Stunning New Images from the 2023 ‘Astronomy Photographer of the Year’ Competition

Stunning New Images from the 2023 ‘Astronomy Photographer of the Year’ Competition

The winners of the 15th annual “Astronomy Photographer of the Year” competition have been announced at the Royal Observatory in Greenwich England. The annual competition features some of the best space photography taken by amateur astrophotographers from around the world.

For the 2023 competition there were over 4,000 entries from 64 countries. Our lead image features an eye-catching capture of an aurora by photographer Andreas Ettl over the Lofoten Islands of Norway.

“Pictures of the aurora such as this are so enchanting,” said one of the competition’s judges, Imad Ahmed. “The icy temperature of the landscape is almost palpable, with the snow-capped mountain framed by the cold emerald hues. … There are a lot of rich details in the picture too, including a canopy of stars subtly strewn across the sky, really adding to the majesty of the shot.”

See more beautiful images below, plus an image that captured a surprising discovery.

Overall Winner for 2023 Astronomy Photographer of the Year is “Andromeda, Unexpected” © Marcel Drechsler, Xavier Strottner, Yann Sainty, which shows the Andromeda Galaxy (M31) and an accompanying arc of plasma that has never been seen before. This image was taken near Nancy, France.

The overall winners of the Astronomy Photographer of the Year are a trio of photographers, Marcel Drechsler, Xavier Strottner and Yann Sainty for their photograph ‘Andromeda, Unexpected.’ This image not only is an amazing look at the Andromeda Galaxy (M31) — the closest spiral galaxy to the Milky Way — but also includes an unexpected discovery: a huge arc of plasma next to the galaxy. Scientists are now investigating the giant wispy cloud of gas, and say it could be the largest such structure nearest to us in the Universe. Since M31 is frequently studied by both amateur and professional photographers, the discovery is surprising.

“This astrophoto is as spectacular as [it is] valuable,” said László Francsics judge and astrophotographer. “It not only presents Andromeda in a new way, but also raises the quality of astrophotography to a higher level.”

Winner of the Young Astronomy Photographer of the Year category, The Running Chicken Nebula © Runwei Xu and Binyu Wang.

Two fourteen-year-old boys from China collaborated to win the Young Astronomy of the Year category. Runwei Xu and Binyu Wang worked together to capture The Running Chicken Nebula. Yuri Beletsky, judge and professional astronomer described it as a “strikingly beautiful picture.” Xu and Wang said, “Thank you to the Greenwich judges. We’re very glad to receive this achievement as winners of the Young Competition.”

Runner-Up in the ‘People and Space’ category: A Visit to Tycho © Andrew McCarthy

One of our favorite astrophotographers, Andrew McCarthy, took the Runner-Up prize in the “People and Space” category with this incredible shot of the International Space Station in front of the Tycho Crater on the Moon.

While the ISS is actually 1,000 times closer to Earth than the Moon, this perspective makes it seem like the ISS is in fact orbiting our natural satellite. McCarthy took this image from the Sonoran Desert in Arizona, USA, to find the perfect position.

“Two cameras, two telescopes, a close eye on telemetry and a remote drive into the wilderness,” said judge Steve Marsh. “To say this photographer has gone out of their way to create this spectacular image is an understatement. The ISS is often photographed as it passes over the lunar disc (from our perspective), yet few can capture it like this. The Station itself is sharp and detailed. The lunar surface below is not only thoughtfully positioned but perfectly resolved and processed. All this would make it a staggering achievement but when you also notice the brown and blue mineral colours that have been reproduced in all their subtle glory you have one of the finest ISS transit images ever made.”

Highly Commended in the ‘People and Space’ category: Close Encounters of The Haslingden Kind © Katie McGuinness, shows the Haslingden’s Halo, an 18-meter diameter sculpture located in the hills of Lancashire, England and took inspiration from the ‘Close Encounters of The Third Kind’ film poster.
Winner of the “Skyscapes’ category: Grand Cosmic Fireworks © Angel An, showing sprites above the Himalaya Mountains.

