3 Tips to Improve Your Travel Photography

3 Tips to Improve Your Travel Photography

When traveling, it’s often the case that photographers zero in on the iconic sights that everyone else gets: the Eiffel Tower in France, Big Ben in London, etc. But instead of capturing what everyone else gets, there are ways to capture the feel of a place without necessarily getting the “standard” shot.

Travel and lifestyle photographer Patrick Stapleton shares a few tips and tricks that he uses when he’s in a different country shooting photographs in this video. While there’s nothing wrong with the “Instagram shot” that shows that you’re in the location; after all, a location is popular because it offers a reliably good photograph. That’s generally what people expect.

To get a little more off the beaten path, Stapleton suggests three things: try to show that you’re in a location without showing the obvious tell that you’re in the location, add people, and look for details.

For the first suggestion, that often means incorporating key sights into the background of a photo, but not necessarily making it the focus. That could mean finding a different object or person for the foreground or incorporating people or parts of the language of the area in the photos.

That second piece of advice about people is something that photojournalists work to do all the time. Incorporating people in an image, whether it’s incidentally or intentionally, makes for a stronger image. Sometimes, it’s even just a portrait of a person that can tell the story of a place, Stapleton adds.

Finally, where photographers are often concerned with the wide angles, the big picture shots that are expected from a particular place, sometimes it’s showing the little details that can reveal the story of the place, give the viewer something the wide, scene-setting photo doesn’t give them.

Do you have travel photography tips of your own to share? Leave them in the comments below.

Photographer Gavin Bond Offers an Insider’s Perspective on the Supermodel Era

Photographer Gavin Bond Offers an Insider’s Perspective on the Supermodel Era
Gavin Bond’s photographs, collected in the new book Being There, include rare snapshots of Vivienne Westwood, glimpses of Kate Moss at the start of her career, and looks at the obsessive work of Karl Lagerfeld.

September 1, 2023

Photographer Gavin Bond Offers an Insiders Perspective on the Supermodel Era

Kate Moss at Westwood’s Anglomania show in Paris in March 1993. A snapshot from Being There (IDEA, 2022).By Gavin Bond.

Photography classes at 60+ Activity Center

Photography classes at 60+ Activity Center

Local photographer Paul Calkins will again teach classes on digital photography at the Newport 60+ Activity Center.

From 10 a.m. to noon on Fridays, Sept. 8-29, Calkins offers “How to Use Your Digital Camera – The Basics.” This class deals with basic photographic composition and how to use a digital camera and save the images onto a computer.

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September 2023 Opportunities: Open Calls, Residencies, and Grants for Artists

September 2023 Opportunities: Open Calls, Residencies, and Grants for Artists

“Reservoir” by John Grade

Every month, Colossal shares a selection of opportunities for artists and designers, including open calls, grants, fellowships, and residencies. If you’d like to list an opportunity here, please get in touch at hello@colossal.art. You can also join our monthly Opportunities Newsletter.

$1,800 Innovate Grants for Art + Photo—Summer 2023 Open CallFeatured
For its Summer 2023 cycle, Innovate Grant will offer two awards of $1,800 each to one visual artist and one photographer. Six honorable mentions are also featured on the Innovate Grant site. Applications are open to anyone 18 and older from anywhere in the world.
Deadline: 11:59 p.m. PST on September 14, 2023.

 

Open Calls

SaveArtSpace and Art at a Time Like This (ATLT) Open Call (Houston)
8X5, a public art campaign named for the size of an average prison cell, will commission ten artists to display their works on billboards, kiosks, and digital trucks at important sites throughout Houston. Artists at all stages of their careers are encouraged to apply.
Deadline: September 1, 2023.

L+A+N+D: An Experience of Discovery—Bernheim Arboretum and Research Forest (International)
Located just outside of Louisville, Kentucky, Bernheim Arboretum and Research Forest’s new initiative L+A+N+D (Landscape + Art + Nature + Design) invites proposals for immersive outdoor installations. The organization will provide creative outdoor experiences with topics addressing humans’ connection to nature, beauty in the landscape, biodiversity, conservation, sustainability, and climate change, along with a stipend and a construction budget for fabrication and installation expenses.
Deadline: September 4, 2023.

