Tiny doors in downtown McKinney draw curiosity about permanent art installation

Tiny doors in downtown McKinney draw curiosity about permanent art installation

Recently installed tiny doors near storefronts in McKinney are turning the area’s already charming historic downtown square into a whimsical world, attracting visitors to admire the creations of local artists.

More than 50 tiny doors now embellish the streets of downtown McKinney as a part of the town’s permanent art project to beautify the city and highlight the work of local artists. A ribbon-cutting ceremony for the project, featuring tiny scissors, was held Aug. 25 to welcome these permanent doors to the town.

No bigger than one foot in length, these doors add a level of intrigue to the town and foster a spirit of community, said Andrew Jones, McKinney’s cultural district director.

Advertisement

Jones, who was appointed director in November 2022, said he was inspired to make this project happen after seeing fairy doors pop up in the city more than 10 years ago. He now sees McKinney residents flock to the tiny doors, using a map uploaded on the city’s tourism website.

Breaking News

Get the latest breaking news from North Texas and beyond.

“It’s amazing to see kids and families coming around, trying to find them all,” Jones said. “Some are really well hidden. Others are pretty obvious.”

Tiny doors were installed in downtown McKinney at the end of August as part of the city’s permanent art project.(McKinney Cultural District / McKinney Cultural District)
Advertisement

In order to recruit artists, Jones worked closely with North Texas artist and native Beth Fields, who helped make his vision possible.

Fields, who specializes in pottery and mixed media art, said she has incorporated doors and windows into her art for a while now, making her a natural fit as the artist coordinator for this project.

“I’ve come to be known as the door lady of McKinney because of this strong interest in doors and creating doors in my art,” she said.

Advertisement

At the end of the project, around 25 artists, who all had ties to North Texas, constructed 53 tiny doors. Some of the doors coordinate with the business they’re affiliated with, while others stand on their own. Additionally, some of the doors have knobs that open and close.

Fields said she thinks people are drawn to the concept of doors for the same reason she includes them in her creations: they can lead you somewhere else. People often wonder what could be behind these doors, she said.

“I think art is always going to be something that helps us connect to our stories and our imaginations,” she said. “I think the city is very forward thinking to make space for it so centrally in our square.”

She added the doors have already become a “part of the fabric of the community,” with people of all ages intrigued by and interacting with the mini doors.

Tiny doors were installed in downtown McKinney at the end of August as part of the city’s permanent art project.(McKinney Cultural District / McKinney Cultural District)

Moreover, these doors add to downtown McKinney’s artistic landscape. Over the past several years, the city has installed a variety of art projects for the public, including a silo mural and butterfly sculptures.

Jones said the mini doors are another way to reflect the community and serve as a form of interactive art — a growing trend in the art world recently. Several cities across the country, including Ann Arbor, Mich. and Atlanta, also have tiny-door exhibits.

Advertisement

“There’s something special about public art, that it’s so accessible, that everybody can enjoy it and engage with it,” he said. “You don’t have to go to a stuffy museum or anything like that, and it’s changing. There’s always something new, there’s new elements that we add.”

A second phase of the tiny doors project is expected to roll out by the end of the year, with 20 new doors already in the works.

“We see this as a fairly permanent art installation,” he said. “We know some of the doors are not going to last forever, but we hope to update them and replace them over time.”

Related Stories

Churchill Downs unveils official art for the 150th Kentucky Derby

Churchill Downs unveils official art for the 150th Kentucky Derby

LOUISVILLE, Ky. — Churchill Downs released the official 2024 art for the 150th Kentucky Derby. Cynthiana native Wylie Caudill created this year’s art. Caudill is renowned for his talent in murals and large-scale art.


What You Need To Know

  • Cynthiana native Wylie Caudill was chosen to create the official artwork for the 150th Kentucky Derby
  • The artist got his start doing chalk art on the streets of his college campus. After falling in love with public art, Wylie expanded his street art to murals that can be seen across Kentucky, many of which include his signature roses
  • Caudill’s artwork for the Run for the Roses highlight the 150th Kentucky Derby trophy at the forefront, with the newly renovated paddock as the background under the iconic twin spires
  • Caudill’s art will be featured on the 2024 Kentucky Derby official racing programs and a variety of merchandise

The artist got his start doing chalk art on the streets of his college campus. After falling in love with public art, Wylie expanded his street art to murals that can be seen across Kentucky, many of which include his signature roses. 

