What to do when it snows? Build a giant snow animal of course!
The Kluge-Ruhe stands apart from all other art collections at the University — it is the only museum outside of Australia dedicated to showcasing Indigenous Australian art. The collection encompasses a wide variety of identities under the umbrella of Indigenous Australian art, from Aboriginal to Torres Strait Islander to Tiwi Islander. The exhibit “Performing Country” displays a wide variety of mediums including body paintings, woodcut prints and canvas paintings that explore the performance of country and culture.
Brenden O’Donnell and Emmy Monaghan, co-curators of the exhibit and graduate College students in the art department, said that they did not necessarily want to assign their own meaning to potential pieces for the exhibit, and instead hoped pieces would assert their own meanings for viewers.
O’Donnell and Monaghan ultimately decided on the theme “Performing Country,” wanting to explore this complex idea of what it means to create art for country within the constantly unfolding traditions of Aboriginal art.
“The multiple meanings behind ‘performing’ are essential to understanding some of those conversations that are happening in the galleries,” O’Donnell said. “[When] we’re talking about performing ceremony, we’re talking about performing in terms of the physical act of making the art.”
“Performing” is also about how the artist achieves certain visual effects as well as the performance of identity, O’Donnell said.
The physical, tangible performance of artmaking that is so integral to many aboriginal cultures can be felt most distinctly in this exhibit’s feature of the legendary artwork of Emily Kame Kngwarreye, entitled “My Country.”
In this painting, the physical reverberations of Kngwarreye’s brush strokes can be seen throughout the interweaving raw stripes of color down the canvas, which stretches the full length of the wall. Each pigment is pressed so hard into the canvas that there are upturned indents of the physical brush and even some left behind bristles.
According to a nearby plaque, Kngwarreye’s art is inspired by the immensity of the desert landscapes she grew up around and her need for abstraction in the face of such a stretch of land. This along with the inspiration of medium from her role as a community elder and as a ceremonial body painter inspired Kngwarreye’s very physical and intimate artistry. In every dig of the brush or new locus of color created directly on the canvas, the inspiration to bear homage to her land and country is palpable.
In the next room of the exhibit, onlookers are welcomed into another fold of the meaning of performance with the “Pwoja Pukumani Body Paint Design” of Pedro Wonaeamirri.
The Pukumani ceremony is central to the Tiwi culture, where community members come together to guide deceased brethren into the spirit world to ensure their reincarnation. This ritual involves the communal application of paint with a Pwoja, a type of comb, used to create intricately placed body paint designs called jilamara.
These body paint designs of Wonaeamirri are stagnant when put to canvas, but in their original cultural context, these intricate lines and dot placements tell stories of love and kinship. Those who knew the deceased most intimately must be fully covered to the point of being unrecognizable for the fallen to move into the spirit world.
With Pedro Wonaeamirris’s entry into this exhibition, there is a distinct sense of movement from both the physical making of the art and from its connection to community. The communal ritual of painting each other and of the days and nights of song and dance are also intended to guide the spirit forth in life, death, and celebration.
The next layer of performance examined in the exhibit is performative identity, specifically, the identity others stereotypically place on Aboriginal people told through Tony Alberts’s “Brothers Moving Targets.” Abert commented on the inspiration for this mixed media piece of scarred pigment photography.
“The issues I make art about, including oppression in many forms, are global,” Albert said. “Even when the source material is local, they are part of a connected global conversation.”
According to the work’s display label, the oppression he is referencing in this specific instance was the police shooting of two Aboriginal teenagers in April 2012 in Sydney, within the overall context of police brutality.
The sentiment of pain is communicated through the photo image of a male figure standing tall, head tilted up, shoulders pulled back and eyes set dead straight with a spotlight centered on his chest. The figure stands alone, proudly, against a black background with white scratches scarring the photograph’s surface as if protesting or clawing away from the forced societal identity.
At the center of the photo, a striking red concentric circle is painted on the male figure’s chest. These circles are Aboriginal symbols of identity and resilience often meant to denote home, but when contextualized through a modern lens, they read as a target on a brown body.
The Kluge-Ruhe will be featuring “Performing Country” until March of 2024, with the option of guided tours available to be booked on their website.
