MBtv: Giant sculpture wows onlookers beside Indonesian temple
By Admin in Art World News

TORONTO — The Toronto Gazebo Commons area, including adjacent streets and lots, will be filled with a variety of food, craft and other vendors as well as live entertainment this weekend.
In its 45th year, the Toronto Art Festival will be held from 10 a.m. to 5 p.m. Saturday and noon to 5 p.m. Sunday.
The two-day event is organized each year by volunteers with the Focus in Toronto group, whose goal is to draw attention to the city while supporting local causes.
The festivities will kick off at 10 a.m. Saturday in the parking lot of Riverview United Methodist Church with opening ceremonies involving local officials, the presentation of the Toronto Lions Club’s Little Miss Lion winner and a performance by the Toronto High School Band.
Taking to the stage there later will be local band 40 Plus at noon, the Toronto High School, Junior High School and Titans cheerleaders at 1:30 P.M. and members of a local dance studio at 2 p.m.
Toronto students who won a poetry contest held at their school will share their compositions at 2:30 p.m., with 40 Plus returning at 3 p.m., followed by Twice as Nice at 5 p.m.
The entertainment lineup for Sunday includes Friends at noon; The Remainders at 1 p.m.; the Tri-State Community Band, an ensemble of musicians of various ages and communities, at 2 p.m.; and the Ron Retzer Trio at 3:30 p.m.
On both days, sections of North Third and Market streets will be lined with booths filled with items ranging from wreaths and decorative candles to baked goods and scented soaps.
There also will be assorted food trucks and groups selling food to raise money for their causes.
Among them are the Toronto High School Band Parents, and members of Riverview United Methodist Church, who members serve up various sandwiches, sides and desserts in its cool, basement level social hall.
Also on hand will be the Toronto Lions Club, which will be cooking up to 250 chicken dinners, until they are sold out.
Each dinner includes a baked potato, side and a roll and costs $10, with proceeds going to community projects supported by the club.
There also will be bounce houses and other activities for children.
Members of Focus in Toronto will be conducting hourly drawings for miscellaneous prizes at the gazebo on both days as well as two special drawings — one for $500 in gas cards and the other for a cooler filled with alcoholic beverages — to be held at 4 p.m. on Sunday.
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By Admin in Photography
Today, JJ’s Star Spangled Salute honors Navy Veteran Walter Smith. Every day is a challenge for Walter as he battles with his PTSD, but he has found a creative outlet that helps him deal with it – Photography. With the help of VA’s Veteran Readiness and Employment program, the aspiring photographer was able to make his childhood dream his new reality with the deluxe gift of a Sony camera, laptop and Photoshop software. Walter says, “As a PTSD Veteran, every day is a challenge. Photography helps my PTSD by allowing me to get out of my home and express myself without encountering too many people.” When the lens focuses, so does Walter’s mind. Thank you for your creative gift Walter and THANK YOU for your service.
By Admin in Photography
Photography is as much a business as it is an art. Amid the myriad choices that shape a photographer’s journey, one pivotal decision looms large: pricing. For those straddling photography alongside another profession, striking the right pricing balance can be both an art and a science. Navigating my dual professional roles, I discovered that pricing isn’t merely a reflection of an image’s worth; it’s a strategic tool, ensuring equilibrium between passion, profession, and personal moments.
Every photographer’s journey is unique, yet we often tread common ground, especially when it comes to pricing. As a fresh face in the world of photography, I had a passion for capturing moments but a scant understanding of the business behind the lens.
When setting foot in the vast world of photography, the immediate instinct is to price low. This approach stems from a blend of humility, market assessment, and a desire to build a portfolio rapidly. For me, this strategy seemed flawless: I’d attract a clientele attracted by affordable rates, rapidly build my portfolio, and gradually increase my prices. And, for a time, it worked.
Life has a peculiar way of surprising us, leading us down paths we hadn’t anticipated. Such was my life as a PR manager at GE. One seemingly straightforward task—to find a professional photographer for our executives’ headshots—became a transformative experience. While the photos returned were technically impeccable, they lacked the vital element of capturing the essence of the subject. This revelation was a turning point, making me appreciate the intricacies of the art. As I delved deeper, I began to view photography as a powerful form of communication, akin to my PR responsibilities.
While the above headshot isn’t technically the best headshot, I realized I had an eye for the composition and could help serve a need in my local area of Richmond by providing actor headshots for the local acting community. So, I dove headfirst into YouTube videos on photography, learning the exposure triangle and some of the basics needed for headshots.
It was during these formative days of my photography journey that I confronted my first big hurdle: pricing my services.
While my “cheap” rates skyrocketed my bookings as word spread throughout the acting community, I soon faced a predicament. Overwhelmed with clients, juggling a demanding PR job, and spending hours commuting to work and to shoots, I was on the fast track to burnout. There was hardly any space for the things that mattered most.
