Dermott native a T2 resident artist

Dermott native a T2 resident artist

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TheatreSquared, a regional professional theater at Fayetteville, welcomes three renowned American playwrights as Artists in Residence, including one from southeast Arkansas.

Artists are Dermott native Candrice Jones, along with Satya Chavéz, and Jonathan Norton.

TheatreSquared announced a commissioning project featuring the three distinguished playwrights. As part of this project, each playwright will embark on a creative journey to craft a brand-new, original play that will explore a diverse array of themes, perspectives, and experiences, according to a news release.

CANDRICE JONES

Jones is well known to Northwest Arkansas audiences, who watched her critically acclaimed play FLEX bloom at the Arkansas New Play Festival in 2021 and, later, receive a full production during the 2021/2022 season.

This summer, FLEX was performed on the Lincoln Center stage in New York City, where it was called a “slam-dunk New York debut” and named a “Critic’s Pick” by The New York Times, according to the release.

“Jones’ background as a poet, educator and playwright combine to create sharp, beautiful, and realistic worlds and characters in plays that sear both mind and spirit,” according to the release.

The southeast Arkansas native has been honored to have been a fellow at Callaloo for poetry at Brown University and in London. She has also been a VONA Playwriting Fellow and a CalArts MFA Critical Studies recipient, according to https://pwcenter.org/profile/candrice-jones.

“Candrice is an Arkansan playwright and is going to continue to cultivate stories about Arkansas people,” said Dexter J. Singleton, TheatreSquared Director of New Play Development. “A person who has those roots, is homegrown, and continues to explore Arkansas stories is wonderful.”

SATYA CHAVéZ

Chavéz is an Indigenous Mexican-American, queer, Chicago-based multidisciplinary artist who is known for their musical compositions and narratives that delve into complex cultural intersections.

Chavez’s award-winning work has garnered critical acclaim for its exploration of identity, immigration, and social justice. The San Francisco Chronicle called them “a quintuple threat performer,” while the Chicago Reader noted their work is “stunningly beautiful, both visually and aurally,” according to the release.

Last season, they were the recipients of Chicago’s Joseph Jefferson Award for Best Original Music in a Play for their play Refuge.

JONATHAN NORTON

Norton is a Texas-born playwright.

“Northwest Arkansas audiences will remember him from the 2023 Arkansas New Play Festival, where his hilariously poignant script I AM DELIVERED’T was workshopped. That show is already scheduled to receive a co-production at both Dallas Theater Center and the Actors Theatre of Louisville early next year,” according to the release.

Norton’s plays frequently shed light on the lives of marginalized communities, highlighting their struggles and triumphs.

“Jonathan brings that Southern charm and insight to his work at all times,” said Singleton. “I think a big part of this commission is having the opportunity to introduce our patrons to writers who are writing about the South, and the activity, culture, and social issues that people explore as Southern Americans.”

THE PROJECT

The theater’s artistic director is Robert Ford.

“Theaters like T2, which center new work, are always looking for the next Death of a Salesman, or the next brilliant comedy, or soaring musical, that captures some essential aspect of now,” Ford said. “Because, deep down, we know that’s the very best thing we can offer to our world. Commissioning allows us to get in on the ground floor of that ‘offer to our world.’ Absolutely no one can predict the impact of a particular play or playwright — but what an amazing privilege it is to send the invitation, take the risk, and spark the telling of a story that no one has told before, that no one has seen.”

Shannon Jones is executive director of TheatreSquared.

“Collaborating with these three artists is incredibly exciting and is the start of what we hope will be a long-lasting relationship,” said Shannon Jones. “We’re thrilled to contribute to the continued growth of the American theater and share the voices of these playwrights with our community and beyond.”

  photo  Candrice Jones from Dermott is among three playwrights recently announced for a new project at TheatreSquared, a Fayetteville theater. (Special to The Commercial/TheatreSquared)
 
 

Tamron 70-180mm f2.8 G2 Preview: Portrait Photography Love!

Tamron 70-180mm f2.8 G2 Preview: Portrait Photography Love!

It’s undeniable that Tamron stands out as perhaps the best 3rd party lens maker of our time — especially if you’re a Sony photographer. Today, Tamron is announcing that the new Tamron 70-180mm f2.8 G2 will cost only $1,299 when it launches in October 2023. You’re bound to wonder why they went with this focal length. When we reviewed the previous version, we realized that we truly didn’t miss the extra 20mm. With higher-megapixel cameras available today, you might feel the same about the Tamron 70-180mm F2.8 Di III VC VXD G2. However, there’s also a chance you might want even more!

