A Few Extras: The photographer’s view

A Few Extras: The photographer’s view

Action and cheering photos from the recent Class B Region 1 Boys Basketball Tournament held at the Jamestown Civic Center.

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The Warbirds student section cheers on the boys during a game against EKM.

John M. Steiner / The Jamestown Sun

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Braeden Kinzler of Edgeley-Kulm-Montpelier contemplates a move with the basketball.

John M. Steiner / The Jamestown Sun

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Joseph Kramlich (3) of Edgeley-Kulm-Montpelier floats with the ball ahead of Wyndmere/Lidgerwood’s Landon Buehre.

John M. Steiner / The Jamestown Sun

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Ezekiel Barnick (32) of Edgeley-Kulm-Montpelier takes aim from behind the three-point line during a game against Wyndmere/Lidgerwood.

John M. Steiner / The Jamestown Sun

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Levi Kackman (5) of Wyndmere/Lidgerwood rises to the basket while being surrounded by Edgeley-Kulm-Montpelier players Drew Nitschke, Kade Nitschke (2) and Joseph Kramlich (3) during the Region 1 tournament.

John M. Steiner / The Jamestown Sun

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Fans for the Wyndmere/Lidgerwood Warbirds cheer on the boys team.

John M. Steiner / The Jamestown Sun

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One can almost hear the loud screams coming from this cheering section of the Wyndmere/Lidgerwood Warbirds.

John M. Steiner / The Jamestown Sun

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Levi Kackman of Wyndmere/Lidgerwood was happy about a call during a game against EKM in the Region 1 tournament.

John M. Steiner / The Jamestown Sun

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Ellendale’s Jack Bommersbach (15) looks past Parker Amann of Barnes County North.

John M. Steiner / The Jamestown Sun

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The Ellendale bench celebrates points scored.

John M. Steiner / The Jamestown Sun

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Barnes County North fans travel with the team.

John M. Steiner / The Jamestown Sun

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William Schwehr of Barnes County North looks on as Ellendale’s Evan Wagner gets set to pass the ball to a teammate.

John M. Steiner / The Jamestown Sun

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The Ellendale Cardinals student section wore the pink theme on opening night of the Region 1 tournament.

John M. Steiner / The Jamestown Sun

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Sargent County’s Kolten Kadoun drives with the ball into the defense of Payton Rossow of Linton-HMB.

John M. Steiner / The Jamestown Sun

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Patriotic colors was the theme for Bulldog fans one night.

John M. Steiner / The Jamestown Sun

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The Linton-HMB student section fills the stands complete with cardboard cutouts of the players.

John M. Steiner / The Jamestown Sun

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The Linton-HMB fans always have a roar of a cheer for the Lions.

John M. Steiner / The Jamestown Sun

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Sargent County Bulldog fans’ attention is drawn to their left.

John M. Steiner / The Jamestown Sun

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Brogan Young (1) of EKM stands at the free throw line and looks to the basket along with Sargent County’s Carter Hosford (5) and Luke Martinson.

John M. Steiner / The Jamestown Sun

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Fans for the other team watch as Ezekiel Barnick of EKM launches the ball from the three-point line.

John M. Steiner / The Jamestown Sun

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Ezekiel Barnick (32) of EKM chats with Sargent County’s Luke Martinson and Kolten Kadoun (25) while standing at the free throw line.

John M. Steiner / The Jamestown Sun

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The EKM student section puts its hand gestures in motion as a three-point basket was made by its team.

John M. Steiner / The Jamestown Sun

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The Rebels and the Bulldogs faced off during the regional tournament.

John M. Steiner / The Jamestown Sun

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Sargent County fans whoop it up for the Bulldogs.

John M. Steiner / The Jamestown Sun

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Ellendale’s Kade Schimke pulls down a rebound against LaMoure-Litchville-Marion.

John M. Steiner / The Jamestown Sun

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Loboe fans donned their western hats when they cheered on LaMoure-Litchville-Marion.