All About Photo Call for Entries: Shapes (International)
Photographers working under the theme of “shapes” are eligible for this open call. Winners will receive $1,000, and their winning image(s) or full portfolio will be published in AAP Magazine Vol.34.
Deadline: September 5, 2023.

Print Center New York Open Call: New Voices 2024 (U.S.)
Six to eight artists will present their work and develop their practices through a group exhibition, artist-led public programming, focused conversation, and community-building. Each receives $2,500, a shipping and framing stipend, travel, and lodging.
Deadline: September 8, 2023.

Call For Pitches: Midwest Makers Video Series (Midwest)
Nine videographers will receive $3,000 each to create a short documentary video showcasing a Midwest Maker, a.k.a. visual artists, chefs, community organizers, folk and traditional arts practitioners, musicians, oral historians, farmers, and next-door neighbors.
Deadline: September 24, 2023.

Prospect Art Open Call (Los Angeles)
Selected artists will participate in Prospect Art’s NEW WORK series and receive a $1,500 project grant.
Deadline: September 24, 2023.

The Elizabeth Foundation for the Arts Open Calls (International)
EFA has two open calls around the theme of “folklore”: The exhibition open call offers a $12,000 curatorial budget for a six-week exhibition at the space. The projects open call is based on bi-weekly group gatherings for three months. Projects can include thematic conversations, poetry readings, music, movement and dance exercises, activism, and various workshops.
Deadline: September 29, 2023.

BigCi Environmental Awards 2023 (International)
Two winners will receive $4,000 and a four-week BigCi residency. Artists working in visual art, installation, multimedia, performance, literature, music, photography, filmmaking, curating, are welcome to apply. There is a $35 entry fee.
Deadline: October 2, 2023.

The Bennett Prize (U.S.)
Women working in figurative realism are eligible for this prize, which provides $50,000 over two years to one artist. Ten finalists will be selected to participate in a traveling exhibition organized by the Muskegon Museum of Art (MMA) and the winner will be showcased in a solo exhibition at the close of her grant. $10,000 will be given to one finalist. There is a $40 entry fee.
Deadline: 11:59 p.m. MT on October 7, 2023.

Passepartout Photo Prize (International)
Open to photographers at any stage of their careers, the Passepartout Photo Prize is accepting submissions for its seventh edition. Winners receive exhibition and publication opportunities, with one 500 Euro award. There is a 25 Euro entry fee.
Deadline: October 10, 2023.

Loewe Foundation Craft Prize (International)
The prestigious Loewe prize is accepting entries from artists and craftspeople. One 50,000 Euro award will be given to the top artist, with other winning works exhibited in Paris in spring 2024.
Deadline: October 25, 2023.

Sony Future Filmmaker Awards (International)
The Sony Future Filmmaker Awards elevates voices that bring a fresh perspective to storytelling. The shortlisted filmmakers are flown to Los Angeles for an exclusive four-day event to gain unparalleled insight into all aspects of the filmmaking process to advance their careers.
Deadline: February 15, 2024.

 

Grants

2024 Joyce Awards (Great Lakes region)
The final 2024 funding cycle for the Joyce Awards is now open to cultural workers and organizations working toward racial equity and economic mobility.
Deadline: September 11, 2023.

LMCC Manhattan Arts Grants (Manhattan)
LMCC currently has applications open for three programs that award up to $16,000 for arts projects in all disciplines, serving communities in Manhattan.
Deadline: September 12, 2023.

Foundwork Artist Prize (International)
The Foundwork Artist Prize is an annual juried grant that recognizes outstanding practices by emerging and mid-career artists working in any media. The 2023 honoree will receive an unrestricted $10,000 grant.
Deadline: September 26, 2023.

Monument Lab Re:Generation Initiative (U.S.)
Monument Lab’s Re:Generation supports teams of two or more individuals working together to create a new or expand an existing public-facing project. Each selected Re:Generation team will receive a total of $100,000 in unrestricted funding toward their commemorative campaign or project.
Deadline: October 2, 2023.

