The Brooklyn Museum to Host ‘Paul McCartney Photographs 1963-64: Eyes of the Storm’
By Admin in Photography
Paul McCartney. Self-portrait, London, 1963.
The Brooklyn Museum has announced an impending exhibition dubbed Paul McCartney Photographs 1963–64: Eyes of the Storm, slated to run at the New York location from May 3 through August 18, 2024. The show aligns with the material presented in the musician’s 2023 release photo book, which goes by the same name.
Consisting of more than 250 photographs taken during The Beatles’ heyday in the early 1960s, much of the content was taken on McCartney’s Pentax film camera. In doing so, he transports the viewer back to the band’s initial U.S. tour, which notably assisted in their ascent and global success, and beyond. The batch of photos was only recently rediscovered and brings McCartney’s singular vantage point from behind the lens into focus.
“Since first arriving in New York in February 1964, Paul McCartney has built a strong, everlasting connection to the city. His vibrant photographs from The Beatles’ first visit capture the energy of the city, the excitement of the American fans, and the frenzy of the band’s status as celebrities,” offered Catherine Futter, Director of Curatorial Affairs and Senior Curator of Decorative Arts.
“Yet the images also record The Beatles’ fun and delight with each other. Through McCartney’s lens, we feel the intensity of being at the center of such extraordinary events,” Futter concluded. Notably, the exhibition initially ran at the National Portrait Gallery in London prior to the impending New York debut.
Learn more, visit www.brooklynmuseum.org.
Artisse AI raises $6.7M for its ‘more realistic’ AI photography app
By Admin in Photography
Artisse, one of the many AI photo creation apps that let users generate photos of themselves using uploaded selfies combined with prompts, has raised $6.7 million in seed funding, following AI selfies’ viral moment. Similar to others on the market, Artisse users upload photos of themselves to train its AI on their images, then use a text or image prompt to generate new photos of themselves across various settings, postures, and styles. But unlike the competition, Artisse is focused on making its images more photo-realistic, so they could stand in for professional photography if required.
Under the hood, Artisse is using its own propriety model, alongside best practices and elements from open source models and tools. Because of the hyper-realistic images the app produces, Artisse became a top photo app on the Google Play Store at various times across markets including the U.S., U.K., Japan, South Korea, Canada, and Australia.
The app has been downloaded over 200,000 times to date, and its images reached an estimated 43 million people across social media, the company claims. To date, users have created over 5 million photos, its website notes.
Image Credits: Artisse
Originally bootstrapped, Artisse was founded by William Wu, who previously worked in investment and strategy with roles at McKinsey & Co. and Oaktree Capital. The founder told TechCrunch back in September that he was inspired to build an AI app after seeing how many people had “perfect” photos uploaded to their Instagram or dating profiles. However, he realized that to have those results, you’d need time and expertise with personal photography. His idea was to make that same type of photography more accessible to anyone with a smartphone
Training Artisse therefore takes longer than competitors — around 30 to 40 minutes, though the AI images take minutes to produce. Wu said this system allows it to produce more realistic images than some others on the market, as a result.
This is what Wu hopes will be Artisse’s differentiating feature.
“Midjourny clearly does well when it comes to landscapes and design work, but when it comes to people — the way to think about it, is there’s a lot of different factors and you need to build individual training sets for each of those factors.”
That means Artisse’s model takes into consideration factors like race, facial structures, skin color, lighting, camera type, camera angle, the way the body is shot, the scenery, and more.
Plus, adds Wu, “There’s an incredible amount of work that’s required in terms of data collection, data tagging, knowing what makes a good camera photo versus not.”
Artisse’s AI was trained on public domain photography, Wu notes.
“A lot of this is not about volume, it’s actually a lot about the quality of the image,” he says.
Like many apps in this space, Artisse has to overcome struggles in areas like the diversity of body shapes and skin tones, especially if users upload a reference photo where the person in the image is thinner. Another viral app Remini faced complaints in this area from women who said the app made them skinnier or with larger chests.
Artisse aims to stand out from apps like Remini and Lensa by producing photos that could be used in real life.
However, the startup’s AI model is flexible enough that users could do things with their photos that wouldn’t be appropriate, like changing their race, for example.
But Wu says he’s not encouraging that nor is this how people are generally using the product.
Image Credits: Artisse
Instead, Artisse’s users tend to leverage the app to post photos of themselves on social media — particularly those they wouldn’t be able to capture otherwise — like shots where they’re posed next to a fancy car or wearing some high-fashion look. Models and influencers are among Artisse’s early adopters along with some businesses using AI photography for their ads.
The app initially monetized by offering 25 photos for free, then charging around 20 cents per photo afterward. That attracted a casual audience who dabbled with the tech — Artisse said around 60-70% of users have been “light” users who try out the app one time. Of the 200K downloads, around 4,000 have converted to subscribers, which is the app’s new monetization model.
There are currently three tiers, priced at $7, $15, and $40 per month, where you receive anywhere from 25 to 370 photos.
Artisse claims to have tripled revenue to $1 million ARR in December 2023 and is on track to $2.5 million ARR as of this month.
“Revenue is growing pretty fast, payback period is relatively low,” Wu notes. “I see AI photography as a new category that should be probably of a similar size, if not bigger than, photo editing apps,” he says.
The startup’s $6.7 million seed funding round was led by The London Fund, a firm that makes strategic investments in high-growth companies with several consumer businesses in their portfolio.
The investment, which was inbound, made sense because the fund has an influencer marketing arm and could help with marketing the app, Wu explains. The round is still open to others.
Going forward, the 22-person team is looking to leverage its AI tech in other ways beyond consumer photos. It’s currently exploring virtual fitting room tech for online shopping, where you can model clothes on yourself in different fits and poses, as well as a group photo feature that could one day let you “pose” with a friend or even celebrity you’re a fan of (with permission). Shopping from AI photos and turning them into physical prints are other ideas being explored.
Artisse’s AI app is available on both iOS and Android.
In Drew Simms’s Short Film, Yellowstone National Park’s Gentle Giants Hunker Down in Subzero Temperatures
By Admin in Art World News
Rugged survivors of the Northern Great Plains, bison were nearly eliminated in the late 19th century due to overhunting. The creatures’ highly profitable, heavy wool hides were fashionable for jackets, and the U.S. government also sanctioned their slaughter as a way to compel Native Americans, who relied on the animals for sustenance, onto reservations. Still listed as a “near threatened” species and considered “ecologically extinct,” bison no longer play a role in prairie biodiversity. But their survival today is due in large part to dedicated, often Indigenous-led regeneration efforts across the plains.
Since prehistoric times, the only place where bison have lived continuously is in what is now Yellowstone National Park. The massive animals, which can weigh up to 2,000 pounds, develop a burly undercoat of coarse fur that protects them from the elements, keeping them warm and comfortable in temperatures as low as -40 degrees Fahrenheit. On a week-long camping trip last winter, photographer Drew Simms captured families of bison, along with other critters who frequent the area, in the stunning short film “-37°F in Yellowstone National Park.”
Featuring some of the thousands-strong herd that wanders freely through the expansive park and nearby areas of Montana, Simms observed steaming geysers, sly coyotes, and ice-coated mineral deposits in otherworldly scenes captured during the season when up to 200 inches of snow coats the landscape.
Follow more of Simm’s adventures on his YouTube channel and Instagram. (via The Kid Should See This)
All images © Drew Simms