Cynthiana native Wylie Caudill created this year’s official artwork for the 150th Kentucky Derby. (Churchill Downs)

Caudill’s artwork for the Run for the Roses highlight the 150th Kentucky Derby trophy at the forefront, with the newly renovated paddock as the background under the iconic twin spires. The image is vibrantly shrouded in 150 red roses representing the Derby Winner’s Circle and surrounded by white, gold and cerulean roses to symbolize racing fans from around the world.

“We were drawn to Wylie’s rose design as it resonates with one of our most beloved Kentucky Derby traditions, which is presenting the winning Thoroughbred with a garland of red roses,” said Casey Ramage, vice president of marketing and partnerships with Churchill Downs.

In addition to creating the “Official Art of the Kentucky Derby,” Caudill will also be the official artist for the Woodford Reserve Commemorative Derby Bottle. As the official artist for both programs, Caudill will also create original murals around Churchill Downs and surprise locations next year leading up to the 150th Kentucky Derby.

“As a Kentucky Native, it is an immense honor to be part of such a milestone year for the Commonwealth’s most notable event,” Caudill said. “It’s difficult for me to fathom the scale of this opportunity and moment in history, but I am thrilled I was chosen to be the official artist for the 150th Kentucky Derby.”

Caudill’s art will be featured on the 2024 Kentucky Derby official racing programs and a variety of merchandise. Prints will be available for purchase, including 150 special edition prints, at the first Road to Kentucky Derby race on Saturday (Sept. 16) at 11:30 a.m. ET at The Churchill Downs Store and Kentucky Derby Museum. Prints will be available online beginning Monday, Sept. 18. All other items will be available for purchase early spring.

Kentucky muralist creates official art for the 150th running of the Kentucky Derby

Kentucky muralist creates official art for the 150th running of the Kentucky Derby

Not only has Wylie Caudill created the official artwork for the Derby, but he will also create original murals around Churchill Downs leading up to the race.

LOUISVILLE, Ky. — A muralist from Cynthiana, Kentucky has created the official artwork for the 150th running of the Kentucky Derby.

On Thursday, Churchill Downs Racetrack unveiled the colorful design created by artist Wylie Caudill, known for his murals and large-scale art.

Caudill got his start doing chalk art on the streets of his college campus. He then expanded his artistic mediums to include stunning murals that can be found across the Commonwealth.

Many of Caudill’s murals include roses, which is fitting when you consider the design for the Kentucky Derby in 2024. His artwork for Derby features 150 red roses surrounding the paddock under the iconic twin spires.

“We were drawn to Wylie’s rose design as it resonates with one of our most beloved Kentucky Derby traditions, which is presenting the winning Thoroughbred with a garland of red roses,” Casey Ramage of Churchill Downs said.

In addition to creating the “Official Art of the Kentucky Derby”, Caudill will also create original murals around Churchill Downs in surprise locations leading up to the 2024 Kentucky Derby.

“As a Kentucky Native, it is an immense honor to be part of such a milestone year for the Commonwealth’s most notable event, ” Caudill said. “It’s difficult for me to fathom the scale of this opportunity and moment in history, but I am thrilled I was chosen to be the official artist for the 150th Kentucky Derby.”

Caudill’s art will be featured on the 2024 Kentucky Derby official racing programs and a variety of merchandise. Prints will also be available for purchase.

[embedded content]

Make it easy to keep up-to-date with more stories like this. Download the WHAS11 News app now. For Apple or Android users.

Have a news tip? Email assign@whas11.com, visit our Facebook page or Twitter feed.

New Mexico Museum Of Art Vladem Contemporary Opens In Santa Fe September 23, 2023

New Mexico Museum Of Art Vladem Contemporary Opens In Santa Fe September 23, 2023

Pound for pound, Santa Fe, NM is the world champion of visual art. With some 300 galleries highlighting everything from Zuni fetishes to photography and a dozen world class museums devoted to Georgia O’Keeffe, contemporary Native American art, folk art, Hispanic art for starters, Santa Fe packs a wallop.

Not to mention its world’s best art fair, its wonderful art-filled hotels, the remarkably influential and prolific Institute of American Indian Arts which calls it home, a state capital building boasting a museum-quality art collection, and the School for Advanced Research’s Pottery Vault, the most spiritual art space anywhere.

Then there’s all the artists living and working in Santa Fe and the area’s artisan tradition of Pueblo potters and weavers dating back centuries.

New York and London may have more galleries and bigger museums, but they also have metro populations of 20 million people. Santa Fe punches like a superheavyweight at a population of roughly 90,000.

