Curious Mutations and Scenarios Occupy Martin Jarrie’s Stylized Acrylic Illustrations

Curious Mutations and Scenarios Occupy Martin Jarrie’s Stylized Acrylic Illustrations

“Bestioles.” All images © Martin Jarrie, shared with permission

Elephants with blue scales and pipe-like trunks, a woman sporting an enormous bouffant filled with birds, and a farmer grasping a tree with roots evocative of veins or intestines are just a few of the otherworldly characters that populate Martin Jarrie’s illustrations.

The French artist is drawn to mutations and curious scenarios, skewing bodily proportions or melding two creatures into strange hybrids. “What interests me most is giving birth to imaginary beings, animals or humans, under my pencil or my brush,” he shares. “I was very marked in my adolescence and youth by the discovery of surrealism, from Giorgio de Chirico to Magritte via Marcel Duchamp.”

Whether working on a commission or a personal project, Jarrie begins with a minimal sketch before choosing a substrate—paper, canvas, or sometimes wooden produce crates—for his acrylic works. “I never paint on a white background, but it is always already smeared with paint (remnants of palette, bottoms of tubes, etc…),” he notes, which is also evident in the streaks and blotches lining the perimeters of his works.

 

a man with a large white cowboy hat, red checkered shirt, and tall gray pants grasps a tree with a green canopy and tangling roots. flowers and plants surround him

“Horticulteur”

But sometimes an initial drawing doesn’t translate to a larger illustration. Jarrie has amassed a collection of sketchbooks from the past three decades, which he references when he needs inspiration. He explains:

There are a lot of failures, unfinished drawings… When I get stuck, I consult them and sometimes find solutions in drawings that I found unsatisfactory but which suddenly open up new avenues for me. And then always in case of blockage… I leaf through the books in my library, art books, exhibition catalogs, books on nature, animals, sky charts, old sea charts, etc…

The resulting works are filled with unexpected oddities and textured details, which the artist describes as direct translations of an idea or thought into “a sensation…The pleasure of drawing is to let yourself be surprised,” he says. “Something escapes.”

Jarrie’s most recent commissions include a seasonal label design for Staple Gin, along with a book project for Vista Alegre. Find much more of his work on Instagram.

 

a portrait of a woman with a large bouffant filled with birds

“Tête +oiseaux”

a drawing of a human hand in navy with thin white lines covering it

“Main”

a silhouette of a face in blue with dark hair on a red backdrop. small gears, bolts, and other tools dot the body

“Les 2 géants”

a woman with curly black hair, a red shirt, and a yellow and black striped skirt is surrounded by dozens of dogs

“Femme aux chiens”

a man with a long red beak nose, blue shirt, and red and black checkered pants sits on an oversized red wood chair while a white bird with long red beak perches in his palm

“Nid”

a green fennel bulb

“Fenouil”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Curious Mutations and Scenarios Occupy Martin Jarrie’s Stylized Acrylic Illustrations appeared first on Colossal.

Admirable art: Senior Zegarra-Amoroso hones photography passion

Admirable art: Senior Zegarra-Amoroso hones photography passion

The obsession with art began at just 4 years old when now senior Alisia Zegarra-Amoroso made an at-home baking video of her mother in the kitchen. Now characterizing her main medium to be film photography, while still dappling in mixed mediums, Zegarra-Amoroso is no stranger to art. 

Having a YouTube channel and an Instagram at a young age, Zegarra-Amoroso documented everything. 

“When I was a kid, I took pictures of everything; I was super into it,” Zegarra-Amoroso said. “I always wanted to do other things like marine biology. I would go through little phases, but I would always come back to photography and art. So when I was in middle school, I joined photography because [Inman Middle School] had a darkroom and I was like ‘why am I looking at everything else when I’ve been in love with photography and art my whole life?’”

Zegarra-Amoroso’s mom, Alison Amoroso, said that Zegarra-Amoroso has always had a knack for art. 

“We had a friend who was an art professor at Emory [University], who would give her an occasional class when she was about 7 or 8 [years old],” Amoroso said. “Then we lived in Guam for a year and she had a professional artist who would teach her art and she really excelled, the teacher said she did really well.”

At 18 years old, Zegarra-Amoroso’s work has won awards and appeared in a few galleries, making her successful, especially for her age. While Zegarra-Amoroso said she enjoys painting, photography has become her favorite art form to express herself. 

