Venice Biennale 2024 lineup celebrates Queer and Indigenous art

Venice Biennale 2024 lineup celebrates Queer and Indigenous art

This year’s Venice Biennale is divided into two sections: Nucleo Contemporaneo, spotlighting contemporary foreign and indigenous artists, and Nucleo Storico, exploring global modernism.

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The Venice Biennale has announced a stacked roster of 331 artists for this year’s main exhibition, which is titled “Stranieri Ovunque – Foreigners Everywhere.”

Curated by Adriano Pedrosa, the director of São Paulo’s Museu de Arte, the central theme, “Stranieri Ovunque,” originates from a series of works by the Palermo-based collective Claire Fontaine.

“The expression “Stranieri Ovunque” has several meanings. First of all, that wherever you go and wherever you are you will always encounter foreigners— they/we are everywhere. Secondly, that no matter where you find yourself, you are always truly, and deep down inside, a foreigner,” explains Pedorasa.

Running from 20 April through to 24 November 2024, Pedrosa’s edition will be divided into two parts, Nucleo Contemporaneo and Nucleo Storico, for contemporary and historical work, respectively.

This year’s edition has taken steps to spotlight underrepresented voices, with a particular emphasis on celebrating Indigenous artists and the LGBTQ+ community

Here’s our guide to what’s in store and the artists you likely won’t want to miss: 

“Nucleo Contemporaneo” – Embracing diversity

The Nucleo Contemporaneo (contemporary nuclei) section of the Biennale Arte 2024 is dedicated to contemporary artists who are foreigners, immigrants, expatriates, diasporic, émigrés, exiled, or refugees. 

A considerable representation of Indigenous artists will be highlighted here, including Kay WalkingStick, a landscape artist of Native American descent, the Brazilian collective MAHKU, and the Māori female quartet Mataaho Collective. 

According to Pedrosa, the curator, “Indigenous artists have an emblematic presence in the International Exhibition,” with notable showcases like a monumental mural by the MAHKU collective on the Central Pavilion’s façade and a large-scale installation by the Mata Aho collective. 

This section will also feature work from several Queer artists, both contemporary and historical, including Berlin-Hong Kong artist Isaac Chong Wai, American figurative painter Louis Fratino, Canadian artist and filmmaker ​​Erica Rutherford, and Chinese abstract painter Evelyn Taocheng Wang.

In his press statement, Pedrosa added that he is the first openly Queer curator of the Biennale.

Nucleo Contemporaneo will also feature a special section in the Corderie devoted to the Disobedience Archive, a project by Marco Scotini, which has been described as a “guide to four decades of social disobedience seen through history and geography”. 

‘Nucleo Storico” – Rethinking modernism

The Nucleo Storico (historical nuclei) gathering at the International Exhibition will explore works from 20th-century Latin America, Africa, the Middle East, and Asia, focusing on global modernisms and challenging the boundaries of modernism definitions. 

“European modernism travelled far beyond Europe throughout the 20th century, often intertwined with colonialism, and many artists in the Global South travelled to Europe to be exposed to it. Yet modernism was appropriated, devoured and cannibalised in the Global South, repeatedly taking on radically new shapes and forms in dialogue with local and indigenous references,” stated Pedrosa earlier this year.

There will be three different rooms: Portraits, Abstractions, and a dedicated space for the worldwide Italian artistic diaspora in the 20th century.

The Portraits room will showcase works from 112 different artists, including one of the founding figures of Māori Modernism Selwyn Wilson, Ghanaian sculptor Grace Salome Kwami and Chilean painter Laura Rodig. 

The “Abstraction” segment will showcase works by Sandy Adsett, Fanny Sanín, Etel Adnan, Eduardo Terrazas, and Samia Halaby. The section dedicated to the Italian diaspora features 40 artists including Argentinian painter Lidy Prati, and Italian architect Lina Bo Bardi.

There will also be work by several renowned historical artists including Frida Kahlo, her life partner Diego Rivera, Tarsila do Amaral and Carmen Herrera. 

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The Venice Biennale’s International Exhibition will be running from 20 April through to 24 November 2024.

