DMTV Milkshake: Leadoff Studio Founder Jordan Diatlo on the Power of Design to – Really – Change the World

DMTV Milkshake: Leadoff Studio Founder Jordan Diatlo on the Power of Design to – Really – Change the World

The proposition that a tech start-up can change the world is a durable cliché at this point. Sometimes, though, art and design can help where tech stumbles – and ensure it succeeds in a meaningful way. To wit: Momma’s Kit, produced by Spora Health as part of a suite of online and offline tools called Spora Mommas. It’s designed to reduce maternal mortality among mothers-to-be of color – and more specifically, “to make the maternal journey better for Black people and to center their joy.” Momma’s Kit – which includes tools and instructions for monitoring vital health stats during the third and fourth trimesters – was created in collaboration with Leadoff Studio, led by founder, CEO, and creative director Jordan Diatlo.

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In this week’s Milkshake, Diatlo walks us through Momma’s Kit – and creating connections in the nebulous space between online tools and IRL usage. One past client emblemized that work: Roman, a telehealth brand that supplies medication primarily for erectile dysfunction. “Everything in their process was digital: You downloaded an app, you talked to a doctor on your phone, you ordered medication on your phone, and then all of a sudden, the pills showed up at your front door,” Diatlo says. “So our role with Roman Health was to use industrial design and the user experience of the packaging design to really build trust in the process and Roman itself, so that the user felt comfortable enough to put this medication in their mouth, and ingest it. I think the success of their company and all that packaging that we did has really opened the door to a worldwide adoption of telemedicine that really enables people, anywhere, to have access to doctors – and medication that can get shipped to them, all through smartphones.”

Momma’s Kit

With Momma’s Kit, in addition to packaging design, they worked with Spora to source a pulse oximeter and a blood pressure cuff, tools that would be included in the kit. This process, Diatlo says, provided one of the project’s true surprises: “What we found from talking with Spora specialists was that pulse oximeters are actually much less effective on darker skin tones – this was a huge problem for this project, given that we were trying to find the best devices possible,” says Diatlo, who scoured manufacturers across the U.S., Europe, and South Africa for better tools for the intended community. “All of these [countries] are either majority Caucasian or have a legacy of racism. We also reached out to different manufacturers in China and other countries, and then started really pressing [manufacturers] for data sheets that specifically showed test results on darker skin tones.”

lavender box filled with information and medical gear

Momma’s Kit

angled flat lay of pamphlets and medical gear on lavender background

Momma’s Kit

However frustrating, this winnowing was key, Diatlo says, to the project’s success, which he felt had to go beyond attractive packaging: “We could have just gone about this project and created a nice looking design,” he says. “Spora came to us in the beginning and said, ‘If we can get these two devices [the pulse oximeter and blood pressure cuff] into the hands of black mothers, we can help fight against 80 percent of the most common disorders causing morbidity.” For more about how they did it, tune in!

angled flat lay of pamphlets and medical gear on lavender background

Momma’s Kit

woman's arm extended writing in open journal with phone propped on and call taking place

Momma’s Kit

woman having blood pressure taken with kit beside her on lavender backgroun

Momma’s Kit

arranged shot of lavender packaging on lavender background

Momma’s Kit

Diana Ostrom, who has written for Wallpaper, Interior Design, ID, The Wall Street Journal, and other outlets, is also the author of Faraway Places, a newsletter about travel.

Milkshake, DMTV (Design Milk TV)’s first regular series, shakes up the traditional interview format by asking designers, creatives, educators and industry professionals to select interview questions at random from their favorite bowl or vessel. During their candid discussions, you’ll not only gain a peek into their personal homeware collections, but also valuable insights into their work, life and passions.

City of Melfort showcasing James Smith Cree Nation artist

City of Melfort showcasing James Smith Cree Nation artist

Reconciliation Melfort also played a part in bringing the paintings to Melfort, as well as recently getting the city to proclaim September as truth and reconciliation month.

