Pet photo shoots at Perme Photography! – Good Day Sacramento
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By Admin in Photography
Pet photo shoots at Perme Photography! – Good Day Sacramento
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Looking for a way to show off how adorable your four-legged family member is? Pet photographer Tonya Perme has opened a new studio in Oak Park to help you capture the joy and beauty of your best friend! Molly Riehl is stopping by to see how she captures all the sweetness!
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You might have noticed during the last few years that many of us picked up a niche interest or two – baking, foraging, playing boardgames, or pickleball – and perhaps most curiously, enjoyed the slow-paced pleasures of birdwatching. If you needed further proof of this mostly silent endeavor’s growing popularity, dedicated search of, and appreciation for our winged friends, look no further than these AI-enhanced Swarovski Optik AX Visio Binoculars designed by Marc Newson.
The Australian-born designer may seem like a surprising figure to associate with birdwatching, but the AI-enhanced binoculars are actually Newson’s second collaboration with Swarovski Optik – the first being the pocket-sized CL Curio binoculars he designed in 2021. While those initial compact binoculars are small, analog, and lightweight, the AI-supported $5,000 AX Visio challenge Newson to focus beyond optics and ergonomics, but also integrate a slew of technology into an easy-to-operate interface that users can quickly acclimate to.
The AX Visio looks naturally the part of a traditional binocular rather than a tech device, with Newson’s associated biomorphic modernist approach toned to a glimmer rather than a glow here. The designer says making the AX Visio an “approachable and usable” object was paramount in its conception.
Looking through the eyepieces, the AX Visio operates like any other modern pair of binoculars – point and zoom – except this AI-enhanced device includes an augmented reality display overlay, allowing users to identify over 9,000 birds and other wildlife without taking their eyes of the subject. “The AX Visio belongs to a different typology,” Newson notes, “And one that is totally new in the combination of optics and technology. Similar to a modern camera, they are optical, electronic and digital!”
Marc Newson may be responsible for the binoculars’ handsomely modern exterior, but inside is where the auto bird identifying magic happens. Consisting of approximately 390 hardware parts, the core of the AX Visio is its integrated operating and object-recognition system powered by a Neural Processing Unit (NPU), allowing these binoculars to immediately offer an identification.
Noting the modern day birder doesn’t go out into the field to merely observe, but also to document, the AX Visio’s 10×32 optical zoom is also paired with an integrated camera for recording photos and videos. Captured content is designed to transfer via the SWAROVSKI OPTIK Outdoor App so users can post or share their avian antics with the world, including a Live View function to share with others in realtime.
In regards to the design, Newson cites the greatest challenge around such technology was encapsulating all of the components and optics into a cohesive form.
“The greatest technical challenge in the design process was the size of the binoculars: the optics and technology – which includes AR, Bluetooth, GPS and a camera – must all fit within a tiny, handheld package,” Newson explains. “Like the rest of Swarovski Optik’s offerings, the AX Visio is repairable and so the object must have the capability of being taken apart, a constraint which also informed the design.”
Birding is a pursuit of observation and inquiry, one traditionally served by field guides, websites, and organizations dedicated to identifying winged wildlife. With the advent of AI-assisted systems like those incorporated into the Swarovski Optik AX Visio Binoculars, it’s going to become a whole lot easier to find where the wild things are.
Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.
By Admin in Photography
Stare at the lead image of this article. If you’re looking at the image above and not having your mind make so many different associations, you’re probably not very in tune with what’s going on. It’s almost impossible to not see the irony. The man on the phone was quite literally just standing there when I shot the image. You could easily make connotations that the statues behind him represent people who feel like they’re waiting in line forever. But it’s also just against human standards to believe that the man just happened to be standing there. Why? Because it breaks conformity, and that’s a major part of getting people to stare at your photos longer instead of just zipping past them.
Breaking conformity is often a big part of art. And as a photographer, it’s your job to create art — unless you’re a photojournalist, and even then, there are artistic ways to document something happening.
When something defies expectations, your brain notices. Sometimes, we just let it go and move on with our lives. That’s something that we do to filter stress out of our lives. But when people are at ease, they notice these things. People often stop to stare at photographs when they’re at ease, and providing that the stimuli is something unique to them. A great example of this is multiple exposures
Having some sort of mental mold of the world around us makes life easier for our survival. We come to just expect things. But when things don’t happen as expected, we start to question what’s in front of us. That’s something that you can do with your photographs.
A photographer that does this so well is Gundula Blumi, whom we’ve interviewed a few times. Her multiple exposures, also seen on her Instagram page, are something that challenges the ideas of conformity yet make us simpyl stare at the image. Ultimately, they elicit a feeling in us. Some may be perplexed by them while others may be awestruck. The multiple exposure process does that for all of us. At times, it can be a happy accident. But there are other instances where we see the image in our mind’s eye instead of look at it in front of us.
These days, many photographers comform to the idea of making images based on a trend they see on TikTok, Instagram, or other social media platforms. But all you’re doing is conforming to an idea to enrich a platform. What you make for that algorithm doesn’t necessarily enrich you and it surely doesn’t push you to be more creative as a photographer. Instead, you just become a content creator.