John M. Steiner / The Jamestown Sun

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Max Musland of LLM is eye-to-eye with Ellendale’s Kade Schimke while contemplating a move with the ball.

John M. Steiner / The Jamestown Sun

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LaMoure-Litchville-Marion fans watch to see if the ball is going to drop in the basket for the Loboes.

John M. Steiner / The Jamestown Sun

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Braeden Kinzler reaches for the basket to score two points on a layup during the third place game against Ellendale.

John M. Steiner / The Jamestown Sun

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The EKM bench celebrates a third-place finish at the Region 1 tournament.

John M. Steiner / The Jamestown Sun

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It’s up for grabs on this rebound attempt between Austin Strobel (12) of EKM and Ellendale’s Kade Schimke (3).

John M. Steiner / The Jamestown Sun

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Ellendale’s Kade Schimke pulls down a rebound against LaMoure-Litchville-Marion.

John M. Steiner / The Jamestown Sun

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Sargent County fans cheer on the Bulldogs after winning the Region 1 tournament in Jamestown.

John M. Steiner / The Jamestown Sun

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Sargent County’s bench and fans celebrate as the buzzer sounds at the championship game of the Region 1 tournament.

John M. Steiner / The Jamestown Sun

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Sargent County’s Kolten Kadoun (25) reaches for the loose ball along with Treyce McGaughy (2) of LLM, who crashes to the maple hardwood at the Jamestown Civic Center.

John M. Steiner / The Jamestown Sun

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Sargent County’s Luke Martinson (24) reaches for the ball that Gunner Thielges brings down on a rebound.

John M. Steiner / The Jamestown Sun

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A mob of student fans rushes the court to celebrate the Region 1 win with the Sargent County team.

John M. Steiner / The Jamestown Sun

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The Sargent County Bulldogs celebrate their Region 1 championship game on Thursday, March 7, 2024, over LaMoure-Litchville-Marion at the Jamestown Civic Center.

John M. Steiner / The Jamestown Sun

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All eyes monitor the basket for an incoming ball.

John M. Steiner / The Jamestown Sun

First photo of Princess Catherine since surgery released on Britain’s Mother’s Day

First photo of Princess Catherine since surgery released on Britain’s Mother’s Day

The first official photograph of Catherine, the Princess of Wales, since she underwent abdominal surgery about two months ago was released on Sunday. It showed Catherine, also publicly known as Kate Middleton, posing and smiling alongside 10-year-old George, 8-year-old Charlotte and 5-year-old Louis, her three children with William, the Prince of Wales. 

The image gave photography credit to Prince William and was posted early Sunday morning to the official social accounts belonging to the royal couple on X, formerly Twitter, and Instagram. With the new image came Catherine’s first message to the public since her surgery in January. It acknowledged Mother’s Day in the United Kingdom, which this year is being celebrated on March 10.

Britain Royals
This undated photo issued on Sunday March 10, 2024 by Kensington Palace shows Catherine, Princess of Wales.

Prince of Wales / Kensington Palace via AP


“Thank you for your kind wishes and continued support over the last two months. Wishing everyone a Happy Mother’s Day. C,” read the message from the princess.

Questions have swirled online in recent weeks about Catherine’s health status, after Kensington Palace announced in a Jan. 17 statement that she had been hospitalized for a planned abdominal surgery and would remain for 10 to 14 days at the private London clinic where she’d had the procedure. In that statement, the palace said she would then continue her recovery at home in Windsor for the next couple of months. The British monarch was not expected to return to her royal duties until after Easter, which will be March 31.

The palace did not share details about the nature of Catherine’s surgery but stressed that it was not cancer-related. Its initial statement about the procedure said that Catherine “hopes the public will understand her desire to maintain as much normality for her children as possible; and her wish that her personal medical information remains private.”

Amid ongoing speculation that ensued about her health, a spokesperson for Kensington Palace said in a statement released late last month that Catherine was “doing well.”

