibrant image of a Swiss mountain railway and a mesmerising shot of a trio of elephants marching across an arid landscape.

A statement from the awards’ organisers says: ‘Congratulations to all the winners for the amazing stories they managed to capture with such sensitivity, humour, and beauty.’

Below is a handful of the pictures that captivated the judges. Scroll down to the very bottom to see the photograph that takes the top prize…

This mesmerising mountainscape was captured by Chinese photographer Chun Luo and gets an honourable mention in the Landscape category

This wintry shot taken in Switzerland shows the train that takes passengers from the holiday resort of Vitznau to the Rigi mountain massif. It's the work of Chinese photographer Wenqin Hu and gets an honourable mention in the Travel category

U.S photographer Juliane DeLeo Naclerio captured this breathtaking shot of a polar light display over a snowy expanse. Impressing the judges, it gets an honourable mention in the Landscape category

U.S photographer Chang Sun snared this magnificent picture, which gets an honourable mention in the Landscape category, in California's Yosemite National Park

This magnificent panorama gets an honourable mention in the Landscape category

American photographer Ryan Coleman captured this epic bird's eye view, which gets an honourable mention in the Landscape category

This atmospheric shot of a series of cable cars - which gets an honourable mention in the Travel category - is the work of Chinese photographer Chuangcheng Jin

UK photographer Clifton Ticehurst captured this moody scene in Dartmoor National Park in Devon. It gets an honourable mention in the Landscape category

American photographer Roxy Schiavone took this transfixing black-and-white picture of a pair of horses, which gets an honourable mention in the Animals category

This eye-catching shot of a trio of elephants, which gets an honourable mention in the Animals category, is the work of Chinese photographer Bo Meng

Light breaks through the clouds over a mountain landscape in this beautiful shot by Chinese photographer Jianming Yu, which gets an honourable mention in the Landscape category

This beautifully-composed shot shows a farm near the Dutch village of Thesinge in the early morning. Captured by photographer Ton Ensing on an iPhone 12 Pro, it takes the top prize in the Landscape category

U.S photographer Chang Sun snared this wonderful shot, which gets an honourable mention in the Travel category

U.S photographer Kyle Rehn snared this impressive shot of Sunnylvsfjorden fjord in Norway, which gets an honourable mention in the Landscape category

Italian photographer Giovanni Casini took this enchanting woodland picture, which gets an honourable mention in the Landscape category

Australian photographer Anthony Ginns took this dramatic waterfall shot, which gets an honourable mention in the Landscape category

This striking mountainscape is the work of photographer Annemarie Jung from Luxembourg. It gets an honourable mention in the Landscape category

This vibrant picture - which gets an honourable mention in the Landscape category - was captured by British photographer Barry Mayes

This captivating aerial picture shows a traditional soy sauce factory in Vietnam's Hung Yen Province. It was shot on iPhone 12 Pro Max by German photographer Thea Mihu, who takes first place in the 'Photographer of the Year Award' category

Behold, the picture that has earned Ivan Silva the grand prize in the contest. The beautifully composed shot shows a boy in a Lionel Messi football shirt atop a vehicle in Mexico's Arandas region

Now in 10th year, Pocumtuck Homelands Festival continues sharing Indigenous traditions

Now in 10th year, Pocumtuck Homelands Festival continues sharing Indigenous traditions

The Recorder – Now in 10th year, Pocumtuck Homelands Festival continues sharing Indigenous traditions

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    From left, Billy Myers, Tom Porter, Jennifer Lee and Robbie Leppzer talk around a table where Porter displays ceremonial tobacco bags during the 2021 Pocumtuck Homelands Festival in Turners Falls. The 10th annual event returns this weekend. STAFF FILE PHOTO/DAN LITTLE

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    Vendors line the bike trail along Unity Park during the 2021 Pocumtuck Homelands Festival in Turners Falls. The 10th annual event returns this weekend. STAFF FILE PHOTO/DAN LITTLE

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    The Black Hawk Singers, from left, Bryan Blanchette, Bill DiBenedetto and George Michaud, perform during the 2021 Pocumtuck Homelands Festival in Turners Falls. The 10th annual event returns this weekend. STAFF FILE PHOTO/DAN LITTLE

Staff Writer

Published: 8/1/2023 11:26:36 AM

TURNERS FALLS — The annual Pocumtuck Homelands Festival will serve as an intertribal confluence once again this weekend, returning to Unity Park for its 10th year.