“The science of the camera is my favorite part about film photography,” Zegarra-Amoroso said. “The way that the light comes in, controlling everything manually and then developing in the darkroom, it’s fun to be able to do whatever you want with the photo. By making it darker or lighter, double, triple expose stuff; you can do collages. It’s really cool how light and color can control everything.”

In order to connect with people in the art industry throughout Midtown, Zegarra-Amoroso said that art teacher John Brandhorst has been a useful outlet for her. 

“Mr. Brandhorst is a great branch to get involved with a lot of local artists; he makes that possible,” Zegarra-Amoroso said. “I’ve been selling art at different places and a couple of local festivals; I’ve talked to people who are interested in buying my things.”

Brandhorst said that Zegarra-Amoroso’s drive to reach out to people made it easy for him to help.

“She’s an instigator and that’s exactly the kind of person professionals want to work with,” Brandhorst said. “The collaborative aspect is a major function of 21st-century art making. She has respect for other people’s creativity and that she’s not up for self-promotion. That makes it super easy for doors to open; I’m just saying ‘you guys should meet’ and then she takes off.”

Senior Nadia Creekmur, who has been friends with Zegarra-Amoroso since they were in kindergarten, said Zegarra-Amoroso has always been naturally artistic and that she has a specific style that makes her work appealing.

“Her photography is kind of edgy; it’s very interesting because she gets cool angles and stuff,” Creekmur said. “Her drawing is mixed media so she combines a lot of things. She’ll use things like staples in her artwork and put something really cool together. Her work is very unique, it’s not basic at all.”

Similarly, photography teacher Kimberly Wadsworth said Zegarra-Amoroso exhibits a style specific to her personality. 

“[Zegarra-Amoroso] has a style that continues throughout all her work,” Wadsworth said. “You look at her work and are like ‘Oh, that looks like Alisia’s work’. Her imagery has a sense of mystery and eeriness to it and usually there’s some deeper meaning that I might not always know looking at the piece, but she has some idea about why she was shooting it. She really plays around with color theory. I just love it because it’s not just cut and dry; [the pictures] are really beautiful.”

Brandhorst said he recognizes Zegarra-Amoroso’s meticulous planning in her artwork.

“She has reasons for everything that happens and it’s very symbolic,” Brandhorst said. “She understands, like a poet, why this word was placed here or there and she understands her work that way too. She’s always, always pushing.”

Wadsworth said she has observed Zegarra-Amoroso’s artwork progress throughout the four years she taught her.

“From the time that I met her, she was always very unique and an independent thinker, and she has her own ideas about her art, whether it be drawing or painting or photography,” Wadsworth said. “Over the years, she’s really developed her photographic eye and her artistic identity.”

Brandhorst said he noticed Zegarra-Amoroso grow in her style and ability as an artist.

“She’s very adventurous; she takes lots of risks,” Brandhorst said. “I find as a teacher, the best thing I can do is provide a space where [it is] safe to take risks. It’s my job to make sure that she or any artist has the necessary equipment, space, time and a sense that I won’t impose some kind of stupid judgment that may cause her to shut down. That’s the death of a teacher.”

Like Brandhorst, Wadsworth said that Zegarra-Amoroso is the artist she is because of her own doing, with minimal guidance. 

“I don’t [really] know how much I’ve done,” Wadsworth said. “I taught her how to use the darkroom and maybe how to use the camera better. As far as artistic vision, she just goes and does her own thing and you can’t tell her any different. She goes and makes it happen.”

Wadsworth said Zegarra-Amoroso’s independence with her artwork will take her far. 

“She hardly needs me, she hardly needs Brandhorst; she kind of does her own thing,” Wadsworth said. “She doesn’t seek a lot of input. She’ll just show me what she’s done after she’s done it.” 

Zegarra-Amoroso said she’s been able to blend her love of photography with her passion for politics through an interest in photojournalism and working with the DeKalb Dems

“I’m politically active as well, I work with the DeKalb Dems and a couple of nonprofits, and I think photos are what people grasp onto when they think of a subject,” Zegarra-Amoroso said. “You know when you look at an article and then see the photo, it can really move a person, whether in color or black-and-white.”