“Kensington Palace made it clear in January the timelines of the princess’ recovery and we’d only be providing significant updates. That guidance stands,” the spokesperson said.

Catherine’s recovery from surgery and related absence from the public eye has coincided with another health scare for the royal family. Shortly after her procedure, in early February, Buckingham Palace announced that King Charles III had been diagnosed with cancer and was undergoing treatment. The king said in a statement issued around that time by the royal family that he would like “to express my most heartfelt thanks for the many messages of support and good wishes I have received in recent days.”

“As all those who have been affected by cancer will know, such kind thoughts are the greatest comfort and encouragement,” he said.

How to safely photograph, experience April’s solar eclipse

How to safely photograph, experience April’s solar eclipse

NEWS RELEASE
BROCK UNIVERSITY
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When the total solar eclipse takes place over North America on April 8, many people will naturally reach for their phones or cameras to capture the moment.
Brock Associate Professor of Visual Arts Amy Friend, an internationally recognized photographer, is offering tips on documenting the rare phenomenon safely while also encouraging the public to consider different ways of experiencing what for many will be a once-in-a-lifetime event. 

The chair of visual arts at Brock first points to taking safety precautions for viewing and documenting the eclipse, which can be found on Brock’s Eclipse on the Escarpment web page. Friend says it’s crucial to have a proper solar filter on any camera, including on a smartphone. 

“Solar filters for traditional cameras and cell phones are available online from several retailers, but consumer research is key to ensuring the purchase of an international standard filter (full-aperture and off-axis) with regulated qualities, making it safe for photographing the eclipse,” she says.

According to the award-winning photographer, practice is also key. Practise beforehand by photographing the everyday sun, without looking directly at it, Friend 
says. Taking photos of the sky on a sunny day will help determine appropriate aperture and shutter speed for such bright light. She also suggests getting comfortable with outdoor night photography.

“During totality, when the sun is fully blocked by the moon, turning the sky dark, the camera will need adjusted shutter speeds and aperture settings to take a successful photo,” Friend says.She recommends experimenting with the high dynamic ange (HDR) setting on cameras, which 
captures high-contrast photos. With this setting, many photos of the eclipse could be put together to create one image.

“The visual effect of this is very interesting as the second-to-second variations in the sun flare created by the eclipse combine creating a beautiful image capturing unique details,” Friend says. 

For those looking to get creative, there are other ways to view the solar eclipse, including pinhole projectors or building boxes that filter the sunlight and create a projection of the sunlight onto a nearby surface.

“Using this approach, the person would be looking at the projection instead of the eclipse itself,” Friend says. “What they would see is a darkening circle in the form of a crescent, which is the moon starting to cover the sun.”

While many people will want to capture a photo of the eclipse themselves, photographers throughout history have cautioned against photographing the celestial phenomenon, as it is difficult for the average person to achieve a great photo. 

“We know what it will look like, and yet we still want to photograph it. But we don’t want to miss an incredible experience in the process,” Friend says.

Through her research into the role of photography as proof of experience, however, Friend says the desire to personally capture the moment is very natural.

“There is also the excitement of going online and sharing your photo — the ‘after’ of the experience — that can be quite engaging and stirs up response and dialogue, simultaneously amplifying the experience and documenting it in popular culture,” she says.

Friend is fascinated by historic images of people experiencing celestial events in group settings as a visual time capsule into the culture and technology of the time. 

“I think there is something quite beautiful about that moment, where we all just stop and view something rare and spectacular in the sky together,” she says. “The sun and moon have paused life for a moment.”

