A Child’s Drawings Inform Cold Picnic’s Frames Rug Collection

A Child’s Drawings Inform Cold Picnic’s Frames Rug Collection

The duo behind Cold Picnic, Peter and Sung Buer, have brought their young daughter’s illustrations into the fold with the introduction of the Frames Collection. The bamboo silk rugs and runners include five playful designs made using slightly iridescent yarn, a color palette with pops of neon, and the intention to embrace the contradictions of self-expression: reserve and spontaneity, delicacy and practicality, self-preservation and recklessness.

Time Frame Rug

Bamboo silk is best known for its soft, luxurious, ethereal feel that comes to resemble crushed velvet as time passes. A delicate yet durable fabric, the yarn’s dimension allows its colors to appear differently, depending on the angle views and which way the pile is facing. Bamboo silk is also very fine, enabling the inclusion of more details and delicate lines in the design, which makes the rugs appear more like drawings through a range of shades, shadows, and highlights.

olive green, cream, and brown abstract rug on white background

Time Frame Rug

“Working in bamboo silk yarn allows us to use darker colors without worrying about heaviness, since the sheen gives such a wide spectrum of light and color,” said Peter. “We deliberately chose colors that interact with light in order to highlight this feature.”

kitchen table and two stools on top of an abstract rectangular rug

Frames Rug

Peter and Sung’s daughter, Freya, inspired the collection with her oil crayon-on-paper drawings. They include frames drawn along notebook edges and even “mommy’s tummy,” created when Sung was pregnant with her second daughter. The childlike motifs and dark colors of the Frames Collection remain true to the young artist’s original sketches and vision.

detail of blue, green, and cream colored rug

Frames Rug

“‘Frames’ literally refers to the pages of frames Freya used to fill her notebook with and in our minds, we were translating them into rugs as soon as we saw them,” said Peter. “It made us so happy to turn her drawings into a realized collection, and felt like her official inclusion into Cold Picnic, which she has been influencing since before she was born.”

kitchen table and two stools on top of an abstract rectangular rug

Frames Rug

Sung added, “For us, the mood of the collection conjures a period of childhood that is so short and filled with tenderness. There’s a sense of nostalgia and wistfulness in the collection, as an attempt to capture something almost impossible like time and self-confidence. But the story here is also about acceptance, evolution, and expression.”

dark green and tan abstract rug on white background

Frames Rug

Cold Picnic uses color as one of the most important elements of their work, selecting hues according to medium. The Frames Collection features dark greens, blues, and black with pops of neon green and yellow set against a golden palette. Each rug is made in India by skilled artisans at a factory that runs exclusively on solar energy. The rugs are available in sizes 2’x3’,2’3”x6’, 5×5, 4’x6’, 6’x9’, and 8’x10′.

kitchen table and two stools on top of an abstract rectangular rug

Frames Rug + Frames Runner Rug

black and white dog laying on a blue, cream, and black rug runner

Frames Runner Rug

blue, cream, and black rug runner in a styled kitchen

Frames Runner Rug

dark blue, black, and tan abstract rug on white background

Frames Runner Rug

dining table and four chairs on top of an abstract rectangular rug

Freya Rug in Black

detail of dining chair on abstract rug

Freya Rug in Black

black and tan abstract rug on white background

Freya Rug in Black

rectangular neon green and tan rug in a styled living space

Freya Rug in Gold

detail of neon green and tan rug corner

Freya Rug in Gold

neon green and tan abstract rug on white background

Freya Rug in Gold

child's drawing in pink and green crayon on white paper

Freya’s Drawing

child's drawing in green crayon on white paper

Freya’s Drawing

child's drawing in red crayon on white paper

Freya’s Drawing

To learn more about the Frames Collection, visit coldpicnic.com.

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Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

What a Landscape Photographer Has Learned After Two Decades in the

What a Landscape Photographer Has Learned After Two Decades in the

Landscape photography can be a lonely genre, and it can be easy to fall into seeking external validation and creating the same images over and over. However, living fully in the present, trying new things, and taking risks leads to photographic growth. That’s one of the most important lessons an experienced landscape photographer has learned over 20 years.

Coming to you from Alister Benn of Expressive Photography, this great video discusses the most important lesson he has learned after two decades in the craft. Photography helps detach us from daily worries, and that is why Benn advocates viewing photos as diary pages, recording events and memories. He reminds us every picture is unique, created by pointing your camera and making individual decisions only you can make. This allows you to reflect on progress in your mental health and photographic purpose when comparing past work to current, and more importantly, to center yourself and be reminded of why we really chose to pursue photography in the first place. We all first picked up a camera for the first time because we enjoyed it, and it’s important to be reminded of that once in a while. Check out the video above for the full rundown from Benn.

