2023 Best Modern Gifts Under $25

2023 Best Modern Gifts Under $25

You don’t have to break the bank or your blow up your credit score to give modern, delightful gifts! The little, thoughtful things are always some of our favorites – whether they’re found peeking out the top of our stocking or wrapped up with a bow. Here we’re sharing 10 modern gifts that slip in under the $25 mark and will definitely be standouts!

Perhaps the sweetest wine stopper to ever exist, this cute little cherry is an iconic novelty they’ll get lots of use out of for years to come. Measuring 5″ x 2″, its presence will be known no matter if the wine bottle is on the table or tucked away on a shelf. It includes a rubber ring to prevent pesky leaks that like to happen at the most inopportune times.

two farfalle-shaped pot holders and their packaging

We know there’s someone out there daydreaming about pot holders shaped like pasta, and we bet they’re on your gift list. This set of two are shaped like butterfly pasta, or farfalloni, and add a lot of fun to pulling dinner out of the oven. Their unique shape adds extra heat-resistance by placing a double layer of silicone between hot dishes and pans and your skin. Food grade, BPA-free, and even dishwasher-safe, these pot holders will charm anyone who spends time in the kitchen.

traditional yellow taxi made of LEGOs

Kitschy and forever linked to New York City, invite someone to create their own street adventure with this LEGO Yellow Taxi! The vehicle features an ad on the roof, side-view mirrors, license plates, and turning rubber wheels. Made using a total of 124 pieces, this is a great gift to have on hand for car lovers, kiddos, and unexpected guests!

light-skinned person with light brown hair models a red and white mushroom hair clip

Hair clips are trending in a big way, and we absolutely love those that have a big personality – like this mini mushroom hair claw. Made from cellulose acetate, a plant-based alternative to plastic, it’s handmade and hand-painted, making each one-of-a-kind. The clip’s size – 2″ x 1.5″ – is perfect for a half up, half down style or any other creative look they can come up with.

three thin white notebooks with colorful stitching standing up

Birch Bark is a simple, elegant 3-pack of notebooks from the ever-popular Field Notes brand. Like the birch tree itself, each is protected, in this case with speckled 110# Mohawk Loop “Snow” cover stock that has just a hint of warm grey. The seasonal changes the leaves go through as the year passes are reflected in green, yellow, and black staples and in the graph colors of the 60# Finch Opaque paper.

four cocktail picks with fruit shapes on the end of each

These cocktail picks will make their signature drink look even tastier. The set of four gold picks each feature a different piece of fruit colored with an enamel finish adorning one end. The picks measure 4″ long, the ideal size for garnishing everything from a dirty martini to a Shirley Temple. Just try to avoid being tempted to keep them for yourself!

three light pink one hitters on a white background

This 3-pack of handcrafted one-hitters – intended for use with dry herbs/flowers where legal – feature a sleek, tapered design that’s minimal with a good hand feel. The lucky recipient can hide them away to use one at a time, or share with friends. There’s a variety of colors to choose from, we’re just partial to the pink.

brown-skinned hand places a wood air freshener on a sun visor

This is nothing like your standard car air freshener. For the sophisticate on your gift list, Drift’s wood fresheners combine functional design with their designer grade scents. The modern take on the green, tree-shaped cardboard is a definite upgrade, made with sustainable wood and magnetized to fit on a car’s window visor with a metal clip. Soaked in essential oil blends, each one provides good smells and good looks, free of harmful chemicals.

multicolor flat-pack chicken ornament hanging against a mint green background

We love gifting ornaments, especially ones that can be hung elsewhere (a plant, a doorknob, etc.) during the rest of the year. This chicken ornament arrives flat-packed and includes two sheets of vegetable ink printed, recycled cardboard. You – or they! – only need to pop out and assemble the little 3D craftwork. And if chickens aren’t their thing, there are other options to choose from.

smart phone camera converter attachment

Most of us rely on our smartphones for snapping more photos than we ever did on 35mm film. This vintage looking converter slides on to mimic a camera shutter, making their phone feel more like a point-and-shoot camera and providing a more comfortable, balanced experience. There’s even a shutter button, activated by the phone’s Bluetooth, and the ability to mount the grip to a traditional screw-in tripod. Watch out Annie Leibovitz!

Follow along so you don’t miss any of our 2023 Gift Guides this year!

