Photographer Greta Rybus Travels The World’s Hot Springs

Photographer Greta Rybus Travels The World’s Hot Springs

Photographer Greta Rybus Travels The World’s Hot Springs | Atmos


In her new book, Rybus documents the varied ways people relate to thermal water and the many meaningful rituals that have emerged from hot springs.

I grew up in Idaho, which (depending on how you count) has some of the most soakable hot springs in the United States. It was a part of our experience of the outdoors, taking time to let our fingers prune up after a day of hiking or skiing. Sometimes, if we saw steam on the side of the road, we’d stop and look for a human-made pool: stacking up or moving riverstones to make the right ratio of thermal and cool water. Hot springs in Idaho still retain a little touch of the Wild West, sometimes people bathe quietly—but often things get rowdy.

When I was a teenager, my parents got jobs teaching in Japan, and I learned about onsen and sento culture. How different it was from back home in Idaho! Bathing alongside neighbors or family members was routine, ritualized. People would soak before or after work, making sure to follow intricate rules of scrubbing and cleaning the body before quietly lowering into the heat. It was a quiet, reverential experience.

I studied cultural anthropology and photojournalism at the University of Montana, where I’d go with friends on weekends to wild hot springs. Afterwards, I moved to Maine where there are no natural hot springs for bathing. But, I found work as a freelance photojournalist, documenting people who live close to nature: farmers, fishermen, homesteaders, foragers, gardeners. They’ve shown me how the ways we interact with nature can shape our minds and determine how we understand the world and our place in it. I began to think about my time in hot springs and became curious about the varied ways people relate to thermal water: how we mix hot and cold water to find the right temperature for our bodies; how we build them into palaces or simple pools in the soil; how we’ve constructed culture and tradition around the feeling of warmth they provide. Hot springs can be a novel, once-in-a-lifetime experience for some, and a daily practice for others. I spent several years researching hot springs, eventually visiting dozens for my book, Hot Springs: Photos and Stories of How the World Soaks, Swims and Slows Down, published by Ten Speed Press, and released later this month on March 19.

While venturing to thermal places, I learned so much about the world. Locals taught me about Greenland’s unique approach to land ownership, where people can’t own land but can borrow it. I visited a hot spring in South Africa that is among the first instances of land reparations. I learned that Hungarian doctors often prescribe thermal treatments, noting the medical benefits of both mineral water and rest. I spent time in several of Tokyo’s municipal baths, observing how they create an important sense of community and ritual. I visited hot springs in Iceland and India and Turkey with stories of outlaws, queens, and gods.

At each bathing place, I met locals and visitors who felt similarly enthusiastic about the power of hot water. Like me, they seemed to feel that there was something deeply meaningful about the experience of being soaked in warmth. Hot springs are a clear demonstration of nature’s generosity and providence. We can simply sit in the water and do nothing but marvel at the phenomena of the planet and how it cares for us. But, most thermal springs emerge from the Earth too hot for the human body. They must be cared for, too: protected and mixed with cool, fresh water. They are a metaphor for reciprocity.

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The big picture: Richard Billingham revisits his Black Country roots

The big picture: Richard Billingham revisits his Black Country roots
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Richard Billingham’s book Ray’s a Laugh, documenting the life of his alcoholic father and his violent mother, Liz, in the Black Country council flat in which he grew up, became a landmark in British photography after it was first published in 1996. Billingham was then 26. He had intended the candid pictures of his chaotic home, with its menagerie of pets, its sense-overloading furnishing, its unhinged scenes of domestic squalor, to be studies for paintings he planned for his art degree course at Sunderland University. Instead, having been “discovered” by a tutor, the pictures took on a life of their own. Charles Saatchi included Billingham’s pictures of Ray, shirtless and swigging from beloved plastic bottles of home brew, and Liz, a confusion of outsize dresses and tattoos and unfinished jigsaws and TV dinners, in his Sensation show. Billingham was subsequently nominated for a Turner prize.

Nearly three decades on, Billingham is publishing a new edition of Ray’s a Laugh, a “director’s cut” that is closer to his original intention, even more full of complicated affection and disgust and black comedy and overwhelming anxiety about his family life. The flashlit shock of the original is preserved but is given depth and context in a series of previously unseen images. Several, like this one, add a different note to the series: sadder, less deranged.

Billingham has never exorcised those emotions from his work. I interviewed him a couple of times about the film he made in 2018, Ray & Liz, that brought to life the world of the pictures and won a number of prizes internationally. For the first of those stories we went back to the tower block in Cradley Heath, a decade after his parents had died. He hoped then, he said, that he may be saying his last word on those formative years. This new book suggests he remains compelled to make sense of them.

  • Ray’s a Laugh is published by MACK

Michael Parker combines his love for cycling with photography

Michael Parker combines his love for cycling with photography

Since 2007, architectural photographer Michael Parker has shot fascinating scenes from around the globe, mostly from the seat of his bicycle. When asked about combining his two passions, he said cycling not only transformed his photography, but it also changed his view of the world.

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See it at The Photography & Video Show: Rotolight Anova Pro 3

See it at The Photography & Video Show: Rotolight Anova Pro 3

The Anova Pro 3 LED panel is an all-weather constant light system, delivering a class-leading output of over 22,000 lux (at 1m), more than double the output of the previous-generation Anova. 

Featuring an IP65 water resistance rating, it has been designed for use in the most challenging of weather conditions, from heavy rain showers to snow. 