And if you really want to dive into landscape photography, check out our latest tutorial, “Photographing the World: Japan With Elia Locardi!” 

Targeted Marketing, Team Approach Will Be Key To Wealth Management Success, Bluespring Says

Targeted Marketing, Team Approach Will Be Key To Wealth Management Success, Bluespring Says

Referrals are nice for any business owner, but financial advisory firms need to actively market their services targeted to their ideal clients in order to grow, according to Angela Osborne, chief operating officer for Bluespring Wealth Partners.

Market uncertainty and volatility always presents challenges for advisors but the same unpredictable nature of the financial world can present opportunities for advisors to reach out to new clients and solidify relationships with existing clients.

These and other trends are going to dominate the industry in the years to come, she said.

Optimizing state-of-the-art marketing tools is only one way advisors can take advantage of the trends that are washing over the financial field and the economy as a whole.

Marketing of the future will focus on defining the ideal client for the firm and targeting the firm’s service pitch to those clients, Osborne, whose 30-year career has taken her to Bluespring after senior level roles at Morgan Stanley and Black Rock, among other firms, said in a wide-ranging interview. 

“Advisory firms are constantly looking for new clients. Firms rely heavily on referrals but they need to augment referrals with their marketing efforts. Challenges are always opportunities as well,” she said.  “Market conditions are always going to be uncertain, but advisors can use this uncertainty to get closer to clients.”

Bluespring Wealth Partners, a subsidiary of Austin-based Kestra Holdings and an acquirer and supporter of wealth management firms, has developed programs to take advantage of the future trends in the industry, said Osborne. 

“Trends that are developing in the financial industry are going to require advisors to be more than just money managers; they will have to be life coaches,” she said.

With nearly two-thirds of RIAs relying on referrals to grow their business, it’s now more important than ever for financial advisors to possess the knowledge, skills, and tools to help them generate and close leads as a supplement to their existing pipeline. Future marketing will need to focus on defining the ideal client for the firm and targeting the firm’s service pitch to those clients, Osborne said.

“Firms also will need to nurture advisors who can close a deal with prospective clients,” Osborne said. “The firm needs to know how to train the next generation of rainmakers.”

In addition to cultivating new clients, advisory firms need to cultivate the talent base for their firms.

“Some big name firms are laying off staff members, including advisors, but that does not necessarily mean more talent is available for other firms.” Osborne said. “Firms need to attract advisors who can complete the deal with prospective clients.

“Then the firms need to know their advisors can deal with the more complex services required by high-net-worth clients in the future,” she said.

Firms of the future will need to work with teams of advisors and experts, not just one advisor per client, if they want to provide holistic planning.

One of the programs Bluespring developed to assist its partner firms is the Blueprint for Growth program, which is designed to stimulate consistent and sustainable growth among those partner firms. The program helps address a core challenge for advisory firms — attracting and retaining new clients.

Blueprint for Growth was developed to assist with the problems of acquiring new clients and effectively generating leads in order to increase revenue and ultimately drive growth.
 
“This program is an extension of our commitment to develop scale and leverage for our partner firms by building a comprehensive wealth management platform,” Osborne said. “As an integrated business-to-consumer solution, the Blueprint for Growth program will accelerate growth and build efficiencies within the entire Bluespring network, creating a culture of referral and growth for partner firms to ensure future business growth, sustainability, and value.”

Another trend that is becoming clear is the need to offer high-net-worth clients more family office style services, including such things as trust services and philanthropic planning. If the firm does not have the expertise to handle some services, the firm needs a network of third party experts they can bring in to handle clients’ needs.                                        
                                        
At the same time, as more advisors are aging out of their businesses and retiring, there will be a need for a second generation to take over, Osborne said. Bluespring developed the Bluespring Successor Academy in 2019, which features industry experts and peer discussions to train the next generation of advisors.

“The future of the financial world is going to require firms to be nimble so they can meet the changing needs of clients,” she said.

2023 Best Modern Travel Gifts for the Jetsetter

2023 Best Modern Travel Gifts for the Jetsetter

Know someone with a bad case of wanderlust? Or someone who has to travel often because their work demands that single-serving, carry-on lifestyle? The holidays are also a time when many of us are traveling to return home or visit family, making it an ideal opportunity to give those near and dear gifts to make the stress of travel a little more comfortable, fun, and maybe even a bit more fashionable. Check out some of our favorite modern travel accessories below!

