antony gormley explores body politics through concrete sculpture exhibition at white cube
By Admin in Photography
Pet rescue is near and dear to my heart, and one of my favorite ways to give back.
For the past three years, I’ve partnered with a central Florida rescue organization – Happy Trails Animal Rescue – creating an annual calendar featuring dogs they’ve adopted out or supported through their numerous community outreach programs.
Happy Trails focuses on dogs who need some additional support to be happy, content family members. They might be nervous around new people or situations, find other dogs frightening, need help channeling their energy, have disabilities like deafness or blindness, or simply do best with some enrichment. Happy Trails meets them where they are to help them be their best selves – along with running a much-needed pet food pantry.
More info: happytrailsanimalrescue.com
By Admin in Photography
Like many photographers, András Zoltai has spent much time photographing outside of his home country. He has worked on projects in Armenia, Crimea, New York, the Balkans and India.
It was in India where Zoltai, while working on an environmental story about the Brahmaputra River that he realized he should, in fact, also be looking at environmental issues in is home country of Hungary.
Zoltai’s project is ongoing, but he says he wants to “explore the fragile relationship between humans and water at a more metaphorical level through my human encounters and memories, but still focusing on how climate change and human negligence affect our most precious resource—WATER and the QUALITY OF LIFE that surrounds it.”
Interestingly enough, Zoltai grew up near Hungary’s second biggest river, the Tisza. He told In Sight:
“My entire childhood was inevitably shaped by the presence of the river and the thermal springs around my hometown, Szentes. This region was one of the most rich and vivid livelihoods in Hungary before the river regulations took place in the 19th century. The developments around water ecosystem, and the threats of recent climate issues has been constantly impacting the environment, causing huge droughts, extreme weather events and limiting our direct access to living waters.”
Zoltai’s images are poetic encounters with Hungarians and climate changes affect on them. He told In Sight, “My main motivation is to photograph the current relationship between human and water, reveal the country’s critical points, concentrate on countryside people whole livelhihood and place of residence also heavily depend on the presence of water.”
Today on In Sight we are pleased to show the beginnings of Zoltai’s project, “Blue Memoir.”
You can see more of Zoltai’s work on his website, here.
By Admin in Photography
Our Big Shot Megafauna and Big Shot Kaleidoscope underwater photography competitions have been a great success, with some amazingly beautiful images published in our two most recent print magazines.
For the Spring 2024 issue of DIVE, we’re asking you to send us your best shots of cephalopods – octopus, cuttlefish, squids and nautilus. The best pictures will be printed in the magazine, with the overall winner rewarded with a seven-night trip on board the Red Sea Aggressor IV (worth US$2,699) courtesy of Aggressor Adventures.

There are many different species of cephalopod, many of which make easy subjects for photography – but cephalopods are also highly intelligent, so capturing the perfect shot means capturing some of the animal’s personality as much as it does its interesting features.
To enter the competition, submit up to ten of your best shots – plus, you also need to make sure that your entries are uploaded to either Instagram, Facebook or X with the tags and hashtags as listed in the ‘How to enter’ box below.
The deadline for entries is midnight (GMT) on Sunday, 11 February 2024.
The overall winner of the competition will win a free place for one person for seven nights diving onboard the Red Sea Aggressor IV (flights not included).
By entering this competition; entrants agree to be bound by these rules.
Glass artwork created by Indigenous artists is on display now through early April at the Cincinnati Art Museum.
Clearly Indigenous: Native Visions Reimagined in Glass comes to Cincinnati from The Museum of Indian Arts and Culture in Santa Fe, New Mexico. It features 120 pieces from 33 artists, showcasing new takes on traditional stories, along with current issues affecting tribal nations.
“It features 29 Native American artists from the United States and Canada, as well as four artists from the Pacific Rim — from New Zealand and from Australia,” explains curator Letitia Chambers, Ed.D. “Adding the Indigenous artists from other countries helped illuminate the story that American Indian artists and other Indigenous artists bring to this new medium of glass art.”
RELATED: Ohio’s Hopewell Ceremonial Earthworks are now UNESCO World Heritage Sites
Chambers uses “new” because the glass art movement on display in the exhibit hasn’t been around all that long. The Native Glass Movement began in the 1970s when, as part of a collaboration, a young glass artist named Dale Chihuly arrived in New Mexico to build a hot shop. Chihuly, of course, is one of the most popular and well-known glass artists in the world, with large-scale blown glass sculptures in museums and spaces across the globe. Chambers says Chihuly’s work in New Mexico inspired generations of Indigenous artists to explore glass as a medium for art.
