A Forthcoming Book Flies Through Hundreds of Elizabeth Gould’s Groundbreaking Avian Illustrations

A Forthcoming Book Flies Through Hundreds of Elizabeth Gould’s Groundbreaking Avian Illustrations

Vulturine Guineafowl, Acryllium vulturinum, Plate 8, Icones Avium (1837–38). All images courtesy of the Trustees of the Natural History Museum, London, shared with permission

As often happens with creative couples throughout history, Elizabeth Gould’s legacy tends to be overshadowed by her husband’s. Gould (1804-1840) was an ambitious and knowledgeable artist, who, throughout her short lifetime, illustrated more than 600 avian species that ushered in significant advances in natural history. Many of the birds had previously gone undocumented, and paired with her husband John’s studies, the lithographs conveyed the true diversity within ornithology.

Now partially compiled in a celebratory tome of her life and work, 220 of Gould’s illustrations have migrated from the collections of London’s Natural History Museum to the page. Birds of the World: The Art of Elizabeth Gould spans 248 pages with full-color reproductions depicting myriad species, from a speckled vulturine guineafowl and chromatic crimson rosella to a slender-beaked glossy ibis. Written by the museum’s special collections manager Andrea Hart and zoology librarian Ann Datta, the volume contains several previously unpublished works and is organized across five continents.

Birds of the World, which is published by Prestel, is scheduled for release this fall. Pre-order your copy on Bookshop.

 

a pink and green feathered birth with a long, slender beak

Glossy Ibis, Plegadis falcinellus, Plate 301, The Birds of Europe (1832–37)

Two images, both of a pair of vibrantly colored birds perched on branches

Left: Crimson Rosella, Platycercus elegans, Vol. 5, Plate 22, The Birds of Australia (1840–48). Right: Narina Trogon, Apaloderma narina, Plate 26, A Monograph of the Trogonidæ, or Family of Trogons (1835–38)

A pink cockatoo with red, orange, and yellow crest feathers

Sulphur-crested Cockatoo, Cacatua galerita, A Synopsis of the Birds of Australia, and the Adjacent Islands (1837–38)

Two birds with flared crests and green and blue iridescent feathers

Northern Lapwing, Vanellus vanellus, Plate 291, The Birds of Europe (1832–37)

Four images, from top left, a long-tailed blue bird with poofy crest, a brown and black bird, both plump, perch on a branch, two black and yellow birds rest on leafy twigs, and a brown owl with intense eyes stares to the left

Top left: Black-throated Magpie-Jay, Calocitta colliei, 1829, [No. 52], J & E Gould Drawings album, Natural
History Museum, London.  Bottom left: Eastern Shrike-tit, Falcunculus frontatus, Vol. 2, Plate 79, The Birds of Australia (1840–48). Top right: Blackbird, Turdus merula, Plate 72, The Birds of Europe (1832–37). Bottom right: Long-eared Owl, Asio otus, Plate 39, The Birds of Europe, (1832–37)

the Birds of the World book cover with two vibrant birds on the front

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article A Forthcoming Book Flies Through Hundreds of Elizabeth Gould’s Groundbreaking Avian Illustrations appeared first on Colossal.

Bebop Around Town + Trails With the Ride1Up Cafe Cruiser

Bebop Around Town + Trails With the Ride1Up Cafe Cruiser

Have you taken an e-bike for a spin yet? Electric bicycles are quickly gaining traction among those of us who want to travel somewhere faster than usual, but don’t mind putting in some exertion of their own on the journey. The Ride1Up Cafe Cruiser has a lot going for it – whether on pavement or dirt trails – including the versatility of adding an extra seat for a passenger or a child seat. Offered in both a step-through and a traditional cross-over version, this Ride1Up e-bike is high on comfort and capabilities, bringing true style and functionality together in one vehicle.

Ride1Up Cafe Cruiser XR, Matte Carbon

The technical aspects of the Ride1Up Cafe Cruiser are equally impressive. Recognized as a Class 3 electric bike with 28mph pedal assist and 20mph throttle, the e-bike features a powerful 750w sustained geared hub motor with 60nm torque. Depending on the rider’s weight, terrain, incline, and level of assist the e-bike is putting in, you can travel 30-50 miles on each adventure! Don’t worry, its lightweight alloy frame with internal protected and locked electronics won’t add too much heft to your ride.