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Here’s The First Official Photograph Of The Princess Of Wales Post-Surgery

Here’s The First Official Photograph Of The Princess Of Wales Post-Surgery
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There are, it turns out, three certainties in this life: death, taxes, and Kensington Palace’s ability to put out a perfectly timed photograph of the Princess of Wales wearing skinny jeans and surrounded by her children at their most angelic-looking. This time, said picture took the form of a “Happy Mother’s Day” post, captured by William at the Cambridges’ home in Windsor “earlier this week” according to the accompanying Buckingham Palace press release. “Thank you for your kind wishes and continued support over the last two months,” reads the caption attributed to “C”, or Catherine. “Wishing everyone a Happy Mother’s Day.”

The post comes, of course, after weeks of frequently ridiculous, borderline hysterical speculation about where, exactly, the Princess of Wales had disappeared to while recovering from abdominal surgery – despite the fact that the Palace had released a statement on 17 January explaining that she would be at home recovering in Berkshire until April, and that it would “only [be providing] updates on Her Royal Highness’ progress when there is significant new information to share”. It doubled down on that stance when the X frenzy around #katemiddletonmissing reached its peak: “We were very clear from the outset that the Princess of Wales was out until after Easter and Kensington Palace would only be providing updates when something was significant.”

Based on today’s photograph, the wildest change the Princess has made in her weeks out of the spotlight is no longer dressing her children in coordinating blue (with apologies to those who had their money on some sort of radical Kardashian-esque transformation in the office sweepstakes). Perched on a wicker chair on the patio of Adelaide Cottage, her signature blow-out in place, she’s wearing a jacket that feels Barbour-esque, and wrapping her arms around Princess Charlotte and Prince Louis, while Prince George hugs her shoulders, beaming at the camera. They look, for all the world, like a family delighted that one of their own is finally on the mend after quietly recovering from major surgery in the privacy of her home. Who would have thought it?

‘Aretha Cool’: New book from the Queen of Soul’s photographer captures her glamour, charm

‘Aretha Cool’: New book from the Queen of Soul’s photographer captures her glamour, charm

March 10, 2024 at 6:04 AM
Photographer Matthew Jordan Smith (foreground) with Aretha Franklin during a Detroit photoshoot.
Photographer Matthew Jordan Smith (foreground) with Aretha Franklin during a Detroit photoshoot.

Aretha Franklin wasn’t having it.

Matthew Jordan Smith, a veteran celebrity photographer, had arrived in Detroit for his first-ever shoot with the Queen of Soul. The illustrious singer was impressed by his body of photo work and perhaps just as much by his thoughtful touch ahead of their meeting: a bouquet of yellow roses.

But when Smith tried to set the photo studio mood by playing songs he’d carefully arranged on his iPod, Franklin’s reaction was decidedly mixed.

She was fine with the classic Motown music he picked, including tunes by her childhood friend Smokey Robinson. But as tracks by current acts such as Beyoncé and Mariah Carey popped up, her expression said it all.

Aretha Franklin is pictured during a Detroit photo shoot by Matthew Jordan Smith. From the book “Aretha Cool.”

“She wasn’t enjoying it,” Smith recounts. “So I asked her, ‘Well, who’s your favorite artist today?’ She said, ‘Me.’ I said, ‘No, no — your favorite new artist.’

“She stopped and looked at me: ‘Me.’”

That memorable January 2005 shoot ignited what became a long, tight working relationship between the New York-based photographer and the Detroit star, producing a repertoire of photos now assembled in Smith’s handsome coffee-table book, “Aretha Cool,” which comes out Friday (ICLA, $101.65, available at arethacool.com).

The 256-page volume, what Smith calls his “heartfelt tribute to the iconic legend,” captures Franklin during the final chapter of her storied life and career. He became her de facto official photographer during those years, shooting her for album covers, magazine spreads, publicity photos and more.

The shots in “Aretha Cool” portray the multifaceted personality she was: glamorous, self-conscious, pensive, mischievous.

Matthew Jordan Smith’s collection of Aretha Franklin photos, “Aretha Cool,” is available March 15.

After that initial Detroit shoot, Smith continued to accompany their photo sessions with music — only now the playlists were made up entirely of the Queen of Soul’s own songs. It was a successful gambit by the photog, teasing out those various shades of Franklin’s character and often prompting her to sing and dance as they worked.