Organized by the Nolumbeka Project — a nonprofit dedicated to cultural and historical preservation of Native American history — with help from RiverCulture, the free festival celebrates Indigenous art, music and culture from the region and beyond. It aims to reprise the 12,000-plus-year tradition of Indigenous peoples from all over the Northeastern United States gathering at the site, according to event coordinator Diane Dix.

Organizers hope continuing this tradition can foster a feeling of togetherness and help people heal from a history of violence and tension between tribal and non-tribal peoples that impeded such congregations.

“For millennia, the Pocumtuck hosted huge annual gatherings of tribal nations at the falls from all over the Northeast to celebrate and share the bounty of the prolific fish runs,” Dix wrote in her event announcement. “Today, their descendants, who were forced to deny their heritage for centuries, come together again to share their traditions and stories with the public, reclaiming the joy of reunion and thanksgiving.”

“There was an interruption, but we are trying to facilitate the continuation of this gathering that the Pocumtuck hosted,” added David Brule, president of the Nolumbeka Project. “The healing is taking place and we are resuming the ancient tradition of welcoming people.”

Ushering in this year’s festival will be the fourth “Paddle to Peskeompskut,” which will take place on Friday from 9:30 a.m. to 2 p.m. Aquinnah-Wampanoag artist Jonathan James Perry, along with the craft’s original builders, will paddle their mishoon — a dugout canoe — along the Connecticut River starting from the Barton Cove campground in Gill.

The celebratory procession will proceed up the river for approximately 3 miles, stopping for lunch on the return leg before returning to the point of departure. The paddle will take roughly three hours and may include waves from boats, reversing currents due to hydro storage pumping, strong headwinds and unmarked debris. Prior paddling experience is encouraged. Paddlers with kayaks or canoes may register to join the paddle at peskeompskut_paddle.eventbrite.com.

The main portion of the Pocumtuck Homelands Festival will be held from 10 a.m. to 7 p.m. on Saturday and 10 a.m. to 5 p.m. on Sunday. It will feature Indigenous music, dancing, storytelling, skill demonstrations and more. There will be more than 30 vendors and artisans, as well as at least 20 tribes represented by those in attendance, Dix said.

New to the festival this year will be an “author’s tent” featuring Brule and Dr. Ron Welburn, who will be telling stories they’ve written about. There will also be three featured Indigenous artists from Spanish-speaking communities, including Vincent Cruz, who makes jewelry, leather, tee-shirts, blankets, flutes and textiles; Sito Zapaktli of Earthworks Creative Indigenous Arts and Crafts; and craftsperson Marcelo Cachiguange.

Another change involves moving history talks from a side tent to the main stage.

“That’s an important change because we were finding people wanted to be at the main stage to hear some music … and people were having to choose between activities,” said Brule, who will be delivering a history talk alongside Evan Pritchard, founder of the national Center for Algonquin Culture.

Dix and Brule highlighted Mohawk elder and spiritual leader Tom Porter, as well as Nipmuc flute maker, flute player and culture bearer Hawk Henries, as returning speakers that those in the area shouldn’t miss catching.

“We feel tremendous honor when people like Tom Porter and Hawk Henries come,” Dix said of the performers, who are two of more than a dozen featured guests slated to demonstrate at the festival.

Dix also voiced particular excitement for the “really outstanding acts” that will be featured Saturday evening to close out the festival’s first day. Afro-Algonquin instrumentalist Mixashawn will perform alongside percussionist Royal Hartigan and Greenfield-based violinist Nina Gross, who teaches and performs across the Pioneer Valley. Their performance will be “a blend of contemporary arrangements of traditional Indigenous styles and original songs that span this hemisphere and time as we conveniently perceive it,” Dix said.