A dopp kit/toiletry bag should be compact in size, durable in construction, and easy to fill with all of your travel necessities. But what sets apart the Acne Studios version from all others we’ve perused is its more fashionable style, a durable nylon-ripstop bag with a big ole handle, a cool looking tonal-sand grid pattern, and a suede-trimmed ID slot to make sure nobody mistakes your kit for their own. It’s pricey, but the material guarantees it should last many trips around the globe.

grid of six different travel photo book styles designed to turn digital images into photo albums

Most of the gifts listed in this guide are intended to make travel easier while en route or upon reaching a destination. But Artifact Uprising’s hardbound photo book is what we’d gift our favorite globe trekker when they’ve returned home, a template to turn their digital photos into a visual record of where they’ve been, what they saw, and who they’ve met all in printed form. Beyond being a great memento, a customizable photo book is an effective means to compel the traveler with hundreds of smartphone photos to pick out only the most cherished “wish you were here” memories.

Mint green slim backpack with magnetic flap front, alongside second image to left showing its interior capacity, shown with small items inside

Traversing airports with a huge backpack or purse slung across the shoulder can be cumbersome, so traveling with a slimmer option like this waterproof rucksack is not only practical, but tons more comfortable. This slim silhouette bag is deceptively large, and is outfitted with enough capacity to carry a 13″-15″ laptop in its own dedicated pocket. There’s even a concealed external phone pocket on the back panel that simplifies reaching for your phone or passport without making a big production out of it (and it also makes for a handy secretive spot to keep cash). With 10 different colors to choose from, you might want to buy more than one.

Black wand shaped garment steamer with gold and red detailing

It’s a bummer traveling abroad and unpacking a suitcase filled with folded or wrinkled clothes only to discover your hotel room doesn’t have an iron and board easily on hand. Traveling with a garment steamer is a pro-level solution, making anyone’s shirt or dress more presentable. Using a steam wand does especially well for wardrobes leaning heavily toward light cottons and linens, and it packs light and slim.

Round multi-port travelers international power adapter with carrying case

Who hasn’t heard the big sad trombone after realizing you’ve arrived somewhere abroad that requires a completely different power plug with limited charging ports available? The Super Bagel isn’t just a great name, but a handy design that allows charging a multitude of devices all at once, with an 18 watt fast charge USB-C and USB-A charging port, alongside 5 AC sockets and an international plug adapter. Pulling out a bagel to share is always a welcome gesture, but even more so when someone is in dire need of a recharge.

Two images of dark blue Sony ANC headphones, one by itself from the front, the second stored in a carrying case.

I tell everyone who travels regularly that a pair of active noise canceling headphones is a complete game changer. I’ve sat next to crying babies – alongside a few tantrum-prone adults – numerous times over the last year after buying a pair of Sony’s top-of-the-line ANC headphones, and they’ve never stopped impressing with their ability to neutralize unwanted wails with impressive ease. They’re also great for watching movies onboard or connecting wirelessly to a phone or tablet, making dialogue intelligible even with the constant sound of a jet engine thrum. There are other headphones with comparable audio, but the 1000XM5 stands out for their lightweight comfort, something you come to appreciate during flights measured in hours.

Small army green carrying document case with strap, with second image showing its spacious 7 pocket interior complemented with bright orange detailing.

Even the aforementioned slim backpack above might be overkill while exploring a city, when all you want is a place to safely keep the bare necessities during sightseeing excursions. The Tanker Travel Case opens up like a salesman hawking wares from their trench coat, with seven pockets and two pen sleeves, with vibrant splashes of rescue orange on the inside. Constructed from the same 3-layer fabric developed for US Air Force flight jackets, this nylon twill, polyester cotton, and taffeta sewn bag is tough, but super lightweight. Designed to sling underneath a jacket or coat out of view, you’ll be tempted to show off your Japanese made bag to all to admire.

Black round vibrating massage ball with six multi-colored LED lights.

I don’t know how many times I’ve wished I had packed my Rumble Roller to massage out the knots after enduring a long international flight. If you know someone with frequent flyer mileage tallied in the six or seven figure range, chances are they’ll really appreciate being gifted one of these compact vibrating massage balls. It’s the next best thing to carrying around a roller or booking an expensive appointment with a masseuse, and can also be used en route to soften the edges from flying coach.

four color travel journal

Despite my tech-laden ways, I still like to write everything down while traveling, including details about my itinerary, accommodations, sights to see, places to eat, and contacts on the ground. Something about the hand + brain connection aids in the retention of all sorts of information and memories no amount of pecking on my iPhone ever does. This colorful notebook by Poketo is ideal for that purpose, small enough to slide into a travel pack, and always ready for a note or a reminder at a glance.