Smith still has those old iPods, and he returns to them periodically.

“I can still see her expressions and remember how she was reacting to the music,” he says.

Franklin was meticulous and demanding, always particular about how she was photographed. Concepts that had been scrupulously planned would be suddenly reimagined by the singer on the spot.

“And when she was done, she was done,” Smith says. “She’s the queen. She deserved that.”

Franklin sometimes referenced other celebrity images by Smith, asking to be framed and lighted the same way. Those included his iconic Tyra Banks photo from the ’90s, but with Franklin posing in a hat following her eye-catching 2009 appearance at Barack Obama’s presidential inauguration.

“Aretha was so happy that day, in such a good mood,” Smith said of that New York shoot. “She had so much energy, which wasn’t always the case. That day is in my mind forever. She kept pointing up toward heaven, like she was praising God, all day and through the night.”

An earlier New York experience — three days in summer 2005 — also stood out, becoming the moment “when we really bonded, being together all day every day,” Smith recalls.

It started with a ride in her limousine, where the photographer found himself “dying and sweltering” inside the hot vehicle. Franklin famously avoided air conditioning while touring, seeking to protect her voice, and Smith’s sweaty reaction was like an initiation rite.

“Her bodyguards were laughing at me,” he says. “That’s when they all accepted me into the team. But that was my first and last time riding in her car.”

Aretha Franklin photographed in New York City in July 2006.Aretha Franklin photographed in New York City in July 2006.
Aretha Franklin photographed in New York City in July 2006.

Gwendolyn Quinn, Franklin’s longtime publicist, had linked the two up: Quinn knew Smith as one of the most respected camera pros in Black Hollywood, a go-to cover photographer for Essence magazine and figures such as Oprah Winfrey, Halle Berry, Quincy Jones, Samuel Jackson, Queen Latifah, Angela Bassett and more.

There was a reason Smith and Franklin clicked, the publicist says.

“He never said no to her. He knew how to treat her — he always made her feel comfortable. She also loved his work,” Quinn says. “Once I introduced them, she dealt with him directly. She’d keep me apprised and let me know a shoot was happening and that new photos were coming.”

Smith was accustomed to operating in a world of artist managers, agents and other middlemen; with Franklin, the dealings were firsthand, and their phone conversations evolved into personal chats.

One call came out of the blue in the middle of the night, and for the abruptly awakened Smith, it felt like a dream. Franklin was debating her new album’s title, and she wanted his input: Should it be “A Woman In and Out of Love,” or “A Woman Falling Out of Love”? (In 2011, she opted for the latter, and it became her final album of new material.)

“Photography, if you’re doing it right, is a very intimate situation,” Smith says. “When you connect with a person, they trust you. Most of my clients are people I’ve had for decades — Tyra, Oprah, Queen Latifah. That’s personal stuff. And with Aretha it was very intimate.”

In late August 2018, Smith was there for Franklin’s final grand moment: the public viewing and funeral following her passing. That week in Detroit, he transformed from glamour shooter to photojournalist, and his evocative scenes of grieving fans and hometown tributes fill the closing pages of “Aretha Cool.”

Months earlier, during Thanksgiving week 2017, he’d been scheduled to photograph Franklin in Detroit for a forthcoming album cover. The singer promised to treat Smith to her homemade peach cake and spoke excitedly about a looming deal with Walmart for a line of food bearing her name.

“But the night before Thanksgiving, she got sick and went to the hospital,” the photographer says. “It was the last conversation I had with her.”

Aretha Franklin is photographed in concert by Matthew Jordan Smith. From the book “Aretha Cool.”

For “Aretha Cool” — which is also being offered in a signed, 100-copy deluxe edition — Smith put together a Spotify playlist based on the iPods he used during his Franklin photoshoots.