By Admin in Art World News

Albemarle CiderWorks: Inaugural Winter Craft Market will be from 1 to 5 p.m. Sunday. Register for a hand-building pottery workshop with Morehouse Studio and a wreath-making workshop with Robyn Makes Wreaths. Free. https://www.alemarleciderworks.com/news/event/winter-craft-market-2023.
Angelo Jewelry: “Sentiment in Place,” landscapes by V-Anne Evans, can be seen through Dec. 26. A First Friday opening reception is set for 5 to 7 p.m. Friday. (434) 971-9256.
Art Guild of Greene: More than 50 paintings and drawings by The Four Ferrante Sisters (Dianne, Inez, Noreen and Toni [Tucker]) are at Stanardsville Station through Dec. 29. The venue is open from 10 a.m. to 2 p.m. most Fridays and Saturdays. artguildgreene.org.
The Arts Center in Orange: artscenterinorange.com. (540) 672-7311.
The Barn Swallow: “The Art of the Cup,” pastel paintings by Brita Lineburger, on view through Thursday. Open 1 to 5 p.m. Fridays, Saturdays and Sundays. 796 Gillums Ridge Road in Charlottesville. thebarnswallow.com.
Botanical Fare Restaurant: Works by Judith Ely will be on display in November and December. Hours: 9 a.m. to 3 p.m. Tuesday, 9 a.m. to 8 p.m. Wednesday and Thursday, 9 a.m. to 9 p.m. Friday and Saturday and 9 a.m. to 5 p.m. Sunday. botanicalfare.com. (434) 217-4496.
C’ville Arts Cooperative Gallery: “Winter Craft Market, Nelson students’ A.I art await visitors. A First Fridays event is set for 5 to 7 p.m. Friday. 118 E. Main St. (434) 972-9500.
Carver 4-County Museum is making “Being a Citizen,” its new traveling exhibit, available during the 75th-anniversary year of George Washington Carver Regional High School, “Carver Forever: A Diamond Jubilee.” carver4cm@gmail.com. carver4cm.org.
The Center at Belvedere: The second Small Works Show can be seen through Dec. 19. https://thecentercville.org/.
Chroma Projects: Edie (Edith) Read’s “Wing” in the Great Hall South of Vault Virginia and “Sara Clark: Ornatus Mundi” in the Great Front Hall of Vault Virginia remain on view through December. “Aggie Zed: Congregation” can be seen through Dec. 22 on the main floor of Vault Virginia. Third Street Southeast, just off the Downtown Mall. A First Fridays artist reception is set for 5 to 7 p.m. Friday. artlab@chroma projects.com. chromaprojects.com.
Connaughton Gallery: “Landscapes and Georgia O’Keeffe Revisited” by Eric T. Allen and the Fiber and Stitch Art Collective on display through Dec. 8. Third floor of Rouss & Robertson halls at McIntire School of Commerce. Hours: 8 a.m. to 7 p.m. Monday through Friday; closed on weekends.
Crozet Artisan Depot: crozetartisandepot.com.
Cuppa Joe Coffee: Paintings and etchings by Tom Tartaglino on display at 90 Joshua Lane in Palmyra. Hours: 7 a.m. to 5 p.m. Monday through Friday and 8 a.m. to 3 p.m. Saturday and Sunday. (434) 906-4172.
Fluvanna County Arts Council: Palmyra Arts Fest will be from 10 a.m. to 3 p.m. Dec. 9 on Stone Jail Street in Palmyra. Rain date: Dec. 10. fluvannaartsnews@gmail.com.
The Fralin Museum of Art at the University of Virginia: “Processing Abstraction,” “N’Dakinna Landscapes Acknowledged” and “Look Three Ways: Maya Painted Pottery” can be seen through Dec. 31. Look for an upcoming artist talk by Cara Romero at a later date. “Madayin: Eight Decades of Aboriginal Australian Bark Paintings from Yirrkala,” one of the most significant touring exhibitions of Aboriginal Australian art ever stages, will be on display from Feb. 3 to July 14, 2024. uvafralinartmuseum.virginia.edu.