Sprites are a rare phenomenon of atmospheric luminescence that appear like fireworks. Angel An took this photograph from the highest ridge of the Himalaya mountains. 

“This is not, as it might first appear, an enormous extra-terrestrial, but the lower tendrils of a sprite (red lightning)!” said judge Ed Bloomer. “This rarely seen electrical discharge occurs much higher in the atmosphere than normal lightning (and indeed, despite the name, is created by a different mechanism), giving the image an intriguingly misleading sense of scale… It creates an unsettling, alien image that can’t help but draw your eye.”

Highly Commended in “The Sun” category: The Great Solar Flare © Mehmet Ergün.

Here, the Sun is photographed from Germany, showing a large solar flare around 700,000 km long that erupts on the left of the image.

“I’m blown away by how the photographer has managed to draw out the textures of the Sun’s surface and the intricate shapes of the solar flares to make this image come alive,” said judge Melissa Brobby. “But what I absolutely love about this picture is how the surrounding reddish glow has been wonderfully captured, further bringing to our attention the Sun’s ferocious nature.”

Runner-Up in “The Moon” category: Sundown on the Terminator © Tom Williams.

This incredibly clear and detailed close-up photo of the Moon highlights the dramatic shadows on the lunar surface. It shows Plato Crater, an almost perfectly circular crater that measures 109 km in diameter. This photograph was taken during a local lunar sunset in the last quarter, when approximately half of the Moon’s face is visible from Earth, taken from Wiltshire, UK.

“The best part of lunar astrophotography is that the Moon is one of the only objects in the night sky that can truly convey a feeling of three dimensions,” said judge Steve Marsh. “Nowhere is this better presented than when the rising or setting Sun casts shadows across its mountains and craters. The sharpness and clarity of the shadows in this image are breathtaking. There is also a staggering amount of detail resolved in Plato Crater itself with many tiny craterlets visible, some of which are less than a kilometer in diameter. The ripples and waves in the ancient lava-filled maria surrounding the crater are also exquisitely captured, making this one of the finest examples of close-up lunar astrophotography that we have seen this year.”

Winner of the Annie Maunder Prize for Image Innovation: Black Echo © John White. The images takes audio source material from NASA’s Chandra Sonification Project, and visually captures the sound of the black hole at the center of the Perseus Galaxy.

Probably the most unique photo in the competition is this sonification of a black hole, by John White. The photographer explained that the audio was played through a speaker onto which he attached a petri dish, blacked out at the bottom and then filled with about 3 mm of water. Using a macro lens and halo light in a dark room, White experimented with the audio and volumes to explore the various patterns made in the liquid.

Congratulations to all the winners and entrants. For all the winners see the Royal Museums Greenwich website. If you are lucky enough to be in the UK, you can see an exhibition of the winning photos opening at the National Maritime Museum on Saturday September 16, 2023. The Astronomy Photographer of the Year competition is run by Royal Observatory Greenwich, supported by Liberty Specialty Markets and in association with BBC Sky at Night Magazine.

Photographer Barbara Mensch shows transformation of Lower Manhattan from 1980s to 9/11 in new book, “A Falling-Off Place”

Photographer Barbara Mensch shows transformation of Lower Manhattan from 1980s to 9/11 in new book, “A Falling-Off Place”

Photography book shows transformation of Lower Manhattan from 1980s to 9/11


Photography book shows transformation of Lower Manhattan from 1980s to 9/11

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NEW YORK — From time to time, we like to look back on how New York has changed over the years, and there’s a new book of photographs that does just that. 

“A Falling-Off Place” documents the transformation of Lower Manhattan from a working man’s neighborhood to downtown’s rebirth after 9/11. 

Photographer Barbara Mensch started taking photos of the Fulton Fish Market back in the 1980s.

Mensch spoke with us about the decades represented in the book and how she would describe the neighborhood today.

A collection of her photos is now on display at The Tin Building, which is located at 96 South Street — the site of the old Fulton Fish Market. CLICK HERE for more information. 