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Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

Texas Vignette Art Fair gives under-recognized women artists a place to shine

Texas Vignette Art Fair gives under-recognized women artists a place to shine

Portrayals of motherhood, paintings of the female gaze and video installations of fragility. Women artists across Texas shared the complex and joyous moments of womanhood at the Texas Vignette Art Fair.

“Texas Vignette has been more than an art fair for the last three days,” said Claudia Maysen, a mixed media artist from Keller, said. “It’s a community that is forming and extending its arms to the whole area.”

From Nov. 3 to Nov. 4, 89 artworks exclusively by Texas women were on display at the Dallas Market Hall as part of the fifth edition of the Texas Vignette Art Fair. Founded in 2017, Texas Vignette works to close the gender gap in the visual arts.

Chelsea Garcia of Dallas looks at a work by Ariel Davis during Vignette Art Fair at Dallas Market Hall, Saturday, Nov. 4, 2023, in Dallas. Texas Vignette selected 47 women artists from 216 applicants, who are working across the state of Texas in all mediums and disciplines of art.

Chitose Suzuki/Staff Photographer

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Chelsea Garcia of Dallas looks at a work by Ariel Davis during Vignette Art Fair at Dallas Market Hall, Saturday, Nov. 4, 2023, in Dallas. Texas Vignette selected 47 women artists from 216 applicants, who are working across the state of Texas in all mediums and disciplines of art.

“Our mission is to support, promote and connect women in the Texas art scene across the entire state,” president and founder Jessica Ingle said. “In art fairs, which have become a marketplace nowadays for artists to sell their work, it’s almost worse for Texas women artists and there are so few represented in these fairs, so we wanted to remedy that by starting a fair”

Each year, the Texas Vignette Art Fair is curated by a different woman juror. The juror chooses the artwork and the layout of the show. This year, Emily Edwards, the associate curator at Dallas Contemporary, was the juror. She reviewed 216 applicants this year, which is more than the art fair has ever received. Ultimately, 47 women artists across 23 Texas cities were selected to participate.

“I submitted artwork and was very excited to get to share it, not only in the space but to be around these other female artists,” Laura Briseno, a costume designer from Ennis, said. “It’s such a privilege.”

Edwards said some artists in the art fair were chosen for their work’s power to expose the public to new and challenging perspectives. Others were chosen for their ability to push forward the boundaries of a medium and its presentation.

Artist Chivas Stauffacher of Dallas looks at a work by Laura Davidson during Vignette Art Fair at Dallas Market Hall, Saturday, Nov. 4, 2023, in Dallas. Texas Vignette selected 47 women artists from 216 applicants, who are working across the state of Texas in all mediums and disciplines of art.

Chitose Suzuki/Staff Photographer

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Artist Chivas Stauffacher of Dallas looks at a work by Laura Davidson during Vignette Art Fair at Dallas Market Hall, Saturday, Nov. 4, 2023, in Dallas. Texas Vignette selected 47 women artists from 216 applicants, who are working across the state of Texas in all mediums and disciplines of art.

Felicia Jordan, a mixed media artist from Dallas, had two of her mixed media pieces in the show. One was a double-sided, king-sized quilt titled “Atlas Shrugged … And Walked Away.” On one side, a fabric silhouette of women with long, dark braids is carrying the world on her shoulders. On the other side, she’s walking away from it. Cursive words are stitched throughout the quilt. They were taken from a journal belonging to a woman Jordan considers her adoptive mother. The passages are in her handwriting and share her stresses of taking care of her family’s mental and physical health.

“I’m currently on this journey to document blackness, healing and trauma,” Jordan said. “What happens if we as women, who carry this burden of life and of keeping everyone together, what happens if we put that down and walk away?”

While there wasn’t a specific theme for the festival, many of the artworks selected depicted contemporary womanhood and were grouped by subthemes. One corner had abstract art that explored color and movement. In another area, the artwork focused on the body and what it represents. Other artworks dove into motherhood and memories of loved ones.

Chelsea Garcia of Dallas walks through a exhibit during Vignette Art Fair at Dallas Market Hall, Saturday, Nov. 4, 2023, in Dallas. Texas Vignette selected 47 women artists from 216 applicants, who are working across the state of Texas in all mediums and disciplines of art.