“So many times,” she added, “people are focused on the traditional and sometimes forget, ‘Oh yeah, Indigenous people became modern like the rest of us.’”

Reach Julian Mendoza at 413-930-4231 or jmendoza@recorder.com.

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Winners of the 2022 iPhone Photography Awards announced

Winners of the 2022 iPhone Photography Awards announced

Detail from the grand prize winning photograph, “Heroe” by Ivan Silva

The 16th annual iPhone Photography Awards contest has been won by an image of an exuberant boy, shot on an iPhone 12 Pro.

As it has since just about the launch of the original iPhone, the iPhone Photography Awards (IPPA) have been celebrating the best in photographic imagery from around the world. Photographers have to enter in specified categories, but the only stipulation is that the images must be taken with some model of iPhone.

This year’s grand prize winner is Ivan Silva of Mexico, whose “Heroe” photo contrasts the young boy with a pickup truck holding tree cuttings.

“We especially congratulate this year’s Grand Prize Winner, Ivan Silva of Mexico,” said the judges in a statement, “who receives the Photographer of the Year Award for his image, Heroe, where a young boy feels on top of the world, and we are all in the wonderful position of rooting for him!”

The Grand Prize-winning photograph,

The Grand Prize-winning photograph, “Heroe” by Ivan Silva

As well as the grand prize, there is an overall Photographer of the Year, and two runner-up positions. This year the Thea Mihu of Germany won first place for her iPhone 12 Pro Max shot, “Soy Sauce Village,” which the judges said “uses a formal approach to heighten the photo’s sense of solitude and focus.”

Thea Mihu's

Thea Mihu’s “Soy Sauce Village,” shot on iPhone 12 Pro Max

The second place Photographer of the Year was Bosnia’s Sasa Borozan with “Taming Waves,” shot on an iPhone 13 Pro.

Sasa Borozan's

Sasa Borozan’s “Taming Waves,” shot on an iPhone 13 Pro

In third place was Derek Hager of the USA, with “Tucson Morning,” shot on an iPhone X.

Derek Hager of the USA, with

Derek Hager of the USA, with “Tucson Morning,” shot on an iPhone X

Americans took first place in four of the subject categories. Those were Skye Snyder for the Animals category, and Scott Galloway for Nature, both using the iPhone 12 Pro Max.

Skye Snyder came top in the the Animals category, on an iPhone 12 Pro Max

Skye Snyder came top in the the Animals category, on an iPhone 12 Pro Max

Scott Galloway came first in the Nature, using the iPhone 12 Pro Max.

Scott Galloway came first in the Nature, using the iPhone 12 Pro Max.

Sofia Ershova took first place in the Children category using her iPhone 13 Pro. And Tao Fan used an iPhone 11 to take first place in the Other category.

Sofia Ershova won in the Children category with this shot on an iPhone 13 Pro

Sofia Ershova won in the Children category with this shot on an iPhone 13 Pro

Tao Fan used an iPhone 11 to take first place in the Other category.

Tao Fan used an iPhone 11 to take first place in the Other category.

The 17th annual IPPA contest is now open for submissions, and the closing date is March 31, 2024.

N.H. photographer returns from Ukraine after documenting war

N.H. photographer returns from Ukraine after documenting war

CONCORD, N.H. — Patrick Patterson of Newington, N.H., is a freelance photographer who spent the past 14 months living in Ukraine documenting the war.

Now back in the United States, he’s sharing the stories he gathered while abroad. Through his photography, he hopes to amplify the voices of everyday people living under the Russian occupation.

“We’re not seeing that,” he said. “We’re not hearing personal stories of both surviving and death that’s happening with this war.”

Those stories — and the experience of living in Ukraine — have impacted Patterson, who said he is recovering from PTSD now that he’s returned to the US.

“I feel an obligation to get these people’s stories out,” he said. Patterson is now presenting his work at universities, community forums, and galleries. His goal is to shift the narrative back to personal stories so people don’t lose interest in Ukraine ahead of the next election.