Choose from Matte Carbon, Matte Indigo, or Gloss Latte frame colors for both the ST and XR frame styles.

light-skinned woman riding a cream colored e-bike on a road

light-skinned woman sitting on a cream colored e-bike on a road

light-skinned man riding a cream colored e-bike

cream colored e-bike parked in front of a modern home

cream colored e-bike leaning against a stone wall

cream colored e-bike outdoors

detail of e-bike

detail of e-bike

detail of e-bike

cream e-bike on white background

Ride1Up Cafe Cruiser ST, Gloss Latte

grey e-bike on white background

Ride1Up Cafe Cruiser ST, Matte Carbon

blue e-bike on white background

Ride1Up Cafe Cruiser ST, Matte Indigo

cream e-bike on white background

Ride1Up Cafe Cruiser XR, Gloss Latte

blue e-bike on white background

Ride1Up Cafe Cruiser XR, Matte Indigo

grey e-bike with rear seat on white background

Ride1Up Cafe Cruiser XR with Rear Seat, Matte Carbon

cream e-bike with child seat on white background

Ride1Up Cafe Cruiser XR with Child Seat, Gloss Latte

To learn more about the Ride1Up Cafe Cruiser, visit ride1up.echoscomm.com.

This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

An interactive museum and a giant Porsche: Friday’s best photos

An interactive museum and a giant Porsche: Friday’s best photos
image

People arrested during a military operation to prevent a planned demonstration against the United Nations by a religious sect, sit on the ground and are guarded by the army. At least 48 people have been killed and 168 arrested in a crackdown on anti-UN protest

AI-Generated Masterpiece “The Electrician” Takes Center Stage at Lancashire Photography Festival in Preston

AI-Generated Masterpiece “The Electrician” Takes Center Stage at Lancashire Photography Festival in Preston

Description

In a groundbreaking move that has ignited both admiration and controversy within the global art and photography community, the mesmerizing AI-generated image titled “The Electrician” has found its rightful place in the heart of Preston. This unprecedented event has set the stage for fervent discussions about the ever-evolving relationship between technology, creativity, and traditional artistic … Read more

In a groundbreaking move that has ignited both admiration and controversy within the global art and photography community, the mesmerizing AI-generated image titled “The Electrician” has found its rightful place in the heart of Preston. This unprecedented event has set the stage for fervent discussions about the ever-evolving relationship between technology, creativity, and traditional artistic norms. Towering above the bustling city at nearly four meters in height, “The Electrician” now commands attention at the Sykes Street Car Park, serving as a captivating centerpiece of the esteemed Lancashire Photography Festival.

Lancashire photography festival,the fusion of modernity and tradition

The Lancashire Photography Festival, a veritable celebration of visual artistry, has breathed new life into the streets and parks of Preston, Lancashire. Boasting an array of projects by some of the world’s most distinguished photographers, the festival has become a vibrant canvas showcasing the convergence of contemporary and traditional artistic expressions. Amidst this eclectic showcase, “The Electrician” emerges as a bold testament to the harmonious blend of cutting-edge technology and timeless creativity.

A triumph shrouded in controversy: “The Electrician” Claims Top Honors

The saga of “The Electrician” began with its audacious victory in the creative category of the prestigious Sony World Photography Awards held in April 2023. This triumph, however, was swiftly followed by a storm of controversy. The enigmatic artist behind this captivating piece, Boris Eldagsen, garnered significant attention by boldly rejecting the accolade. Eldagsen’s stance revolves around the assertion that traditional photography competitions, including the illustrious Sony World Photography Awards, were ill-equipped to comprehend the profound implications of AI-generated art.

Hailing from Germany, Eldagsen is steadfast in his belief that AI-generated images transcend the realm of traditional photography, rendering them unfit for direct competition against photographs created by human hands. His provocative stance has ignited impassioned debates throughout the artistic community, sparking dialogues about the fluid nature of art in an increasingly digitized era.