Feeling inspired by political activism and how she can represent that through her art, Zegarra-Amoroso said she has moved to experiment with other forms of photography as well. 

“I’ve been getting into more street photography so I’ve been getting into more obscure portraits of women and stuff,” Zegarra-Amoroso said. “I definitely want to do political science mixed with photography [in college]. I’ve been taking photos of the Women’s March in D.C., just trying to bring my camera [to] places to show what’s going on in cities, economically and the lack of equity we have going on, not just in Atlanta but in pretty much every city.”

In Atlanta, Zegarra-Amoroso started a photography project relating to sharing the stories of homeless people who live in tents.

“I want to [have the photos be in] black and white,” Zegarra-Amoroso said. “I want to show the people in our city and it kind of speaks for a lot of other cities too. I was in California recently and took photos of lower-income people there. Homelessness is one of the biggest issues in our country and I think a lot of people, especially privileged people, don’t see that. I want to use photography to open people’s eyes to what’s going on.”

Wadsworth recognizes a quality in Zegarra-Amoroso’s artwork that is similar to a graduated student, who now lives in New York City as a professional and successful photographer. 

“[The graduated student] is just really blowing it out of the water; he’s a success,” Wadsworth said. “When I see [Zegarra-Amoroso’s] work now, it really kind of reminds me of [the graduated student’s] work, his early work, when he was in college and maybe high school too.” 

After high school, Zegarra-Amoroso plans on attending Georgia State University to study fine arts and to take political science classes. 

“Photography for me is about pushing myself and it’s nice when other people like my stuff,” Zegarra-Amoroso said. “Georgia State has a very competitive fine arts program and I like to mix photography and art so it’s kind of the perfect place to go.”

11 Photographers Prove Works of Art Can Be Shot on Google Phones

11 Photographers Prove Works of Art Can Be Shot on Google Phones

“Given the theme of ‘The Only’—being one of one, individual and unique, I captured a series of overhead self-portraits to explore scenes from my life. I’ve been told to be many people in one, and I wanted to share a few different Ambers to the world. As someone who is lucky enough to work on big sets with so many talented people (and has a hard time getting in front of the camera), I wanted to challenge myself to capture myself entirely by myself. From location scouting, art directing, lighting, rigging the camera, and being the subject, it was intimidating and freeing all at once. I look forward to looking back on these photos when I’m older, as sort of this memento to my early 30s, a period of self-discovery and a second coming of age.” —Amber Grace Johnson

TSS Photography Named a 2024 Top Franchise by Franchise Business Review

TSS Photography Named a 2024 Top Franchise by Franchise Business Review
TSS Photography
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TSS Photography Named A Top Franchise of 2024

Independent Survey Shows Franchise Owners Are Highly Satisfied with TSS Photography’s Performance

OKLAHOMA CITY, OK, UNITED STATES, January 5, 2024 /EINPresswire.com/ — TSS Photography was recently named a Top Franchise for 2024 by Franchise Business Review. This prestigious accolade is part of the 19th annual ranking of the 200 best franchise opportunities as rated by franchise business owners. The comprehensive list can be viewed at Franchise Business Review Top 200 Franchises.

TSS Photography, renowned for its innovative approach in the photography franchise industry, has been empowering photographers and entrepreneurs for over four decades. With a focus on sports, school, and event photography, TSS offers a unique business model that combines passion for photography with entrepreneurship, backed by robust support and training systems.

Franchise Business Review, a market research firm specializing in franchisee satisfaction and employee engagement, ranks franchise companies based on actual franchisee satisfaction and performance. Annually, the firm publishes its rankings of the top 200 franchises in its Guide to Today’s Top Franchises.

TSS Photography was among more than 375 franchise brands, representing over 35,000 franchise owners, participating in Franchise Business Review’s research. TSS Photography’s franchisees were surveyed on 33 benchmark questions about their experience and satisfaction regarding key aspects of their franchise systems, including training & support, operations, franchisor/franchisee relations, and financial opportunity.

Highlights from TSS Photography’s survey data included:

97% of franchisees respect the franchisor.
97% of franchisees enjoy being part of the organization.
94% of franchisees are likely to recommend the brand to others.