The Gallery at Studio Ix and The Charlottesville Black Arts Collective: “Gallery of the Year: A Collection of Eight Quilts by Amanda Wagstaff” will be on view Friday through Dec. 31. An opening reception is set for 5 p.m. Friday. Artist Talk is set for 5 p.m. Dec. 21. Gallery hours: 8 a.m. to 4 p.m. Monday through Friday and 8 a.m. to 2 p.m. Saturday and Sunday. studioix.co. (434) 242-0905.
Grace Estate Winery: 5273 Mount Juliet Farm in Crozet. Hours: 11 a.m. to 5 p.m. Wednesday through Monday and 11 a.m. to 8 p.m. Friday and Saturday. graceestatewinery@gmail.com.
The Guild Gallery: 300 E. Main St. (434) 227-1333.
Harrison Institute and Small Special Collections Library at the University of Virginia: “Their World As Big As They Made It: Looking Back at the Harlem Renaissance,” featuring works of writers, artists and thinkers of the Harlem Renaissance, through June 8, 2024, at 170 McCormick Road. library@virginia.edu. (434) 924-3021.
Kluge-Ruhe Aboriginal Art Collection: “Performing Country,” which explores the ways Aboriginal and Torres Strait Islander artists explore the complex idea of Country, on exhibition through March 3, 2024. “Three Women from Wirrimanu,” including colorful acrylic paintings on canvas by leaders of the desert art movement, on exhibition through Sunday. Free tours are offered by volunteer guides at 10:30 a.m. and 1:30 p.m. daily. 400 Worrell Drive. (434) 243-8500.
The Looking Glass: Look for two new pieces, “The Door to the Forest” by Sam Fisher and “Moon Rabbits” by Meesha Goldberg. Open Saturdays and Sundays. Ix Art Park Foundation has opened a major expansion of its immersive art museum featuring works by new and returning artists. ixartpark.org.
Louisa Arts Center: Gallery hours are 11 a.m. to 2 p.m. Tuesdays through Fridays at 212 Fredericksburg Ave. in Louisa. louisaarts.org. (540) 967-2200.
Loving Cup Vineyard and Winery: Hours: 11 a.m. to 5 p.m. Fridays through Sundays. (434) 984-0774.
McGuffey Art Center: Members’ Holiday Show and Shop continues through Dec. 31 in the Smith Gallery. Winterfest Open House is set for 1 to 4 p.m. Sunday. First Fridays event is from 5:30 to 7:30 p.m. Friday. Members’ Annual Holiday Show is in the First- and Second-Floor Hallway Galleries (cash and carry). mcguffeyartcenter.com.
Museum of Culpeper History: “The Culpeper Minute Men Chapter of the National Society of the Daughters of the American Revolution,” a new exhibit recognizing 100 years of DAR activity in Culpeper County, will run through July 2024. www.culppermuseum.com or (540) 829-1749.
Northside Library: Works by BozART members Judith Ely, Katharine Eisaman Maus and Shirley Paul can be seen in the main hallway from Friday through Dec. 30. Hours: 10 a.m. to 9 p.m. Monday through Thursday and 10 a.m. to 5 p.m. Saturday. Closed Sundays.
Phaeton Gallery: “William Mason Lord: closeness” is on display at 114 Old Preston Ave. phaetongallery.org.
Piedmont Virginia Community College: pvcc.edu/performingarts. (434) 961-5362.
Possum’s Store Art and Artisan Gallery: 914 Old Blue Ridge Turnpike in Criglersville. www.firnewfarmartistscircle.com. (540) 718-0370.
Pour la maison: pourlamaisoncville.com. (434) 284-8706.
Prancing Pony Pottery: Open House and Sale will be from 10 a.m. to 4 p.m. Saturday and Sunday in the studio of Anna Marie Torre Wright at 20370 Fields Mill Road in Richardsville. A kiln opening is scheduled. The crystalline pottery of Tessem Stoneware will be featured. prancingponypottery.com.
Quirk Gallery Charlottesville: “Colorscapes” by father-daughter painters Cate West Zahl and Tom West is on display. (434) 365-3774.
Random Row Brewery: Juliette Swenson’s newest watercolors can be seen in November and December. Hours: 4:30 to 10 p.m. Mondays through Thursdays, 4:30 to 11 p.m. Fridays, noon to 11 p.m. Saturdays and noon to 8 p.m. Sundays.