The exhibit’s opening (which happened last Friday, Sept. 1) coincides with the anniversary of the tragic killings at the James Smith Cree Nation, while also serving as a lead-up to the National Day for Truth and Reconciliation on Sept. 30.

“I think the intention behind having Jerry at the gallery is just starting to try and include some indigenous artwork within our community fabric, so it’s a bit more regular, as opposed to just a simple special occasion,” explained Rob Lok, director of community services.

“Certainly noting the anniversary of the tragedy from last year, as well as the month of September being Truth and Reconciliation month, I think it’s just really important… displaying artwork is a form of responding to the calls to action.”

Whitehead is a nationally celebrated Cree artist, known for his rich surreal powwow scenes, vivid depiction of family, and ceremony.

The exhibit includes a 60” x 120” painting titled My Boys Are OK from 2015, as well as Recollections and The Direction I am Heading which according to the city are more reflective of Jerry’s current abstract work.

“I find it’s gonna connect communities together,” Whitehead told northeastNOW. “I never thought I’d be doing this stuff as I was growing up, because they never had anything like this before, Native artists coming in and trying to do all these things.”

“[The tragedy] it was really emotional, a lot of those people I knew. Some I didn’t grow up with because I was away for so long, but we’re all related, so whatever happens to one family it happens to all of us,” he added.

Whitehead, a member of the Peter Chapman Band within James Smith Cree Nation, now currently resides in Vancouver, B.C.

news@northeastnow.com

On Twitter @BenTompkins_8

Edgartown: Photography and hiking, Croquet Club, Wind Festival, author talk, and stress relief – The Martha’s Vineyard Times

Edgartown: Photography and hiking, Croquet Club, Wind Festival, author talk, and stress relief – The Martha’s Vineyard Times

Welcome, September. It’s so hard to believe that summer has come to a close. School is back in session. The crowds have gone. The weather has cooled, as it tends to do this time of year. Though the forecast as I write this is for a beautiful first week of September. I bet there will be plenty of teachers making their way to the beach after these first days of school. Nothing like a beach break on the way home from work.

I hope everyone has a good return to school, teachers and families alike. It always takes some adjustment to ease out of summer mode and get back into school mode. Everyone has to figure out new schedules and get organized and do homework and all that other stuff. I wish everyone a great school year ahead.

Happy birthday wishes go out this week to Manny Estrella on August 29, Pam Melrose on August 30, Kalob Shipton and Alison Enos on Sept. 4, Linda Hathaway and Kathy Pogue on Sept. 5, and Sarah Parece and my brother-in-law, Phil Fleisher on Sept. 6.

On Saturday, Sept. 9, Tim DeWitt is offering a photography course: Capture the Island: Photography Class and Guided Hike at Menemsha Hills. This is one part of a three-part course, each at a different Trustees property. Per the write-up in the Things to Do section of the Times, a Trustees guide will direct the hike route, while Tim will support the creative exploration of participants. Students can look forward to personalized direction and critique as they solidify their creative vision in landscape photography. “This workshop is open to all levels of experience and any type of camera, though 35mm is preferable. Instruction and pace will vary based on class dynamics and participant needs. Each class will be approximately 2 to 3 miles of walking over medium to difficult terrain, including soft sand, packed dirt, and loose rocks. Please plan to bring: sun protection, sturdy walking shoes, insect/tick protection, and water/snacks. Participants may get their feet wet if the best shot requires stepping into the water”. Other dates are Oct. 21 and Nov. 18. Each session requires a separate ticket purchase. Contact the Trustees at cdrogin@thetrustees.org or 508-693-7662 for details and pricing. You can register for the Sept. 9 class/walk at thetrustees.org/event/89505.

Want to learn to play croquet? Saturdays in September and October from 9 to 10 am the Edgartown Croquet Club is offering an introduction and lessons for American 6 Wicket Croquet. These lessons are free. Sounds like fun.