“Franchisee satisfaction continues to be the leading indicator of franchise performance and system health, and we are pleased to report that our latest research shows satisfaction has remained at some of the highest levels in the past 19 years. In fact, our survey results show that three out of four franchise owners would recommend their brand to others. That’s extremely encouraging news for franchise owners and anyone considering investing in a franchise,” said Michelle Rowan, president and COO of Franchise Business Review. “As an independent research firm, Franchise Business Review is committed to helping prospective franchisees get an objective view of the best franchise opportunities available based on actual feedback from the people who own them. Each of the award winners on this year’s list of the 200 Top Franchises received stellar ratings from their franchisees in the areas crucial to success in operating a franchise, including training & support, leadership, innovation, culture, and financial opportunity.”

“Being recognized as a Top Franchise in 2024 by Franchise Business Review is not just an honor; it’s a validation of our enduring commitment to our franchisees and the photography community. This accolade reflects the strong relationships we have built, the satisfaction and success of our franchisees, and the effectiveness of our innovative approach in the world of photography franchising. It underscores the value we place on empowering entrepreneurs and photographers with a business model that combines education, support, and growth opportunities. This recognition motivates us to continue striving for excellence, and most importantly, to maintain the trust and respect that our franchisees have in TSS Photography”,” said James Calabrese, Franchise Development Director of TSS Photography.

For the full list of the 2024 Top Franchises, visit Franchise Business Review.

About TSS Photography
TSS Photography is a leader in the photography franchise industry, offering innovative solutions for sports, school, and event photography. With over 40 years of experience, TSS Photography empowers entrepreneurs and photographers with a unique business model supported by comprehensive training and support systems. To learn more about TSS Photography, visit TSS Photography website.

About Franchise Business Review
Franchise Business Review (FBR) is a leading market research firm serving the franchise sector, measuring franchisee and franchise employee satisfaction and engagement. Since 2005, FBR has surveyed hundreds of thousands of franchise owners and over 1,200 leading franchise companies. FBR publishes free and unbiased franchisee satisfaction research reports throughout the year online at Franchise Business Review. For their publications, visit FBR Publications.

James Calabrese
TSS Photography Franchising
+1 800-336-4550 ext. 114
james.calabrese@tssphotography.com
Visit us on social media:
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Apparel Ghost Mannequin Photography Offered By EtherArts Photography In Tampa, Florida

Apparel Ghost Mannequin Photography Offered By EtherArts Photography In Tampa, Florida
Ghost Mannequin Photo of Golf Tshirt for Atlanta Based Client

Golf Tshirt- Ghost Mannequin Photography

Infographics Shot done for Amazon FBA Seller- Hair Palette

Amazon photography Tampa- Infographics Shot For Hair Palette

Watch photography on white background

Watch photography for Tampa Client

Low-cost ghost mannequin photography is the solution for enhancing the visual presentation of apparel on Amazon and e-commerce sites without strain on finances

Crafting a visual narrative for a product is like giving it a voice in the crowded market – we make it loud, clear, and impossible to ignore by capturing the extra-ordinary in the ordinary too!”

— EtherArts Product Photography

TAMPA, FLORIDA, USA, January 5, 2024 /EINPresswire.com/ — Unveiling an Affordable Solution: EtherArts Product Photography introduces professional Ghost Mannequin Photography Services for low cost.

EtherArts Product Photography & Graphics, a leader in innovative photography solutions, is thrilled to announce the launch of its low cost Ghost Mannequin Service, enhancing the way apparel is showcased in the e-commerce landscape.

As the digital marketplace continues to thrive, the importance of visually captivating product photography cannot be overstated. Understanding the unique needs of online retailers, EtherArts Product Photography has developed a state-of-the-art Ghost Mannequin Service that combines creativity, precision, and efficiency to elevate the visual representation of apparel products.

Photo Realism and Creativity
Unlike traditional photography methods, the Ghost Mannequin Photography at EtherArts Product Photography goes beyond the ordinary, capturing apparel in a way that brings out its true essence. By seamlessly removing mannequins and models from the shots, the photography studio creates a unique blend of realism and creativity, allowing customers to focus solely on the garments.

Elevating the Shopping Experience
At the core of EtherArts Product Photography Tampa studio provides a commitment to enhancing the overall shopping experience for consumers. By providing a three-dimensional view of each garment, customers can examine intricate details, textures, and design elements, fostering confidence and facilitating informed purchasing decisions.