The Adolf and Esther Gottlieb Emergency Grant  (International)
The Adolph and Esther Gottlieb Emergency Grant program provides one-time interim financial assistance to qualified painters, printmakers, and sculptors whose needs are the result of an unforeseen catastrophic incident and who lack the resources to meet that situation. Awardees typically receive $5,000, up to $15,000.
Deadline: Rolling.

Adobe Creative Residency Community Fund (Ukraine or refugee)
Adobe’s Creative Residency Community Fund commissions visual artists to create company projects on a rolling basis. Awardees will receive between $500 and $5,000.
Deadline: Rolling.

Pollock-Krasner Foundation Grant (International)
The foundation welcomes applications from actively exhibiting visual artists who are painters, sculptors, and artists who work on paper, including printmakers. Grants are intended for a one-year period. The foundation will review expenditures relating to an artist’s professional work and personal expenses, and amounts range up to $50,000. The size of the grant is determined by the individual circumstances of the artist, and professional exhibition history is taken into consideration.
Deadline: Rolling.

 

Residencies, Fellowships, & More

Kimmel Harding Nelson Center for the Arts Artist Residency (International)
Open to visual artists, composers, and writers, this program offers two to eight-week residencies with private studio space, housing, and a $175 per week stipend.
Deadline: September 1, 2023.

Breck Creek Artist-in-Residence Program (International)
Artists across disciplines are eligible to spend two to four months in a live/work studio. Residents receive a biweekly stipend of $600 and access to all classes.
Deadline: September 1, 2023.

Bloedel Reserve Creative Residency (International)
Open across disciplines, this residency offers access to a 140-acre nature reserve and lodging. Projects must be related to nature. One fellow will be supported by a $2,000 stipend, while others receive $1,000.
Deadline: September 1, 2023.

Lower East Side Printshop Keyhold Residency (U.S.)
This residency offers emerging artists 24-hour access to printmaking facilities for one year, a $1,000 stipend, storage space, basic supplies, and more.
Deadline: September 1, 2023.

MacDowell Residency (International)
About 300 artists in seven disciplines are awarded this residency each year, which offers a studio, accommodations, and three meals a day for up to six weeks.
Deadline: September 10, 2023.

Princeton Arts Fellowship (International)
Applicants should be early-career visual artists, poets, novelists, playwrights, directors, and performance artists who would find it beneficial to spend two years teaching. A $90,000 stipend is provided per year.
Deadline: September 12, 2023.

Monson Arts Winter Residencies 2024 (International)
Emerging and established artists and writers are eligible for this year’s residency cohort, which invites five artists and five writers to Maine’s North Woods each year. Residents receive a private studio, private bedroom in shared housing, all meals, and a $1,000 stipend for four-week programs or $500 for 2-week programs.
Deadline: September 15, 2023.

Dry Tortuga National Park Artist in Residence Program (International)
This one-month residency is open across disciplines and offers a $4,000 stipend and housing.
Deadline: September 29, 2023.

Pine Meadow Ranch Center for Arts & Agriculture Residency (International)
Open to disciplines that include metal, glass, wood, leather, ceramics, fibers, textiles, writing, painting, drawing, photography, film, and music, this residency is geared toward artists interested in land conservation and agriculture. Three residents will spend two to four weeks at the Sisters, Oregan-ranch, and studio space, private room, and shared bathroom, kitchen, dining, and laundry area are provided. This year’s theme is “transitions and migration.”
Deadline: September 30, 2023.

Hawai’i Volcanoes National Park May 2024 Artist in Residence Program (International)
Artists working across mediums are eligible for this program at Hawai’i Volcanoes National Park, which offers a $4,000 stipend, housing, and artist events.
Deadline: September 30, 2023.

True/ False Film Fest Artist Residency Program (International)
Aimed at emerging and mid-career artists, this five-week virtual residency will culminate in an in-person exhibition of large-scale installations, projections, and performance works at the 2024 True/False Film Festival. Projects should fall within the theme “The Human Paradox.”
Deadline: September 30, 2023.