Chitose Suzuki/Staff Photographer

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Chelsea Garcia of Dallas walks through a exhibit during Vignette Art Fair at Dallas Market Hall, Saturday, Nov. 4, 2023, in Dallas. Texas Vignette selected 47 women artists from 216 applicants, who are working across the state of Texas in all mediums and disciplines of art.

“It was all speaking to what it means to be a woman and a woman artist [today] and specifically in Texas,” Ingle said.

Some of the art responded to current events and socio-political issues.

Maysen’s piece titled “Three B’s” was inspired by the book bans in Texas. She created a tower of books and added strips of black tape down the sides. Next to the tower of books was an engraved wooden cutout of a child that was anchored on a metal stool. The child, whose gender isn’t revealed, is looking up at the books but their eyes are covered by felt fabric.

“Books banned by the blind, they don’t want to see, they don’t want others to see.” Maysen said.

Artist Jon Mora of Dallas looks at a work by D’Lynda Crossett during Vignette Art Fair at Dallas Market Hall, Saturday, Nov. 4, 2023, in Dallas. Texas Vignette selected 47 women artists from 216 applicants, who are working across the state of Texas in all mediums and disciplines of art.

Chitose Suzuki/Staff Photographer

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Artist Jon Mora of Dallas looks at a work by D’Lynda Crossett during Vignette Art Fair at Dallas Market Hall, Saturday, Nov. 4, 2023, in Dallas. Texas Vignette selected 47 women artists from 216 applicants, who are working across the state of Texas in all mediums and disciplines of art.

All sales from the fair goes to artists. Victoria Brill, a painter in Dallas, said she likes that Texas Vignette allows artists to participate in the art fairs more than once. Like other artists this year, this was Brill’s second time at Texas Vignette Art Fair.

“Even though a lot of work has been done to show female artists and represent women artists prominently, I still think it’s really important to push that and Texas Vignette just does an amazing service for women in Texas,” Brill said.

Arts Access is an arts journalism collaboration powered by The Dallas Morning News and KERA.

This community-funded journalism initiative is funded by the Better Together Fund, Carol & Don Glendenning, City of Dallas OAC, The University of Dallas at Texas, Communities Foundation of Texas, The Dallas Foundation, Eugene McDermott Foundation, James & Gayle Halperin Foundation, Jennifer & Peter Altabef and The Meadows Foundation. The News and KERA retain full editorial control of Arts Access’ journalism.

Photography Business Institute Announces Inaugural Graduation

Photography Business Institute Announces Inaugural Graduation

Industry: Education

Photography Business Institute celebrates its first graduating class of Certified Boutique Photographers at its headquarters in Springfield, Illinois.

Springfield, IL (PRUnderground) November 6th, 2023

The Photography Business Institute has reached a momentous milestone in the photography business education field. With pride and excitement, the institute announces the graduation of its first-ever class of CBP Certified Boutique Photographers. This distinguished designation has been earned by 12 talented photographers, marking a remarkable step in their journey toward becoming top-tier photography business owners in the nation.

At the forefront of photography business courses, the Photography Business Institute has redefined the standards of excellence within the industry. The Certified Boutique Photographer program has meticulously assessed candidates, scrutinizing their competence in business practices, client interactions, marketing materials, and strategies, culminating with a comprehensive evaluation of their photography skills. This designation reflects dedication, experience, and honed skills, all contributing to a level of professionalism and expertise that is truly commendable.

Founder of the Photography Business Institute, Sarah Petty, extends her warm congratulations to the inaugural graduates of the Certified Boutique Photographer program: “This graduation signifies a remarkable achievement in the journeys of these outstanding photographers. We take pride in providing a thriving school community that allows these professionals to showcase their experience and expertise, ultimately reaching this milestone and distinguishing themselves in the competitive photography industry.”

The Certified Boutique Photographer program, offered by the Photography Business Institute, is an all-encompassing qualification designed to set a standard in the portrait photography business. The program has over 150 dedicated students enrolled, each striving to meet the education requirements in a blend of in-person and online courses to earn this distinguished designation.

This first graduating class of Certified Boutique Photographers underscores the Photography Business Institute’s unwavering commitment to excellence within the industry. Offering courses suited for photographers of every skill level, the institute aims to refine both the art and business skills essential for a thriving career. To learn more about the Photography Business Institute and its Certified Boutique Photographer program, please visit www.PhotographyBusinessInstitute.com.