Three travel toothbrush cases staged with their tops removed on the precipice of a small light blue stand surface

If you plan to buy a nice toiletry bag, why perpetually ruin it by tossing in a wet toothbrush? That’s the argument for investing in a toothbrush holder. These cheerfully pastel hued cases aren’t just cute, but include a small drain at the bottom to keep your dental implement from getting gnarly and a rubber pull tab up top makes getting to it easier even when jet lagged. Combine a holder with a bottle of toothpaste bits and a fancy toothbrush to say you care about your wanderlust-stricken recipient’s most missed smile.

Follow along so you don’t miss any of our 2023 Gift Guides this year!

This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Six Nations artist’s new play tackles false claims of Indigenous ancestry, with humour

Six Nations artist’s new play tackles false claims of Indigenous ancestry, with humour

The seeds for the play were sown long before the controversy surrounding Buffy Sainte-Marie’s Indigenous ancestry, but there’s no denying that Six Nations artist January Rogers’ new work is timely.

The premise of “Blood Sport” involves a fictitious game show in which contestants compete for Indigenous heritage. It was selected for a staged reading on Friday (Nov. 10) at the Weesageechak Begins to Dance festival in Toronto.

The allegations and headlines surrounding Sainte-Marie followed a CBC report last month that she falsely claimed her Indigenous roots. However, Rogers began working on the play well before that.

Coming off shooting her web series “NDNs on the Airwaves” last year, one of Rogers’ frequent collaborators, Yuma Dean Hester, commissioned her to write a play about the subject of people who claim to be Indigenous but aren’t.

Approaching the situation through the lens of satire, Rogers took inspiration from factual experiences “that we see happen in the Native community, more often than not these days,” she said.

The play also touches on the emotional aspects, addressing both what Rogers described as the “ridiculousness of folks who are trying to pass themselves off,” as well as some of the “real, lived-experiences by people who are attempting to come back home in a really honourable, and serious and authentic way.”

That coming home experience is something Rogers herself experienced when she returned to her community of Six Nations in 2019 after spending years living on the West Coast.

While her primary goal in writing the play was to create an effective theatre piece, Rogers said she does hope it will spark others to “have those conversations among themselves and decide for themselves where their knowledge and reactions are going to land with this issue.”

It may even serve as a bit of a tonic or a balm for people who are having a hard time in light of what has been said about Sainte-Marie, said Rogers.

“The feeling of being deceived is never an easy one to get over. And when it’s done on this level, it’s probably even more hard to come to terms with,” she said.

“My heart goes out to those who are struggling with that information and with where they’re going to land with that,” she said, adding “but come on out and have a laugh in the meantime.”

Celeste Percy-Beauregard’s reporting is funded by the Canadian government through its Local Journalism Initiative. The funding allows her to report on stories about Brant County.

Art Exhibit At Tulsa’s Gathering Place Celebrates Native American Culture

Art Exhibit At Tulsa’s Gathering Place Celebrates Native American Culture

A new art exhibit celebrates Native American culture. It’s on display this month at Tulsa’s Gathering Place.

The exhibit is titled “WeAre.” It’s on display in the ONEOK Boathouse at Gathering Place through Sunday, November 26.

It showcases art from 13 tribal artists of the Muscogee, Osage, and Cherokee Nations.

The art includes Native photography, sculpture, pottery, paintings, textiles, woven paper, and more.

There will also be a panel discussion with the artists on Sunday, November 12 at 2 p.m.

News On 6’s Alyssa Miller was live to give us a look.

Indigenous art finds dedicated exhibition space within Manitoba Legislative Building

Indigenous art finds dedicated exhibition space within Manitoba Legislative Building

Scattered throughout the century-old Manitoba Legislative Building are the works of famed Indigenous artists, including Daphne Odjig and Jackson Beardy.

Some pieces hang in offices, while others are placed for passersby to see.

Now, one room in the historic building is home to an exhibit that showcases more than 20 pieces of Indigenous art.

Having one space that captures the province’s vast collection of contemporary and traditional Indigenous art was something Myrna Driedger envisioned during her years as Speaker. She chose not to seek re-election as a Progressive Conservative legislature member earlier this year.