Streamlined Editing Process for Faster Turnaround
Time is of the essence in the fast-paced world of e-commerce. Recognizing this, EtherArts Product Photography has designed its Ghost Mannequin photography service to streamline the post-production editing process. By capturing images with the intent of later removing mannequins, the service ensures a quicker turnaround time for updating product listings and introducing new inventory to online stores.

Versatility Across Product Categories
While initially designed with the fashion industry in mind, EtherArts Product Photography Ghost Mannequin Studio boasts versatility that extends across various product categories from accessories and jewelry to furniture and home goods, the service can be seamlessly adapted to showcase a diverse range of items, making it an invaluable asset for e-commerce platforms catering to different markets and industries.

Consistent Brand Presentation
Maintaining a consistent and professional brand image is crucial for online retailers. With EtherArts Product Photography Ghost Mannequin studio, businesses can achieve a standardized and cohesive visual language that aligns with their overall brand aesthetic. This consistency not only strengthens brand identity but also instills trust in consumers, fostering loyalty and repeat business.

How EtherArts Product Photography Ghost Mannequin Service Works:
Professional Photo Shoot: Their skilled photographers capture images of the apparel with an emphasis on showcasing every detail.

Ghost Mannequin Technique: The magic happens in post-production, where the expert editors skillfully remove mannequins or models from the images, leaving behind a clean, realistic representation of products.

Quality Assurance: Before delivering the final images, the quality assurance team ensures that each photo meets their rigorous standards for excellence.

Quick Turnaround: Experience the speed of their Ghost Mannequin Service with a swift turnaround, allowing one to update the product listings promptly.

EtherArts Product Photography is confident that its Ghost Mannequin Photography service will redefine the standards of apparel photography in the e-commerce industry. By combining state of the art technology with a commitment to customer satisfaction, the company aims to empower online retailers to present their products in the best possible light.

For an Amazon store or any e-commerce platform, the importance of ghost mannequin photos cannot be overstated. These images play a crucial role in enhancing the overall presentation of apparel and fashion products, contributing to increased sales and customer satisfaction. Here are several reasons highlighting the significance of utilizing ghost mannequin photos for the Amazon store and how EtherArts Amazon Photography Miami studio offers their services at low cost-

Professionalism and Credibility:
Ghost mannequin photos provide a polished and professional look to product listings. The absence of distractions ensures that potential customers focus solely on the clothing item, giving the store a credible and trustworthy image.

Enhanced Product Visibility:
Ghost mannequin photography allows customers to see the clothing from various angles, providing a three-dimensional view. This enhances the visibility of the product and helps potential buyers get a comprehensive understanding of the fit, style, and features.

Improved Customer Engagement:
High-quality images increase customer engagement by providing a realistic representation of the product. When customers can visualize how the clothing will look on them, they are more likely to make a purchase.

Reduced Return Rates:
Clear and detailed ghost mannequin photos help set accurate expectations for customers regarding the product’s appearance and fit. This transparency can lead to a reduction in return rates as customers are less likely to be disappointed with their purchases.

Consistent Brand Image:
Maintaining a consistent and cohesive brand image is essential for building brand recognition and loyalty. Ghost mannequin photography ensures a uniform presentation across the product range, reinforcing the brand identity.

Competitive Edge:
In a crowded online marketplace, having professional and visually appealing product images sets the Amazon store apart from the competition. Ghost mannequin photos showcase a commitment to quality, giving a competitive edge.

Adaptability Across Categories:
Ghost mannequin photography is versatile and can be adapted for various product categories beyond apparel. This adaptability makes it a valuable investment for Amazon stores that offer a diverse range of products.

Optimized Amazon Listings:
Amazon’s algorithms favor listings with high-quality images. Ghost mannequin photos not only enhance the visual appeal of the products but also contribute to better search rankings and increased visibility on the platform.
About EtherArts Product Photography
EtherArts Product Photography is Atlanta based product photography studio specializing in delivering high-quality imagery for the e-commerce sector. With a team of skilled photographers, editors, and creative minds, EtherArts Product Photography is dedicated to helping businesses showcase their products in the most compelling and visually appealing way.