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SlickPic Photography Challenge: Leading Lines
By Admin in Photography
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Be sure to join the Grand Opening of this Exhibit!𝐓𝐡𝐞 𝐆𝐚𝐥𝐥𝐞𝐫𝐲 𝐢𝐬 𝐡𝐚𝐩𝐩𝐲 𝐭𝐨 𝐚𝐧𝐧𝐨𝐮𝐧𝐜𝐞 𝐭𝐡𝐚𝐭 �…
By Admin in New Mexico Art
Carlos boozer hi-res stock photography and images – Alamy
By Admin in Photography
Rare Photo of Crab-Eating Macaque Wins Underwater Photo Contest
By Admin in Photography
“Aquatic Primate” by Suliman Alatiqi. Best in Show and Winner, Portrait. Shot in Phi Phi Islands, Thailand.
“During fieldwork at Phi Phi Islands, Thailand, spanning several weeks, I focused my efforts on documenting the maritime behavior of the Crab-eating macaque with particular focus on their water forages. The macaques have adapted very well to living around the sea and will venture into the water for various reasons including transportation, scavenging, cooling down and playing. Highly efficient swimmers, they can dive for up to half a minute and can cover short distances faster than most humans. This photo offers a rare glimpse of the swimming movement of a male macaque.”
The world’s largest underwater photo contest has revealed the results of its coveted competition and the winners are spectacular. Ocean Art Underwater Photo Competition, organized by the Underwater Photography Guide, gave out over $120,000 in prizes to photographers in 14 different categories, as well as the overall winner.
Photographer Suliman Alatiqi made a big splash in this year’s competition. Not only did his photo of a crab-eating macaque win Best in Show, but the photographer also won two different categories. The macaque image topped the Portrait category and another photo of whitetip reef sharks in Mexico took home the win in the Wide-Angle category.
Thousands of images from photographers hailing from 90 countries entered the contest. The wide-ranging categories allow these photographers to show off their abilities, whether they are documenting conservation stories or creating a fashion shoot underwater. And by giving these underwater photographers a platform, the Ocean Art Contest is shining a spotlight on the diversity found within underwater photography.
Check out some of our favorite winners and finalists below and see the full gallery on the Underwater Photography Guide website.
Here are the winners of the 2023 Ocean Art Underwater Photo Competition.