The image above was made with second curtain flash and a slower shutter speed. When we look at the photograph, we expect to see the model, Jordana, very sharp and still. But we don’t necessarily expect to see the hula hoops around her waist in the way that we do. We’d instead believe that the hoops should all be sharp. This isn’t the case though. And so it breaks the idea of conformity. To do this, it required a creative touch that can only be done using 2nd curtain flash and some creative freedom.
As you can see, there are several ways to break conformity. We, as photographers, just have to ponder on it more.
By Admin in Photography
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By Admin in New Mexico Art
By Admin in Art World News
“Grafted Wing” (2023), porcelain, glaze, pigment, adhesive, canvas, hardware, dye, thread, 223 x 218 x 10 centimeters. All images © Rebecca Manson, shared with permission
“I’ve always been captivated by the fluidity of ceramics,” says Rebecca Manson. Invoking metamorphosis in material and subject matter, the artist fashions large-scale wings and bodies that gracefully drape from gallery walls with eyespots and other patterns cloaking the forms.
Scaling upwards of seven feet, Manson’s sculptures comprise thousands of individual components that the artist and her team of assistants refer to as “smushes,” small bits of clay they flatten in their hands. The pieces are tedious to make, although the process can be meditative when there’s a rhythm that builds, particularly when constructing enormous numbers like the 200,000 required for her upcoming solo show at Josh Lilley in London.
Detail of “Grafted Wing” (2023), porcelain, glaze, pigment, adhesive, canvas, hardware, dye, thread, 223 x 218 x 10 centimeters
A combination of memories, found objects and images, emotions, and formal inquiries permeate Manson’s sculptures, and she likens her process to translation: an initial sketch comprising drawings, glaze tests, and digital mockups leads to a silhouette traced onto the canvas at a much larger scale. She then works on the “smushes,” which are bisque-fired according to size and clay type. Manson explains the process:
Then, they are all tediously glazed. They often serve as tiny little test tiles, allowing us to explore infinite glaze interactions and application results. Some are dunked by the handful, then loaded into the kiln one by one. Others are sprayed, hand painted, etc. Variety is the name of the game when it comes to developing a rich palette. And the ability to work in cycles—each cycle is a response to the prior.
Porcelain pieces in lavender, crimson, and beige emerge from the artist’s studio before being attached to the wings in dense, feather-like clusters, animating the otherwise rigid material.
A few of the works that will be on view at Josh Lilley in March were created during a residency with The Arctic Circle, which brought Manson in close contact with the rapid decline of the frozen landscape. “My life will never be the same after that,” she tells Colossal. “Making this work has been therapeutic. Look at the harshness of nature, whose one goal is to survive, and the burden of grief begins to lift. Death does not always imply sadness, and change, whether natural or not, is inevitable. It’s important to try and shift away from a human-centric ego from time to time.”
In addition to the show in London, Manson will also have a solo exhibition in May at The Modern Art Museum of Fort Worth. Until then, visit her Instagram for more.