Aarti Rane
EtherArts Product Photography & Graphics
email us here
Visit us on social media:
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Pokémon and Japanese Craft Traditions Unite in a Fantastic Exhibition of 70+ Works

Pokémon and Japanese Craft Traditions Unite in a Fantastic Exhibition of 70+ Works

Taiichiro Yoshida, “Jolteon.” All images courtesy of Japan House Los Angeles, shared with permission

Two of Japan’s major cultural contributions converge in POKÉMON X KOGEI | Playful Encounters of Pokémon and Japanese Craft. On view at Japan House Los Angeles, the exhibition showcases more than 70 sculptures and installations that recreate the fantastical animated characters from Squirtle to Pikachu in ceramic, metal, fiber, and more.

Included are works by several artists featured on Colossal, including a menagerie of intricately layered creatures by Taiichiro Yoshida and Keiko Masumoto’s whimsical vessels in which heads and tails emerge from pots and plates. Similar to the natural materials used in Japanese craft like earth, water, and fire, the characters within the popular franchise are categorized by element, drawing another connection between the two.

POKÉMON X KOGEI is organized by the National Crafts Museum in Kanazawa and is on view in Los Angeles through January 7.

 

a ceramic jar with a deer-like character emerging from the sides

Keiko Masumoto, “Vulpix Shigaraki Jar”

three images of small ceramic creatures covered in ornate patterns

Kasumi Ueba, from left, “Grookey with Arabesque Pattern,” “Scorbunny with Flame Pattern,” and “Sobble with Water Pattern”

a small cat like sculpture covered in yellow and beige metal layers

Taiichiro Yoshida, “Eevee”

a closeup image of red metal flames cloaking the face of a cat-like animal with a bright blue eye

Taiichiro Yoshida, detail of “Flareon”

two cat like animal sculptures covered in small metal layers in gold and red

Taiichiro Yoshida, “Flareon” and “Jolteon”

a ceramic sculpture of a blue turtle-squirrel hybrid

Sadamasa Imai, “Squirtle”

a ceramic plate in blue and white with bird characters emerging from the sides

Keiko Masumoto, “Piplup Underglazed Plate”

an installation with a tunnel through dangling yellow tendrils

Reiko Sudo, “Pikachu’s Adventures in a Forest”

yellow tendrils made of pikachu-shaped pieces of fabric

Reiko Sudo, detail of “Pikachu’s Adventures in a Forest”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Pokémon and Japanese Craft Traditions Unite in a Fantastic Exhibition of 70+ Works appeared first on Colossal.

kishin shinoyama who photographed john lennon & yoko ono’s last album cover dies at 83

kishin shinoyama who photographed john lennon & yoko ono’s last album cover dies at 83

Photographer Kishin shinoyama passes away of old age

Celebrated Japanese photographer Kishin Shinoyama has passed away at the age of 83. He was the one who shot the 1980 album cover of John Lennon and Yoko Ono’s Double Fantasy, where the couple was seen kissing. It was also one of the last photos of John Lennon, three months before he died. In 2015, Kishin Shinoyama introduced his portrait series of the day of shooting John Lennon and Yoko Ono with Taschen.

The series of images, published in 174 pages, peers through the intimate moments of the couple. It was Yoko Ono who requested the photographer to photograph and create the book Double Fantasy. Today, it serves as a memento of the revered Japanese photographer and a recollection of the couple’s photographs within a five-day shoot, portraits that Yoko Ono calls ‘images of my happiest time.’

kishin shinoyama john lennon yoko ono
Kishin Shinoyama photographed John Lennon and Yoko Ono for their 1980’s album Double Fantasy | images courtesy of Taschen (unless stated)

Remembering Kishin Shinoyama

Kishin Shinoyama started as an advertising photographer while he was still a student at Nihon University. By 1968, he was working as a freelance photographer, taking portraits of celebrities including Yukio Mishima, Momoe Yamaguchi, Rie Miyazawa, John Lennon and Yoko Ono. During this period, his photographs also documented Japan’s landscape, unveiling snapshots of fashion shows, dancers, theater troops, and even student protests.