Qianhai’s Guiwan Park / Field Operations

Qianhai’s Guiwan Park / Field Operations

Qianhai’s Guiwan Park / Field Operations

Qianhai’s Guiwan Park / Field Operations - Exterior Photography, CityscapeQianhai’s Guiwan Park / Field Operations - Exterior PhotographyQianhai’s Guiwan Park / Field Operations - Exterior Photography, Cityscape, GardenQianhai’s Guiwan Park / Field Operations - Interior PhotographyQianhai’s Guiwan Park / Field Operations - More Images+ 11

Qianhai’s Guiwan Park / Field Operations - Exterior Photography, Cityscape
© Holi Photography

“Guiwan Park is a bold, responsible, and balanced exemplar of new urban landscape infrastructure. The transformation from hermetic canal to woven green infrastructure in just two years is a model for all waterfront cities.” – 2023 Awards Jury. In mid-October 2023, the American Society of Landscape Architects (ASLA) held its annual awards ceremony in Minneapolis, USA. Among the international contenders, the Qianhai Guiwan Park project, led by Field Operations, is the only non-U.S. project from China that received the annual Professional General Design Honor Award. This groundbreaking project, Qianhai Guiwan Park, brought together a multidisciplinary team of experts from over 19 fields including engineering, geology, transportation, architecture, and structural engineering. It serves as a testament to China’s prowess in construction and innovation, as the team collectively tackled a global challenge with daring innovation and unwavering dedication. Notably, core members of the team from Field Operations, involved since 2016, proudly represented the project at the esteemed awards ceremony. Through its trailblazing approach and cutting-edge engineering, Qianhai Guiwan Park is not only reshaping the landscape but also transforming the way people live, offering a distinctive contribution to societal advancement.

Qianhai’s Guiwan Park / Field Operations - Image 16 of 16
Plan
Qianhai’s Guiwan Park / Field Operations - Exterior Photography, Forest
© Holi Photography
Qianhai’s Guiwan Park / Field Operations - Exterior Photography, Garden
© Holi Photography

Project Statement. Guiwan Park is the first “water finger” to be built for Qianhai Water City, an innovative and sustainable new city. As the green core, Guiwan Park supports the city center and creates large-scale blue-green infrastructure for stormwater management, flood protection, and habitat recovery. A continuous coastal park, Guiwan Park features 51,000 sqm of mangroves, 18,000 sqm of freshwater wetland, and 255,000 sqm of parkland, naturalizing the tidal corridor and creating a harmony of beauty and ecological performance. The park combines ecological, social, and urban functions with zones that support sports, leisure, recreation, and nature exploration, creating a “hyper-nature” that brings together natural ecology and strengthens an urban energy web.

Qianhai’s Guiwan Park / Field Operations - Exterior Photography, Cityscape, Garden
© ZC Studio
Qianhai’s Guiwan Park / Field Operations - Exterior Photography
© Holi Photography

From Qianhai Water City to the Guiwan Park. Qianhai Water City creates a new identity for a coastal city with five development districts defined by large green “water fingers” between neighborhoods. This framework outlines a strategy for a more resilient, ecological city. Guiwan Park is the first of five “water fingers” to be built in Qianhai. The park provides a one-of-a-kind amenity by integrating blue-green infrastructure with active and passive recreation, ecology, habitat, and cultural programs, centered around a tidal channel that protects the city and inland area from flooding and improves water quality. As a central park, this large-scale open space is critical to the city’s needs as it develops. The 2.2-kilometer-long, 45-hectare park incorporates programming that caters to an urban context in the west and transitions as it becomes more residential in the east. By synchronizing a pedestrian network, canopy system, wetlands, the canal, and soft surfaces, Guiwan Park cultivates interaction between them, fostering an integrated ecosystem.

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Diagram
Qianhai’s Guiwan Park / Field Operations - Exterior Photography, Waterfront, Garden
© Holi Photography

Ecological Performance. Guiwan Park’s three terraces—woodland, freshwater wetland, and saltwater wetland—accommodate a steep elevation change between the park’s main road, which sits at 6 meters above sea level, and the central channel water level, which varies from -1 to 2.0 meters. As part of China’s “sponge cities,” the park and its terraces absorb and treat rainwater, including water from the surrounding roads, capturing 90% of annual rainfall and reducing nonpoint source pollution by 72%. Guiwan Park utilizes low-impact development strategies for stormwater management, including grass and gravel swales along main pathways, rain gardens with a sunken greenbelt, and underground tanks for a rainwater filtration and reuse system.

