13th International Sand Art Festival unveils incredible sculptures on Puri’s Chandrabhaga Beach

13th International Sand Art Festival unveils incredible sculptures on Puri’s Chandrabhaga Beach
The 13th International Sand Art Festival has started on the beautiful Chandrabhaga Beach in Puri, Odisha. Gathering talented sand artists from around the world, this cultural extravaganza transforms golden sands into intricate and meaningful sculptures. With diverse themes ranging from cultural heritage to environmental conservation, the festival serves as a global canvas for artistic expression. More than 100 artists, including international…

13th International Sand Art Festival unveils incredible sculptures on Puri’s Chandrabhaga Beach

13th International Sand Art Festival unveils incredible sculptures on Puri’s Chandrabhaga Beach
The 13th International Sand Art Festival has started on the beautiful Chandrabhaga Beach in Puri, Odisha. Gathering talented sand artists from around the world, this cultural extravaganza transforms golden sands into intricate and meaningful sculptures. With diverse themes ranging from cultural heritage to environmental conservation, the festival serves as a global canvas for artistic expression. More than 100 artists, including international talents, participate, creating masterpieces that leave a lasting impression.

Smart Portrait mode on iPhone 15 can help transform your photography; Know how to use it

Smart Portrait mode on iPhone 15 can help transform your photography; Know how to use it

Apple has just rolled out a compelling advertisement for the latest iPhone 15 series, putting the spotlight on its exceptional camera capabilities, particularly the groundbreaking Smart Portrait mode. This innovative iPhone 15 feature empowers users to dynamically adjust the focus on different subjects in a photo, even after the image has been captured. Notably, this functionality is available for both standard and portrait images. In a 1 minute 49-second video, Apple vividly demonstrates the Smart Portrait mode in action. The footage captures a band in the process of creating their album cover, with one member utilising the iPhone 15 to edit a group photo.

Through the Portrait subject focus adjustment, this individual accentuates herself in the foreground while artfully blurring her bandmates in the background. Also read: Cyber Monday sale: This iPhone 15 deal will give you $300 back

In a captivating twist, another bandmate takes control, modifying the image to centre on himself and intentionally blurring out the others. A playful argument ensues over which version to choose, ultimately resolved by the third member, who opts to emphasise himself while obscuring the background.

iPhone 15 Smart Portrait Mode

Smart Portrait Mode on iPhone 15 extends its prowess beyond portraits, recognising the presence of people, animals, or objects in regular photos. This transformative capability remains effective even in photos taken without activating the portrait mode. By accessing the “Edit” interface and tapping the aperture icon, users can seamlessly adjust background blur using an intuitive slider. For photos with multiple subjects, changing the focus is as simple as tapping on the desired person or object.

Notably, Apple had earlier highlighted the iPhone 15’s Personal Voice feature in a separate video. This feature leverages machine learning to replicate the user’s voice, as showcased in an emotionally charged scenario where an individual who had lost their voice narrates a story to a child with the help of an iPhone.

Editing Portraits on iPhone

In the Photos app, users have the power to customise and fine-tune lighting effects, depth of field, and the focus point of their portraits. Additionally, portrait effects can be applied to photos captured in Photo mode.

Changing the Focus Point of a Portrait

Achieving dynamic focus control in portraits is seamless with the Focus Control feature. Follow these steps:

1. Open the Photos app on your iPhone.

2. Tap any portrait to view it in full screen, then tap Edit.

3. Choose a new subject or focus point in the photo.

4. Tap Done.

Note: This feature is available on portraits taken on iPhone 13 models and later, running iOS 16 or later.

Mixed media artists connects creations to human spirit

Mixed media artists connects creations to human spirit
The Museum of Art Fort Collins presented “Terry Maker: In Which the Progeny of the Hero Shapes the Dust,” made with materials ranging from jawbreakers to graphite. Terry Maker is a mixed media artist with a focus on “works emerging from humble origins,” she said. Maker has been working for 40 years to manipulate and…

Health Experts, Artists Discuss Need to Change Media Portrayals of HIV/AIDS at Harvard Medical School Panel | News

Health Experts, Artists Discuss Need to Change Media Portrayals of HIV/AIDS at Harvard Medical School Panel | News

Health experts and artists discussed the need to change the narrative in popular media around HIV/AIDS to avoid stigma and provide true representation in a panel last Friday hosted by Harvard Medical School in recognition of World AIDS Day.

The panel, titled “Portraying AIDS in the Media: How Far Have We Come?”, was sponsored by HMS’ Media, Medicine, and Health program and moderated by physician and award-winning showrunner Neal Baer. The event featured guests actress Gloria Reuben, director Paris K.C. Barclay ’79, artist Kia LaBeija, Yale School of Public Health professor Gregg Gonsalves, and HMS professor Joia S. Mukherjee.

To open the discussion, Gonsalves, who studies epidemiology, showed an advertisement for an HIV drug, Dovato. The ad depicted people with HIV living a happy life while using the medication. Despite the commercial’s joyful appearance, Gonsalves and the other panelists agreed that these media portrayals erase the complexity of HIV/AIDS.

“We have a whole set of issues that we need to deal with, that are obscured by this happy-clappy version of the HIV epidemic that is perpetuated night after night on network television,” Gonsalves said.