Post-mortem photography: ‘I dey make deadi body look good’

Post-mortem photography: ‘I dey make deadi body look good’
Richard Kennady

Wia dis foto come from, Richard Kennady

Article information

  • Author, Pramila Krishnan
  • Role, BBC World Service
  • 6 minutes wey don pass

Warning: Dis tori contain foto of deadi body dem

“My job na to put di deadi body on top chair and make am sit straight,” Ravindran tok about im first day for work.

“I gatz lift di eyelids to enable di photographer take picture.”

Im bin just 14 in 1972, wen im father Srinivasan wey dey run a fotographic studio, despatch him for one assignment.

Richard Kennady bin get similar unnerving experience wen im bin dey just nine. Dem ask am make e hold a white cloth as a screen behind di chair wia di dead pesin bin dey sidon.

“I fear and I dey shake. Dat night I no fit sleep at all,” im tell di BBC. “For many nights I get recurring nightmare wia di dead pesin appear. E dey very dreadful.”

Both men bin get into photography sake of say dia fathers get studios. Between dem, dey don take fotos of over 1,000 deadi pipo.

Dem dey among di reducing number of photographers wey specialise for fotos of di dead pipo for di south of Indian state of Tamil Nadu.

Dem tok to di BBC about dia unusual, unsettling work, wey dey pay well well in di 1970s and 1980s.

Battling fear

Until a few decades ago, many communities for Tamil Nadu bin harbour one belief say to take foto go reduce pesin lifespan. Dis mean say many pipo get dia first fotograph wen dey don died.

Ravindran and im papa

Wia dis foto come from, Ravindran

Ravindran come from Karaikudi, wey dey 400km south of di state capital Chennai. For a teenager, no be sweet work, but im wan drop out of school and na wetin im get as excuse be dis.

“Afta some months of training, I bin go alone to take fotos of dead pipo,” e tok.

Ravindran bin gradually develop im expertise, using pillow to support di neck of deadi body wey sidon make e stop di head from bending, im go adjust di clothes and change di background.

“I battle my fear and begin dey like my job. I make deadi body dem look good and real for fotos.”

Heart-breaking subjects

Richard even get earlier start. Im go follow im papa go work for Yercaud hills, wey dey about 350km west of Chennai.

Im most difficult experience bin involve to snap one newborn baby wey don die.

”Di parents dey devastated. Di mother dey cry inconsolably.”

Afta di arrival of di photographer di mother baff and dress di baby inside a new gown and apply some make-up.

“Di baby be like a doll,” Richard bin remember. “Di mother place di baby for her lap and I take di foto. E look as if di baby dey sleep.”

“Dat one dey very emotional.”

Relatives surrounding deadi body inside casket

Wia dis foto come from, Richard Kennady

Dem also snap intimate ceremonies like washing di bodi and di decoration wit flowers. While some families dey happy to take one or two fotos, odas dey more demanding.

“I even go di burial ground to capture di moment wen dem dey put di body for ground,” Ravindran recall.

Photographers get little time and im gatz develop and print di foto overnight becos families wey dey mourn dia deadi pesin sometimes need framed photograph of di dead for dia rituals for di next day.

Both Ravindran and Richard dey use cameras wey no too dey modern. Na black and white cameras, but dem still do dia job.

Dia customers belong to Hindu and Christian families and some families dey kontinu to keep di framed photographs of di dead for dia prayer rooms.

Ravindran recall snapping only two Muslim men afta death, while Richard no get such experience.

Nightmares

Richard also work for di police department.

Im gatz take pictures of unnatural deaths – victims of crime, suicides and road accidents – many times e gatz shoot for deadi bodi wey dem no package well.

Relatives surrounding one deadi body

Wia dis foto come from, Richard Kennady

“E dey very disturbing. Sometimes I no fit eat or sleep.”

Dem dey use di fotos as evidence for court and help families to get compensation.

Di pay for dis kain work dey good for di photographers: dey fit charge double dia typical fee to take pictures of deadi body dem. Dey also get generous tips from relatives, but e also get stigma for dis kain work.

“Many customers dey reluctant to engage me for any oda jobs,” Richard say.