Eyebeam Fellowship Open Call (International)
Artists interested in technology and decolonization, reframing history, language, and care are invited to apply for this six-month fellowship. Selected artists receive a $20,000 stipend.
Deadline: 11:59 p.m. ET on October 1, 2023.

Art Omi Residencies (International)
Architects, artists, and writers are eligible for this round of Art Omi’s residencies, which provide food, lodging, and studio space.
Deadline: October 15, 2023.

2024 RAIR Open Call (International)
Applications are open for two Recycled Artist in Residency (RAIR) programs: The Standard is a four- to six-week traditional residency, while The Biggie Shortie is project-based. Both grant access to Revolution Recovery’s waste stream and RAIR’s staff. There is a $25 application fee.
Deadline: 11:59 p.m. ET on October 22, 2023.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article September 2023 Opportunities: Open Calls, Residencies, and Grants for Artists appeared first on Colossal.

Review | In the galleries: Korean artists capture the surreal and the sublime

Review | In the galleries: Korean artists capture the surreal and the sublime

The artworks in the Korean Cultural Center’s “Landscape of the Mind” depict very different sorts of landscapes — or, perhaps, very different sorts of minds. Lim Hyunjeong’s sweeping paintings meld the fantastical style of Netherlandish artists, notably Hieronymus Bosch, with wilderness views inspired by visits to national parks in the American West. Jung Seok Hee’s loosely realistic drawings and paintings portray more prosaic places, often occupied by a solitary person whose isolation sometimes comes to life in short animated videos.

Jung’s half of the show consists of 10 works on paper or canvas and eight electronic monitors that display videos that incorporate a still picture hung nearby. The various works share a similar mood but are executed in a variety of styles. Some are in color and fully realized; others are black-and-white and sketchier. A few of Jung’s videos incorporate photographic images, placing his vignettes more firmly in everyday actuality. Throughout the mutations in mode and medium, a strong sense of reality prevails.

How the Buddha became an icon

Lim’s approach is more surrealistic, but never in an ominous way. Hikers and kayakers share the spectacular terrain with fanciful creatures derived from Bosch, but the Flemish-style apparitions appear no more menacing than the colorful blooms that dot many of the canvases. Perhaps Lim, who has spent much of her life outside her native South Korea, has found foreign climes to be more picturesque than unsettling.

The contrast between Jung’s and Lim’s work may be a matter of individual sensibility, or of generational outlook. (Lim was born 23 years after Jung.) What they share is an ability to fuse objective reality with subjective outlook. The places Jung and Lim depict may look slightly or even entirely familiar, yet they belong to the artists alone.

Lim Hyunjeong and Jung Seok Hee: Landscape of the Mind Through Sept. 8 at the Korean Cultural Center, 2370 Massachusetts Ave. NW. washingtondc.korean-culture.org/en. 202-939-5688.

Rebecca Rutstein

Hugging a long, curving wall in the National Academy of Sciences’s second-floor gallery, the video installation “Blue Dreams” is as immersive and expansive as an ocean view. Yet the imagery that flits across the seven contiguous screens depicts the seas’ microbial networks, which a gallery note calls “our planet’s smallest yet most vital living systems.” Devised by Rebecca Rutstein and the Ocean Memory Project, the video uses photographic, abstract and computer-generated material to render visible the infinitesimal.

Rutstein is a Philadelphia multidisciplinary artist who worked on “Blue Dreams” principally with four scientists: environmental microbiologist Rika Anderson, marine biogeochemist Samantha (Mandy) Joye, biomedical engineering professor Shayn Peirce-Cottler and bioengineer Tom Skalak. Their collaboration led from science to art, but sometimes went the opposite direction. Peirce-Cottler, for example, generated models of deep-sea microbial growth patterns based on Rutstein paintings.

Earthly life began in the ocean, a development evoked by the video’s suggestions of underwater volcanoes and heat vents, and its burbling soundtrack. Shimmering green waves resemble the northern and southern lights, while superimposed pixel patterns suggest everything from microorganisms to continental land masses. The video is short but presented in a loop that is suitably endless. Should the processes represented in “Blue Dreams” end, so would our existence.