“Xanthoria Wing”
Detail of “Xanthoria Wing”
“CRISPR wing” (2023), porcelain, glaze, pigment, adhesives, canvas, hardware, dye, paint, 193 x 228 x 10 centimeters
Detail of “CRISPR wing” (2023), porcelain, glaze, pigment, adhesives, canvas, hardware, dye, paint, 193 x 228 x 10 centimeters
“Pelt of a Giant Hawk Moth” (2022), porcelain, canvas, glaze, adhesives, 233 x 173 x 8 centimeters
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Thousands of Porcelain Pieces Undulate Across Rebecca Manson’s Elegantly Draped Wings appeared first on Colossal.
By Admin in Photography
With four nearly co-equal cameras packaged in a gorgeous design, the OPPO Find X7 Ultra makes real the prophesied smartphone that could rival professional cameras.
Photography has become an important part of the smartphone experience to the point that it could be considered one of the most critical deciding factors in a purchase. Companies have been working left and right to provide an excellent experience, but no matter how good the output is, they still can’t compare with the flexibility of a dedicated camera, especially mirrorless and DSLR cameras. You can only cram so much inside the thin body of a smartphone without either compromising on quality or leaving a distasteful bump on the phone’s back. Technology, however, is starting to catch up with smaller but more powerful sensors and lenses that could really give cameras a run for their money. The OPPO Find X7 Ultra embodies that promise, so we give the smartphone and its cameras a good test to see if it’s worth that large disc on its back.
Designer: OPPO
If you’re familiar with OPPO’s premium smartphone line, then the Find X7 Ultra will immediately look familiar. But even if you aren’t, you’re still in for a treat with one of the most beautiful devices to grace the market so far. Just like its predecessor, the Find X6 Pro, it bears a dual-tone color scheme and a large circular camera bump that others have dubbed the “camera Oreo,” though a resemblance with the top of a soda can wouldn’t be off the mark either. It’s a peculiar design, but one that has a reason and actually serves another purpose, intentional or not.


That said, the OPPO Find X7 Ultra isn’t just a rehash of the 2023 flagship. The colored vegan leather that makes up two-thirds of the rear area has a pleasant curve that arcs around the camera at a distance where the two elements intersect. It’s a subtle yet significant change that prevents visual elements from just abruptly cutting into each other. It also has the visual effect of giving the camera Oreo more prominence, with the leather seemingly giving way to this important part of the phone’s design.
The color options for the phone differ in more than just their hues this year, though. Both the Orange and Blue colorways do share a similar design, with the white top of the design looking like a familiar ceramic that OPPO has used in the past. The black colorway, on the other hand, has a few more interesting details, like the stitching on the vegan leather surface. Instead of ceramic, the top looks more like metal but still feels like glass. The mid-frame is also different, using some sandblasted finish that complements the phone’s darker looks.


All three do have the same basic design, with a back that curves at the sides toward the edges. On the flip side, the screen is mostly flat but does curve sharply at those same edges, typical of the premium design carried by phones in the past. Admittedly, it’s going to be a divisive design choice, given how flat is back these days. There’s no denying, however, that the OPPO Find X7 Ultra still looks great with this style and probably wouldn’t be as appealing if was completely flat all around.
The OPPO Find X7 Ultra is a large piece of metal and glass, there’s no getting around that fact. As with any large smartphone, there will be a problem of straining your hand with its weight and making it less comfortable and stable to hold over time. Fortunately, the phone is also unbelievably thin at 9.5mm only, and at 221g, it’s not exactly a heavyweight. It also feels well-balanced and not top-heavy as you might suspect given the size of the camera bump.


Even better, the rest of the phone’s design also contributes to helping secure a more confident grip. The vegan leather, for example, provides enough texture for your skin to grip comfortably. Even that camera Oreo becomes a place where your index fingers can rest when holding up the phone, especially with a ribbed rim that, again, adds texture and friction to stop the phone from slipping out of your hands. You will still have some difficulty reaching higher areas of the screen if you’re holding it in one hand, but other than that, the size of the Find X7 Ultra doesn’t get in the way of an enjoyable experience when using it.
The OPPO Find X7 Ultra is a premium flagship through and through, which means it also bears the best of the best hardware available in the market to date. That means a Qualcomm Snapdragon 8 Gen 3, 16GB of RAM, and 512GB of storage, right at the top of the list. Suffice it to say, the phone isn’t wanting in terms of silicon power and it blasts through all kinds of tasks, including heavy gaming, without breaking a sweat. Your hands won’t be sweating either thanks to an impressive cooling system. Mind you, it does get a bit warm with heavier loads, but not to the point of making you want to drop it like a hot potato.


It would be such a shame and a waste if those specs were matched with a mediocre screen and, fortunately, OPPO didn’t fail to impress here either. The huge 6.82-inch LTPO AMOLED display is bright, fast, responsive, and vibrant. It perfectly complements the phone’s luxurious back with an equally gorgeous display that supports the industry-standard HDR10+, OPPO’s own ProXDR, and soon, Google’s new Ultra HDR. Given you’ll want to view the photos you take on this screen, OPPO really needed to make sure that it was up to the task.


