Canutillo student lands big photography gig

Canutillo student lands big photography gig
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CANUTILLO, Texas (KVIA) — A Borderland high school senior got the invitation of a lifetime when he was hired to photograph the 90th Annual Sun Bowl game in December 2023.

18-year old Canutillo High School student Ryan Romero was hired by none other than the official University of Notre Dame publication, “The Observer,” to document the Fighting Irish.

He’s been shooting sporting events since 2022 and his portfolio includes UTEP women’s soccer and volleyball, the Rhinos, and now Notre Dame is on his resume.

“You just got to get the right moment. You got to get the players running, mid stride, when they’re coming right at you. You just have to be in the right spot at the right time,” Romero says.

He adds that a lot of his favorite pictures are complete accidents.

Ryan has been accepted by UTEP and plans to study journalism. Looks like he’s off to a fantastic start!

STUDENT LANDS BIG PHOTOGRAPHY GIG

STUDENT LANDS BIG PHOTOGRAPHY GIG
image

A local high school senior got the invitation of a lifetime when he was hired to photograph the Sun Bowl game.

18-year old Canutillo High School student Ryan Romero was hired by none other than the official University of Notre Dame publication, “The Observer,” to document the fighting Irish.

He’s been shooting sporting events since 2022 and his portfolio includes UTEP women’s soccer and volleyball, the Rhinos, and now Notre Dame is on his resume.

“You just got to get the right moment. You got to get the players running, mid stride, when they’re coming right at you. You just have to be in the right spot at the right time,” Romero says.

He adds that a lot of his favorite pictures are complete accidents.

Ryan has been accepted by UTEP and plans to study journalism. Looks like he’s off to a fantastic start!

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Building a Successful Photography Website: Essential Dos and Don’ts |

Building a Successful Photography Website: Essential Dos and Don’ts |

Creating an engaging photography website is more than just a digital showcase; it’s a pivotal element in a photographer’s professional identity and in building a successful business. This helpful video tutorial features an experienced photographer sharing a range of tips sure to improve yours.

Coming to you from Justin Mott, this enlightening video dives deep into the intricacies of building a successful photography website. Mott underscores the importance of simplicity in website names and advises against using cliché photography terms. He advocates for clear, straightforward naming, using his own site as an example. His emphasis on authenticity in representing one’s work resonates throughout the video. His advice to avoid over-embellishing one’s skills or experience is particularly significant, stressing the value of honesty and transparency in the professional photography sphere.

Mott also discusses the layout and content of a photography website. He suggests a black, white, or gray background for the main page to let the images stand out. His advice on the landing page is particularly important, recommending photographers to lead with their strongest work to immediately capture the viewer’s interest. Mott also recommends categorizing galleries based on the type of work one wants to get hired for, ensuring each category reflects a well-rounded body of work. Additionally, he encourages photographers to consider the website’s user experience, suggesting features like a lightbox for full-size image viewing. For a comprehensive understanding of how to craft a compelling photography website, check out the video above for the full rundown from Mott.

Pivot Is Part Objet D’Art, Part Adorable Portable Lamp

Pivot Is Part Objet D’Art, Part Adorable Portable Lamp

Petite and portable, the Pivot lamp by &Tradition explores the never-ending conversation that discusses the boundaries between form and function, shadow and sculpture. An interplay between natural and manmade light is what makes Pivot stand out from the masses. As a true hybrid product that checks both the “object” and “lamp” boxes, it appears distinctly different as day turns to night.

The geometric shade sits at a 45-degree angle to the base, creating a soft, inviting diffusion of light that “emulates the glow of a modern-day candle.” When natural light hits the lamp, its cubic shape and blocked colors act as an objet d’art. Once the sun begins its descent, Pivot comes to life as a luminaire, with light falling downward from the off-center shade and altering the tone of the base.

powder coated iron and mirror polished steel portable lamp on a table

“Pivot is a true hybrid product that transcends the boundary between object and portable light, operating equally in the realms of art and functionality,” Els Van Hoorebeeck, Creative and Brand Director at &Tradition, says. “Each colorway brings a completely different nuance to Pivot’s aesthetic, while the warm glow it exudes will create a comforting atmosphere when placed anywhere from bedroom side tables to living room display cabinets.”

powder coated iron and mirror polished steel portable lamp inside a glass fronted cabinet