The mesmerizing masterpiece itself, “The Electrician,” stands as a compelling testament to the astonishing capabilities of artificial intelligence in the realm of visual art. Crafted entirely by intricate AI algorithms, this artwork defies conventional definitions of human creativity and the artistic process. Its emergence challenges viewers to recalibrate their understanding of art, urging them to explore the uncharted boundaries between human ingenuity and the innovation driven by machines.

Boris Eldagsen’s principled rejection of the Sony World Photography Award shines a spotlight on his progressive views on the evolving landscape of artistic expression. In a poignant interview with The Guardian, Eldagsen reflected on his series titled “The Confession,” a collection that raised intriguing questions about the nature of truth and deception in photography. This series artfully demonstrated how images could be manipulated, providing a glimpse into the artist’s profound concerns about the susceptibility of traditional photography to manipulation.

AI’s potential and perils shape the future of art

As “The Electrician” continues to cast its imposing shadow across the Sykes Street Car Park, it simultaneously casts a metaphorical light on the broader implications of AI’s integration into the world of art. The artwork’s presence prompts viewers to contemplate the intricate interplay between human imagination and technological advancement, sparking inquiries into the authentic essence of creativity itself. In a world marked by rapid technological progress, “The Electrician” serves as a harbinger of an exciting yet controversial era, where AI’s contributions to art are poised to revolutionize the very fabric of creative expression.

The unveiling of “The Electrician” amid the Lancashire Photography Festival heralds a new chapter in the narrative of art and technology. As traditional boundaries continue to blur, the clash of ideas and perspectives intensifies, propelling humanity toward a new understanding of artistic creation. Boris Eldagsen’s bold refusal of the Sony World Photography Award resonates as a clarion call for embracing the complexities of AI-generated art. In the heart of Preston, this captivating image beckons us to explore the synergy between human artistry and AI’s innovative potential, forging a path toward a future where artistic endeavors redefine the limits of creativity.

Disclaimer. The information provided is not trading advice. Cryptopolitan.com holds no liability for any investments made based on the information provided on this page. We strongly recommend independent research and/or consultation with a qualified professional before making any investment decisions.

Delaware Division of the Arts presents “Enlightenment” by Bryant “Tee” Bell

Delaware Division of the Arts presents “Enlightenment” by Bryant “Tee” Bell












Delaware Division of the Arts presents “Enlightenment” by Bryant “Tee” Bell – Opens September 1 – State of Delaware News

















Wilmington, Del. (September 1, 2023) – The Delaware Division of the Arts’ Mezzanine Gallery presents Bryant “Tee” Bell’s exhibition, “Enlightenment,” running September 1-29, 2023.  Bell is an Emerging 2023 Individual Artist Fellow in the field of visual arts: painting. Guests are invited to attend a Meet-the-Artist Reception on Friday, September 8 from 5:00-7:00 p.m. (Art Loop Wilmington has been moved to the second Friday of September due to the Labor Day Holiday).

Bell’s artwork takes a critical view of social, political, and cultural issues regarding inclusion and representation in our society.  His work examines the reality of the American dream for different cultures and engages diverse subjects that may include Caribbean, African American, Muslim, American Indian, Caucasian, homeless and poor people, in addition to historically black colleges and universities (HBCUs), and Veterans.  Bell’s work shares “a look at some Americans that make up the very fabric of our society, who are often unseen and overlooked in their daily struggle for equal rights, opportunity, and their piece of a dream that we call freedom in America.”

Bell’s paintings are sometimes people of color with facial features often expressing the stress and experiences of their everyday lives. Each of Bell’s projects consist of multiple ideas, using a range of different media, grouped around specific themes and meanings.  It has required him to research other artists, color choices, materials, approaches and concepts to produce new works of art.

As a painter, Bell consistently works to master new mediums, seeking to learn techniques and paint on a larger scale. He exhibits regularly throughout Delaware – frequently at the Mispillion Art League (Milford), at the Biggs Museum of American Art (Dover), and at CAMP Rehoboth. He also works to relate music, photography, sculpture, and other mediums to his practice, and he finds that meeting new artists and viewers is especially fruitful and rewarding.

The Mezzanine Gallery, open weekdays from 8:00 a.m. to 4:30 p.m., is located on the second floor of the Carvel State Office Building, 820 N. French Street, Wilmington.