OPPO crammed a 5,000mAh battery inside, which is both common yet also mildly disappointing. With all its capabilities, a higher capacity would have been a better choice, but that would have also weighed down the phone considerably. Fortunately, it does last a day on a single charger, at least with constant use, and the super-fast 100W charging is enough to bring it back to full in about half an hour. 50W wireless charging is also plenty fast, which is a rarity in this regard.
Much of OPPO’s rhetoric revolves around the OPPO Find X7 Ultra’s Quad Main Cameras, and to be fair, it does deserve some praise for pulling off what comes naturally to professional cameras but not to smartphones. DSLRs and mirrorless cameras can easily change lenses when they need a different focal length or field of view while keeping the same high-quality imaging sensor built into the camera. Smartphones, on the other hand, use a different camera for different focal lengths, but due to space and price constraints, also use different sensors that aren’t always up to the task.


What the OPPO Find X7 Ultra accomplishes is to have four different cameras with different lenses, all of which have 50MP sensors. Yes, these sensors have different sizes and specs and, therefore, different overall quality, but the differences are very marginal at best. No longer do you have to sacrifice quality just to jump from wide to ultrawide to telephoto, nor will you get that jarring effect whenever you switch between cameras.




The phone’s mighty camera roster includes a 1-inch 50MP Sony LYT-900 with a 23mm focal length equivalent, a 1/1.95-inch 50MP Sony LYT-600 ultrawide (14mm equivalent), a 1/1.56-inch 50MP Sony IMX890 3x periscope telephoto (65), and a 1/2.51-inch 50MP Sony IMX858 6x periscope telephoto (135mm). With this set, the OPPO Find X7 Ultra practically covers the whole range of lenses used by photographers, including 10x zoom at 270mm with some computational photography. OPPO’s software also allows users to select more common focal lengths, like 35mm for the wide (main) camera, though it does that with a bit of cropping.










As you might have already noticed with the camera samples, these aren’t just numbers or empty words. OPPO definitely delivered on its promise of professional-quality photos in any field of view, zoom, or even lighting condition. Part of that magic is thanks to its partnership with Hasselblad, which also led to the Computational Photography aspect of its HyperTone camera system. In a nutshell, it tries to avoid oversharpening, overexposure, and other exaggerations that most camera software apply to compensate for poor image quality, resulting in more natural-looking photos you might have never thought came from a smartphone instead of a pro camera.










As one of the world’s top 5 smartphone vendors, OPPO has taken its responsibility for preserving the environment quite seriously. In addition to a few models that made use of recycled or sustainable materials, the company also has a concrete program for reducing the negative impact its business has on the planet. That involves reducing its carbon footprint, optimizing its packaging and logistics, and offsetting its harmful emissions.
Unfortunately, the OPPO Find X7 Ultra itself doesn’t have the clear marks of a sustainable phone. Sure, it uses vegan leather across all models, but that synthetic material isn’t completely environment-friendly either, despite the name. One upside is that the phone is IP68-rated, which is one of the highest dust and water resistance levels for smartphones, promising a mostly durable product that should last you quite a while before you have to throw it away, responsibly, of course.


If you’re anything of a mobile shutterbug, it’s hard not to get excited over the OPPO Find X7 Ultra. Although it’s not going to dethrone an expensive DSLR, it really comes close to it with its HyperTone Quad Main Camera System. And all that imaging hardware is packed into a thin and stylish device that you can also use for more than just taking photos. What’s not to like?
Unfortunately, the product’s value takes a nosedive because of the fact that, as of this writing, OPPO has no plans yet to bring the OPPO Find X7 Ultra to international markets, making it exclusive to a Chinese audience. Yes, you can probably import the phone through other channels, but that won’t change the fact that the version of ColorOS software running on it isn’t made for global users. Yes, you can install Google Play Store unofficially, but that still won’t give you access to some basic platform capabilities you’d expect from international versions of these devices. It’s definitely a shame that such a treasure would be out of reach, and hopefully, OPPO will change its mind very soon.