Qianhai’s Guiwan Park / Field Operations - Exterior Photography, Forest
© Holi Photography
Qianhai’s Guiwan Park / Field Operations - Exterior Photography
© Holi Photography

Biodiversity & Habitat Recovery. Guiwan Park features a coastal and continuous topography that incorporates native subtropical plantings, including 51,000 sqm of mangroves that have expanded from 3 to 17 species. The park’s diverse living grounds include forests, bosques, lawns, freshwater wetlands, and saltwater wetlands that increase biodiversity and create new and unique habitat conditions. There has been a resulting re-emergence of many species native to the area, including herons, egrets, curlew, mudskippers, and crabs. Within the first year, the new wetlands have attracted 21 species of macrobenthos, contributing to a healthy marine ecosystem. 

Qianhai’s Guiwan Park / Field Operations - Interior Photography
© ZC Studio

Smart Park. Guiwan Park incorporates technology that monitors soil, irrigation, insects, water levels, and tree conditions. This data is used by maintenance staff to support operations and monitor as the park’s species develop and mature. The same data has been used in partnerships with local institutions to better understand ecological restoration within urban environments, using Guiwan Park as a case study. In addition, an app for visitors allows them to navigate the park with a digital fly-through and learn more about its ecological benefits. 

Impact. Guiwan Park sets a new benchmark, creating a vibrant park that blends design with ecological performance and social interaction. As coastal cities face the effects of climate change, Guiwan Park serves as an example of ecological rehabilitation on a damaged and reclaimed site, leading the way for a more resilient city that harnesses the impact of large-scale blue-green infrastructure while creating restorative open spaces.

Qianhai’s Guiwan Park / Field Operations - Exterior Photography
© Holi Photography

Mark Muse shares love for nature in new photography exhibit

Mark Muse shares love for nature in new photography exhibit

Mark Muse cups a glass of wine, as he chats with friends and local art lovers at his exhibit in the Shepherdstown Public Library on Friday. Tabitha Johnston

SHEPHERDSTOWN — After one week of delay, due to bad weather, the opening reception for Shepherdstown resident Mark Muse’s new photography exhibit was held in the Shepherdstown Public Library on Friday night.

The exhibit will be up in the library’s gallery through March 1.

“The turnout’s been great! A lot of people are familiar with Mark’s work and are happy to be able to come out. There were definitely a lot of people who were disappointed with the snow last week, so they were really happy that we were able to reschedule the opening reception,” said Shepherdstown Public Library Director Christy Hagerty. “Hopefully, people will want to buy, too. We get 30 percent of overall sales.”

According to Hagerty, Muse was the second and final artist selected to be featured in the library’s gallery by former director Hali Taylor.

“Most of the photography was framed from previous shows. I updated and replaced about 10 of them for this show,” Muse said, before glancing around at the full room of local art enthusiasts attending the reception. “I’m not surprised by how many people were here today, but I don’t know how many more people might have been here if this had been held last week.”

Art lovers chat at the Mark Muse exhibit’s opening reception in the Shepherdstown Public Library on Friday night. Tabitha Johnston

He said that most of the landscapes featured in the gallery exhibit were located in Jefferson County, Tucker County, Pocahontas County and Washington County, Md.

“There’s very little of analytical thinking in my work. It’s mostly from the heart. There’s nothing preconceived. When I see stuff that intrigues me in some way, I try to take a photograph of it,” Muse said. “I do photograph some other things, but my own personal work is this kind of work — landscapes, trees, occasionally photographing people or nudes.”

Muse noted that he keeps busy with volunteering his photographic expertise to help promote good causes, such as the Friends of Music’s Two Rivers Chamber Orchestra and the Jefferson County Farmland Protection Program.

“I do that kind of thing as a way to give back,” Muse said.

For some attendees, the photographs selected for display proved to be a bit of a surprise.

“I think he’s a genius, I really do!” said Patty Bachner, of Shepherdstown. “Look there at the photo of that old tree — it speaks of age and makes you think, ‘How old is that tree and how long has it been there and where am I in relation to that tree?’”

Patty and her husband, John Bachner, have been longtime admirers of Muse’s work. They have viewed many of Muse’s art exhibits and purchased some of his pieces over the eight years they have been acquainted with him.

“He’s really gifted,” John said. “I always love seeing his stuff. These are wonderful — they highlight the beauty of what I can see in my own backyard. But the nudes that he’s done are just fantastic. They aren’t porno or anything like that. In them, you can’t really tell for sure if the women in them are really nude — it’s very artistic.”

The gallery’s next exhibit will feature the work of accomplished local watercolor painter Dana Wyatt, who was selected by the library’s art committee.