Pricing wasn’t just about numbers; it was intrinsically linked to my quality of life. Every entrepreneur will tell you about the importance of work-life balance, but it’s the strategies you deploy—like pricing—that truly make it possible.
Every photograph, every shoot, brings with it a plethora of costs – both evident and hidden. Beyond the tangible expenses of equipment, location, and post-processing, there’s the intangible yet invaluable cost of time, creativity, and energy. Recognizing this was my first step out of the “affordable” trap.
Transitioning to a pricing paradigm aligned with my evolving expertise and the actual value I offered was an uphill task. It demanded a shift not just in my rates, but also in my branding, marketing efforts, and the narrative I presented to prospective clients.
Price Anchoring: This is when the first price a customer sees (the “anchor”) influences their perception of subsequent prices. My initial low rates set a particular expectation. When I decided to raise them, breaking that anchored perception was challenging.
Value Perception: Clients often equate price with value. Offering services at a very low price might unintentionally signal lesser quality or value, while higher prices can convey expertise and premium service.
Understanding and choosing the right model for your photography business is crucial. Here’s a detailed look at the options I explored for my side-hustle-turned-six-figure business:
One of the most crucial aspects of a successful photography business, or any business for that matter, is finding the right clientele. It’s not just about finding people willing to pay your prices, but about finding those who recognize and value the expertise, dedication, and unique perspective you bring to the table.
Research and Niche Identification: Begin by identifying your niche in photography, whether it’s corporate headshots, candid wedding photography, high-fashion shoots, or local actor portfolios. Once you have a clear understanding, dive deep into market research to understand the specific needs, preferences, and spending patterns of your target audience.
Positioning and Branding: Your brand speaks volumes. Every aspect of your branding – from your website design, portfolio presentation, to social media presence – should resonate with the kind of clientele you aim to attract. A luxury wedding photographer’s branding, for instance, would be vastly different from someone specializing in candid street photography.
Build Authentic Relationships: Networking plays a vital role. Attend industry-specific events, seminars, or workshops. Building genuine relationships can lead to word-of-mouth referrals, often bringing in clients who align well with your pricing strategy and value your work’s inherent worth.
Educate Your Potential Clients: Sometimes, the perceived value can be enhanced through education. Share behind-the-scenes glimpses, breakdowns of your post-processing work, or even snippets of your thought process during a shoot. This can help potential clients understand the hard work and creativity behind each photo.
Tailored Marketing: Utilize targeted marketing strategies, be it through social media ads, blogs, collaborations, or content marketing. Ensure that your marketing efforts reach those who are most likely to value and afford your services.
Quality Over Quantity: It’s tempting to cast a wide net, but remember, you’re looking for clients who see the value you offer and are willing to compensate fairly for it. It’s more rewarding, both financially and creatively, to work on fewer projects that truly appreciate your worth than to juggle numerous assignments that undervalue your skills.
In the vast sea of potential clients, it’s essential to find those who not only match your aesthetic vision but also recognize the value behind every click. By positioning yourself correctly and ensuring your efforts target the right audience, you can ensure a harmonious balance between your artistic vision and commercial viability.
For some, photography is a side business or a passion. But passions and side hustles can overwhelm you if not managed wisely. Strategic pricing was my way of ensuring I wasn’t consumed and I didn’t lose sight of my career in PR. By adjusting my rates and communicating value, I made space for myself. Instead of squeezing in every possible client, I started selecting projects that aligned with my vision and schedule. This meant I could reclaim my personal life: date nights, Braves games, culinary adventures, and all.
When we discuss pricing, especially in a domain as personal and intimate as photography, the dialogue goes beyond mere monetary metrics. It encompasses an entire spectrum of value, from the palpable worth of the images to the intangible aspects that shape the experience. It was vital for me, and for any photographer, to recognize and communicate this spectrum to clients. Here’s a breakdown:
Monetary Value: This is the direct financial cost tied to the service, which includes equipment, studio rentals, post-processing software, and more. It’s the tangible aspect that most clients initially focus on.
Time Value: Every hour dedicated to a project is an hour away from other professional or personal pursuits. This includes the time spent in conceptualizing, shooting, editing, and even the back-and-forth communications with clients. My need to get back time prompted me to establish a studio environment in my home.
Personal Time: Time away from loved ones, hobbies, and personal growth.
Professional Time: Time that could have been invested in other projects, upskilling, or even the primary career, especially for those balancing photography with another profession.
Experiential Value: The client’s experience from the first interaction to the final product delivery. It encompasses the ease of communication, the comfort during the shoot, the efficiency in post-production, and the joy in the final reveal.
Emotional Value: The innate ability to capture not just images but emotions, stories, and moments. It’s about the feeling an image evokes every time a client looks at it.