Its next haymaker will be delivered on September 23, 2023, when the New Mexico Museum of Art Vladem Contemporary opens in the city’s Railyard District. Vladem Contemporary breaks away from the New Mexico Museum of Art’s 1917 building in the Santa Fe Plaza while remaining under its management, focusing on work made post-1980.

“This is really just an extension of our original mission; we have always been a contemporary institution, so for us, this is a way of reaffirming and continuing to show contemporary art, but also it’s important that Santa Fe continue to make strides in its interest and enthusiasm for contemporary art,” Mark White, executive director of New Mexico Museum of Art, told Forbes.com. “Having Vladem Contemporary in addition to Site Santa Fe, the Thoma Art Vault, all of the galleries, it does, once again, affirm that Santa Fe can be a destination for those interested in contemporary art.”

Site Santa Fe is co-commissioning the U.S. Pavilion’s presentation of Jeffrey Gibson’s (Mississippi Band of Choctaw Indians and Cherokee) work at the 2024 Venice Biennale, the Olympics of contemporary art, another significant feather in the hat for Santa Fe’s art scene.

A new old building

“The Plaza building, when it was built for contemporary art in 1917, that meant something very different than what it means today,” White said. “What we have needed to do for some time is to expand and really make space for contemporary art of our age, which is obviously very different than it was early in the 20th century.”

The New Mexico Museum of Art not only needed more space for its ever-expanding collection, it needed larger spaces–higher ceilings, longer walls–and basic technical upgrades like more electrical outlets and data cables for digital art.

“We’ve been collecting for over a century and as contemporary art has grown in size, as it has gotten more complicated in terms of its media, it’s been increasingly difficult to continue to collect some of the more experimental work, and with an expansion of our storage space, that really makes this possible,” White said.

Not as sexy as new exhibition space, but every bit as essential, Vladem Contemporary allows the New Mexico Museum of Art to nearly double its storage space for art.

The $20.2 million museum wasn’t built new, it’s a retrofit of an existing brick building which presented architectural challenges, primary among them creating an envelope to properly seal the structure, acclimatizing the building to protect artwork by increasing the interior humidity beyond Santa Fe’s dry, desert climate.

A place of pilgrimage

The New Mexico Museum of Art’s collecting strengths are contemporary art of the Southwest, particularly artists who have settled or spent time in New Mexico. That covers a surprisingly broad cross section including many of the most important American artists over the past century.

“There was a moment where if you were a modern artist working in the United States worth your salt, you came here, and that has continued,” White said.

Georgia O’Keeffe, Stuart Davis, Marsden Hartley, Edward Hopper, John Marin, Maynard Dixon, the Taos Society of Artists, the Cinco Pinteros, the Transcendental Painting Group. All were drawn to northern New Mexico for a time, or forever.

They set a mold others would follow.

“There was this interesting moment in the 1970s that did continue into the 80s and 90s, in which you saw many of those early modernists–either towards the end of their career, or they would pass away–but a younger generation was coming in, not to replace them, but because they were lured by the dynamic in Santa Fe, Albuquerque, Taos, you see this huge influx–especially from Southern California–of artists that would become international names: Bruce Nauman and Susan Rothenburg, Judy Chicago, Larry Bell, Ron Cooper, Jenny Price, Allen and Gloria Graham, Fritz Scholder (Luiseño), T.C. Cannon (Kiowa, Caddo).”

Santa Fe and the surrounding area continues to be home for a staggering number of top contemporary artists, Native Americans foremost among them. Either born and raised in New Mexico’s Pueblo nations or drawn there by studies at the Institute for American Indian Art, “locals” Cara Romero (Chemehuevi), Rose Simpson (Santa Clara Pueblo), Roxanne Swentzell (Santa Clara Tewa), Virgil Ortiz (Cochiti Pueblo), Dan Namingha (Hop-Tewa), Diego Romero (Cochiti Pueblo), Nocona Burgess (Comanche) and dozens of colleagues have work in top museum collections around the nation.

“Shadow and Light”

Drawing all those artists to New Mexico is the area’s light. It has a quality which must be seen to be properly appreciated.

“It’s partly the desert atmosphere, which is somewhat thin, and our higher altitude, but there is a clarity and intensity here that has drawn artists,” White said. “You do have those that can’t quite contend with it–Stuart Davis, Edward Hopper, they had a hard time with the New Mexico light and didn’t produce a lot of work here because they did struggle with it–but there were so many other artists that did really appreciate it.”