Revalation Vineyards: 2710 Hebron Valley Road in Madison. (540) 407-1236.
Rockfish Valley Community Center: “Strangely Human: Student-Directed, AI-Generated Art” by Nelson County High School art students can be seen through December. Look for works by Jaidyn Smith, Abbey Hobbs, Amari Tinsley, Amelia Lannen, Audrey Watts, Danica McGeehan, MaryJo Allen, Nathan Oneida, Eli Dixon, Emma Craig and Kat Critzer. (434) 361-0100.
Nan Rothwell Studio: Holiday Studio Sale will be from 10 a.m. to 4 p.m. Saturday at 700 Wilder Drive. (434) 263-4023.
Scottsville Museum: Museum is closed for the winter season and will reopen in April for regular weekend hours. To research local history, go to scottsvillemuseum.com. To schedule special tours, email info@scottsvillemuseum.com or call (434) 286-2247. 90 E. Main St. scottsvillemuseum.com. (434) 286-2247.
Sentara Martha Jefferson Hospital: “A Group Multimedia Art Exhibit” by BozART Fine Art Collective members can be seen through Monday. Look for works by Ellen Moore Osborne in the third-floor gallery birthing center hallway, Juliette Swenson in the second-floor gallery cancer hallway and Katharine Maus in the second-floor gallery lab hallway. 500 Martha Jefferson Drive.
Sweet Art Emporium: New work by jewelry artist Gilian Ruffa and sculptor Kap Stanfield among works by 70 artists on view. Open from 11 a.m. to 6 p.m. Tuesdays through Fridays and 11 a.m. to 3 p.m. Saturdays. 264 Turkeysag Trail, Unit E, in Palmyra. www.sweetartemporium.com. (434) 882-2087.
Unitarian Universalist Congregation of Charlottesville: Members’ art will be presented in “Season of Light” during November and December. Hours: 10 a.m. to 2 p.m. Tuesdays through Fridays and 10 a.m. to 1 p.m. Sundays. (434) 293-8179.
University of Virginia Hospital: “Nature Big and Small,” photography by Seth Silverstein and Bill Shaw, can be seen in the Main Hospital Lobby through Jan. 3, 2024.
Welcome Gallery: Hours: 10 a.m. to 5 p.m. Wednesday through Saturday. newcityarts.org. (434) 202-5277.
Westminster-Canterbury of the Bue Ridge: Works by Matalie Deane and Julia Kindred on display through Nov. 30.
Woodberry Forest School: “Two: Lincoln Perry and Frank Hobbes” is on display. Hours are 9 a.m. to 5 p.m. Monday through Friday and 1 to 5 p.m. Saturday and Sunday. www.woodberry.org/arts/baker-gallery.
Les Yeux du Monde: “Annie Harris Massie: Fleeting” can be seen from Saturday through Dec. 20. LYDMGallery@gmail.com. LYDM.co. (434) 882-2622.
Editor’s Note: Exhibits shares information about exhibitions presented on display or online in Charlottesville and Albemarle, Buckingham, Fluvanna, Greene, Louisa, Madison, Nelson and Orange counties. Items must be received by noon Friday for the next week’s issue. Include the opening and closing dates of your exhibit and a telephone number the public may call with questions. Send your information to jsathe@dailyprogress.com.
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By Admin in Art World News

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By Admin in Photography
A group of thirteen students in Del Mar College’s Advanced Digital Photography course are putting their artwork on display for the community during a exhibit focused on visual storytelling through a lens.
The students began nearly three months ago, learning the basics of digital photography in the intro course offered by adjunct professor, Jeff Janko. Several of the students pursued the intermediate course before taking on the advanced session this semester.
After gaining knowledge in camera aperture, shutter speeds, and camera sensitivity, the students began preparing to showcase their work.
Beginning Tuesday, Nov. 28, at least 60 photographs will be on display at Del Mar College Center for Economic Development, 3209 S. Staples St.
As Janko teaches his students about the world of digital photography, he thought back to when he first found interest in the field as a young boy.
“I have always been a photographer,” Janko said. “I started shooting pictures seriously when I was 11 or 12 years old.”