About Photography Business Institute

Photography Business Institute aims to educate photographers about how to have a viable, self-sustaining career as a professional portrait photographer and to make lasting contributions to the legacies of the families they photograph and the communities in which they reside.

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Photography talk focuses on the abstract

Photography talk focuses on the abstract

MOUNT DESERT ISLAND — Award-winning landscape photographer Jim Nickelson will give a Zoom talk to the Mount Desert Island Photo Club at 6:30 p.m. on Tuesday Nov. 14, on how his pursuit of abstracts in nature impacted the evolution of his own photography.

Based in Camden, Nickelson works as a fine art photographer, custom digital printer, bookmaker and teacher. Before that, he was a NASA engineer and corporate attorney. To see his work, visit www.jimnickelson.com.

An Old Idea Made New: Biomimcry 3D-Printed Terracotta Cooler

An Old Idea Made New: Biomimcry 3D-Printed Terracotta Cooler

Maybe you’ve already seen a video or listened to a podcast explaining how ancient civilizations across the arid lands of the Middle East have long used terracotta structures with water to create efficient evaporative cooling solutions, systems that neither require electricity nor create an iota of emissions. Large installations such as Ant Studio’s large natural air cooler have been built to showcase how the porous material paired with water can cool surrounding air by the process of evaporation, especially of interest across our dangerously warming planet.

But what about applying the same idea on a smaller scale, one suitable for a house or just a room? Simon Pavy and design agency Entreautre have set out to use that same principle in the form of a small vessel, using a customized 3D printer to create the Biomimcry 3D-Printed Terracotta Cooler.

Within a ceramic vessel no larger than a typical houseplant planter lies the secret of the Biomimcry’s cooling qualities: an intricate nest of looping volumes inspired by coral. The vessel is manufactured layer by layer using a special 3D printer customized by Dutch artist, Olivier Van Herpt. Instead of typical plastic filament fueling output, Van Herpt’s printer extrudes terracotta in filaments with the precision of a skilled pastry chef using a fine-tipped icing bag.

Biomimcry 3d printed ceramic cooling vessel being printed using special adapted 3D printer using terracotta filament layer by layer, with tubes and printer head spotlighted.

The 3D printer has unlocked biomimetic geometries impossible to achieve by traditional manual techniques.

The coral-inspired form increases surface area where water can evaporate, and in turn, cool ambient air. The process is aided with a modern technological accomplice: a fan. Alongside the aid of an electric fan positioned at the bottom of the vessel, the evaporative effect is magnified by the layered coils’ finely ridged texture, a physical characteristic created during the 3D-printing process itself. In this way the technical constraint of 3D printing has become both an aesthetic signature of the object and an efficacy enhancer.

Overhead of Biomimcry 3d printed ceramic cooling vessel's coral inspired undulating ceramic design.

Hands holding the interior section of the Biomimcry 3d printed ceramic cooling vessel, revealing how it's printed.

A collection of 3D images of the Biomimcry 3d printed ceramic cooling vessel during its planning and design stages with notes about its coral-based shape and how it increases surface area cooling.

“I designed this structure using the software Grasshopper,” says designer Simon Pavy, “Which is a visual 3D programming language connected to Rhino 3D. It enables the creation of intricate and parametric components that would be challenging to achieve with conventional CAD programs.”

View underneath the Biomimcry 3d printed ceramic cooling vessel revealing the electric fan that helps deliver more air across the vessel's surface area to improve evaporation rates.

The Biomimcry 3D-Printed Terracotta Cooler still has some ways to go to make the jump from concept to a readily available product. But creator Pavy says the project is planned to launch in an industrial version as early as 2024 upon graduating from its current testing phase.

Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Victoria Rose Richards Surveys Land From Above in Atmospheric Embroidered Landscapes

Victoria Rose Richards Surveys Land From Above in Atmospheric Embroidered Landscapes

All images © Victoria Rose Richards, shared with permission

Aerial fields of vision emerge from Victoria Rose Richards’ embroidered landscapes. Setting scenes from up above, the artist (previously) uses thread to achieve a variety of patterns and textures, implementing satin stitches and french knots to form curiously shaped fields, patches of trees, and bodies of water. The majority of her pieces take at least 10-25 hours each, with every meticulous detail shining through at the end.