(Image credit: Rotolight)

Color temperature is adjustable from 1,700 to 20,000 kelvin, and a patented Magic Eye optical light sensor has been built right into the front face of the light, which automatically measures and can match any Kelvin or HSI Color – eliminating the need for a light meter and enabling filmmakers to easily balance lights on set.

An all-new Rotolight app enables you to easily switch between lighting modes to adjust color, power, flash settings and much more, with the ability to create custom groups and projects on up to 20 lights simultaneously.

Rotolight Anova PRO 3

(Image credit: Rotolight)

The light also features a suite of CineSFX special effects (including Fire, Lightning, TV, Gunshot, Paparazzi and much more) to add drama to a scene at a moment’s notice. You can customize, save and instantly recall your favorite settings to reduce time.

The Rotolight Anova PRO 3 retails for $3,410 / £2,399 / AU$6,495. See it at The Photography & Video Show on stand K201

Rotolight Anova PRO 3

(Image credit: Rotolight)

You might be interested in the best Nikon cameras along with the best Nikon lenses – and particularly the best Nikon Z lenses designed for its mirrorless cameras. 

Study Reveals The World’s Best Wildlife Photography Destinations

Study Reveals The World’s Best Wildlife Photography Destinations

Study Reveals The World's Best Wildlife Photography Destinations

Kruger National Park in South Africa. Image credit: Fokke Baarssen/ Shutterstock

A recent study by Cape Town-based travel portal Go2Africa has identified Kenya as the best destination for wildlife spotting and photography in the world. Singapore and India also made it to the top ten list, ranking third and ninth, respectively, for wildlife photography opportunities in Asia.

Canada closely follows Kenya in second place, with Australia taking the fourth spot in the list of best wildlife destinations spotting in the world. Botswana and Tanzania secure the fifth and sixth positions, while Lithuania ranks seventh. Namibia and South Africa round out the top ten, holding the eighth and tenth spots, respectively.

Kenya to India: Top destinations for wildlife photography

Top countries for game spotting Go2Africa
Top countries for wildlife photography. Image credit: Go2Africa

The study, which analysed around 70 million images on Flickr, highlights the top ten destinations with the highest number of wildlife photographs. The results reveal that half of the images originate from African countries such as Kenya, Botswana, Tanzania, Namibia, and South Africa, with the highest count recorded at Kruger National Park, totalling 40,965 photos.

Kenya emerges as a wildlife haven, boasting over 25,000 species of animals, 7,000 species of plants, and 2,000 fungi and bacteria. With excellent chances of spotting the iconic ‘Big 5’ lions, leopards, elephants, African buffalo, and rhinoceroses Kenya draws wildlife enthusiasts from across the globe.

While North America, Oceania, and Europe each have one country in the top ten list, Asia is represented by two countries, Singapore and India.

Best wildlife destinations in the world
Sungei Buloh Wetland Reserve, Singapore. Image credit: Danny/ Shutterstock

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Singapore, famed for its dense rainforests, offers ample opportunities to spot wildlife such as monkeys, birds, monitor lizards, otters, and crocodiles in their natural habitats. Some of the best wildlife photography spots in the city-state include Bukit Timah Nature Reserve, Sungei Buloh Wetland Reserve, Pulau Ubin, Punggol Waterway Park, and Coney Island.

Kaziranga National Park
Kaziranga National Park, Assam, India. Image credit: Rofeeq.birdinghimalayas/ Shutterstock

India, celebrated for its diverse landscape, boasts numerous wildlife destinations ideal for game spotting. From the majestic Bengal tiger to Asian elephants and Asiatic wild dogs, India’s national parks and reserves offer unparalleled opportunities for wildlife photography. Whether it’s Hemis National Park in Jammu and Kashmir, Kaziranga National Park in Assam, Keoladeo National Park in Rajasthan, or Satpura National Park in Madhya Pradesh, India beckons wildlife enthusiasts with its rich biodiversity.

For further insights into the study, visit Go2Africa.

(Feature image credit: Fokke Baarssen/ Shutterstock)

Related: This Land And Cruise Safari Will Bring Travellers To See Incredible Wildlife

Written By

Pyusha Chatterjee

Pyusha Chatterjee

A journalist, Pyusha has previously worked with media organisations including The New Indian Express and Hindustan Times. A solo traveller by choice, she loves exploring life more than anything else, after food of course. When she isn’t gardening, writing, reading, cooking or singing out loud, you can spot her watching films and series, debating with ..Read More

Sculptor Hong Jung-pyo covers messy reality in pursuit of perfection

Sculptor Hong Jung-pyo covers messy reality in pursuit of perfection
In architecture, molding is used to cover transitions between surfaces to smooth rough sections, and comes in various materials such as wood, stone or cement. Korean sculptor Hong Jung-pyo’s “Hidden Edge” series, which he began in 2003, draws inspiration from the architectural element of molding. The 48-year-old artist, who delved into sculpture after graduating from Hongik University, has unveiled …

Tips for capturing the Solar Eclipse

Tips for capturing the Solar Eclipse

LAWTON, Okla. (KSWO) – The upcoming solar eclipse leaves one question. How do you capture the event?

Well one photographer in Lawton gave citizens an answer this morning.

You’ve heard it before, it’s not safe to look at the eclipse with the naked eye.

But you can look at it through another lens.

At the Lawton Public library today, a photography enthusiast taught a class on how to get the perfect snap of the eclipse.