Image: Joyful Noise, 2023, acrylic on canvas, 18 x 24 inches

###

Contact: Andrew Truscott, Program Officer, Marketing and Communications

302-577-8280, andrew.truscott@delaware.gov

The Delaware Division of the Arts, a branch of the Delaware Department of State, is dedicated to cultivating and supporting the arts to enhance the quality of life for all Delawareans. Together with its advisory body, the Delaware State Arts Council, the Division administers grants and programs that support arts programming, educate the public, increase awareness of the arts, and integrate the arts into all facets of Delaware life. For more information about the Delaware Division of the Arts, visit arts.delaware.gov or call 302-577-8278.

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Keep up to date by receiving a daily digest email, around noon, of current news release posts from state agencies on news.delaware.gov.

Here you can subscribe to future news updates.

Wilmington, Del. (September 1, 2023) – The Delaware Division of the Arts’ Mezzanine Gallery presents Bryant “Tee” Bell’s exhibition, “Enlightenment,” running September 1-29, 2023.  Bell is an Emerging 2023 Individual Artist Fellow in the field of visual arts: painting. Guests are invited to attend a Meet-the-Artist Reception on Friday, September 8 from 5:00-7:00 p.m. (Art Loop Wilmington has been moved to the second Friday of September due to the Labor Day Holiday).

Bell’s artwork takes a critical view of social, political, and cultural issues regarding inclusion and representation in our society.  His work examines the reality of the American dream for different cultures and engages diverse subjects that may include Caribbean, African American, Muslim, American Indian, Caucasian, homeless and poor people, in addition to historically black colleges and universities (HBCUs), and Veterans.  Bell’s work shares “a look at some Americans that make up the very fabric of our society, who are often unseen and overlooked in their daily struggle for equal rights, opportunity, and their piece of a dream that we call freedom in America.”

Bell’s paintings are sometimes people of color with facial features often expressing the stress and experiences of their everyday lives. Each of Bell’s projects consist of multiple ideas, using a range of different media, grouped around specific themes and meanings.  It has required him to research other artists, color choices, materials, approaches and concepts to produce new works of art.

As a painter, Bell consistently works to master new mediums, seeking to learn techniques and paint on a larger scale. He exhibits regularly throughout Delaware – frequently at the Mispillion Art League (Milford), at the Biggs Museum of American Art (Dover), and at CAMP Rehoboth. He also works to relate music, photography, sculpture, and other mediums to his practice, and he finds that meeting new artists and viewers is especially fruitful and rewarding.

The Mezzanine Gallery, open weekdays from 8:00 a.m. to 4:30 p.m., is located on the second floor of the Carvel State Office Building, 820 N. French Street, Wilmington.

Image: Joyful Noise, 2023, acrylic on canvas, 18 x 24 inches

###

Contact: Andrew Truscott, Program Officer, Marketing and Communications

302-577-8280, andrew.truscott@delaware.gov

The Delaware Division of the Arts, a branch of the Delaware Department of State, is dedicated to cultivating and supporting the arts to enhance the quality of life for all Delawareans. Together with its advisory body, the Delaware State Arts Council, the Division administers grants and programs that support arts programming, educate the public, increase awareness of the arts, and integrate the arts into all facets of Delaware life. For more information about the Delaware Division of the Arts, visit arts.delaware.gov or call 302-577-8278.

image_printPrint

Related Topics:  , ,

Graphic that represents delaware news on a mobile phone

Keep up to date by receiving a daily digest email, around noon, of current news release posts from state agencies on news.delaware.gov.

Here you can subscribe to future news updates.

Choctaw artist is giving back to tribes and community through artwork and volunteering

Choctaw artist is giving back to tribes and community through artwork and volunteering

Award-winning Fresno, California artist Bobby Von Martin paints Native American-inspired art. He has a passion for inspiring youth and adults and does a lot of volunteer work in communities to reach out to others.

Martin donates his time to local youth art classes and to local Native and non-Native activities for fundraisers and local events. His work is known worldwide, and he owns and curates the Honor Your Elders Art Exhibit in Fresno, one of California’s largest Native American art exhibits.