Ravindran Hindu family treat any places wey dey associated wit death as impure, so im gatz undergo mandatory cleansing bifor e go fit enta im house or studio.

“I gatz baff evri time. My dad go even sprinkle some water over my camera bifor I fit take am go inside di studio.”

Widespread practice

For di past, di practice to dey take fotos aftA death dey very prevalent for many kontris.

A man looking at di deadi body of a woman

Wia dis foto come from, Heritage Art/Getty

In di mid-nineteenth Century, many families wey dey mourn bin pose wit dia dead children and oda relatives.

To take foto of a deadi body na comforting way for families to remember dia loved ones wey don die for an era wen fotos dey expensive and many pipo no get any pictures of demsef wen dem dey alive.

For di US, na inside homes dem dey take fotos, and dem go place di deadi body on top a block of ice.

Post-mortem fotos dey very important to family members wey no fit travel for di funeral or arrive quick quick.

Portrait of death also dey popular for Victorian Britain.

For cities wey battle disease like measles, diphtheria, scarlet fever, rubella – all of which wey fit dey fatal – death fit come at any time and many pipo fit no get any fotograph wey dem take during dia short lifetime.

A post-mortem foto na sometimes di last chance to get permanent likeness of a beloved child.

Ravindran wit a camera for im hand

Wia dis foto come from, Ravindran

But di practice bin fade away in most part of di world for di 20th Century – as healthcare improve life expectancy – although e dey last longer for Tamil Nadu and oda Indian states such as West Bengal and Odisha as well as for di holy city of Varanasi.

Richard see diz images as one logical extension of earlier portrait wey dey for paintings.

“Bifor di advent of fotography, big landlords dey commission artists to draw dia portraits.”

“Photography na like an extension of dat practice wey dey to preserve di memory. Only di rich fit afford to commission a portrait, but photography dey affordable even by di poor,” e add.

Approaching di end

But in di late 1980s, cheaper cameras wey anyone fit use don flood di market and di fear to dey appear for fotos begin dey vanish.

Richard showing di fotos of di ancestors

Wia dis foto come from, Richard Kennady

“Many go buy small cameras and start dey click fotos,” Richard explain.

Wit plenti demand for im services, im switch to cover church events and festivals to add to im income.

Ravindran concentrate on school events and public functions. Im eventually become wedding fotographer.

Im dey for im sixties, e dey thankful to di deadi pipo wey helep am to learn di trade – and overcome im fear of death – but e no want make di practice kontinu wen im time come.

“I no want make anyone take foto of me after my death,” im tok categorically.

Richard take foto of im grandfather afta e die and im get fotos of three generations of im ancestors. Unlike Ravindran, di 54-year-old still keep a huge collection of fotos of di dead.

“Our family always preserve di fotos of our ancestors. I tell my youngest son say make e take foto after my death and make dat foto dey part of di family heritage.”

Les Saucier’s photography to be featured at camera club meeting

Les Saucier’s photography to be featured at camera club meeting

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Do you love viewing and photographing the spectacular fall colors of Transylvania County and the Blue Ridge Mountains? If so, you will not want to miss the Sept. 21 meeting of the Land of Waterfalls Camera Club. The featured presentation will be “Chasing the Fall Color” by professional photographer and Brevard resident Les Saucier.

In his love of fall color Saucier has traveled to many locations: the high Colorado Rocky Mountains, the New England shores, Michigan’s Upper Peninsula and the rolling hills of Georgia. In his presentation Saucier will show some of his favorite fall color images. He will offer tips on celebrating the beauty of fall color right in the the Southern Appalachian Mountains.

Saucier has a master’s degree in field biology and has been a professional photographer for more than 30 years. He has been a teacher of nature photography for much of that time. He was drawn to the beauty of the Blue Ridge Mountains of North Carolina and became a permanent resident 23 years ago. 

Saucier lives in Brevard with his wife and fellow photographer, Janet Garrity Saucier. In 2018 the couple published the photography book “Mountain Blue, the Beauty and Grandeur of America’s Southern Appalachian Mountains.” Their book can be purchased locally at Highland Books on Main Street or by contacting the Sauciers directly.