Smartphones are sometimes a victim of their own success, or at least of marketing hype. It wasn’t that long ago when they were said to devour the lower end of professional cameras, but they haven’t managed to surpass the bulkier and more powerful shooters in terms of flexibility and quality. It’s just impossible, given the restraints on design, price, and engineering, so smartphones have to make do with workarounds and software solutions.
The OPPO Find X7 Ultra, however, comes pretty close to that ideal. It still can’t change lenses physically, but it provides almost the same experience through a perfect combination of hardware and software. Of course, it’s not just a digital camera, and it manages to excel in almost every field with very few flaws. It’s tragic that most people won’t be able to experience all of that, though, but hopefully, they will soon be able to get their hands on what could very well be this year’s most beautiful and most capable smartphone camera.


By Admin in Photography
An Oklahoma anti-porn bill could outlaw any sort of sexualized image — pornographic or not — and ban sending nude photographs outside of marriage.
Last week, Oklahoma State Senator Dusty Deevers proposed the Oklahoma Senate Bill 1976 that will make the production and viewing of consenting pornography a felony — punishable with up to 20 years in prison.
According to a report by Reason Magazine, the wide-reaching bill, which is slated to be formally introduced on February 5, could have potential ramifications for any sort of nudity in photography in the state.
Reason Magazine reports that the legislation targets a broad definition of “porn” that threatens not just “hardcore pornography” but all sorts of erotic expression in media.
The Oklahoma Senate Bill 1976 seeks to define a new category of largely prohibited content called “unlawful pornography.”
In the proposed bill, unlawful pornography is described as “any visual depiction or individual image stored or contained in any format on any medium including, but not limited to, film, motion picture, videotape, photograph, negative, undeveloped film, slide, photographic product, reproduction of a photographic product, play, or performance” when the depiction involves not just any sort of sex act or sexual fetish — but also nudity and partial nudity.
According to the bill, unlawful depiction includes the “lewd exhibition of the uncovered genitals, buttocks, or, if such person is female, the breast” which is “for the purpose of sexual stimulation of the viewer.”
If this legislation is passed in Oklahoma, the buying, viewing, or possession of such “unlawful pornography” would be a felony, punishable by up to 20 years in prison or a fine of up to $25,000.
All “unlawful porn” would be off limits to produce or distribute unless it was deemed to have “serious literary, artistic, educational, political, or scientific purposes or value.” However, the bill does not explain exactly how the state will judge when a sexualized image has artistic value — or is an illegal obscenity.
Furthermore, Reason Magazine reports that the wording of the Oklahoma Senate Bill 1976 suggests that it would ban and criminalize sending sexualized selfies to someone that a person that is not their husband or wife. The Oklahoma Senate Bill 1976 states that it does not seek to “prevent spouses from sending images of a sexual nature to each other.”
Image credits: Header photo via Oklahoma Senate (left) and legiscan (right).
By Admin in Photography
LYNCHBURG, Va. (WSET) — Senior year can be an exciting time for students as they prepare for their next chapter, but one area women’s high school experience wasn’t always positive, due to bullying.
That’s why she’s now giving back in hopes of leaving Lynchburg students with a more uplifting experience.
Kiersten May is the owner of Kanded LLC where she and her photography partner and boyfriend Enrique want to make sure seniors have a fun memory to look back on that leaves them feeling beautiful and confident.
The couple is asking community members to nominate students at E.C. Glass and Heritage High School going through a tough time, and in return, the teens will receive a free senior picture session.
SEE ALSO: Court finds Rustburg woman charged with murdering her 3-month-old guilty
“I just want them to know that they’re supported, they’re loved, and I want to help boost their confidence because everyone is beautiful in their own way and being unique is great,” May said.
The kind act received praise on social media, but May said while she appreciates the kindness, she’s just trying to leave a positive impact.
Nominations are accepted through private messages on Kanded’s social media, website, or through email here. May requests students not be nominated by name publicly to respect their privacy.
The winning nominees will be chosen by the end of the month.
Milwaukee Art Museum announces new Herzfeld Center for Photography show
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The loon traveled from Los Angeles to its permanent home in the Twin Cities.
A new beetle species has been named to honor a fellow Husker, bridging the worlds of academia and wildlife conservation.
Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
The Desert Foothills Land Trust (DFLT) is proud to announce a special presentation event featuring acclaimed botanical photographer Jimmy Fike on Saturday, Oct. 12 at 6:30 p.m. at the Sanderson