This year’s August event, complete with food, dancing and drumming, was organized, curated and funded by Martin and his wife, Soupie, as it has been for over half a decade.

Elders were honored and celebrated at the event through life-like portraits painted by Bobby Von Martin and his brother, artist James Martin.

“We see families crying, and it touches your heart when you start to talk to them and how they feel about it all and seeing their reactions. it’s a beautiful thing,” said Bobby Von Martin in a news interview.

Over $10,000 of hand-painted art was gifted to elders.

He said of the exhibit that though many tribes are represented, he still honors his tribal roots.

Martin talked to us about how the exhibit began.

“I started this show six years ago with my wife, Soupie Martin, as a way to give back to my community elders. As a child, my grandmother was my only safe place coming from a broken home with many traumas. Also, when I was twelve or thirteen, a local elder went above and beyond to help me learn the local tribe’s traditions, help me with trauma, help me understand why people struggle with addiction, who many of my family members struggled with. It really did give me hope for the future.”

According to Martin, he started working with local Native American youth by teaching art classes and giving them a positive tool through art.

“Because of my own childhood trauma, I’m able to make a connection with some of the youth who might be coming from a similar childhood. I’ve taught youth up and down California and Arizona hoping to give these youth some hope,” said Martin. “Working with them I’ve also seen the many elders who were also working hard to give these youth hope, so I wanted to start this show to honor them. The elders I paint locally are people I see and know out teaching language, tradition, working with our community to get clean from drugs and alcohol, and they need to be honored publicly. I can’t thank them enough for what they do for our youth.”

Martin has painted over 100 paintings and gifted them to elders or their families.

“Because I couldn’t paint enough, I asked my brother [James Martin] to help me paint them starting about three years ago. Every year he paints four or five out of the 20-25 that we s paint. It gives me the ability to honor even more during the show,” Martin.

For Martin, the most important part about the elders’ show is that the families of the elders themselves write their family member’s biography, and it sits next to their paintings where you get to view the art and get to know the elder as well.

In other projects, for every painting Martin sells, he gifts one to the community to keep the circle moving and put out positive energy.

“I hope our youth see what I’m doing, see how I honor our elders, and see a successful, positive person who grew up around drugs and alcohol, and violence,” said Martin.

The artist has received so much attention for his work that he has been contracted by the Save The Children World Organization for the past three years to teach art to youth in rural areas of the Central Valley. He also teaches art classes yearly at the Okla Chahta gathering in Bakersfield.

He says he has also been honored to have his “English Only” painting hang permanently in the “Hall of Nations” at the USDA AG building in Washington, D.C., where the halls are filled with art from Native Americans and used as a backdrop between tribal leaders and the President of the United States.

The artist credits the help of his wife, family and community for his success.

Martin’s art can also be viewed at the Choctaw Nation Headquarters, Choctaw Casino Resort and the Choctaw Cultural Center, all in Durant.

His artwork and merchandise can be seen on his website bloodlineartstudios.com, and he can be followed on Facebook and Instagram.

F5: Lauren Sands Looks to the Outdoors, a Good Blazer + More

F5: Lauren Sands Looks to the Outdoors, a Good Blazer + More

For Lauren Sands, founder of LES Collection, collecting is about forging connections with artists and the objects they’ve created. Born and raised in Rochester, New York, she first began collecting art at 11 years old. Her father, also an art collector, and her mother, a photographer, used to take her to visit ARTISANWorks, a 40,000-square-foot factory that had been converted into a nonprofit art space. “To call it a gallery is an understatement,” she shared. “It is a large park of connected buildings with gallery and office space packed with art. It is 501(c)3, and the founder is a hoarder of art and objects in the best way. There is so much art there that I had to hone my eye early on, learning about my taste.” She credits owner Louis Perticone and ARTISANWorks for her strong knowledge of art and personal preferences. “You can find everything there, from Wendell Castle furniture to large-scale Albert Paley sculptures, to Picasso, to local artists – they even have a dentist’s office from the 1950s and a full-sized fire truck.”

As an adult, Lauren continued to collect, first photographs, and later, ceramics, paintings, sculptures, and decorative objects. Her passion for for it all was influenced by her grandmother, Mickey, herself an avid collector. “She bought pieces she loved for many years. She wasn’t a transactional collector,” she said. Lauren also holds deep affection for the pieces she collects, but more so for the relationships forged with the artists who make them.