Through these layers of value, the conversation shifts from a mere transactional exchange to a holistic understanding of the service’s depth and breadth. It was essential for me to frame my services not just as photos delivered but as a comprehensive experience enriched with dedication, expertise, and personal investment. By communicating these varied facets of value, clients could appreciate the entirety of the work involved and form a deeper, more meaningful connection to both the process and the final product.
Your pricing strategy is a testament to your growth as a professional and individual. It should reflect your evolving skills, ambition, and the personal life you envision. As you navigate your photography journey, remember that your prices aren’t just tags on a service; they’re markers of the life you wish to lead, the value you offer, and the balance you aspire to achieve.
How are you pricing your work? What models do you use? I’d love to hear from you in the comments.
By Admin in Photography
As we near the launch of the Pixel 8 series, which will likely happen in the next couple of months, some Pixel Superfans from Team Pixel have reportedly received surveys to select scenarios that would help someone decide which smartphone to purchase. These surveys have apparently hinted at new features coming from the Pixel 8.
As noted by Mishaal Rahman on X, the scenarios mentioned in the above surveys allude to the Audio Magic Eraser feature that will likely be featured in the upcoming Pixel 8 — a recently leaked promotional material of the alleged device showcased how the feature would work.
Some Pixel Superfans are getting surveys asking them about Team Pixel’s sports partnerships. One page asks fans to select scenarios that might be “influential” in deciding what smartphone to buy, and some of the scenarios may hint at upcoming features for the Pixel 8!These… pic.twitter.com/VskXd9j0N9August 23, 2023
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According to Rahman, the survey pointed out scenarios such as:
“Eliminate the shouting of the fan in the next seat from your game-winning shot video with your phone’s amazing AI video noise removal.”
“Enhance the sound of your friends and family’s reactions during a thrilling game, while minimizing the background stadium noise with your phone’s amazing AI video noise removal.”
While these scenarios are self-explanatory, some other statements from the survey seem to refer to entirely new features. For instance, one of the statements says, “No worries if someone’s distracted during a group photo, your phone’s AI can still make it into a perfect group photo.”
It’s possible that one of these could refer to the new “Magic Editor” feature that Google showcased in its I/O event, or they could be completely new functions arriving with the Pixel 8.
also, for reference, here’s a full list of options in the survey pic.twitter.com/ki99wg3mtiAugust 23, 2023
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Meanwhile, another reliable tipster, Kamila Wojciechowska, got her hands on the complete list of options from the survey that reveal additional scenarios that appear to be primarily AI-powered. These questions from the survey assure that Google is indeed working on bringing advanced features to the Pixel 8 series cameras alongside enhancements like faster camera launch speeds, amongst others.
Wojciechowska further notes that Pixel 8 will bring a redesigned Google Camera app, and we can expect more AI-based features like AI Wallpapers and proofreading mode in Gboard, among other advancements.
By Admin in Art World News
Recently, NFT’s market was drastically crashing, and amid the chaos, Chinese contemporary artist Yue Minjun dropped his obscure collection of NFTs called laughing heads, which is supposed to make millions of dollars shortly.
People gave mixed reactions to the collection. Some said the laughing head collection is different from the available NFTs, and its potential is more than a million dollars, and some took it as a joke.
But why is this collection so unique and what is the future of NFTs realized by Yue Minjun? We will try to find the answers to all these questions in today’s blog. So stay tuned
Yue Minjun is a Chinese contemporary artist. He got fame in the world of NFTs from his paintings. These paintings depict self-portraits with a wide-mouthed laugh. Themes of his work often include but are not limited to political mockery, social commentary, and the insanity of modern life. How uniquely he conveys an idea is the beauty of his work.
He was born in 1962 in Changchun, China. Yue studied at the Central Academy of Fine Arts in Beijing. His major was fine arts. Yue graduated in 1989. After graduation, Yue chose a career as a painter and started exhibiting his work in China. His work was loved for its satirical and humorous take on Chinese society.
In the early 2000s, Yue decided to take his work
one step further and began to exhibit his work in the West. His work received praise from experts.
In 2021, Yue stepped into the world of NFTs. He created a series of NFTs called “The Laughing Man,” These paintings are said to be self-portraits of the artist with his signature wide-mouthed laugh. These NFTs also proved successful, and they helped to introduce Yue’s work to a new audience.
Yue’s work with NFTs has been met with mixed reactions from the audience. Some have praised his work for its innovation. While others have criticized it for being too commercial. However, without a second thought, Yue is one of the most important Chinese contemporary artists of the modern world, and his work with NFTs will see advancements for the years to come.
Here are some of the controversy and skepticism surrounding Yue Minjun’s NFTs:
The environmental impact: Yue’s NFTs are minted on the Ethereum blockchain. It is a proof-of-work blockchain. This means that it requires a lot of energy to operate leading to concerns about the environmental impact of Yue’s NFTs.