Vladem Contemporary’s inaugural exhibition, “Shadow and Light,” plays upon the famed New Mexico light, “not only as a physical medium, but as a metaphor, as a symbolic construct often for ideas of spirituality, transcendence,” White explains.

“Shadow and Light” demonstrates one of the original notions behind the founding of NMMOA, the belief that the impact of the arts is greater than simple replication and illustration. The impact is the understanding and enjoyment of art as well as the exploration of human experience, new ideas, and diverse cultures.

While New Mexico’s light is commonly associated with representational landscape paintings, the West has also nurtured and attracted artists who expressed more than mere naturalistic representation in their artwork. These artists use experimental styles and techniques, often maximizing the atmospheric quality and vast stretches of sky and horizon, not to mention making references and connections to honor ancient Indigenous civilizations who have called this land home for hundreds of years.

“I’m probably most excited to show that inaugural exhibition because it shows how versatile this building will be and how aesthetically pleasing this building is,” White said of Vladem Contemporary’s opening. “It will give people an idea as to what is possible for the future, which is to say a lot; we’re not going to have a whole lot of restrictions when it comes to a building like this.”

“Shadow and Light” will be on view through May 28, 2024.

On the List | Fantasy A Gets a Mattress opens film fest, Pickleball for All, 12th Ave Square Park Summer Market, September Capitol Hill art walk

On the List | Fantasy A Gets a Mattress opens film fest, Pickleball for All, 12th Ave Square Park Summer Market, September Capitol Hill art walk
Fantasy A Gets a Mattress
” data-medium-file=”https://i0.wp.com/www.capitolhillseattle.com/wp-content/uploads/2023/09/370375558_227702346937053_558681199182947053_n.jpeg?fit=400%2C300&ssl=1″ data-large-file=”https://i0.wp.com/www.capitolhillseattle.com/wp-content/uploads/2023/09/370375558_227702346937053_558681199182947053_n.jpeg?fit=584%2C438&ssl=1″ decoding=”async” class=”size-large wp-image-2067281800″ src=”https://i0.wp.com/www.capitolhillseattle.com/wp-content/uploads/2023/09/370375558_227702346937053_558681199182947053_n.jpeg?resize=584%2C438&ssl=1″ alt width=”584″ height=”438″ srcset=”https://i0.wp.com/www.capitolhillseattle.com/wp-content/uploads/2023/09/370375558_227702346937053_558681199182947053_n.jpeg?resize=600%2C450&ssl=1 600w, https://i0.wp.com/www.capitolhillseattle.com/wp-content/uploads/2023/09/370375558_227702346937053_558681199182947053_n.jpeg?resize=400%2C300&ssl=1 400w, https://i0.wp.com/www.capitolhillseattle.com/wp-content/uploads/2023/09/370375558_227702346937053_558681199182947053_n.jpeg?resize=200%2C150&ssl=1 200w, https://i0.wp.com/www.capitolhillseattle.com/wp-content/uploads/2023/09/370375558_227702346937053_558681199182947053_n.jpeg?resize=768%2C576&ssl=1 768w, https://i0.wp.com/www.capitolhillseattle.com/wp-content/uploads/2023/09/370375558_227702346937053_558681199182947053_n.jpeg?resize=1536%2C1152&ssl=1 1536w, https://i0.wp.com/www.capitolhillseattle.com/wp-content/uploads/2023/09/370375558_227702346937053_558681199182947053_n.jpeg?w=2048&ssl=1 2048w, https://i0.wp.com/www.capitolhillseattle.com/wp-content/uploads/2023/09/370375558_227702346937053_558681199182947053_n.jpeg?w=1168&ssl=1 1168w, https://i0.wp.com/www.capitolhillseattle.com/wp-content/uploads/2023/09/370375558_227702346937053_558681199182947053_n.jpeg?w=1752&ssl=1 1752w” sizes=”(max-width: 584px) 100vw, 584px” data-recalc-dims=”1″>

Fantasy A Gets a Mattress

Here are a few late summer weekend highlights for things to do around Capitol Hill. Check out the CHS Calendar for more ideas — or to add your own event.

CHS SUBSCRIBER DRIVE
This is about as intrusive as we’ll get. No pledge breaks. No tote bags. Just a call for readers to please consider subscribing to CHS to help us pay writers and photographers to cover the neighborhood. Become a subscriber at $1/$5/$10 a month.