Moreover, he became a known photographer for his artistic nude images of women, a recurring theme throughout his portfolio. The essence of expressionism and naturalism in photography surfaced in Kishin Shinoyama’s works. At times, his lens gazed at the vulnerability of his subjects, be they pop icons and celebrities or women in artistic environments. Kishin Shinoyama also attracted fame for his nude photographs of the actresses Rie Miyazawa and Kanako Higuchi and author Yukio Mishima, whose picture was taken before he took his own life.

kishin shinoyama john lennon yoko ono
John Lennon and Yoko Ono as photographed by Kishin Shinoyama

kishin shinoyama john lennon yoko ono
Kishin Shinoyama. John Lennon & Yoko Ono. Double Fantasy, published by Taschen | image by Mark Seelen | more here

John Lennon and Yoko Ono as photographed by Kishin Shinoyama
The Birth 6, 1968, photographed by Kishin Shinoyama | image courtesy of Michael Hoppen Gallery

[embedded content]

video courtesy of Taschen

How to Avoid Photography Burnout According to 30+ Pros

How to Avoid Photography Burnout According to 30+ Pros

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Light and Dwell Open a Shop Carrying Their Own Sustainable Furniture Collection

Light and Dwell Open a Shop Carrying Their Own Sustainable Furniture Collection

Light and Dwell, the Oregon-based interior design studio founded by Aymee Kuhlman and Molly Kidd, has officially opened the doors to the new Light and Dwell Shop! With sustainability guiding their residential projects and years spent creating custom pieces under their collective belt, a home furniture collection all their own is now available in the Shop.

With Kidd as Principal Designer, the series features essential furniture pieces that lend a fresh perspective to classic designs. You’ll notice elements of vintage European silhouettes throughout, as well as several pieces with scalloped finishes. The furniture is handmade in an Oregon wood atelier using harvested white oak that’s been gathered from fallen trees. The quality craftsmanship put in upfront ensures longevity of the furniture, providing a long life ahead.

three pieces of dark wood furniture in an off-season field

dark wood nightstand in an off-season field

Charli Nightstand

The scalloped drawer cannot be missed in the Charli Nightstand’s design. Crafted with high-quality wood, the joinery is another highlight of the versatile, timeless piece. Hand-finished, the bottom shelf is a great place to display a few of your favorite things or your latest stack of books to be read.

“We designed this heirloom nightstand with thoughtful proportions top of mind to make it every bit as functional as charming (hello, storage),” the duo shared.

two dark wood nightstands in an off-season field

Charli Nightstand

dark wood nightstand holding a candelabra

Charli Nightstand

tall dark wood stool in an off-season field

Frankie Stool

The Frankie Stool strikes a happy medium between traditional and modern. Made of hand-shaped, sustainably harvested oak wood, the classic silhouette and scallop give it a casually refined feel. The texture and warmth the stool provides makes it ideal seating for casual kitchen island dining. Its dark wood acts as a neutral, while the stool’s sleek lines enhance any space.

two tall dark wood stools in an off-season field

Frankie Stool

two tall dark wood stools in an off-season field

Frankie Stool

three tall dark wood stools in a styled kitchen

Frankie Stool

dark wood tripod stool holding a glass

Louis Stool

It’s named the Louis Side Table, but its versatility means you can also put it to work as a nightstand, hallway accent, or even in the bath. The organic, almost bulbous legs paired with a scalloped-edge tabletop are an unexpected and delightful pairing. Light and Dwell notes that the table works especially well in smaller spaces.

They added, “We’ve designed this with thoughtful proportions to make it every bit as functional as it is charming. Try it anywhere you need a bespoke moment, displayed storage, or a simple spark of joy.”

dark wood tripod stool in an off-season field

Louis Stool

dark wood tripod stool in an off-season field

Louis Stool

dark wood bench in an off-season field

Piper Bench

The Piper Bench is the most old-world feeling in the collection, as well as the most inspired by vintage style. The bench’s back features the scalloped edge carried throughout the series, while the apron is topped with a ball finial. Further character and beauty emerge as its texture and craftsmanship are revealed.

dark wood bench in an off-season field

Piper Bench

dark wood bench in an off-season field

Piper Bench

dark wood console table in an off-season field

Ruby Console

Closely related in style is one final piece – the Ruby Console. Leaning on the same vintage vibe as the Piper Bench, Ruby’s stained white oak frame and ball finial leg feels minimal and tailored. It’s a piece you’re sure to have forever, so place it in the entryway or behind a sofa – you have plenty of time to find the perfect spot.

six pieces of dark wood furniture in an off-season field

To learn more about Light and Dwell’s new shop and furniture collection, visit lightanddwell.com/shop.

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.