The lack of utility: Some people argue that Yue’s NFTs have no real-world utility. They are simply a way to speculate on digital assets. This has led to skepticism about the value of Yue’s NFTs.
The price: Yue’s NFTs have been priced at a very high level, which has raised concerns about overvaluation. Some people believe that Yue’s NFTs are simply too expensive for what they are.
The quality of the art: Some people have criticized the quality of Yue’s NFTs. They give an argument that NFTs are simply digital copies of his existing work. This is giving rise to skepticism about the value of Yue’s NFTs as works of art.
Despite these concerns, there is also a lot of excitement about Yue’s NFTs. Some people believe that Yue is a respected artist and that his NFTs are a valuable addition to the NFT market.
Only time will tell whether Yue’s NFTs will be successful or not. However, in light of all the above concerns Yue’s NFTs have turned into a very controversial topic. And people will discuss it for a long time for sure.
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By Admin in Art World News

Explainer
19:30
by Wessie du Toit

Prestigious auction houses like Sotheby’s have seen their takings fall dramatically in recent years. Credit: Getty
Remember when celebrities were paying hundreds of thousands of dollars for pictures of cartoon monkeys? The “Bored Ape” craze, promoted by the likes of Justin Bieber and Paris Hilton — not to mention the prestigious Sotheby’s auction house — marked a high point for the crypto assets known as NFTs, touted as a fashionable new frontier in art collecting.
Today, the Bored Ape images have lost almost 90% of their value from their 2022 peak, and investors are suing Sotheby’s, Bieber, Hilton and others for misleading them.
The NFT massacre is only one dramatic sign of a wider unease taking hold of the art market. For months there have been ominous reports of cooling demand at auctions and fairs. In June, the flagship modern and contemporary auction at Christie’s took 66% less than the previous year, and even highly bankable artists such as Willem de Kooning and Jean-Michel Basquiat have been struggling to find buyers.
Do these jitters simply reflect the general turbulence in the economic climate? Yes, but also no. As the latest report by Art Basel and UBS confirms, the art market has become dependent on a super-rich class of investors who are largely immune from fluctuations in the wider economy. Global sales actually increased last year, coming close to their 2014 peak of $68.2 billion, but this growth was driven by the most expensive artworks and the most successful dealers. The lower echelons of the market stagnated or declined.
The NFT collapse illustrates the demise of aspirational but merely affluent collectors, who have been stung by falling tech stocks, crypto crashes, inflation and rising interest rates. By contrast, as the Art Basel/UBS report notes, global billionaire wealth has increased by more than a third over the course of the Covid pandemic and ensuing economic turmoil.
These ultra-high-net-worth individuals — increasingly drawn from the Middle East, Far East and Africa, as well as Western countries — have reshaped the art industry since the 2008 crash. Their exclusive tastes, mediated by a globetrotting circus of elite galleries, dealers, advisors and artists, determine what is considered valuable.
And yet the distress signals of recent months suggest this reliance on the wealthiest collectors has only forestalled the inevitable reckoning. There simply aren’t enough of them, or of the works they crave, to provide continuous growth. “Once someone has their de Kooning, they don’t necessarily want to buy another,” commented one art advisor after this summer’s disappointing Christie’s auction.
This partly explains why it is no longer unusual for contemporary artists to fetch big sums at auction while they are still alive. The money needs somewhere to go. But such speculation on faddish works will likely lead to heavy losses down the line (recall how Damien Hirst’s prices plummeted after 2008). Meanwhile, governments have been cracking down on money laundering via artworks, removing one of the biggest incentives for the super-rich to collect them.
As these pressures continue to mount on an increasingly hollowed-out market, it’s not difficult to see how a crash could come about. The financial value of art is ultimately a matter of confidence, and it only takes a few dire auctions for the panic to spread.
By Admin in Art World News
Nov 18 – HVCA Arts and Greens Holiday Art Market in White Lake
White Lake, MI –The 17th Annual Arts and Greens Holiday Art Market is set amidst beautiful flowers and greenery inside the Bogie Lake
Greenhouses at 1625 Bogie Lake Road, White Lake Twp., Oakland Co., MI. A wide variety of affordable art and gifts by regional artists makes this a favored event of community and HVCA. Greens workshops to be announced by the Greenhouses; music by Cary Kocher and food truck by C.C.’s Soul Food.
Saturday, Nov. 18, 2023
Sunday, Nov. 19, 2023
Sponsored by the Huron Valley Council for the Arts (HVCA) and Bogie Lake Greenhouses.
More info:
https://www.huronvalleyarts.org/arts-greens/
Pictured: Pictured: Abigail Zolinski, Allie Schilz, and Ted & Julie Lepczynski from 2022 event.
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To submit event info email editor@oc115.com .
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