The Martha’s Vineyard Wind Festival a.k.a. Kite Festival is Saturday, Sept. 9, from 10:30 am until 7:30 pm. Kids can make kites, adult kite flying competitions will happen in the afternoon, and fun can be had by the whole family. For details, check out their website at mvwindfestival.com or just show up at Ocean Park on Saturday. The rain date is Sunday.

Gerald Yukevich (Ivan Cox) is signing his book, “Blood Pudding,” at Edgartown Books on Saturday, Sept. 9, from 2 to 4 pm. The book is about the struggles of an immigrant family from Poland. I’ve heard the author tell stories before and bet the book is a great read. You might just see me in line.

The Edgartown Village Market continues through September on Tuesdays at the Daniel Fisher House from 9 am until 2 pm. This open air market is just the place to get fresh produce, flowers, and artwork and crafts by local artisans.

The Edgartown library is offering “Stress Relief Through Diet” with registered functional medicine dietitian, Ana Cristina Lewis on Sept. 12 from 5 to 6 pm. Learn what you can do to support your body’s response to stress. And who doesn’t have stress, right? Registration is not required.

My condolences go out to the family and friends of Fred Mascolo, who passed away this week. He was always so kind and generous, supporting so many Island causes and people. It is a big loss for the Island and he will be missed for sure.

That about does it for this week. The holiday weekend prompted an early deadline. I apologize if I missed any news that was sent in after Friday. I’ll be sure to share it next week. Here’s to a slower pace now that September is here. Have a great week.

If you have any Edgartown Town Column suggestions, email Gail Gardner, ggardnermv@gmail.com.

The greatest street in Angola: Kim Praise’s best photograph

The greatest street in Angola: Kim Praise’s best photograph

São Paulo market, where this was taken, is near the heart of Luanda, the capital of Angola. It is one of the most important markets in the city, not just because of how many people rely on it to make a living, but because it’s a place where Luanda’s population come to mingle, from the rich to the poor. On this day in June 2022, the sun was beating down and I wanted to show the market in all its colour, movement and life, and to situate it within the city at large. I decided I needed to get above street level to show the mix of colours that make it feel so exciting, all the different paths people weave through it.

This image was taken with a drone hovering high above the market. It allowed me to have a different view from the one visitors usually have – the bright orange of the parasols, the sense of so many people in motion, the sheer scale of it stretching off into the distance. But the drone also meant I could situate the market in the rest of the city: the oranges of the market set against the reds of the roofs and the blues of the surrounding buildings. It’s a view many Angolans do not get to see. When people think of Angola, I don’t think this is what they imagine, but it is my country at its very best.

In Angola, there are two realities. There is suffering: poverty is common, and our people have struggled through difficult times, both during the decades of civil war and in the peace ever since. Life is not easy for many people. But Angola is also a country with a rich culture. Our music is without comparison, blending different styles and traditions to create new kinds of art. Our cities, Luanda in particular, are places of incredible colour and diversity. And the people – my people – are so welcoming, especially to outsiders. We have a sense of hospitality that is beautiful.

I first came to photography almost by chance. I grew up in Benguela, a province on Angola’s western coast, about 500km south of Luanda. As a young man I had always loved art. I painted, I drew, I made music – but when a friend lent me her camera, something felt different. In an instant, I could capture everything in front of me. The feeling of taking that first image changed everything for me. I had found my medium.

Trying to make it in Angola isn’t easy. I have faced many struggles in becoming a photographer. Before me, nobody in my family had shown an artistic side, and so my family weren’t sure what to make of it when I told them about my plans to work as a photographer. They didn’t respond to my dream enthusiastically, but ultimately they respected my decision.

When I started taking pictures, I first looked for photography schools in Angola, but there were no schools where I could graduate. Everything I have learned was through tutorials on YouTube and from friends and peers. But the main problem is the government: they don’t support the young. Pursuing your dreams is something that, too often, people have to do without any support, which means that many people are not able to. There is so much potential in my country, but it is not encouraged and nurtured by the political system and its institutions.