He taught at Texas A&M University – Corpus Christi for more than a decade before transitioning his creative skills to Del Mar College. Janko said he enjoys teaching students because although he is the teacher, they also teach him about the world through their eyes.
“Everyone sees the world different,” Janko said. “We think we all see it the same. Everyone has a different vision, I want to see the arts in Corpus Christi grow and these students can contribute to that.”
Adriana Bernardo is one of the several students putting their work on display during this season’s exhibit. She said she fell in love with photography in high school and hopes when people see her work, they get a glimpse of who she truly is.
“I think my work does tell my story,” Bernardo said. “I do love reading books and I do love cars and I do love plants. I like the repetition of lines. This work is ‘me.’ “
Lisa Perales said her lens has shown her the beauty in nature, which has encouraged her to follow a path into family photography.
“I was never into flowers and you see the beautiful colors of it through my photos,” Perales said. “The moon, the sunrises, all of it can describe something different. I want to do family pictures. I want to do weddings. And I’ve always been interested in taking pictures, always with our family.”
With nearly 60 photos on display, Janko and his students said they hope the community can see their hard work while also creating a focused vision of their own.
“Their exhibition is the culmination of all of their efforts for working for three months. They’ve concentrated on a theme. I want their family and friends to come and see what they’ve accomplished,” Janko said.
The exhibit will be on-display until Dec 14.
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By Admin in Photography

Wildlife photography and nature fans from around the world are invited to vote for their favorite image to win the Wildlife Photographer of the Year People’s Choice Award.
From a mudskipper fish defending its territory and a family of monkeys posing for a Christmas card to a young London fox making the most of a full bin, the 25 unforgettable images from which to choose, explore the beauty of the natural world and the impact of our actions.
The photographs were chosen by London’s Natural History Museum, which develops and produces the prestigious Wildlife Photographer of the Year competition, and an international judging panel considering 49,957 entries from 95 countries.
“Since our panel of judges can only award 100 winners, each year the Natural History Museum chooses an additional 25 photographs from which we ask the public to select the recipient of the People’s Choice Award,” the organizers explain.
This year’s selection also includes the moment an Adélie penguin approached an emperor penguin and its chick, and the striking image of fashion garments made from the skins of some of the most endangered big cats.
“Wildlife Photographer of the Year’s People’s Choice Award always offers an astounding selection of images and this year is no different,” said Douglas Gurr, Director of the Natural History Museum. “We invite the public to join the jury and vote for their favorite. “Whether breathtaking beauty or a powerful story, it’s sure to be a difficult decision.”
The public can vote for their favorite image either online or at the flagship Wildlife Photographer of the Year exhibition at London’s Natural History Museum. Voting closes on January 31, 2024.
The winner and top four images will be announced in February, 2024, and join the winners of the 59th competition announced earlier this year. The People’s Choice Award images will also be showcased in the Wildlife Photographer of the Year exhibition until the exhibition closes on June 30, 2024.
Using photography’s unique emotive power, the annual competition and touring exhibition shine a light on inspiring and impactful stories from the natural world to create advocates for the planet.
The 60th competition is currently open for entries to photographers of all ages, nationalities and experience until December 7.
To celebrate the momentous anniversary, Wildlife Photographer of the Year has announced an entry fee waiver for more than 100 countries, changes to the competition’s rules and a new special prize to encourage hopeful stories of the natural world.
Vote online for the winner of the People’s Choice Award here.
Neighbourhood Dispute, Roebuck Bay, Australia
Photo: Ofer Levy, Australia – Wildlife Photographer of the Year
A neighborhood dispute erupts as a mudskipper fiercely defends its territory from a trespassing crab in Roebuck Bay, Australia. Mudskippers can live both in and out of the water as long as they remain wet. They thrive along the intertidal mudflats and mangroves of Western Australia.
These amphibious fish are fiercely territorial, often building mud walls around their territories where they feed and breed. This crab is evidently trespassing and by opening its mouth and raising its dorsal fin, the mudskipper is challenging the intruder, attempting to scare it off with a threatening display.
The Grassland Geladas, Simien Mountains of Ethiopia.