Compact and portable, Pivot can be moved from location to location – even outdoors, but only under a covered space. Users may experiment with light and shadow in various settings from residential to commercial spaces. The spirited lamp is available in two color combinations: Blue Silver and Rusty Mint. The cool-toned Blue Silver will look at home just about anywhere, while the warmer Rusty Mint is ideal for those in search of something moodier.

powder coated iron and mirror polished steel portable lamp on a table

Crafted from powder-coated iron and mirror polished steel, the shade and base are bent and welded into the lamp’s cube shape. The components are then painted or chrome plated (for the mirror shade) to create Pivot’s hybrid appearance. The object is designed to fit &Tradition’s charging tray that can accommodate up to 12 portables at once.

powder coated iron and mirror polished steel portable lamp on a bar cart

powder coated iron and mirror polished steel portable lamp on a table

powder coated iron and mirror polished steel portable lamp on a table

powder coated iron and mirror polished steel portable lamps on a bar cart

two powder coated iron and mirror polished steel portable lamps on a white background

two powder coated iron and mirror polished steel portable lamps on a white background

two powder coated iron and mirror polished steel portable lamps on a white background

To learn more about the Pivot Lamp, visit andtradition.com.

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

Documenting the Unseen in the Photography of Luis-rey Velasco

Documenting the Unseen in the Photography of Luis-rey Velasco

“Twenty years [later], the work still stands today,” Velasco told Art & Object in a recent interview. “I witnessed this [while] working with my father as a land surveyor assistant. He has taken me to fringes of society that [have] been unseen and unheard [in] the San Joaquin Valley of California. This was less than a year ago.”

In 104 Degrees, an image taken in 1998, Velasco chose to photograph a farm worker in the early afternoon, trading a wide value range for predominant highlights to convey the intense sunlight and heat during the late summer harvest. Velasco stepped rather uneasily in front of the tractor to take this image, shares Ledesma.

In Eric, Velasco depicts the titular youth sitting on a tractor in dappled light. Ledesma cites this work and its community-focused narrative as particularly poignant. Eric’s grandfather — the only Black tobacco farmer in Stovall, NC — had just passed away, so locals were helping Eric’s family cure and farm tobacco. After Velasco photographed the laborers during lunch, they encouraged him to continue while they worked, later asking Velasco how much they owed him for his photographs. “There was a great amount of humility,” said Velasco.

Velasco conjures evocative narratives with certain compositions. In an untitled work from 1999 taken on the same day as Eric, a stern adolescent sits inside a doorway, working with tobacco leaves. The white-hot exterior light spills around the young laborer and into the barn, illuminating the boot-printed texture of the dirt floor before gradually dissipating into the pitch-black interior in dramatic contrast reminiscent of a Caravaggio painting.

Interview: The Color Network On the Significance of Building Community, Teaching Diversity, and Facilitating Access for Artists of Color

Interview: The Color Network On the Significance of Building Community, Teaching Diversity, and Facilitating Access for Artists of Color

The Color Network website. All images © the artists

Let’s rewind to 1991. Ceramic artist and professor Bobby Scroggins, who was frustrated by the lack of access and recognition for artists and craftspeople of color—particularly Black artists—took matters into his own hands. At the conference of the National Council on Education for the Ceramic Arts (NCECA), he sought out Black and Brown faces in the crowd and organized informal chats, inviting peers and colleagues to form a cohort. Soon, The Color Network was born.

The original organization ran until 2014. Fast-forward to 2018 when a conversation at the annual NCECA conference spearheaded by artists Natalia Arbelaez and April D. Felipe initiated a new organization with the same name. I sat down for an interview with three of TCN’s co-organizers, including Arbelaez, George Rodriguez, and Magdolene Dykstra, who put it best when she described the power of making resources available:

Educators and curators are well aware of needing to question the models they’ve been following and decenter previously prioritized groups. For me, as an educator, that’s the most exciting aspect of the database: there is no longer any excuse for any educator to say that they just don’t know any artists of color.

Read the interview.

 

Three people wear face masks and stand over a table where they are looking at various ceramic pieces.

Kiln opening at Watershed Residency, 2022, with Shaya Ishaq, George Rodriguez, and Yesha Panchal

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Interview: The Color Network On the Significance of Building Community, Teaching Diversity, and Facilitating Access for Artists of Color appeared first on Colossal.