“How do we build a critical media discourse about the AIDS epidemic moving forward?” he added. “We didn’t learn the lesson of HIV, we didn’t learn the lesson of Covid, we don’t get three strikes. Three strikes, and we’re out.”

To demonstrate the necessity of “talking, moving, telling your story, getting out there,” Barclay referenced “Pedro,” a film he co-wrote in 2008 about Cuban American television personality Pedro Zamora who died from complications due to AIDS.

Barclay retold Zamora’s story to prove that “even one person who is telling their truth can make some change,” and used the film as a critique against the narrative of silence around Zamora’s illness and the “lie of reality coverage.”

“I wanted to debunk a little bit of what they had done in the real world, which is to disguise and sanitize his story,” Barclay said. “They didn’t show how ill he was.”

Mukherjee, an associate professor of Global Health and Social Medicine at the Medical School, also touched on the power of documentaries in illustrating HIV/AIDS.

“That’s what we’re fighting for — to tell those stories in patients’ own words,” she said.

Reuben, an Emmy Award-nominated actress, said she aimed to portray the stigma faced by individuals living with HIV when she played Jeanie, an HIV-positive character in the popular television series “ER.”

Reuben explained that depicting a character who felt shame and embarrassment from testing HIV-positive helped show the broader stigma in society faced by individuals living with HIV.

“The shame, the secrecy, and stigma. Those are killers,” Reuben said.

She added that combating the stigma of living with HIV is critical to saving the lives of individuals who fear seeking treatment out of stigma — something that can only be accomplished through “the awareness, the access, and the treatment,” Reuben said.

LaBeija, an artist, storyteller, and New York native, spoke firsthand about the need for representation in the media to truly depict the experience of HIV. She developed HIV through perinatal transmission from her mother and has been living with HIV her entire life.

As a long-term survivor of HIV, LaBeija said, her struggle with the illness was “a completely different experience” compared to those who acquired it later in life.

“Sometimes when I sit in rooms with other people living with HIV, I feel a little isolated,” LaBeija said.

As she grew older, LaBeija met others who were similarly diagnosed with HIV perinatally — interactions, she said, “blew my mind.”

“To feel that, my isolation and my grief, and all that time that I felt alone — there were so many others, just like me,” LaBeija said, adding that the experience made clear to her that shifts in the narrative around HIV/AIDS were necessary.

LaBeija referenced the more than 14,000 children born HIV-positive from the late 1970s to early 1990s, underscoring the importance of telling these stories.

“There are way less babies that are born with HIV, which is beautiful and a miracle,” LaBeija said. “But those babies that were born, those babies that are not here, they’re still stories that are just completely lost.”

LaBeija said telling her story and fighting for the representation of people who are HIV-positive is critical to ensure support and inclusion of individuals living with the illness.

“If you don’t tell your story, someone else will tell it and they’ll tell it wrong,” she said, citing a proverb she heard early in her life.

The Professor is a shadowy tale of art theft and the Italian underworld

The Professor is a shadowy tale of art theft and the Italian underworld

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The new podcast The Professor opens with a dawn raid. In 2018, officers from the British police and the Italian Carabinieri entered the London home of William Veres, an Anglo-Hungarian art dealer whom they believed to be a leading figure in a pan-European art smuggling ring. Veres and his co-conspirators are alleged to have links to the Italian mafia and to have stolen €40mn worth of art and antiquities. Following the raid, in which police removed a marble bust and hundreds of ancient coins, Veres was charged with money laundering, forgery, wire fraud and conspiracy. If convicted, he faces a jail term of up to 20 years. He maintains his innocence.

I had imagined that The Professor — the title comes from the nickname given to Veres by his art-world contemporaries in honour of his knowledge of historical coins — would be an investigation into the veracity of those charges. The reality is rather knottier. Veres isn’t just the main character in this series but its principal collaborator as it follows him in his quest to avoid going to jail.

We learn how Veres struck a deal with Italy’s anti-mafia police: using his contacts in the art world, he would help them locate one of Italy’s lost treasures, Caravaggio’s “Nativity with St Francis and St Lawrence”. The painting, which is worth at least $20mn, was stolen from a church in Palermo in 1969, cut out of its frame under cover of night. Rumours swirl as to its whereabouts — some say it has been eaten by rats, others that it was cut up into smaller paintings by a Swiss art dealer — but more than 50 years later, Italian police are none the wiser, hence their reported deal with Veres. If he can find it, they will put in a good word with prosecutors.

Missing: Caravaggio’s ‘Nativity with St Francis and St Lawrence’ © Heritage Images/Getty Images

It’s a hell of a story, deftly told by host Simon Willis, who hangs out at Veres’s flat and tags along with him on jaunts around Europe meeting various shadowy figures, among them art detectives, informants and retired police officers. In between, Willis attempts to explain the world of the Sicilian mafia, its links to the art market and to high-ranking politicians, including the former Italian prime minister Silvio Berlusconi. (Having heard all four episodes, I should warn you that a detailed diagram is needed to understand who’s who in the Italian underworld.)

If there are ethical questions raised by the creation of a podcast around a man accused, but not convicted, of smuggling art, Willis declines to address them, though he makes no secret of having been charmed by his subject. The hunt for the Caravaggio makes for an arresting premise, although there remains a hole in this story and that’s the character of Veres himself. Is he an art lover who has been terribly wronged or a villain going to extraordinary lengths to evade justice? Perhaps a second season is required to answer that.

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