The aim of my work is to showcase everything Angola has to offer. I want to take what is most beautiful in my country and show it on the world stage. I would love foreigners to see Angola as a destination for tourism. I think they would be amazed.

Kim Praise’s work is on display as part of Kizomba Design Museum, which launches this week with a three-day immersive experience in São Paulo, 6-8 September

Kim Praise’s CV

Kim Praise

Born: Benguela, Angola, 1994
Influences: Aboya (Ghana), Jessé Manuel (Angola), Ju Almeida (Brazil), Edgar Esteves (USA), Karl Shakur (Nigeria)
High point: “My contribution to the forthcoming Kizomba Design Museum project: having my work in a museum is a dream come true”
Low point: “When I arrived in Luanda and thought about giving up photography because I didn’t have many resources, and adapting was difficult”
Top tip: “Always believe in your dreams and chase after them”

Couple Unknowingly Hires Same Photographer For Surprise Proposal

Couple Unknowingly Hires Same Photographer For Surprise Proposal

A couple ended up unexpectedly proposing to each other at the exact same time — after they both hired the same photographer to capture the suprise moment.

A couple ended up unexpectedly proposing to each other at the exact same time — after they both hired the same photographer to capture the surprise moment.

In a viral TikTok video, photographer McKailie Conger revealed how she captured the moment Autumn Velin and Rebecca Dolge both unwittingly dropped to one knee to propose to each other on holiday in Denver, Colorado in April.

@mckailienicole Still one of my favorite moments 🤍💍 #elopementphotographer #weddingphotographer #surpiseproposal #loveislove ♬ original sound – 🙂

Autumn, 23, and Rebecca, 21, had been dating for two years when they both individually realized that they wanted to propose to each other

Autumn was the first person to contact McKailie. She booked the photographer to shoot the moment she would propose to Rebecca in Denver.

Autumn later told Rebecca that she had booked McKailie for a photo shoot to capture some “cute pictures” of the pair together — without revealing that she was going to propose during the session.

An Unexpected Text Message

However, shortly afterward, McKailie received a text message from an unknown number. The text message turned out to be from Autumn’s partner Rebecca.

Rebecca secretly reached out to McKailie and told the photographer that she was secretly planning on proposing during the shoot — not knowing that Autumn was planning to do the same.

“I received the booking from Autumn and phoned her, she told me about the situation with her proposing, so I got started the planning process,” McKailie tells NewsFlare.

“I then received a second message saying ‘nice to meet you, I’m going to propose on the shoot day.’”

“I was really confused at first, then it came to me, they are both proposing, and they don’t know it.”

A Secret For Three Months

The photographer had to keep the surprise proposals a secret from the couple for three months.

McKailie even had separate conversations with Autumn and Rebecca about the day’s plans as they individually planned their surprise proposals to one another.

On April 14, McKailie met Autumn and Rebecca at Horsetooth Reservoir and took some romantic photos of the couple. The photographer then guided the couple to the spot that she had selected for their surprise proposals.

“I told them to stand about three meters apart from each other and after a countdown, they would turn around,” McKailie tells NewsFlare.

“The plan was to get them to turn around and they would both bring out their rings.”

The photographer then shot the incredible moment that the pair both dropped to their knees in unison and joyfully got engaged. McKailie described the photo shoot as her “dream job.”

“The build-up to the moment and then seeing it happen, to share that moment, I wish I could do it over and over – just amazing to witness,” the photographer says.

More of McKailie’s work can be seen on Instagram, TikTok, and website.


Image credits: Header photo licensed via Depositphotos.

Photography talk in Blue Hill

Photography talk in Blue Hill

BLUE HILL — The Blue Hill Public Library is sponsoring a talk titled “Travel Photography for Everyone” with international wildlife, nature, travel and underwater photographer Gary Harmatz on Thursday, Sept. 14, at 7 p.m.