The True Journey of Mastering Photography Goes Beyond Seeking Instant

The True Journey of Mastering Photography Goes Beyond Seeking Instant

Photography is an art form that blends creativity with technical skill and constantly evolves with new techniques and technologies. For those eager to refine their craft, understanding that the journey of learning and growth in photography is anything but quick and straight is essential. It’s not just about capturing the perfect shot, but also about the process and the personal development that comes with it.

Coming to you from The Photographic Eye, this thoughtful video delves into the heart of what it means to be a photographer. It challenges the modern obsession with learning quickly, highlighting the deeper satisfaction found in gradual progress and overcoming challenges. The video emphasizes the value of patience and persistence in photography, drawing on historical figures like Ansel Adams and Harry Callahan to illustrate the point. It argues that real growth in photography comes not from shortcuts, but from the ongoing process of learning, experimenting, and adapting.

The discussion extends to the contrast between instant gratification and the rewarding journey of developing skills over time. The video criticizes the notion of learning photography “fast,” pointing out that true mastery comes from understanding and experiencing the process. It’s about celebrating small victories and the incremental progress that leads to genuine skill and artistic expression. This approach to photography not only enhances technical abilities but also deepens the personal connection to the art form. No matter where you are in your journey, it’s worth a watch.

Fashionable 80s-Inspired Photo Gear Is Having a Moment

Fashionable 80s-Inspired Photo Gear Is Having a Moment

Long Weekend’s name says it all – those carefree days spent on road trips enjoying life’s small pleasures, all captured on camera to remember fondly long after a return home. Founded by photographers Willem Verbeeck and Allison Simon in 2021, the brand’s evocations of wanderlust-turned-photographic-memory made them the perfect collaborators for the gear brand Moment.

The collection of weatherproof travel gear is constructed from recycled nylon and ripstop material, and fashioned with an aesthetic clearly aimed at a generation of photographers with an eye for details beyond storage and functionality.

Man pulling an instant film camera from a Long Weekend camera carrying case, with another matching sling stretched diagonally across his torso.

That’s not to say Long Weekend gear doesn’t feature both across the brand’s array of slings, backpacks, pouches, totes, and shoulder bags. But what makes them most memorable is the degree of fun fashionability expressed through a late 80s and early 90s-tinged combination of grid patterns, bright contrast zippers, and contrast logo badging that would look natural set beside a Trapper Keeper.

Woman in white button up long sleeve shirt pulling out a Padded Camera Wrap from her Long Weekend sling with warm sunset light across her torso.

In stark contrast to traditionally inconspicuous photography carry gear, Long Weekend’s pieces, like their Monterey Sling, is meant to be noticed.

Long Weekend Camera Line bag set on ragged mountainside rock overlooking a clouded and sunset tinged landscape below.

Three Point and Shoot Camera Pouches lined up, one in creme multicolored version, another in cosmic purple, and an all black version.

With many drawn to the allure of the analog era (or at least the physical), Long Weekend’s most recent announcement is the impending arrival of a 35mm Film Camera. Made of lightweight ABS plastic camera, the offering brings flashbacks of Lomography and seems attuned to the popularity of pre-smartphone, pocket-sized cameras coveted for their nostalgic images.

Side by side images of the Long Weekend Morro Convertible Backpack and matching Morro Camera Cube both in gridded black color way. Camera Cube is unzipped to show camera gear contents.

The camera is joined by the Long Weekend Morro Convertible Backpack (with a carrying capacity large enough for a 16” laptop), a matching Morro Camera Cube, and a trio of small, medium, and large sized Everyday Zip Pouches.

Small, medium and large Long Weekend Everyday Zip Pouches interlinked by carabiner clip being and held up outside with rolling hills and blue skies in the background.

Long Weekend sling in creme, red zipper and grid blue pouch combination.

Long Weekend 18L Beacon Tote bag set across tall grass

Long Weekend's entire collection of photography gear carry bags totes, squares, and 35mm film camera

Young man in red hooded sweatshirt and woman in white button up long sleeve shirt each wearing a sling carrying case, him across his torso, her across her waist.

The entire Long Weekend Camera Line, starting at $15, is available for order via Moment’s Long Weekend page.

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Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.