Preview more work featured in the exhibit in the slideshow below.
1 of 5
— 38. Raven Skyriver, Adrift, 2015.jpg
Adrift, 2015, Raven Skyriver (Tlingit, b. 1982), off pipe hand-sculpted glass, Courtesy of the artist, © Raven Skyriver, Photography by KP Studios
2 of 5
— 44. Adrian Wall, Life is Short, Remember to Live, 2012.jpg
Life is Short, Remember to Live, 2012, Adrian Wall (Jemez Pueblo, b.1970), stone and fused glass, Collection of Forest Brandt, © Adrian Wall, Photography by Adrian Wall
3 of 5
— 42. Susan Point, Beaver Women Transformation Spindle Whorl, 2000.jpg
Beaver Woman Transformation Spindly Whorl, 2000, Susan Point (Musqueam, b. 1952), cast and etched glass with maple, Courtesy of Janet and Stephen Seltzer, © Susan A. Point, Photography by Stephen Meckler
Steven Meckler
4 of 5
— 47. Preston Singletary _ Tammy Garcia, Untitled, 2008.jpg
Tammy Garcia & Preston Singletary, 2008, 8h x 10w inches. MIAC 59731
Kitty Leaken
5 of 5
— 18. Larry Ahvakana, Scorpion, 1978.jpg
Scorpion, Larry Ahvakana, 6 1/4 l x 6 1/4 w x 4 1/4 high
Kitty Leaken
“Our mainstream culture tends to think of Indians as a part of the past, partially because of the depiction of Native Americans in movies and other media,” says Chambers. “But in fact, they are very dynamic, exciting cultures, with strong artistic and aesthetic traditions. The glass art presented in Clearly Indigenous shows not only the cultural heritage of the artist, but the extremely effective use of that cultural heritage in creating contemporary fine art. The glass art created by American Indian artists is therefore both a personal expression of the artist, [and] a part of their cultural heritage.”
Dan Friday (Lummi), “Haila” Ho Wan Ut Old Peter (Skokomish/Chehalis), Preston Singletary (Tlingit), Tony Jojola (Isleta Pueblo), Carol Lujan (Diné), Priscilla Cowie (Māori) and Djambawa Marawili (Aboriginal Australian) are among the artists included in the exhibition, according to the museum.
The exhibit opens Friday, Dec. 14 and runs through April 7, 2024.
By Admin in Photography
Cats have long held a powerful and unique place in peoples’ homes and families. They’ve been revered in many cultures and religions and, from Egypt to China, there’s evidence to suggest the animals have lived as domestic pets for over 12,000 years. Artist Nika Sandler has always had a deep affinity with these enigmatic creatures. “Since birth, I have always been surrounded by cats,” she recalls. “The first being who became interested in me after I was discharged from the hospital was a cat, Boris. He stood on the bed and stared at me. He had never seen a human child before. Fortunately, he liked me.” Remaining under Boris’ “watchful eye” from that day on, the significance of this important childhood relationship would resonate throughout her life. “My friendship with cats had begun.”
Fascinated by and somewhat beholden to catkind, the Moscow-born visual artist was moved to begin exploring and documenting this compelling reciprocal relationship when, last year, her beloved feline friend Raymond died suddenly. At times surreal, nostalgic, and deeply tactile, My Nonhuman Friends incorporates archival photographs from the artist’s family albums, some of which are magnified many times in an attempt to “look at and recall the smallest details in a catlike, far-sighted way”. The close-ups of teeth, claws, fur and tongues evoke the physicality of cats; the sensation of their presence.
Echoing the reciprocity of the relationship, this series also explores the feline gaze. Sandler uses screenshots taken from cameras on their collars to illustrate a cats-eye perspective of the world. Characteristic of Sandler’s work, these pictures are funny and odd, offering an uncanny alternative vision of the world around us that, to quote Metal magazine, succeeds in being both “introspective and extrospective”.
Below, we talk to Nika Sandler about My Nonhuman Friends, the process behind her work, and depicting a day in the life of cats.

Please could you begin by introducing us to this project and how it was conceived?
Nika Sandler: This project is an exploration of the relationship between humans and cats. The impetus for its creation came from grieving for my beloved cat Raymond, who passed away suddenly from a heart condition. This series began with still-life pictures of his belongings.
Why do you think you feel a particular affinity with cats?