“It was always at the back of my mind that it was something that I would love to see in the building, so that the building itself becomes a little bit more representative of our history,” Driedger said in an interview on Thursday.

“Manitoba is pretty lucky that we have a building as beautiful as this, and now we have a room that is as inspiring as this.”

Two women look at Indigenous art paintings on a wall
Amy Karlinsky, visual arts consultant for Manitoba Sport, Culture and Heritage, left, and Myrna Driedger look at a Linus Woods piece in the new Indigenous art exhibit. (John Woods/The Canadian Press)

Artwork from Beardy, who was Oji-Cree, and Odjig, who was Potawatomi, shares the same walls as pieces from Ojibway artist Jackie Traverse and Inuk artist Marion Tuu’luq in the Golden Boy room, named after the prominent statue perched on the top of the legislative building.

The public room was chosen because it is available to everyone and is often used to host events.

“[The works of art] are not stuck in some office somewhere where people can’t enjoy them,” Driedger said.

“To have them on display in one room, it has a bigger impact than if it’s scattered all over and nobody sees them.”

The province has amassed more than 2,800 pieces in the roughly 50 years since it started its art collection. A diverse array of artists and art is represented in the collection, a spokesperson for the province said. This includes portraiture, still life, caribou tuftings, bold abstractions and wildlife studies.

A woman sits in a chair in a large meeting room. She is seen from the back, looking over her shoulder at the camera.
Myrna Driedger says the Golden Boy room was chosen for the exhibit because it is available to everyone and is often used to host events. (THE CANADIAN PRESS)

While the province has obtained a considerable amount of Indigenous art, the spokesperson said they do not have a total figure due in part to incomplete documentation and artists’ heritage disclosure.

The province’s art collection is displayed in more than 100 buildings and public spaces across Manitoba.

When it came to deciding which pieces would be included in the exhibit, Driedger turned to Amy Karlinsky, who is the province’s visual arts consultant.

“We researched where were some of what we understood to be significant pieces, where were they, in which offices,” Karlinsky said.

“We were looking for what are some of the earliest acquisitions in contemporary Indigenous art, and we balanced that with some of the more recent acquisitions.”

A woman looks at framed artwork on a wall
Myrna Driedger looks at some Jackson Beardy pieces in the new Indigenous art exhibit. (John Woods/The Canadian Press)

Some of those earlier works, including drawings by Odjig, were purchased by the government in the 1960s and 1970s.

One of the more recent pieces comes from Cree and Métis artist Carly Morrisseau, whose work uses Cree syllabics as a way to revitalize the language.

When asked which artwork resonates most with her, Driedger pointed to a large, colourful painting.

The piece by Traverse called “Council of Women” depicts a circle of women against a vibrant orange background.

“I just love it,” said Driedger, who worked to break down barriers for women in leadership roles during her 25-year career.

DDW23: Design Academy Eindhoven Graduates at the Heart of Dutch Design

DDW23: Design Academy Eindhoven Graduates at the Heart of Dutch Design

The Design Academy Eindhoven graduate show is always a highlight of Dutch Design Week – and is in some ways the beating heart of the city’s creative scene, as many graduates choose to base their studios here after they have completed their studies.

The installation above is a typically thought-provoking piece called Gaia, How Are You Today? by Yufel Gao. He 3D-printed 92 terracotta pots, each designed using a day’s worth of weather data – the further from average the temperature, humidity, and wind speed, the more distorted the form to remind us that nature is not submissive or static, but chaotic and unyielding.

The Popping Sound of Bubble Wrap by Ilaria Cavaglia is made using discarded bubblewrap, styrofoam, and newspapers, drawing inspiration from the grotto aesthetic, to blur the line between the organic and the synthetic.

A wooden and glass cabinet contains smaller pieces of timber throughout and an entire tree trunk segment at the bottom

Ben van Kemenade designed Regenerated to house the timber collection of 86-year-old carpenter Riky van Dullerman. A freshly cut tree trunk provides the necessary humidity to prevent the older pieces from warping or cracking. The project reflects on caretaking, preserving the old while the young matures, and the transfer of knowledge between generations.

A mask made from coils, beads and flat sections of brown fabric features two prominent horns.

Michelle Akki Jonker’s The Mutuba Spirit is a mask made from traditional Ugandan bark cloth, a popular material before British colonialists demonized it in favor of cotton, creating a stigma that exists to this day. Michelle plays with iconography from the two cultures, using horns that, in European countries often symbolize the devil, but within her Ugandan heritage represent protection.