The second half of the September LOWCC meeting will be a “Shoot and Show.” During this segment photographs recently taken by LOWCC members will be presented. Each photographer will briefly describe the image and its location, followed by discussion and suggestions on ways the images might enhanced.

LOWCC meetings are open to the public and currently take place “live on-line” with Zoom. Non-member guests are encouraged to go to info@lowccnc.com to obtain information for accessing the meeting. The club welcomes participation from photographers at all skill levels. A club membership costs $35 per year.

To offer more focused forums for small group learning and discussion, the club features two Special Interest Groups (SIGs). The Capture SIG reviews the use cameras, lighting and other photographic equipment to initially capture the digital image. This SIG meets by Zoom on the third Monday of each month starting at 7 p.m.

On the first Monday of each month, also at 7  p.m. via Zoom, the Post Processing SIG focuses on the use of computer-based processing to improve and enhance digital images. Instruction is provided on use of photographic software such as Adobe Lightroom or Topaz products as well as updates of these products.

Further information about the Land of Waterfalls Camera Club, including membership information and past and future programs, can be found at www.lowccnc.com.

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Photography book shows transformation of Lower Manhattan from 1980s to 9/11

Photography book shows transformation of Lower Manhattan from 1980s to 9/11

Photography book shows transformation of Lower Manhattan from 1980s to 9/11 – CBS New York


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Andrea Pizzini Has Beautiful Photography You Must See

Andrea Pizzini Has Beautiful Photography You Must See

“We had so many projects and dreams together…and now everything is gone,” says photographer Andrea Pizzini to the Phoblographer about losing his best friend and creative partner, Christian. “I have no idea what to do…and sometimes I wish I could change my life completely and become a carpenter or grow potatoes somewhere. Just do something that has nothing to do with photography.” You probably recognize Andrea as one of the most prominent writers in the photography world. But outside of tech, he’s also part of a big project called the Cube. The photographs that him and his partner made were something incredibly special that must be experienced in person to understand.

The Pandemic separated people like never before. And while lots of things can absolutely be done remotely, true photography is something that must be experienced right in front of you. I’m speaking about prints — prints must be put in just the right lighting to have them shine and be their best selves.

Christian wouldn’t want Andrea to give up, though — and now he’s on a journey to express himself in a different way. In October 2023, Andrea and Christian’s photographs will be exhibited for the public to experience and bask in.

Back in 2013, I met Andrea personally when he was starting to take photos with what’s called The Cube. It’s a giant camera with reflective exteriors that shoots positives at more at 3 feet by 3 feet large. “…the images that came out with the Cube camera were always stunning, much more impressive than we could have imagined,” Andrea recounts. “They look so vibrant and profound, we had a lot of fun photographing different subjects. Our drive was curiosity!” After shooting photos of all the things, they realized that the best subject was the sea. So they set out shooting tons of images of the sea.

Lots of those photos of the sea will be on display at the new exhibit. And those are something that truly needs to be seen in person. Hopefully, Andrea will return to the US to show them off as well.

Maybe I’m too optimistic, but I see potential in a return to film photography. To photography that is slower, but more authentic. You can always prove with ‘chemical proof’ that the shot you took is real. I own a Mamiya 7 and plan to work with a new 3D printed large format camera as well. I’m not sure if this will work out, but I’m inclined to go down this new path.

Andrea, a fellow publisher, has some fascinating thoughts on AI for photography. He’s not afraid of it. “I know people who are average photographers but amazing Photoshop editors, and this digital world seems to mostly reward (those) who (are) able to use a digital workflow,” he says. “Which means to create a highly modifiable and duplicable product.” Those words, unfortunately, hit really hard as it’s part of the sadness that takes creativity and joy out of photography and instead makes it algorithmic.

You can see the project if you happen to be in Italy. These photos are truly something special, and simply talking about them here in a magazine doesn’t do them justice. They’re pieces of art and breath taking experiences that must be felt in-person.