This presentation is for all levels, from beginner photographers using an iPhone to experienced photographers using a sophisticated fully loaded camera. Harmatz will share ways to capture interesting and exciting photographs, in addition to useful tips on light, composition and the elements that make a photograph great. Participants will leave this presentation knowing how to capture a “sense of place.”

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Joseph Sample’s Western art collection donated to Billings museum

Joseph Sample’s Western art collection donated to Billings museum

BILLINGS – The Yellowstone Art Museum in Billings has added 45 works of Western art to its permanent collection following the death of Joseph S. Sample, who amassed an impressive collection of artwork by some of the region’s most legendary painters.

The works were collected by Sample beginning in the 1950s and obtained by YAM in June, adding to the Sample family’s legacy of gifts to the museum. Beginning in 1985, Miriam Sample, who was married to Joseph, purchased and donated more than 200 works of art by contemporary and Montana artists to the YAM. In total, Miriam donated more than 400 pieces of artwork to a dozen regional museums. Miriam died in June 2008 at the age of 88, and Joe died in October 2022 at age 99.

The couple’s collections couldn’t be more different, but together they tell an eclectic story of the West and the artworks that have contributed to its iconography. While Miriam sought out works by contemporary artists of her time, Joe was dedicated to collecting the Western masters, many of whom made Montana their home, reports the Montana Free Press.

“To be able to show Joe’s collection, as well as the contributions from Miriam, is hugely significant for one institution,” said Lisa Ranallo, curator of the permanent collection at YAM. “Not only does it start that dialogue of Western art — but what is Western art as a complex definition that is continually changing.”

Joe amassed works by two dozen Western artists, including Frederic Remington, C.M. Russell, Will James, Edgar Samuel Paxson, E. William Gollings, Maynard Dixon and Joseph Henry Sharp. Two Indigenous artists, Kevin Red Star and William Standing, are represented in the collection. The value of the donation was not disclosed by YAM, but acquiring such a complete collection of private art representing the American West from the turn of the century into the late 1940s is rare.

“The collection from Joe adds work that we can use to tell a fuller historical story,” said Jessica Ruhle, YAM’s executive director. “There is a hope that this will broaden our visitor base and be of real excitement and interest to the community.”

YAM plans to display both Miriam and Joe’s collections simultaneously, opening with “The Joe Sample Collection with selected works by Joseph Henry Sharp” on Oct. 5, and then “Gifts from Miriam Sample” on Nov. 16. This two-part celebration honors artwork gifted to the museum by the philanthropic couple.

AN ARTISTIC FORTUNE

The husband-and-wife duo made contributions to Montana’s artistic and cultural landscape in many ways, including through television, public broadcasting and radio, which brought Joe from Chicago, where he was born, to Montana in the 1950s.

“He fell in love with the West, and falling in love with the West was also falling in love with a lot of those works that came from that time in history,” said Pat Sample, one of Joe and Miriam’s three sons.

According to Pat, Joe landed in Billings when the media market was wide open, and he established the Montana Television Network with stations in Billings, Butte, Great Falls and Missoula. At the time, Western artwork was selling for “pennies on the dollar,” Pat said, and is now “worth a fortune.” Joe was in the right place at the right time to collect such works.

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Courtesy of YAM
“Native American Landscape,” 1947, oil on canvas, by James Ralston, is one of 45 works donated to the Yellowstone Art Museum by Joseph Sample.

“A lot of us kids love that art and would love to have some, but [Joe] said, ‘No, it’s not going to you. It’s going to the people of Montana,’” an arrangement the family supported, Pat said.

“Having a private collection of this caliber gifted to a public collection — rather than being broken apart and sold and disbursed to who-knows-where — it lets you see that broader picture,” Ruhle said. “This work is not going to be hidden away and inaccessible to the public.”