Photo: Marco Gaiotti, Italy – Wildlife Photographer of the Year
Taken during the August rainy season as looming clouds threaten overhead, a Gelada mother suckles her baby alongside a female companion at the edge of a plateau in the Simien Mountains of Ethiopia.
The gelada family unit, known as a harem, usually consists of one male and a small number of related females and their young. Gelada monkeys live only in the high mountain meadows of Ethiopia, where they spend most of their time on the ground grazing. However, with numbers of domestic livestock increasing, their grazing grasslands are now diminishing, pushing them into restricted areas.
Opportunity Fox, collection day on a street in London.
Photo: Matt Maran, UK – Wildlife Photographer of the Year
A young red fox takes advantage of a bin stacked high with rubbish before collection day on a street in London. Over a two-month, period Matt Maran watched as this young male red fox learned that the best time to climb into this street bin was shortly before the weekly collection, when rubbish was piled high and any discarded food was easy to get at.
Contrary to popular belief, an urban fox’s diet is made up of more than 50% natural food, such as earthworms, wild birds, seeds and fruits. As a result, these animals play an important role in the urban ecosystem.
Looking At Me, Looking At You, Chilko River, British Columbia, Canada
Photo: John E. Marriott, Canada – Wildlife Photographer of the Year
A grizzly bear rises up on its hind legs and glances towards the photographer before returning to fish for salmon in the Chilko River in British Columbia, Canada. John Marriott was leading a grizzly bear photography boat tour on the Chilko River when the group came across this busy bear.
Tender Touch, Cairngorms National Park, Scotland
Photo: Andrew Parkinson, U.K – Wildlife Photographer of the Year
Two courting mountain hares come together to touch noses in Scotland’s Monadhliath Mountains. For 15 years, Andrew Parkinson has been photographing the hares here. But in all that time, he had never witnessed a moment like this. He was expecting the female to repel the male’s advances with the usual explosive boxing behavior.
Starling Murmuration, on their way to communal roosts above the city of Rome, Italy
Photo: Daniel Dencescu, Germany/Romania – Wildlife Photographer of the Year
A mesmerising mass of starlings swirl into the shape of a giant bird on their way to communal roosts above the city of Rome, Italy. Daniel Dencescu, who has photographed the behavior of starling murmurations being attacked by peregrine falcons, was mesmerised by the movements of the starlings as they formed colossal organic shapes in the sky. Each day, as they return from foraging, they perform spellbinding aerial shows, known as murmurations, on their flight home.
“Grouping together offers safety in numbers,” he noted. “Predators such as the peregrine falcons find it hard to target one bird in the middle of a hypnotizing flock of thousands. The starlings also gather to keep warm at night and to exchange information, such as good feeding areas.
There is no leader in a murmuration, the flock behaves as one single entity. To stay united through the different escape patterns, each bird tracks and mimics the behavior of seven neighbors. The group can adapt quickly by focusing on a fixed number of birds, becoming dense or sparse, splitting and changing shape. This is a game of life and death.”
Ice Bed, Norway’s Svalbard archipelago
Photo: Nima Sarikhani, UK – Wildlife Photographer of the Year
A polar bear carved out a bed from a small iceberg before drifting off to sleep in the far north off Norway’s Svalbard archipelago. After three days searching for polar bears through thick fog, the expedition vessel Nima encountered a younger and an older male and watched them for the next eight hours. Just before midnight, the young male clambered onto this small iceberg and using his strong paws clawed away at it to carve out a bed for himself before drifting off to sleep.
Troublemaker, Antarctica’s Atka Bay
Photo: Stefan Christmann, Germany – Wildlife Photographer of the Year
An Adélie penguin approaches an emperor penguin and its chick during feeding time in Antarctica’s Atka Bay. Adélie penguins only appear in Antarctica’s Atka Bay for a short period during the southern hemisphere summer. They’re opportunists and can be a nuisance for emperor penguins and their chicks as they try to cause the adult or the chick to drop its food, snatching any that falls to the ground.
A Rare Sight, an Äthiopischer Wolf at the Bale Mountains National Park in the Ethiopian highlands
Photo: Axel Gomille, Germany – Wildlife Photographer of the Year
In this serene image among the highland vegetation of Ethiopia’s Bale Mountains National Park, one of the rarest species of wild dogs in the world, the Ethiopian wolf, takes a rest.