Patterson arrived in Ukraine the first week of March, shortly after the war broke out on Feb. 20. He said he was initially drawn to the border with Poland, and that while there, he attempted to document the experiences of those crossing the border.

At that point many Ukrainians still thought the conflict would be temporary, Patterson said.

The border crossing was “chaos,” he said. “People had no idea where they’re going. People were traveling with very few belongings,” he said.

Patterson traveled with a Ukrainian colleague who was able to translate for him and help him connect with locals.

A Ukrainian refugee girl sits with her mother. Patrick Patterson

After his time at the border, Patterson decided to move to Kyiv. He said there were many days that didn’t feel so different from living in New Hampshire — he’d plan his day over a coffee at a café. “Other days you feel like you’re in a war zone,” he said.

He described a city marked by the war: with murals depicting it and signs in support of the Ukrainian military.

But in May 2023, he said, the situation became incredibly difficult, as the city underwent attacks on a nightly basis, with 12 to 25 drone attacks and as many as 20 incoming missiles. That meant debilitating sleep deprivation.

Patterson said he averaged around six hours of sleep a week and started sleeping with his clothes on so he could go to a shelter at a moment’s notice. Some attacks hit close to home.

“I’ve had drones blow up above my apartment with debris landing on it, windows blown out, the building next to me catching fire, the building behind me getting hit by a drone killing civilians,” he said. “It changed the psyche for everyone living in Kyiv.”

That was the case for Misha — a man Patterson met in Izyum, after the seven-month occupation of the city had ended. Misha told Patterson how he and seven other family members sheltered in the basement of their apartment, living underground along with 48 other families.

One morning, Misha’s granddaughter asked for tea. He stood in a door frame, waiting for his wife to go up to the second floor balcony where the family cooked. As Misha’s wife was putting on her shoes, a delayed detonation bomb dropped from a Russian bomber, killing everyone in the basement except Misha, Patterson said.

“And this is repeated every single day,” he said.


Amanda Gokee can be reached at amanda.gokee@globe.com. Follow her @amanda_gokee.

Four local bands to perform at River Market Live in August

Four local bands to perform at River Market Live in August

MUSIC

‘River Market Live’

The Little Rock Convention & Visitors Bureau opens a new entertainment series it’s calling “River Market Live” in Little Rock’s downtown River Market District, Aug. 10, with a performance by rock group the Karla Case Band.

Shows will take place 7-9 p.m. Thursdays through August in the outdoor River Market pavilions, 400 President Clinton Ave. The rest of the lineup:

◼️ Aug. 17: SynRG (R&B)

◼️ Aug. 24: Gravel Yard (bluegrass/country)

◼️ Aug. 31: DJ Nick Hud & Friends (hip-hop/funk disco).

Admission is free. Alcoholic and soft drinks will be sold. Attendees are encouraged to support Little Rock restaurants before and after. Chairs will be available, but you can take your own. Visit littlerock.com/river-market/events.

El Dorado MusicFest

MusicFest 2023, Oct. 6-7, on East Elm Street in downtown El Dorado, celebrates its 35th anniversary with performances by national headliners plus local and regional talent, food vendors, beer gardens, craft/sales vendors and community booths.

Friday-night performers on the Standard Lithium Main Stage will be TONIC; “Payback: A Tribute to James Brown”; Mad Hatters Dueling Pianos; and DJ Knox. And on Saturday night: The Cadillac Three, Lorrie Morgan and Jesse Keith Whitley.

Acts on the PJ’s Coffee and Canfor Southern Pine Acoustic stages include Grayson May, Crutchfield, the Taylormade Band, Brody McKinney, Blane Howard, the Side Street Steppers, Jimmy Lewis and 8 Second Ride, BlackStrap, Jayy Tune, Los de la Hacienda, Chris Loggins, Brooklyn Fogle, Jordan Sheppard, J.T. Lee, Cavin Kemble and several school bands, orchestras and choirs.

Tickets are $35-$60. Visit musicfesteldorado.com.