Rebecca Rutstein and the Ocean Memory Project: Blue Dreams Through Sept. 15 at the National Academy of Sciences, 2101 Constitution Ave. NW. cpnas.org/exhibitions. 202-334-2415.

Eric Johnson

Even if it weren’t the most graceful crossing between D.C. and Arlington, Va., the Francis Scott Key Bridge would be impressive simply because of its location. Stretching between two towering bluffs, the bridge crosses the Potomac near where the river transitions from wide and easygoing to rocky and wild. This dramatic siting surely is one reason Eric Johnson began photographing Key Bridge about seven years ago, perhaps looking forward to its 2023 centennial.

Can you belong to a place that never belonged to you?

The black-and-white photos in Johnson’s “Key Bridge,” at Multiple Exposures Gallery, gaze at and from the bridge. They include close-ups and panoramas; pictures made with long exposures or narrow depth of field; and views that emphasize the transcendently natural or the dispiritingly man-made. The photographer is alert to visual and thematic contrasts: A jetliner soars above a bridge-crossing bicyclist, and arrows painted officially on the bridge’s pavement vs. graffiti added illicitly to its supports.

The river flows through many of the images, but Johnson also depicts water in the air. In these shots, the bridge is often bathed in mist or rain, yielding droplets that bead softly on hard surfaces. Key Bridge is solid 100 years on, but Johnson finds moments in which it almost disappears.

Eric Johnson: Key Bridge Through Sept. 10 at Multiple Exposures Gallery, Torpedo Factory, 105 N. Union St., Alexandria. multipleexposuresgallery.com. 703-683-2205.

Stephen Bates

For visual artists to be motivated by music is not unusual. But something a little different is happening when Stephen Bates cites composer Richard Strauss as an inspiration for “Abstraction as Narrative,” his Watergate Gallery show. Before turning to sculptural collage-paintings, Bates played clarinet in the Kennedy Center Opera House Orchestra for 36 years. The artist, who now lives in Massachusetts, has a sense of rhythm that truly was developed by music.

Usually wall-mounted but sometimes free-standing, Bates’s vivid creations are made mostly of paper, cloth, plaster and paint. The pieces often feature crescents or lattices and sometimes both. Their titles refer to motion — often dancing — chronology or geographical places. “Night Time in the City” arrays a rainbow of colors across a relief grid whose regularity implies the repeated geometric elements of urban architecture, while the exuberantly 3D “Tanada” (named for a terraced Japanese rice field) juxtaposes eccentric organic forms.

A curated outdoor exhibition reminds us what the National Mall could be

Sans title, that rice field could be read, perhaps, as an abstracted tropical bird. Such a creature would be at home in the junglelike vines and spirals of another collage, tellingly called “First Jazz Improvisation.” Sometimes Bates gets looser than his orchestral background might suggest.

Stephen Bates: Abstraction as Narrative Through Sept. 30 at Watergate Gallery, 2552 Virginia Ave. NW. watergategalleryframedesign.com. 202-338-4488.

Six photography exhibitions for autumn

Six photography exhibitions for autumn

Patrick Demarchelier: Legacy

Patrick, Stella and Kristen, 1995, by Patrick Demarchelier
Patrick, Stella and Kristen, 1995, by Patrick Demarchelier © Patrick Demarchelier/Atlas Gallery

Atlas Gallery presents a selection of prints from the archive of the late Patrick Demarchelier (1943-2022), who was revered as a master of light, colour and composition.

The exhibition focuses on works produced from the mid-1970s to 2007, which cemented the Frenchman as one of the greats; highlights include the world-famous portrait of Diana, Princess of Wales (1990), Nude, St Barthélémy (1989) and Christy Turlington, New York (1990). Atlas Gallery, London, from 29 September to 18 November, atlasgallery.com


Van Leo: Becoming Van Leo

Shérihan. Actress. Photo before she was on screen, 1976, by Van Leo
Shérihan. Actress. Photo before she was on screen, 1976, by Van Leo © Arab Image Foundation, Beirut

This is the first international survey of work by the Armenian-Egyptian Van Leo, who died in 2002. From images inspired by his first encounter with a camera in the 1930s through to his days in the studio capturing the glamorous A-list of the Arab world and his experiments in self-portraiture, the exhibition offers a holistic view of the self-described “Man Ray of Egypt”.