“Sealion Playing in Sardine Ball” by Joergen Rasmussen. Winner, Black & White. Shot in Magdalena, Baja California, Mexico.
“Each November, sardines aggregate offshore the Mexican west coast. This in turn attracts many predators. Working with a local fisherman, we search the deep water offshore near the continental shelf and we spotted a lonely sealion. The sealion was chasing the sardines and the ball was constantly changing shape as the sealion broke it up.”

“Into the Flames” by Miguel Ramirez. 4th Place, Compact Macro. Shot in Reunion Island.
“During a night dive on Reunion Island, I saw a huge Spanish dancer. And when I looked closer, I noticed that there was an emperor shrimp hidden in its gills!
I was happy because it’s the first time I’ve seen this association on a dive on Reunion Island (rarer to see it than in Indonesia!).
I tried to put my camera at gill level to get the black background. The shrimp was just above her head, giving the impression that she was in the middle of flames!”

“Bunk Buddies” by Suliman Alatiqi. Winner, Wide-Angle. Shot in Roca Partida, Mexico.
“Whitetip reef sharks are one of few shark species that rest in place. At Roca Partida, a small island, real estate is limited for the many whitetips that live there and they can often be seen bunking together. I wanted to get a photo of all of them facing me and with a lot of patience and a careful approach I managed to do so.”

“Lunch Time” by Alessandro Giannaccini. Winner, Coldwater. Shot in Porta Lake, Tuscany, Italy.
“In the photo, an Italian green frog is seen devouring an insect, specifically a scolopendra. This remarkable moment occurred during lunchtime at Porta Lake, a protected natural area—a muddy swamp teeming with aquatic plants, insects, and amphibians located in Tuscany, Italy. I couldn’t believe my eyes as I witnessed this unique and swift scene unfold. The entire sequence lasted only a few seconds. In an instant, the frog skillfully captured and consumed the scolopendra, resulting in a sophisticated yet fortuitous photograph!”

“The Birthday” by Kenji Sato. Winner, Marine Life Behavior. Shot in Miura Peninsula, Japan.
“Black cardinal fish live in shallow coastal waters, and males raise eggs they receive from females in their mouth (mouth brooder). The eggs hatch in about a week. Until they hatch, males stay still behind a rock and feed the eggs with fresh seawater. At first, I did not know when the eggs would hatch, but after a few observations, I could tell when the eggs would hatch. Hatching occurs within a few hours after sunset. At the moment of hatching, the father swims upward and spits out the babies in an instant. So, it’s difficult to take a picture.
It is said that the number of fries in a single hatching is about 20,000, so the moment of hatching is quite impressive. As soon as the babies hatched, they scattered all over the place. I hope that many of the fry will grow up and survive next year.”

“Underwater Fireworks” by Imogen Manins. Winner, Compact Macro. Shot in Mornington Peninsula, Australia.
“In the shallow waters of Naarm (Port Phillip Bay), sparse colonies of Tubular Hydroids poke their heads out of the sand in cold, shallow water. There are hundreds of individuals, but at just 4cm or so tall it’s easy to dismiss these tiny animals which are endemic to the Great Southern Reef of Australia. Each individual here is either male or female and extend their outer tentacles to catch passing plankton.”

“Squid hunting” by Keigo Kawamura. Winner, Blackwater. Shot in Japan.
“I collect and photograph floating creatures at night, Bonfire style. Many squid and shrimp will gather in the underwater torch. The squid in the photo is known to be the smallest in the world, and the pygmy squid successfully preyed on a shrimp as large as its own body. Pygmy squid eat shrimp by inserting their mouths into the gaps between their shells.”