“I want people to feel what it’s like being in the room while she’s hearing her own music,” he says. “As you go through the book, you can play the songs at the same time. These photos are a legacy of her, but they’re also our legacy. We all have these memories based on music, and I think that’s very powerful. I didn’t want this to be just a picture book, but an experience.”

Contact Detroit Free Press music writer Brian McCollum: 313-223-4450 or bmccollum@freepress.com.

This article originally appeared on Detroit Free Press: Aretha Franklin’s later years revealed in new book of photos

Inside the life of a wedding photographer

Inside the life of a wedding photographer
  • It comes after wedding photographers spoke out against ‘rude’ clergymen 

For most happy couples, their wedding day is a euphoric blur of rings, toasts, speeches and dancing before crumpling in an exhausted heap on a hotel bed.

But for the photographers capturing the occasion –  those big group shots for mum’s mantlepiece or candid snaps of people drinking and dancing – it can be a VERY different story.

Last week more than 900 snappers signed an online petition calling for the conditions for wedding photographers and videographers in churches to be improved.

They accused clergymen and women of making it near-impossible to get pictures of couples on their special day because of their ‘rude, humiliating, aggressive and abusive behaviour’.

But now wedding photographers have lifted the lid further, telling MailOnline the other niggly annoyances they have to deal with from grabby drunk guests to being told to avoid picturing nuisance relatives. 

And according to the snappers there is always one pesky guest and more often than not it’s the sister of the bride or groom that is most feared, rather than the mother-in-law. 

The rumble from wedding photographers came as an old video resurfaced on TikTok of a priest halting proceedings and refusing to carry on until the snapper put their camera away. 

The petition was set up by Rachel Roberts, a Lincolnshire based photographer, who feared that many church leaders were ‘stuck in the past’ while those who have embraced social media were left with long wedding waiting lists.

Wedding photographers have lifted the lid on what it is like working for couple's most special day. Pictured: Award winning wedding photographer Jonny MP

Tom Dinghy, who was the photographer at Jeremy Kyle's wedding in 2021, said he had been put in some awkward situations in the past when taking snaps in church settings

‘Ultimately, we all want the same thing which is to deliver lovely results for the couple,’ she told the Mail. 

‘We live in a digital age now and couples do want loads of coverage of their gorgeous ceremonies and we can work with priests and vicars to do this without being intrusive.’

Johnny MP, 41, who has been a wedding photographer for 13 years and worked at over 400 weddings, said tensions between the clergy is ‘definitely’ something he’s experienced.

Throughout his career, vicars have told him that no photographs are allowed as the church is ‘a private room between the couple and God’ while another, upon introduction, shoved her hand in his face listing off her ‘three rules’. 

The multi-award winning photographer of the year said: ‘It’s really strange because I’ve done weddings for every major faith in the world – Hindu, Muslim, Sikh, Jewish, Humanist, all variants of Christianity – and none of those people have ever had a problem. It always seems to be Church of England vicars.

‘Most are fine, you need to show respect as they are in charge and I’ve had some really lovely ones, but a handful have called me out during the ceremony. 

‘On one occasion I had already spoken to the vicar about where to stand but he called me out during the vows. It creates a really bad atmosphere and [the couple] probably felt a bit awkward.

‘The couple and guests took it well and just joked about it afterwards saying you’re on the naughty step but I was really embarrassed, because I am there to work and serve the couple – the same way the church makes money for doing weddings. We are all just trying to do our job.’

One female videographer, who wished to stay anonymous, said: ‘I’ve encountered a mix of experiences with clergymen while filming weddings.

‘Some have been very accommodating, allowing me to be up front and central to capture the important moments, whilst I others have made it challenging, one specifically where I was tapped on the shoulder mid ceremony and quite rudely asked to stop filming, despite being hired to do so by the couple, which i found incredibly embarrassing and disruptive to the service.

‘It seems to be a luck of the draw, with both positive and frustrating encounters, but I do think certain people like to be bossy and be in control of everything.’