Lauren Sands

“My passion grew over a long time; it came naturally and with force. I always had confidence I would stumble upon the right path, and I would just know when I was there,” she said. Lauren never considered collecting as a career until she had children. “Once I had children, I felt a need to build something with thought and intention that provides community, connection, and value in this world. Throughout everything, one thing remained consistent: my love for art and collecting.”

“I didn’t quite “stumble” upon founding LES Collection, it was done with hard work and intention, but I knew I was on the right path because, despite the stress, uncertainty, and challenges that come with a start-up endeavor, I never think about stopping. It just feels right,” Lauren disclosed.

It first began with an Instagram account, which pleasantly surprised Lauren with how strongly her followers responded to her aesthetic, and to the artists and designers that she promoted. “LES Collection grew organically from my passion and desire to strengthen my relationship with the artists that I had collected for years and forge new relationships with artists I discovered along the way,” she says. “It’s been really hard, but I’ve never wanted to do anything else.” But more so, “I could not have built LES Collection without my team. I knew from early on that investing in people was something that I needed to do.”

Today, the company represents 40 artists located across the world. Along with regularly launching new, exclusive editions by these artists, the company also publishes a bi-yearly volume of art writing. Recently, LES Collection began offering an expanding collection of branded objects, including candles and apparel.

Collecting for the love of it, and hopefully, transferring that love to her clients is the end goal. “The objects we collect finish our homes,” she says. “They convey depth of character and emotion and uniqueness that can transform the way we feel.”

This week, Lauren Sands joins us for Friday Five!

walking path through a tunnel of green leafy trees

Photo: Courtney Smith

1. Morning Walks

This is an essential part of my day. Getting outside, even if just for 10 minutes, has made such a difference to my energy and sleep at night. I do this within an hour of waking up (weather permitting). I often walk my daughter to school, which is a special time for us.

2. A Good Blazer

My life right now is pretty crazy; between running LES and two young kids, I don’t have time to think about what to wear. So a uniform is essential. For fall, winter, and spring, this uniform centers around a good blazer. My favorites are from Blazé Milano. They are an investment but so worth it. I wear mine over and over again.

two curvaceous black candlestick holders with lit candles

3. Candlestick Holders

In the last five years, I have developed an obsession and collect all different kinds. I love to entertain, so I use them all the time. We carry some of my favorites at LES.

round container that reads MUSEUM WAX on a white background

4. Museum Wax + Museum Gel

I wanted to maintain the art and decor in my home when I had kids. Making the house “kid-friendly” was something I hoped to avoid. Museum Wax and Museum Gel have allowed me to display my favorite ceramics and sculptures without worry. I use the wax for the candlestick holders, so the candles are secure, and gel for ceramics to ensure that a crazy toddler can not knock anything over.

5. Art + Design Books

I have no formal art and design training, so I am very much self-taught. Therefore, I rely on an extensive collection of art and design books for visual inspiration and reference. We carry both vintage and new art and design books at LES.

Work by Lauren Sands:

black and white abstract painting leaning against a wall

detail of black and white abstract painting

detail of two black and white abstract paintings hanging on a wall

detail of black and white abstract painting

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

Photographer Explains How to Make Your Photos Look Like Oppenheimer

Photographer Explains How to Make Your Photos Look Like Oppenheimer

Oppenhimer and photo

A photographer explains to PetaPixel how to give photos the look of Christopher Nolan’s Oppenheimer movie.

Matt Solie (@ayitsphotography), from Vancouver, Canada, says it all comes down to using greens correctly.

Oppenheimer photos
Oppenheimer-style photo.

Oppenheimer has many different visual looks, but the most prominent is the scenes containing a duller green tone and darker shadows,” he says.

“This can be replicated using the tone curve, color grading, and lowered darks as shown in my video. Shooting your photos with a very direct focal point as well as the photo having depth can also make your photo more cinematic and match that 65mm film look!”

Solie posted a video to his TikTok page where he shows his audience how to use Adobe Lightroom to make the photos look like Oppenheimer.