Richards is inherently connected to her natural surroundings. Raised and based in South West Devon, nostalgic vistas of farmlands, woodlands, and the countryside make up the subjects of her pieces, emanating feelings of homeliness and familiarity. The artist shares with Colossal that she loves depicting fields because of “the different formations and patterns they make, some being orderly and others higgledy-piggledy, some looking naturally formed and others forced.”

Richards’ work will be included in the ING Discerning Eye Exhibition starting November 17. This winter, the artist is also creating calendars with images of her work, so keep up with her Instagram and website for the latest updates.

 

an aerial view of a green landscape surrounded by bodies of water embroidered inside of an embroidery hoop.

an aerial view of a green landscape embroidered inside of an embroidery hoop.

an aerial view of a green landscape with clouds embroidered inside of an embroidery hoop.

an aerial view of a green landscape with a pond embroidered inside of an embroidery hoop.

an aerial view of a green landscape embroidered inside of an embroidery hoop.

a cornfield landscape during a thunderstorm, embroidered within an embroidery hoop.

an aerial view of a green landscape embroidered inside of an embroidery hoop. an aerial view of a colorful landscape embroidered inside of an embroidery hoop.

an aerial view of a green landscape embroidered inside of an embroidery hoop.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Victoria Rose Richards Surveys Land From Above in Atmospheric Embroidered Landscapes appeared first on Colossal.

National Geographic Photo Camp Celebrates its 20th Anniversary

National Geographic Photo Camp Celebrates its 20th Anniversary

WASHINGTON D.C. — The National Geographic Society is proud to celebrate the 20th anniversary of National Geographic Photo Camp, a program that provides a meaningful introduction to photography for young people from communities around the world. Since the program was founded by National Geographic Explorer Kirsten Elstner in 2003, more than 3,000 students from 44 countries have participated in 147 Photo Camps. 

“The mission of Photo Camp has always been to inspire youth as they explore the power of their own stories through photography,” said Elstner. “I’m so thankful to the Society and our generous partners for supporting Photo Camp, to all of my fellow Explorers and photographers who have given their time as mentors, and of course to the students who continue to inspire me with their passion and creativity as they’ve shared their stories. Over the past 20 years, I can truly say that I’ve learned as much as I’ve taught.”

Over the past 20 years, Elstner has provided mentorship to students around the world –– from the very first Photo Camp in Washington, D.C. in 2003 (left) to New Zealand in 2023 (right). Photos by Becky Hale/ National Geographic and Erika Larsen/National Geographic.

Photo Camp fulfills its mission by working closely with renowned National Geographic Explorers and photographers, who provide positive mentorship and foster a sense of community among students. Each Photo Camp is a tailored, immersive experience that invites students to explore the world around them, share their personal stories, listen to and learn from others’ perspectives, and reflect on big ideas like the meaning of home or the ways we are all connected.

The program’s impact extends beyond the week as Photo Camp students continue to use their training and grow as storytellers and leaders. Many alumni have continued a relationship with National Geographic –– some as Young Explorers like Te Aho Jordan and Markus Martinez Burman –– or as teaching assistants at other Photo Camps.

“My experience from Photo Camp has not only influenced my photographic practice but in a wider sense, my artistic and design practices as well. I learned how necessary it is to empathize with your subjects in order to tell their stories well,” said Ankita Das, who started as a Photo Camp student in India in 2018. “As a team leader for two later Photo Camps, I tried to pass on my Photo Camp lessons to the new students because Photo Camp is just not only about learning technical skills and having a good time, it’s so much more than that.”

Photo Camp students have taken more than 2.5 million photos to date. Left, Photo Camp alumni Ankita Das made this photo during a Virtual Photo Camp in 2021. Center, Photo Camp alumni Latamai Katoa photographed her fellow Photo Camp student with the pride flag on the beach in Russell, New Zealand during Photo Camp Northland in 2023. Right, Photo Camp alumni Mokgwathi Motswagole took this photo during Photo Camp Botswana in 2022 while exploring the Okavango Delta.

“National Geographic is proud to support Photo Camp as a program that truly speaks to the heart of our mission and exemplifies the profound power of storytelling to illuminate, connect and inspire,” said Kaitlin Yarnall, the Society’s Chief Storytelling Officer. “We know that each Photo Camp leaves a lasting impression on the participants –– and the mentors –– but we hope that each photo also inspires the world to listen to this next generation. Their voices and stories matter, and they can make a difference.”