“He wanted it to go to a place for people to enjoy it,” Pat added. “That’s how he operated with just about everything.”

‘AN EXTRAORDINARY MAN’

Joe Sample’s impacts are far-reaching, from his contributions to Montana’s media landscape to the Billings Public Library to his long-running jazz program on Yellowstone Public Radio, “Spreadin’ Rhythm Around.” His involvement in YPR extended into fundraising and supporting the studio’s expansion in the 1990s when it was named the Joseph S. Sample Studios — much to his chagrin.

“You have to understand Joe’s sense of humor,” said Ken Siebert, general manager of YPR, referencing Joe’s on-air pseudonyms, which included “Fred Seeds of the Watermelon Growers of Northern New Jersey” and “Red Beans and Ricely Yours, Old Scatman,” his sign-off from his jazz program.

“He didn’t want to be out there as, ‘I’m Joe Sample,’ and here’s all this money I am giving,” Siebert said. “He was always trying to encourage the growth and the listenership of the station because he believed so much in what public broadcasting does.”

The extent of Joe’s philanthropy may never be known. Even his family was surprised at some of the donations that have come to light following his death. “I didn’t even know half the things that he had given to until after he passed away,” Pat said. “He was really quiet about it and took a lot of enjoyment in doing it.”

Joe moved from Chicago to Billings in 1954, though his first experience in Montana was a few years earlier while attending a wedding in Missoula. He stopped in Butte to purchase a tuxedo shirt. According to Joe’s obituary, he was directed to the mortuary and “decided then and there that a place where the only person in town who owned a tux was the mortician was a place he wanted to live.”

Joe returned to Chicago often, where he met Miriam. He was seated next to her at a dinner party and said that he was looking for a woman willing to live in Montana. Miriam replied that Joe needed to “find someone who can live with you,” recalled Barbara Sample, wife of the late Michael Sample (one of Joe and Miriam’s sons). “They started dating immediately, and they were married within a year,” Barbara said.

Similarly, Barbara and Michael met on a blind date, and a year later, in 1972, they were married. Barbara, who grew up in Great Falls across the street from the C.M. Russell Museum, had not seen Russell’s works outside a museum setting, so she was shocked when she walked into Joe and Miriam’s house and saw original work by Russell hanging on the wall.

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Courtesy of YAM
“Cowboys,” 1911, watercolor on board, by C.M. Russell, is one of 45 works donated to the Yellowstone Art Museum by Joseph Sample

“I didn’t know people could have them, because they were always in a museum,” Barbara said. “They were just so kind and generous, and Miriam was so patient. She taught me about art and brush strokes. At the time, I didn’t know anything [about art].”

Barbara described Miriam as far more outgoing than Joe, “which is why I think they got along so well,” she said. “If you went into their home, Miriam’s art was gargantuan and gorgeous and colorful and free-flowing. She loved modern art, and Joe loved Western art. The difference was night and day.”

When Miriam died in 2008, Barbara said, her relationship with her father-in-law deepened. “Anyone who knew Joe was privileged. He was such an extraordinary man,” Barbara said. Then her husband Michael died in 2014 after being stabbed at his downtown Billings business.

“When Michael was killed … there are no words …,” Barbara said. “The outcome of that was that we became incredibly close.” She remained in Billings and spent time with Joe, often traveling with him to Florida, where he spent winters in Naples. His son Pat lives outside of Seattle, and his son David lives in northwestern Montana.

At the end of Joe’s life, Barbara stayed by his side, listening to story after story as visitors shared their recollections of time spent with Joe.

“I’d sit there with my mouth hanging open,” Barbara said. “Joe never told anyone what he had done within the state. He didn’t believe in putting his name on anything. I would never have known except for the parade of people who came through.”

As Joe neared his 100th birthday, he told Barbara, “I promise you, I won’t live till 100.”

“He did not want all that attention,” she said.