Nika Sandler: I think it’s because they’ve been with me since I was born. From the first day I was discharged from the hospital, Baron the cat looked after me. He treated me as if I were his own cub. Our friendship lasted 12 years until he died.
Could you tell us about some of the important relationships you’ve had with cats over the years?
Nika Sandler: The first important relationship was with Baron [previously mentioned]. At the same time, I made friends in the village where my parents sent me on summer holidays. Among them were my great-grandmother’s cats Rosa and Murka, and the neighbour’s cats Senya, Mafia and Boris. I had a close relationship with Senya. We often played together, cuddled and sat quietly looking into the distance. We also fed each other: I fed him my grandmother’s cutlets, and he fed me rodents he caught in the field. Then, when I was thirteen, I was given a cat named Raymond. I felt like his big sister. He made me feel very fond of him. I kept him safe.
“I’ve always admired cats. I find every part of their body perfect” – Nika Sandler
There’s something very visceral about the images, they evoke the sensation of physical contact with cats. Could you tell us about this aspect of the series?
Nika Sandler: I’ve always admired cats. I find every part of their body perfect. So, while working on this series, I had the idea of incorporating the claws and hair into still-life pictures. I also turned to archival photographs. I enlarged some of them to recreate the smallest details of my feline friends. After manipulating the photos, the familiar features of the cats became blurred. This caused me to associate with the gradual distortion of images in human memory and the farsightedness of cats.
There’s an autobiographical element to this series. Could you tell us about the process of going through your archive of pictures and tracing your history with cats?
Nika Sandler: I’ve come a long and fascinating way from studying family albums of photos of me and my cats on film and digital soapboxes to sorting through folders on my personal computer and external hard drive with joint selfies on the phone and photos on DSLR and mirrorless cameras. I grew older and technology changed, but our relationship with the cats, judging by looking through the archives, remained consistently warm.

Cats are usually quite independent creatures with a quality of mystery. Using screenshots from cameras on their collars, your series also follows the lives of cats when they’re off on their own private business. Could you tell us more about why you chose to include these insights into their exploits and the insights you gained?
Nika Sandler: I wanted to show a day in the life of cats through their eyes. I aimed to capture their agency. I realised that cats are incredibly inquisitive explorers, keen observers and agile hunters. I knew this before, but thanks to the cameras on their collars, it became obvious to me. I also felt that I would like to be a cat.
What stories and themes do you think emerge from My Nonhuman Friends?
Nika Sandler: I suppose these are themes of friendship, memory, experiencing loss and the nonhuman gaze.
What would you say are the recurring obsessions that inform your work?
Nika Sandler: I think I am constantly haunted by thoughts of mortality and the urge to look on the other side of humanity.
And what inspires you most at the moment culturally? Anything from past or present in art, literature or cinema etcetera.
Nika Sandler: Lately I’ve been enjoying re-reading the work of Georges Bataille, Ben Woodard and Joanna Zylinska. I am also following the [permanent beta] The Lure of the Image project, which is being done by the curators of Fotomuseum Winterthur.
Visit the gallery above for a closer look through selected images from My Nonhuman Friends.
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By Admin in Photography
By Shannon Anastasio
On Saturday, Dec. 2, photographer Tanya Paugh of Chasing Smiles Photography took on the role of Santa’s helper, sharing her talent with the community. In the spirit of giving, Paugh recently embarked on a heartwarming mission to spread joy and capture precious moments for families.
Paugh’s journey began seven years ago when her first grandchild arrived, inspiring her to channel her passion for photography into creating lasting memories for others. Although she currently takes photos for fun, she is hoping to make it her career someday.
Operating under the philosophy of “Chasing Smiles,” Paugh wanted to extend a helping hand to her neighbors, especially during a year that brought unprecedented challenges to many. Being a part of several Facebook groups, she found a platform to connect with her community and offer a unique gift that goes beyond material possessions.
Despite facing financial constraints of her own, Paugh decided to give the gift of photography by providing free photo sessions for families. What started as an intention to assist up to five families quickly grew to include an astounding 19 families. Her generous spirit and love for capturing genuine moments led Paugh to share her talent with a broader audience.
Announcing her initiative on social media, Paugh received an overwhelming response when 20 families eagerly signed up for the opportunity to have their special moments frozen in time by Chasing Smiles Photography. Despite the initial plan of limiting the sessions, she couldn’t turn anyone away, demonstrating her commitment to making a difference in as many lives as possible.