To celebrate the 20th anniversary of Photo Camp, 20 Photo Camp alumni have traveled to Washington, D.C. for a master class at National Geographic Base Camp that will kick off today. Follow @NGPhotoCamp on Instagram to see the students’ work throughout the week. 

Additionally, National Geographic will publish a book entitled Photo Camp Stories: Our World Through the Lens of Young Photographers on November 7. This inspiring book of photography unfolds around issues including identity, hope, and growth, delivering an authentic portrait of how large numbers of young people around the world see themselves and what matters most to them. Filled with more than 200 images spanning two decades and 35 countries, Photo Camp Stories conveys the raw yearnings of youth –– and imparts enduring lessons for the future.

About National Geographic Photo Camp

National Geographic Photo Camp provides a meaningful introduction to photography for young people from communities around the world. Each Photo Camp is an immersive experience where students receive instruction and guidance from world-class National Geographic Explorers and photographers, build skills and confidence, explore the world around them, and develop deep connections with each other. The goal of the program is to inspire the next generation of storytellers, and support them in sharing their experiences and perspectives.

The Tirhal Collection Empowers Women Artisans Through Craft + Culture

The Tirhal Collection Empowers Women Artisans Through Craft + Culture

Debuting for the first time outside of the United Arab Emirates is the Tirhal Collection, conceptualized by Lithuanian-born textile designer Loreta Bilinskaite-Monie for Al Ghadeer Emirati Crafts. Tirhal’s (meaning ‘journey’) launch marks a contemporary revival of, and tribute to, traditional Emirati design, carrying us through from ancient tribal roots to modern day society.

Photo: Mark Cocksedge

The heart of the collection is made from the skills and talents of 16 Bedouin women who are among more than 300 who have taken part in the Al Ghadeer Emirati Crafts program. They’ve handmade each piece of the Tirhal Collection with sustainable materials, including locally-sourced sheep’s wool and natural dyes. Tirhal celebrates the deep-rooted cultural practice of Al Sadu weaving, an age-old tradition in which women transform wool from their own sheep into furnishings such as tent dividers, cushions, and pillows.

red woven bench with an undulating shape

Photo: Mark Cocksedge

Bilinskaite-Monie’s vision captures the significance of cloth folding in the tribes across the Arabian Peninsula, who would fold up their tents, load them onto camel trains, and travel from location to location. Each piece features a modern, pixelated interpretation of a traditional weaving pattern, symbolizing the nomadic lifestyle of Bedouin communities.

“This design is a homage to the traditional life of Bedouin women – its authenticity and sustainability,” she said. “My aim was to showcase these weavings as their identity, their personal narrative, and to connect this rich social heritage with the sustainable, practical, and modern vision of the UAE.”

red woven bench with an undulating shape

The color palette of the Tirhal Collection represents traditional natural tones often found throughout tribal life in the Arabian Peninsula. The deep blue is produced from the powder of indigo plants, pale green is created from the ghaf tree, burnt orange comes from natural henna powder mixed with hibiscus, while the two-tone black and white reflects the traditional Al Mudayla’iya Emirati weaving pattern.

detail of red woven bench with an undulating shape

It took a cross-cultural collaboration to bring this collection of five benches to life, international designs and local artisans worked hand-in-hand to elevate traditional textiles. Through it all, Al Ghadeer aims to create economic opportunities and skills education for women artisans, enabling them to transform their communities and contribute to a more sustainable world.

blue woven bench with an undulating shape

Photo: Mark Cocksedge

detail of blue woven bench with an undulating shape

blue woven bench with an undulating shape

Photo: Mark Cocksedge

curvaceous black and white woven bench

Photo: Mark Cocksedge

rounded woven beige bench

Photo: Mark Cocksedge

curvaceous black and white woven bench

Photo: Mark Cocksedge

indigo blue dye powder

two light-skinned hands holding a wooden spool with blue yarn

light-skinned hand working on a loom strung with black and rust colored yarns

two light-skinned hands holding a wooden spool with white yarn

light-skinned hands working on a loom strung with black and rust colored yarns

light-skinned hands working on a loom strung with black and rust colored yarns

a circle of people sitting next to one another wearing black and one person wearing white

To learn more about the Tirhal Collection, visit alghadeeruaecrafts.ae.

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.