@ayitsphotography how to make your photos look like OPPENHEIMER! 📸🔥 #oppenheimer #christophernolan #emilyblunt #florencepugh #film #lightroom #lightroompreset #photography #fyp ♬ Solitude ( Felsmann + Tiley Reinterpretation) – Slowed Down – M83 & Felsmann + Tiley

“Although I was unfortunately not able to catch the film in a true 65mm large format showing, I watched the movie on IMAX the weekend it opened and adored it,” Solie says.

“I am a huge fan of biopics; the way Christopher Nolan conveyed the life of this important yet flawed scientist kept me engaged throughout the entire movie (which is a feat considering its three-hour run time!)

“The use of practical effects throughout filming was a marvel of cinematography, in my opinion. It was a pleasure to watch how much emotion was conveyed in each of the shots.”

Oppenheimer photo

Oppenheimer photo

Solie says he was “super excited” about Oppenheimer’s release and also made a video on Oppenheimer’s unlikely cinema pairing: Barbie.

“Once I saw that ‘Barbenheimer’ was taking the internet by storm, I knew it was a perfect opportunity to make a video on both films and show people how to recreate their looks!”

@ayitsphotography how to make your photos look like BARBIE! 📸🛍 #barbie #barbiemovie #pink #dreamy #barbiegirl #margotrobbie #lightroompreset #lightroom #photography #fyp ♬ Speed Drive (From Barbie The Album) – Charli XCX

Solie focuses on teaching photography on his TikTok and online platforms, specifically photo editing and Adobe Lightroom.

“[I] showcase cinematic videos I have made and compilations of my photography,” he adds.

“When I started my account in early 2021, I never would have thought that editing would become my primary source of content, yet it is what most people know me for now — and I love it!”

Solie says that it’s been great seeing how much attention a movie such as Oppenheimer has received. “I can’t wait to see what movie comes into the spotlight next,” he adds.

More of Solie’s work can be found on his TikTok and Instagram.


Image credits: All photos by Matt Solie/@ayitsphotography.

Photography: Hail the Sun at The Regent

Photography: Hail the Sun at The Regent

Posted: 1st September, 2023 by The Editor

California post-hardcore band Hail The Sun has had a big year. The band just released their latest album Divine Inner Tension via Equal Vision Records and to celebrate the new music, the band did a headlining tour, which included a SOLD OUT show at The Regent in Los Angeles in mid-August.

As expected, Hail The Sun played a variety of bangers from different eras of their career. The band kicked off their set with “Devaluation” off New Age Filth, “Chunker” off Divine Inner Tension, and “Glass: Half Empty” off Mental Knife. Throughout the night, fans did not hold back and sang along regardless of how old or new each song was. Hail The Sun played music from their last three records. Off Divine Inner Tension, we got to hear “Mind Rider”, “Maladapted”, and “Under the Floor”. From New Age Filth, fans were treated to “Solipsism”, “Domino”, “Made Your Mark”, “Parasitic Cleanse”, and during the encore, “Slander”. Off my favorite album of theirs, Mental Knife, the band played “The Stranger in Our Pictures” and “A Lesson in Lust”. Off Culture Scars, we only got to hear one song, but it still got fans hyped up as the band played “Doing the Same Thing and Expecting Different Results”. If you’ve seen the band live, you know a Hail The Sun show would not be the same if we didn’t hear songs off Wake as fans were treated to 5 jams off the album: “Black Serotonin”, “Human Target Practice”, super fan favorite “Relax/Divide”, and during the encore, “Rolling Out the Red Carpet” and “Falling on Deaf Ears.” Before Hail The Sun played “Relax/Divide”, the crowd kept chanting “Hail The Sun! Hail The Sun!” and at that point, lead vocalist/drummer Donovan Melero took the time to thank Equal Vision Records. “This is one of those moments I want to capture forever,” added Melero. “I can’t believe we’re here right now. I can’t believe you guys are here. This is a dream come true.”

With a packed house on a school night, for fans of Hail The Sun, old and new, it was worth spending the night at the gig and running on little sleep the next day. When it comes to rocking out, there is never a right time. You just gotta do it and that’s what Hail The Sun and their fans did.



Photos by Jazmin Lemus

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