A PERMANENT HOME

Per his wishes, the works Joe collected throughout his lifetime will now have a permanent home at YAM. “He wanted people in the state of Montana to have total access to this art, and he wanted people in Billings to have first access to it, just like they have to Miriam’s art,” Barbara said.

“I don’t think he was interested in the financial end of it at all,” Pat said. “What he really wanted to do was put it out for the public and have the people enjoy it.”

The Samples’ philanthropy also lives on through the Sample Foundation, which grants money to health and social service nonprofits in Montana.

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Courtesy of YAM
“Crow Summer,” no date, oil on canvas, by Joseph Henry Sharp, is one of 45 works donated to the Yellowstone Art Museum by Joseph Sample.

The collections that the couple amassed will be stored in YAM’s Visible Vault, which the Sample Foundation was instrumental in funding. The vault allows the public access to the museum’s collection for viewing or research, and the Sample Foundation funded handicap-accessible lifts as well as the observation deck and audio system.

“That’s what kept him going — being able to get out there and help people,” Pat said.

Barbara said what she misses the most about Joe is his kindness, humor and generosity. “He had the ability to find me as equal no matter what, and I think he did that for everybody,” she said.

“The Joe Sample Collection with selected works by Joseph Henry Sharp” will be on display at the Yellowstone Art Museum from Oct. 5 to Jan. 7, 2024. “Gifts from Miriam Sample” will be on display from Nov. 16 to Aug. 18, 2024. An opening celebration for the Joe Sample exhibition will take place on Oct. 12 at the YAM and will include a live jazz performance.

The public can access any of the YAM’s stored artworks through the Visible Vault, and once the Joseph Sample collection is fully cataloged, the public will be able to view the works online along with other works in the permanent collection at https://yellowstoneart.pastperfectonline.com.

Every 90s Designer’s Nightmare Returns as a Kinetic Timepiece

Every 90s Designer’s Nightmare Returns as a Kinetic Timepiece

There are some memories that have left their indelible mark upon designers who worked throughout the aughts: always failing Zip and Jaz drives, Apple’s migration to PowerPC, finicky SCSI ports, QuarkXpress, and of course, the dreaded MacOS X spinning beach ball (aka the spinning wheel of death). The Trio of Time’s The Spinning Beach Ball watch taps into those way-back-when recollections in the form of an analog-kinetic watch encapsulating then designer’s nightmare into a playful chromatic timepiece.

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Designed by Joe Kwan, co-founder and creative director of Anicorn Watches, the iconic symbol of operating system unresponsiveness is recreated in a six color pinwheel as a “touch of familiarity and playfulness” intended in to represent “the anticipation of what lies ahead, reminding wearers to embrace the present while looking towards the future.”  

The watch doesn’t actually spin independently, but revolves into action in kinetic response to the wearer’s wrist motion, as shown in the video above.

Japanese Miyota 2025 Quartz movement powers the timepiece, surrounded by mineral glass, 316L Stainless Steel, Diameter 39.0mm Case, with a modern genuine leather strap with a minimalist stainless steel buckle with smart docking system [below].

Packaging for The Trio of Time - The Spinning Beach Ball wristwatch, with large color pinwheel cover design, a small user booklet, metal sheet card with unit number, and another padded layer with watch and wrist band inset in foam.

When one considers a wristwatch icon as the original classic Mac OS wait cursor icon, it seems rather appropriate the designer’s dilemma in both its memorable iterations have come together into an object for apt to evoke a grin rather than a grimace – a reminder of how much time has passed and how the spinning beachball has faded into a distant exception rather than a daily occurrence.

Close-up of two side by side The Trio of Time The Spinning Beach Ball wristwatches, one on the top in static position, with another watch below it in blurred motion.

The Spinning Beach Ball Watch comes carefully packaged in a collector’s box with a small product card alongside a unique collector’s card imprinted with the model’s run number. Each watch is available for pre-order for $229 and is scheduled to ship in November 2023.

Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.