Paugh encouraged families to dress in festive reds and greens, embracing the holiday spirit. She welcomed them to bring their own props and decorations, fostering a personalized and meaningful photo session. With a promise of delivering edited copies through Facebook Messenger, Paugh aimed to provide not just a service but cherished memories that families could hold dear.
“Photography is not just a hobby; it’s a dream career,” Paugh said, adding that she was passionate about capturing the essence of each family’s unique style, whether it’s in parks, beaches or the comfort of their homes.
Paugh emphasized the importance of permission, ensuring that families were comfortable with their photos being shared and requesting them to tag her if they chose to do so.
Acknowledging the collaborative effort that made this initiative possible, Paugh expressed her gratitude to Shani Ramkumar for offering her yard as a picturesque setting. She also thanked Sasha Johnson and her 12-year-old son Jasper, who played an integral role in assisting throughout the day, with Jasper even taking on the role of the Grinch. Their dedication and support, despite the sweltering heat, contributed to the success of the project.
Paugh meticulously planned the day, providing times and names for each family and urging them to be punctual. The result was a seamlessly organized photo shoot, with no issues or delays. Even with the largest family of eight members, Paugh and her team worked efficiently, ensuring that every family left with heartwarming memories captured through her lens.
The overwhelming response and the touching stories shared by the families underscored the impact of this initiative. In a year marked by uncertainties, she succeeded in bringing smiles to faces and spreading the joy of the holiday season — a reminder that even in difficult times, a simple gesture can make a significant difference in someone’s life.
As Paugh navigates her own challenges, her dedication to brightening the lives of others shines through. In the midst of personal struggles, she found solace and fulfillment in the stories she heard and the moments she captured. This holiday season, Tanya Paugh and Chasing Smiles Photography truly embody the spirit of giving, proving that a camera, coupled with a generous heart, has the power to create lasting memories and bring communities together.
For more information about Chasing Smiles Photography, e-mail tpaugh4@gmail.com or call (561) 679-6561 to set up a fun shoot for your family in the future.
By Admin in Art World News
“I find that talking to people is often what convinces them to buy it,” said Layla Nami, one of the numerous artists selling her wares at a recent Parkmart meet.
Walking from Myrtle Ave to Melrose, it’s hard not to be drawn into the monthly market that has been running that street since 2021. The energy of the warehouse-turned-art meet is quintessentially Bushwick, where it feels like art explodes out of every crack in the pavement.
Nami’s work, which she sells in the form of prints and clothes, is inspired by her own father’s tales of Iranian folklore, demons she spied at the Met Cloisters and her own looming feeling of being watched. She’s been selling since 2021 and often pops by as many markets as possible.
One of the more recent ones is “Parkmart,” a self-described artist market-after party that’s regularly populated by over 60 vendors and animated by five hours of DJ sets and meets at 40 Melrose Street. Taking a lap around the market, there’s collaged photography, dainty lace chokers, zines and crocheted balaclavas.









Unlike most art markets, which mingle artists with resellers, Parkmart is pointedly aimed at people who make their own things. No vintage.
“The thing with flea markets in New York is that most of it is a mix of vintage and art,” organizer Nico Bonacquist said recently in an interview with VICE’s i-D vertical. “But we [knew] if we only did artists it would set us apart from everything else,” he added.
Amani Starks, who draws comics, says she fell in love with the drawing as a way to channel her own artistic feelings.
“Art on its own is often up for interpretation but comics allow for little to be misunderstood,” she said, showing me her latest, and first, edition of a zine she’s made titled “Stygian.” The zine features a collection of oil and digitally-drawn comics that followed along characters she’s created, like Pluto the Great, a green haired, devil eared assailant who is on a quest for blood.
The zine explores Starks’ feelings about the grip of depression and the power of female rage. The comics are both a great outlet for her and the feel practical. Coming here from from Philadelphia, she needs her art to be moveable as she goes from market to market.
This sort of “moveable art,” ranging from clothing to zines to jewelry was a common motif at every booth, seemed to be the mark of a traveling artist.
Follow Parkmart on Instagram to find dates of future art meets.
Images taken by Molly Healy for Bushwick Daily.
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The loon traveled from Los Angeles to its permanent home in the Twin Cities.
A new beetle species has been named to honor a fellow Husker, bridging the worlds of academia and wildlife conservation.
Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
The Desert Foothills Land Trust (DFLT) is proud to announce a special presentation event featuring acclaimed botanical photographer Jimmy Fike on Saturday, Oct. 12 at 6:30 p.m. at the Sanderson