ART

Mural project

Conway artist Katie Wilson will apply an Artistic Innovations grant of more than $5,500 from the Mid-America Arts Alliance toward the Recovery Mural Project, a 16-foot-by-25-foot collaborative mural on the side of a building at 924 Main St. in downtown Little Rock. The grant is in partnership with Natural State Recovery Centers, which is turning the building into a new outpatient facility.

A team of area artists, including Hamid Ebrahimifar, who is supplying foundational art knowledge and a mural-painting lesson for individuals receiving treatment from Natural State Recovery who will also be part of the painting team, and Matt McLeod, who will be doing post-painting touch-ups, will begin work on the mural in September.

The nonprofit will use the completed mural as “an integral part of an outreach campaign titled #MyRecoveryStory,” according to a news release; People can take and post selfies in front of the completed mural and share their recovery stories on social media.

ETC.

Worthen Prize

The Central Arkansas Library System’s Butler Center for Arkansas Studies is awarding the annual Booker Worthen Literary Prize to Elizabeth Findley Shores for her biography of Charles J. Finger, “Shared Secrets: The Queer World of Newbery Medalist Charles J. Finger,” published by the University of Arkansas Press.

Finger, an Englishman who eventually settled in northwestern Arkansas, was primarily a magazine writer/publisher in the first quarter of the 20th century who won the 1925 Newbery Medal for “Tales from Silver Lands.”

CALS established the $2,000 Worthen Prize and in 1999 in memory of William Booker Worthen, a longtime supporter of the library system and a 22-year member of its board of trustees. It goes each year to the best work by an author living in Arkansas that has been published in the previous three years.

Arts fellowships

The Arkansas Arts Council has named the 18 recipients of $5,000 Individual Artist Fellowship grants to Arkansas artists and performers for 2023 in six categories:

Multisensory Art

◼️ Photographer and educator Aaron Turner of Fayetteville

◼️ Elby Mann of Eureka Springs, who creates interactive sculptures infused with lights and music.

◼️ Yanique Mitchell Graham of Bentonville, a Jamaican-born artist who creates works “that explore the human experience and universal consciousness,” according to a news release.

Community Engagement

◼️ Shine Benkim of Springdale, from Jaluit Atoll, Marshall Islands, who uses traditional weaving, song and storytelling to share knowledge with youth and preserve Marshallese culture

◼️ Simone Cottrell of Fayetteville, owner of Rachhana Creative Consulting, who has recently been an Ozarks cultural researcher and presenter with the Smithsonian Center for Folklife & Cultural Heritage.

◼️ Rachel Reynolds of Fox, a community organizer

Contemporary Craft with Metal Component

◼️ Blademaker and teacher Jerry Fisk of Nashville

◼️ Lin Rhea of Prattsville, also a bladesmith, recently named the 2023 Arkansas Living Treasure

◼️ Paula Casey McGee of Dover, who designs and creates soft-sculpture fantasy art using hand-stitched fibers and mixed media.

Visual Art: Oil or Acrylic Painting on Canvas

◼️ Joelle Storet of Fayetteville, an acrylic artist who teaches portraiture and languages at a nonprofit that supports adults with learning challenges.

◼️ Neil Callander of Fayetteville

◼️ Shabana Kauser of Fayetteville, an oil painter whose works are influenced by her shared experiences as the daughter of Pakistani immigrants to the United Kingdom and as an immigrant to the United States.

Literary Arts: Written Theater Monologue

◼️ Adrienne Dawes of Fayetteville, writer, producer and teaching artist who studied sketch writing and improvisation at the Second City Training Center in Chicago

◼️ Playwright and television writer Mary Sue Price of Fayetteville

◼️ Playwright Sarah Loucks of Fayetteville.

Performing Arts: Stand-up Comedy

◼️ Jordan Williams of Fayetteville

◼️ Joseph Molinaro of North Little Rock

◼️ Charles Nicholas Moore of Maumelle.

An Oct. 16 reception at the Old State House Museum, 300 W. Markham St., Little Rock, will honor the recipients.