I’m going to start this preview of the lens out by stating that this is an incredible lens for anyone that needs to shoot portraits on the regular — and that’s a big part of the necessary understanding. This isn’t a lens necessarily meant for shooting events unless they’re close quarters. With that said, I truly want to see a revival of the Tamron 70-210mm f4 for mirrorless cameras. Looking back at my review of that lens, I get a feeling of fondness for the images that I created with it. And with that said, I wish that Tamron would make something like it with an f2.8 aperture. Though even better might be a 150-300mm f2.8 lens to accompany their excellent 35-150mm f2-2.8. In fact, I’m not sure you’d need the new Tamron 70-180mm f2.8 G2 if you own that lens.

Tech Specs

These specifications are taken from the press release. The biggest change is the addition of vibration compensation:

Model : A065
Focal Length : 70-180mm
Maximum Aperture : F2.8
Angle of View (diagonal) : 34°21′-13°42’ (for full-frame mirrorless format)
Optical Construction : 20 elements in 15 groups
Minimum Object Distance : 0.3m / 11.8in (WIDE), 0.85m / 33.5in (TELE)
Maximum Magnification Ratio : 1:2.6 (WIDE) / 1:4.7 (TELE)
Filter Size : φ67mm
Maximum Diameter : φ83mm 
Length* : 156.5mm (6.2in)
Weight : 855g (30.2oz)
Aperture Blades** : 9 (circular diaphragm)
Minimum Aperture : F22
Standard Accessories : Flower-shaped hood, Lens caps
Mount : Sony E-mount

* Length is the distance from the front end of the lens to the lens mount face.

** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.

Specifications, appearance, functionality, etc. are subject to change without prior notice.

Ergonomics

The Tamron 70-180mm f2.8 G2 lens has a few key updates to it. The biggest one is the addition of a USB port on the side. But ergonomically, otherwise, it’s very similar to the older lens. There’s a zoom ring, a focusing ring, and a switch on the side. Like many of Tamron’s other lenses, it also has the silver ring towards the back.

Build Quality

The new Tamron 70-180mm f2.8 G2 is said to be weather resistant, just like the last one was. We haven’t taken it out into a heavy rainfall yet to test that. But we’re pretty confident that as always, we’ll find Tamron’s lenses to be even more durable than Sony’s cameras.

In the hand, this is a small and lightweight lens. It zooms in and out — and overall there isn’t anything that majorly stands out about it. The texture is pebbled just enough to give you grip — though you’ll mostly likely place your hands around the rubber rings instead. We can’t truly complain about this lens and how it feels.

Ease of Use

For the uninitiated, the Tamron 70-180mm f2.8 G2 has a USB port on the side for updating firmware. That’s a nifty feature that surprises lots of people. But otherwise, this lens is mostly a point and shoot affair. There are custom presets you can set and control on the lens along with a lens lock. This is bound to be one of the most straightforward telephoto zooms you’ll use. New photographers might really like that.

One of the biggest new features is the addition of vibration control for shaky hands.

Focusing

We tested the new Tamron 70-180mm f2.8 G2 at the Tuxedo Rennaissance Faire and had a whole lot of fun making images with it. We used the Sony a7r III and the Profoto B10 with it. The camera was set to human detection mode for eyes and face. The combo worked well together when taking portraits of people and overall, we didn’t face any glaring problems.

However, these tests were done in ideal lighting with the Live View Setting effect turned off. This is how Sony’s cameras perform at their absolute best when it comes to autofocusing in a variety of situations. This has even been confirmed to us by Sony reps. We have to test it with melanated people of color in low light to truly see how it will perform. That will be done in our full review to come.

Image Quality

Truly, I don’t care about pixel peeping. Nor did the people that I took portraits of! What they totally did care about is that they looked good. And the reason why I say that this lens is so great for portrait photography is because when paired with a 42MP full-frame sensor, you’ll see that it’s just sharp enough to not need major retouching with subjects. I say that this is the case even with a flash being used!

Is the lens sharp! Of course, it is! Is it so sharp that you’ll want to spend loads of time in post-production editing the skin? No way. In fact, we really don’t like sitting for hours retouching images. So if all you want to do is just shoot, then you’re in for a great time.

Here are sample images for you.

Unedited

Edited

First Impressions

So far, I’m really liking the Tamron 70-180mm f2.8 G2 for portrait photography. Though personally, I’m wondering a few other things about it. For example, how is it really standing out from all the other brands out there? Other brands have made very lightweight and small 70-200mm f2.8 lens. While this is even smaller and lighter while having a more affordable price, I still think it might need something else like a faster aperture or something like that.