Teddy Lane: South African dancer, 1944
Teddy Lane: South African dancer, 1944 © Arab Image Foundation, Beirut

Hammer Museum, Los Angeles, until 5 November, hammer.ucla.edu


Philippe Garner: Summer – Seventies – Saint Tropez

Hamiltons hosts the first solo exhibition of photographs by the former deputy chairman of Christie’s Philippe Garner.

Cracked Mirror, La Voile Rouge, 1974, by Philippe Garner
Cracked Mirror, La Voile Rouge, 1974, by Philippe Garner © Philippe Garner, courtesy of Hamiltons Gallery
Elke II, La Voile Rouge, 1974
Elke II, La Voile Rouge, 1974 © Philippe Garner, courtesy of Hamilton’s Gallery

Shot entirely on Kodachrome film, the images transport viewers to the “bohemian-chic heyday” of the south of France, where Garner was born, and effortlessly captures the spirit of summer through a bold, vibrant palette. Hamiltons, London, 4 October, hamiltonsgallery.com


Ara Güler: A Play of Light and Shadow

In collaboration with photographer and co-curator Ahmet Polat and the Ara Güler Museum, Foam presents a four-part exhibition in honour of the visual legacy left behind by Turkish photojournalist Ara Güler, who was often referred to as “The Eye of Istanbul”.

Galata Docks, Istanbul, 1962, by Ara Güler
Galata Docks, Istanbul, 1962, by Ara Güler © Ara Güler/Ara Güler Museum
Old Galata Bridge, Istanbul, 1957
Old Galata Bridge, Istanbul, 1957 © Ara Güler/Ara Güler Museum

The display of black and white images alongside other unseen and experimental works captures precious moments across his beloved country and city, be it in street scenes or portraits of daily life. Foam, Amsterdam, until 8 November, foam.org 


Viviane Sassen: Art & Fashion 

Art & Fashion marks the first retrospective in France of the Dutch artist known for her dynamic and innovative fashion images, which have featured in campaigns for Jacquemus, Nike and Louis Vuitton.

Ivy, 2010, by Viviane Sassen, from the series Lexicon
Ivy, 2010, by Viviane Sassen, from the series Lexicon © Viviane Sassen/Stevenson (Johannesburg/Cape Town/Amsterdam)
Untitled, 2021, from the series Painted Works
Untitled, 2021, from the series Painted Works © Viviane Sassen/Stevenson (Johannesburg/Cape Town/Amsterdam)

More than 200 of Sassen’s works will display her skills in photography, collage, painting and video. MEP Paris, from 18 October to 11 February, 2024, mep-fr.org


Wolfgang Tillmans: Fold Me

Tillmans’s fourth solo exhibition with David Zwirner will comprise an entirely new body of work, building on the artist’s 2022 retrospective at New York’s MoMA.

Sweat It Out Ceiling, 2022, by Wolfgang Tillmans
Sweat It Out Ceiling, 2022, by Wolfgang Tillmans © Courtesy of David Zwirner, New York/Hong Kong; Galerie Buchholz, Berlin/Cologne; and Maureen Paley, London
Watering, a, 2022
Watering, a, 2022 © Courtesy of David Zwirner, New York/Hong Kong; Galerie Buchholz, Berlin/Cologne; and Maureen Paley, London

The idea of the fold as “an encounter between inside and the out, a change of direction leaving a physical impression” is explored through photographs, video projections and paper sculptures. From the more literal folds in the Earth’s surface captured in Lunar Landscape (2022) to a series of portraits examining “what it means to depict a person”, Tillmans, as always, encourages us to observe the world as it turns. David Zwirner, New York, from 7 September to 14 October, davidzwirner.com