A pale wooden box slightly larger than a coffin has windows in the sides and a off-white sleeping mat in its base. It is suspended in the air on ropes and pulleys.

The Trunk Bunk by Henry K Wein is a portable tree house that can be towed along behind a bicycle enabling city folk to escape into nature and get some respite from the “always-on” world that so many of us now inhabit.

Four branches are hung horizontally from the ceiling and a long piece of fabric which changes colour and pattern for each branch is draped over them.

Paul Schaffer explored the symbiotic relationships between different organisms in The Warp of Symbiogenesis – in each piece, the warp represents one species and the weft another. There are five sections each representing the different types of symbiotic relationships in nature. Competition is defined as “harm-harm,” amensalism as “no effect-harm,” parasitism as “benefit–harm,” commensalism as “benefit-no effect,” and mutualism as “benefit-benefit.” The intention of the piece is to remind us of the interconnectedness of nature – and to include ourselves in that.

A sculptural table is made from vertical segments of wood. It has a very uneven, wavy edge, a very deep surface and multiple, irregular legs.

“Trash for you is treasure for me,” says Dario Erkelens. Abandoned Treasures is his collection of sculptural furniture made of abandoned material to explore the creative potential of what we throw away. Having grown up in rural Switzerland, where resources were carefully conserved and reused, he was shocked by what city dwellers routinely discard, and created this work to raise awareness of the wastefulness of our contemporary throwaway culture.

A delicate structure that almost looks like two legs walking is made from splints of wood and metal held together with wound wire and cotton.

In Unsettling by Tanay Kandpal is a series of sculptures designed to celebrate the material culture of Jugaad – a Hindi term that refers to quick and improvised solutions – and explore the practice as a critique of Western industrial design’s failure to accommodate the unexpected.

A faded yellow zip bag is inside a curved section of thick bark – the whole thing is held together with two dark green plastic straps

The Swarm Shepherd was created by Pablo Bolumar Plata as the outcome of a collaborative design research methodology exploring an experimental approach to beekeeping. The hybrid device above incorporates wax canvas with substances that attract swarming bees to guide them to apiaries. Once a colony nests inside, the cork outer layer provides protection for their honeycomb.

Sien Entius’ Couture Objects explores her conflicted sense of identity as she transitioned from her background as a furniture maker into a design degree at Design Academy Eindhoven. She compared the craftsmanship in furniture making with tailoring by making outfits for cabinetry. They were displayed in front of posters advocating for the role of craft in design.

Dancing red and blue light that looks as if it might have been reflected off water comes through a series glass bricks at the 90 intersections of two walls.

The Beauty of Time Passing by Toshihito Endo uses smart technology to mimic the way Japanese architecture plays with natural light, inviting a sense of nature into spaces without direct access to it – you can even match the light patterns to the weather outside.

A plot of earth is measured out with wooden stakes and string. Various artefacts have been layed out on a white cloth and tools can be seen in the soil. There are some plants in the far corner.

Fedora Boonaert created a speculative archeological site that draws attention to the forgotten and knowingly marginalized oral knowledge of 16th-century midwives and “wise women” – particularly regarding female health and wellbeing – in the Low Countries. As male physicians replaced them, traditional women’s remedies were condemned as “witch-crafts” and wise women as witches, resulting in persecution and even death. Fedora hopes to address this historical injustice, the ramifications of which pervade modern-day medicine, through lectures and archeological expeditions of her site, as part of her project An Archeology of Women’s Wisdom.

Some autumnal leaves can be seen in the foreground. A cushion with the same color and texture is behind them.

In/Outside included a set of ephemeral domestic objects by Lison Guéguen made in accordance with the natural life cycles of the materials from which they are made. The installation explores the notion of mutually beneficial relationships with the more-than-human world and Lison talks about “borrowing” resources from the Earth, which immediately suggests a different approach than if we “take” them.

Photography by Katie Treggiden.

Katie Treggiden is a purpose-driven journalist, author and, podcaster championing a circular approach to design – because Planet Earth needs better stories. She is also the founder and director of Making Design Circular, a program and membership community for designer-makers who want to join the circular economy. With 20 years’ experience in the creative industries, she regularly contributes to publications such as The Guardian, Crafts Magazine and Monocle24 – as well as being Editor at Large for Design Milk. She is currently exploring the question ‘can craft save the world?’ through an emerging body of work that includes her fifth book, Wasted: When Trash Becomes Treasure (Ludion, 2020), and a podcast, Circular with Katie Treggiden.