Only a few hundred remain, surviving in the low growing, Afro-alpine shrubland of the National Park which supports their largest population. They’re threatened by habitat loss and diseases such as rabies and canine distemper which they catch from domestic dogs.
Rubbish Drinks, Tangkoko Batuangus Nature Reserve, Indonesia
Photo: Claire Waring, UK – Wildlife Photographer of the Year
A Celebes crested macaque investigates the contents of a plastic bottle from a pile ready for recycling on a beach at the edge of Tangkoko Batuangus Nature Reserve on the Indonesian island of Sulawesi.
Rangers had collected piles of plastic bottles for recycling. Most of them had washed up from the sea and despite the sizeable pile, more would soon be added.
The Celebes crested macaques have learned that these bottles contain liquid and are often seen chewing off the caps to reach the contents. They’ve also worked out that the colored bottles are more likely to contain sweet liquid and so pick these. Some even carried bottles away into the forest, frustrating the rangers’ efforts.
Homecoming, USA/Israel, lowland forest Costa Rica
Photo: Dvir Barkay, U.S./Israel – Wildlife Photographer of the Year
A rarely-photographed pygmy round-eared bat returns to its termite-nest home as two well-camouflaged family members look out from the entrance in the lowland rainforests of Costa Rica.
The bats exhibit a unique roosting behaviour, resting in hollows that they carve out with their teeth inside the nests of termite colonies.
Incoming Cuckoo Wasp, Near Montpellier, France
Photo: Frank Deschandol, France – Wildlife Photographer of the Year
A cuckoo wasp is captured mid-air trying to enter a mason bee’s clay burrow containing the bee’s eggs as a smaller cuckoo wasp cleans its wings below. Frank Deschandol set up near the mason bee’s clay burrow but it wasn’t this species he wanted to capture.
Instead, he was hoping to photograph the rare cuckoo wasp that parasitizes these bees. While he was taking some shots, the larger cuckoo wasp flew off, returning seconds later with a drop of water at its mouth. The wasp uses water and saliva to soften the clay so it can dig into the bee’s sealed-up burrow. Once inside, it lays its own egg then closes the burrow up again. When the cuckoo wasp’s egg hatches, it feeds on mason bee larvae inside the burrow.
Duckling Huddle, Smiggin Holes, New South Wales, Australia
Photo: Charles Davis, Australia – Wildlife Photographer of the Year
A wood duck and its brood are caught in a late spring snowstorm in Smiggin Holes, New South Wales, Australia. It would normally be warm and sunny when these ducklings hatch from their nest high up in a tree hollow but thanks to the La Niña effect, things were different this year.
Despite the conditions, the ducklings chose to exit their nest, dropping down into a frozen world. Upon landing, they quickly became lost in a snowstorm as their mother frantically tried to lead them to open water.
Tough Negotiation, Judean Foothills of Israel
Photo: Ayala Fishaimer, Israel – Wildlife Photographer of the Year
Standing on a rock in the Judean Foothills of Israel, a red fox cub locks eyes with the shrew it had thrown up in the air moments earlier. The cub had pulled the shrew out of the sand and had been knocking it around like a ball. Ayala Fishaimer caught the moment the hapless shrew and the fox locked eyes.
Snowshoes, Rocky Mountain National Park, USA
PHOTO: Deena Sveinsson, U.S. – Wildlife Photographer of the Year
A snowshoe hare pulls its large back feet up next to its head to make the next big hop across the soft, deep snow in the forests of Rocky Mountain National Park. Its large feet prevent the hare from sinking into the deep, soft snow, acting like snowshoes —hence its name.
Curiosity, South Africa’s Greater Kruger National Park
Photo: Gerald Hinde, South Africa – Wildlife Photographer of the Year
Under the watchful eye of its mother in South Africa’s Greater Kruger National Park, a curious lion cub walks towards the photographer, who was watching from a vehicle. Lion cubs are vulnerable to other predators such as leopards and hyenas, but often the main threat is from invading male lions. For the first six weeks they’re kept hidden away, after which they’re introduced to the pride and protection is provided by all the members.