“Cavalluccio” by Alberto Casati. Winner, Macro. Shot in Puerto Galera, Mindoro, Philippines.
“During the dive, I saw this little subject and I decide to take the picture using a snoot with technical backlighting.”

“Stay-at-home Mom” by Derek Singer. Winner, Compact Behavior. Shot in Hoodsport, Wahsington, USA.
“While GPOs are a common sight here in the Pacific Northwest, seeing a female nesting is rare enough that when someone does find one, word of mouth spreads quickly. In this case, my dive group had heard a couple nests were found at Sund Rock, an excellent site for finding GPOs in general. Since their dens tend to be in crevices and cuts in the rocks, getting a well-lit and well-composed photo with a large full-frame camera can be difficult (and risky if you’re shooting with a dome). Although the female will spend months caring for her eggs, we can never predict when they’ll hatch and she’ll die. I was intent on making the most of my opportunity since it may have been my only one.
Therefore, I decided to bring my TG-6 instead of my normal SLR. With the smaller form factor and very short minimum focusing distance, I was confident I could get the camera and the strobes close enough to capture a striking image. It turned out to be a good call because this particular nest was tightly ensconced in a pile of rocks. I captured a series of close-ups of the mama octopus circulating water through her eggs before getting distracted by another GPO wandering out in the open. This specific image best portrayed the tightness of the quarters and balanced the mama and her eggs. From the RAW file, my edits were focused primarily on boosting the contrast to make the colors and textures pop.”
Underwater Photography Guide organizes the contest, which is the largest underwater photography competition in the world.
“Water Sprite” by Justin Lutsky. Winner, Underwater Art. Shot in Ginnie Springs, Florida, USA.
“‘Water Sprite’ was captured in the crystal-clear waters of Florida’s natural springs. I’ve been traveling to Florida to shoot for years, as the springs’ clarity and natural beauty create a breathtaking canvas for underwater portraits. For this image, I worked with professional mermaid and underwater performer, Abbey Blake.
Everything in this image was shot practically and captured in-camera. Abbey wore a mesh bodysuit to which we attached the fairy wings, and together we ventured out into the springs in early January.”

“After the Wedding” by Peter Pogany. Winner, Nudibranch. Shot in Anilao, Batangas, Philippines.
“In the past two years I dove in Anilao on three separate occasions. We encountered this species on our first tour and were delighted to find that they were mating. My two diving buddies busied themselves with the nudibranchs, and by the time it was my turn I had no air left. I hardly hoped to get a second chance to observe this special event. But on our third tour I cought them “in flagranti”.”

“Tea Party” by Lucie Drlikova. Winner, Underwater Fashion. Shot in Prague,Czech Republic.
“This photo is part of my project Once Upon a Dream in Waterland, which I have been working on since 2017. All the scenes are real, including the food and cakes, which were made from concrete and covered with special colored foam, photographed underwater. Costumes, props, and scenes are hand made by me.”

“Dangerous Shelter” by Chris Gug. 4th Place, Blackwater. Shot in Florida, USA.
“Larval-stage jacks sheltering in various species of jellyfish are somewhat common in blackwater diving off coastal Florida, and after shooting them countless times over the years, I nowadays hunt for both quality and quantity. The quality comes from a jellyfish that is perfectly round, with aesthetically perfect tentacles, with an unbroken bell, and the quantity comes from the number of jacks living within it – the more the better, and while one or two is the norm, nine is exceptional! Always striving to “do no harm”, I’ve learned that with these particular subjects, the jacks may be somewhat resistant to the jelly’s sting, but definitely not immune. I therefor limit myself to 2 or 3 rapid shots, then I avert my lights and swim away, so as not to disorient the jacks, causing them to bump into the tentacles. Similarly, I’ve learned the best way to approach, is to immediately shut off all but the dimmest light upon locating such a subject, and approach with only the bare minimum light needed for the camera to focus by. To the best of our knowledge, this is commensalism symbiosis, wherein the jacks receive the benefit of a dangerous shelter while drifting through the open ocean as they mature, but the jellyfish is neither helped nor harmed.”

“Release of newborn blacktip shark during study on shark adaptation to climate change” by Victor Huertas. Winner, Underwater Conservation. Shot in Mo’orea, French Polynesia.
“Professor Jodie Rummer releases a newborn blacktip reef shark (Carcharhinus melanopterus) in Mo’orea, French Polynesia, after tagging it, and collecting biometric data. Professor Rummer leads Physioshark, a research team headquartered at James Cook University in Australia that investigates the impact of climate change on the physiological performance of newborn sharks in tropical shark nurseries. These habitats typically occur in shallow waters and are therefore highly exposed to rising temperatures and lower oxygen concentrations. Scientists are untangling the challenges newborn sharks face in such rapidly changing environmental conditions. Professor Rummer and her students have so far been able to show how despite the burden climate change is placing on the physiology of young sharks, these are displaying an exceptional resilience to these changes, giving scientists hope that they will be able to adjust to a warming ocean.”