Stay tuned for our full review to come.

High Museum of Art : A Long Arc : Photography and the American South since 1845 – The Eye of Photography Magazine

High Museum of Art : A Long Arc : Photography and the American South since 1845 – The Eye of Photography Magazine

As the first major survey of Southern photography in twenty-five years, this exhibition will examine that complicated history and reveal the American South’s critical impact on the evolution of the medium, posing timely questions about American culture and character.

Featuring many works from the High Museum of Art’s extensive collection, A Long Arc will include photographs of the American Civil War, which transformed the practice of photography across the nation and established visual codes for articulating national identity and expressing collective trauma. Photographs from the 1930s to the 1950s, featuring many created for the Farm Security Administration, will demonstrate how that era defined a new kind of documentary aesthetic that dominated American photography for decades and included jarring and unsettling pictures that exposed economic and racial disparities. With works drawn from the High’s unparalleled collection of civil rights–era photography, the exhibition will show how photographs of the movement in the decade that followed galvanized the nation with raw depictions of violence and the struggle for justice. Contemporary photography featured in the exhibition will demonstrate how photographers working today continue to explore Southern history and themes to grasp American identity.

A Long Arc : Photography and the American South since 1845
September 15, 2023 –J anuary 14, 2024
High Museum of Art
1280 Peachtree Street, N.E.
Atlanta, Georgia 30309
www.high.org

Montclair photographer uses his skills to teach people around the world about photography

Montclair photographer uses his skills to teach people around the world about photography

In an era where some say social media is tearing people apart, a Montclair man argues that photography is bringing everyone together.

Ed Kashi is a photographer with National Geographic Explorer. His life’s work has taken him around the world and close to home.

“In my work, I’m looking to have an impact on the world not just produce images that are beautiful,” Kashi says.

Some of his proudest work is teaching photo camps in places like Jordan, Uganda, India and even in New Jersey. Over the past 20 years, 3,000 students, mostly teenagers, have been taught to take photographs – more than 2.5 million around the world.

“You know, where you have a 14, 15, 16-year-old kid. Maybe they’ve never picked up a camera before. And they make these magical images,” Kashi says.

In the fall, National Geographic will release a compilation of some of those images in a book called “Photo Camp Stories.” It will include self-portraits by Newark natives Nijhae Wynn and America Navarrette.

Jacob Amaro was part of the Newark Photo Camp in 2018. Now 22, Amaro is studying to be a journalist at Rutgers Newark.

“When I think back to that class, it was a really transformative experience. It cemented my love for photography. My love for journalism.” Amaro says.

“Photo Camp Stories” will be available in November. The book is filled with 250 images from 35 countries around the world.

Photographer Captures Rare Pic of a Monkey Taking a Deer For a Joyride

Photographer Captures Rare Pic of a Monkey Taking a Deer For a Joyride

They lounge in hot tubs, have active sex lives, and sometimes, take joyrides. Macaques are living the life.

Photographer Atsuyuki Ohshima captured a rare photo of one monkey’s cowboy behavior. The photo, taken on Japan’s Yakushima Island, is titled “Forest Rodeo.”

Ohshima snapped the photo just after the monkey catapulted itself onto a sika deer, using a tree as a springboard, he described on Instagram.

full image of a macaque on the back of a deer in a forest
The macaque here is a young female, and appears to be merely enjoying a free ride. (Atsuyuki Ohshima/Wildlife Photographer of the Year)

Macaques have been observed riding sika deer before, scientists said. As Ohshima suggested, sometimes the monkeys just take the rides for fun.

These native Japanese species have long coexisted and even share a symbiotic relationship, Inverse reported.

The deer clean up after the monkeys, eating the fruit the primates leave behind. In return, the monkeys groom the deers, hopping on their backs to pull off bugs.

But other times, a macaque’s motivations may be less pure.

Both male and female macaques have been caught trying to get it on with sika deer during mating season, like in the video below at around eight seconds in:

frameborder=”0″ allow=”accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share” allowfullscreen>

Ohshima said that didn’t seem to be occurring in this case in the official caption for the photo on the Natural History Museum’s website.

The frame is one of 16 highly commended photos in this year’s Wildlife Photographer of the Year competition. Wildlife Photographer of the Year is developed and produced by the Natural History Museum, London.

The judges for this year’s contest sorted through 49,957 entries from hopeful photographers across 95 countries. The panel of judges chose 100 photos to display in London on October 13.

The winners of the 59th Wildlife Photographer of the Year competition will be announced on October 10.

This article was originally published by Business Insider.

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