Swallow Over Meadow, eastern Germany
Photo: Hermann Hirsch/Jan Lessman, Germany – Wildlife Photographer of the Year
A barn swallow flies over a meadow of cornflowers, catching insects during springtime in eastern Germany. As their name suggests, barn swallows prefer to nest inside buildings, and usually return to the same spot each year, repairing nesting cups sculpted from mud and clay. Positioning their camera among the cornflowers, Hermann Hirsch and Jan Lessman watched as the swallows continuously flew low over the meadow, catching insects on the wing.
Missed Sip of Milk, coast of Rurutu, French Polynesia
Photo: Karim Iliya, U.S./Lebanon – Wildlife Photographer of the Year
A humpback whale calf misses some of its mother’s milk, which drifts and swirls in the currents off the coast of Rurutu, French Polynesia. In the seven years and hundreds of hours Karim Iliya has been documenting humpback whales, he’s only seen whale milk floating in the water twice, both times here with the same whale and her calf. Humpback whales lack lips, so the calves can be clumsy and on very rare occasions miss some of the milk.
The Happy Turtle, Israel’s Jezreel Valley.
Photo: Tzahi Finkelstein, Israel – Wildlife Photographer of the Year
A Balkan pond turtle shares a moment of peaceful coexistence with a northern banded groundling dragonfly in Israel’s Jezreel Valley. The dragonfly unexpectedly landed on the turtle’s nose, but instead of snapping up the insect, the turtle appeared to be experiencing pleasure from the interaction in the midst of the swamp’s murky waters.
Aurora Jellies, Moon jellyfish illuminated by the aurora borealis, Northern Norway
Photo: Audun Rikardsen, Norway – Wildlife Photographer of the Year
Moon jellyfish swarm in the cool autumnal waters of a fjord outside Tromsø in northern Norway, illuminated by the aurora borealis. It’s common for this species to gather in their hundreds under the aurora borealis.
Moon jellyfish are common in all oceans and are easily recognized by their four rings, which are, in fact, their genitals.
Autumn Glow, Cabriel River in the Sierra de Albarracín Mountains, Spain
Photo: Uge Fuertes Sanz, Spain – Wildlife Photographer of the Year
A painting-like composition of bulrushes and quaking aspens is framed in a small corner of the Cabriel River in Spain’s Sierra de Albarracín Mountains. The light and the composition of the plants between the trunks, together with the shapes and colors of the autumn leaves, create texture and balance.
Hope, Chimpanzee Conservation Center in the Republic of Guinea.
Photo: Roberto García-Roa, Spain – Wildlife Photographer of the Year
A rescued chimpanzee looks on from its enclosure at the Chimpanzee Conservation Center in the Republic of Guinea. The center houses orphaned chimpanzees that have been rescued from being sold as pets after their mothers were killed for bushmeat, with the aim of releasing them back into the national park. Once abundant in Guinea, the western chimpanzee population is declining and the species is now classified as “Critically Endangered.”
Bull In A Garbage Dump, Tissamaharama, Sri Lanka
Photo: Brent Stirton, South Africa – Wildlife Photographer of the Year
A bull elephant kicks over garbage as it scavenges for rotten vegetables and fruit at a dump in Tissamaharama, Sri Lanka. A number of male elephants are attracted to this location not only by the rubbish but also by nearby crops. The scar from a gunshot wound on the upper part of this elephant’s left front leg and another wound high on its back indicate he’s an insistent crop raider.
Human-elephant conflict often escalates from shouting and fireworks to frighten the elephants away from crops and people to shooting. The shots are seldom fatal and deter the elephants for a couple of months.
Fashion Victims, coats confiscated by European customs officers
Photo: Britta Jaschinski, Germany/UK – Wildlife Photographer of the Year
These coats were made from the skins of some of the most endangered big cats including snow leopard, jaguar and ocelote that were killed to produce the fashion items. They were confiscated by European customs officers and held for forensic tests at Hamburg’s Leibniz Institute for the Analysis of Biodiversity Change before being used for educational events to ensure they never return to the black market.
By Admin in Printmaking
By Admin in Printmaking
By Admin in Printmaking
By Admin in Printmaking
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