“Dress for the Sea” by Serge Melesan. 3rd Place, Black & White. Shot in Mayotte Indian Ocean.
“Tursiops dolphins living just below the surface in the Mayotte lagoon. This photo shows them as a family and as social animals with a hierarchy. The best place to see them is in the Ocean. It’s a magical encounter when they accept you in their environment.”

“Circle of Life” by Andrea Michelutti. Honorable Mention, Compact Behavior. Shot in Anilao, Batangas, Philippines.
“I found this Favorinus tsuruganus, along with its eggs, on the egg ribbon of the Spanish dancer (Hexabranchus sanguineus). This image captures a stark contrast between nature’s beauty and its harsh realities. The bright colors and intricate designs of the nudibranchs are captivating, but they hide a harsh reality. The nudibranch in the foreground is feeding of the eggs of another of its kind: the ribbon of purple eggs laid by the Spanish dancer fell prey to the Favorinus tsuruganus, which also deposited its white eggs on top.
This scene illustrates intraspecific predation, a phenomenon where an animal consumes another of its own species, typically targeting the eggs or the young. Shooting this image required a great deal of patience, as the constant movement of the purple eggs, caused by the undertow, obscured the nudibranch and its eggs. After some attempts, I succeeded in capturing this vivid portrayal of the ‘circle of life”.”

“Eye See You” by Keith Mash. Honorable Mention, Macro. Shot in Sulawesi, Indonesia.
“I spotted a large green turtle nestled in the wall. It seemed to be observing us from afar and showed no signs of swimming off. With slow movements I managed to get within macro range and cautiously maneuvered my camera into position waiting for the right moment. To my surprise the turtle turned its head and gazed directly into the camera as if to check me out. As its eye came into focus, I paused; me looking at the turtle, the turtle looking at me…click… it was done.”

“The Beauty of the Swamp” by Bryat Turffs. Winner, Compact Wide Angle. Shot in Everglades National Park, Florida, USA.
“Exploring new environments, especially seldom visited ones, is one of the greatest pleasures of underwater photography for me. The Everglades is a rightfully foreboding environment, but also one of great beauty and interest. To capture this image, I was careful about avoiding risks, like alligators, in the area that I was snorkeling. Shooting with my GoPro made getting the camera close to my subjects easy. In this frame, I sought to capture a beautiful, native, Florida Gar against the backdrop of a cypress dome with light rays filtering through the trees. As a fish nerd, observing the many beautiful species that call this environment home is another joy. This image also features native largemouth bass in the background. Although not featured here, many of my frames from this day of shooting also captured invasive fishes, illustrating just one of the many impacts human actions have had on this imperiled ecosystem.”
Underwater Photography Guide: Website | Facebook | Instagram
My Modern Met granted permission to feature photos by Underwater Photography Guide.
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Highlighting Portland through street photography and portraits of strangers
By Admin in Photography

The Instagram account, Pale Blue Wave, featured this portrait of Natalie Bouldin. It was captured on St. Johns Bridge on Jan. 13, 2024. Pale Blue Wave has more than 80,000 followers on Instagram.
courtesy of Pale Blue Wave
Pale Blue Wave, an Instagram profile with more than 80,000 followers, highlights impromptu photos and portraits of strangers around Portland, mainly taken in downtown. The photographer who created the Pale Blue Wave account says he appreciates the style of the residents he sees walking around. In the videos, some Portlanders appear surprised and flattered to be noticed on their commutes going about their day. The interactions and on-the-spot photo shoots take place quickly, typically lasting about 10 minutes or less. We hear more from Ryan, the photographer behind Pale Blue Wave, about his project.
THANKS TO OUR SPONSOR:
Editor’s note: We are only using Ryan’s first name to protect his privacy.

The Instagram account user, Pale Blue Wave, captured this scene in St. Johns on Dec. 20, 2023. The profile has more than 80,000 followers on the social media platform.
courtesy of Pale Blue Wave
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Here is a quick view of the 2024 winners of the New Mexico Photography Contest!
By Admin in New Mexico Art