Tom Dinghy, who was the photographer at Jeremy Kyle’s wedding in 2021, has also been put in some tricky situations trying to balance the couple’s wants with a stubborn clergyman or woman.

Last week Dr Rowan Williams, who officiated the Prince and Princess of Wales' wedding in 2011, admitted that some vicars can be 'a complete pain' when it comes to wedding photographers in churches

He said: ‘Those who work in churches seem to have this fear of being distracted while weddings are taking place.

‘It is the photographer’s job to capture everything and everyone without being the centre of attention – I’ve never met a photographer who wants to be looked at while they’re working.

‘We want to get all the angles and everyone’s faces which can mean being behind the vicar. This can be a point of contention because they don’t like it if you stand behind them and feel like we are invading their work space, but we are all here to do the job. It is an odd thing.’

Last week Dr Rowan Williams, who officiated the Prince and Princess of Wales’ wedding in 2011, admitted that some vicars can be ‘a complete pain’ when it comes to wedding photographers in churches. 

‘While some vicars can be a complete pain and over-controlling to a degree, clergy too need to be able to do their jobs,’ he told The Times. 

‘A request not to be intrusive during a service when something significant is supposed to be taking place at the spiritual level is not unreasonable.’

Outside of the church, there are other minor issues that photographers have to battle with through the day from drunken guests grabbing their clothes to family members wanting their own ‘mini photoshoot’. 

When it comes to church weddings, it is down to the priest or vicar's discretion on what photographs can be taken at each church and may refuse to allow them during the ceremony at all

Throughout Mr MP's career, vicars have told him that no photographs are allowed as the church is 'a private room between the couple and God' while another, upon introduction, shoved her hand in his face listing off her 'three rules'

Mr Dinghy, who was an events photographer for eleven years before specialising in proposals and weddings, said: ‘Normally, the couple is absolutely lovely. 

‘There’s always one guest who thinks they know a great angle or tells you where they think you should go. They think they are being funny or are hobbyist photographers. But we treat them with politeness.

‘In my experience there is always a sister of the bride or sister of the groom that has something to say, while the mother of the bride is usually lovely.’

At one wedding he attended the 37-year-old photographer from south east London, managed to get a candid snap of the groom and the best man kicking back with a beer before the ceremony.

‘It was a very casual shot,’ he said. ‘But then the sister of the groom said ‘are you going to take all the family photos here because it’s not a nice backdrop’. I am polite but I am thinking leave me alone.’ 

Another female photographer, also based in London, spoke of the difficulties of navigating through family dynamics on the big day.

The 31-year-old said: ‘Weddings are intense and emotional days so you get a lot of weird things going on. Sometimes you get guests that pull you by your clothes to ask for a photo rather than just speaking to you they’ll grab your shirt.

‘Sometimes you get a family member who forgets it’s not their wedding, so you get pulled aside to have a mini-photoshoot with the sister-in-law. 

Mr Dinghy was an events photographer for eleven years before specialising in proposals and weddings. Since then he has captured more than 600 surprise engagements

The Church of England has said that it worked with professional photographers to produce guidance for couples

Mr Dingley was the wedding photographer for the wedding of Jeremy Kyle and Vicky Burton that took place in Windsor 2021 (this image was not taken by Mr Dingley)

‘Especially if they have their own families they want to get shots done because everyone looks great but it’s not about them.

‘You have to reign them back in and tell them it’s not about them – it’s about the bride.’

On other occasions photographers have been told not to picture a certain person in the family or try and cut them out of group shots of the relatives.  

‘It’s awkward because sometimes you get a bride or groom telling you they don’t want pictures of a particular family member which is sometimes unavoidable,’ the unnamed photographer said.

‘Then you need to negotiate with that family member by putting them on the end of the photograph or try and get another family photo when they walk away but you can’t make it obvious.

‘I often get situations where there is a stage or an aisle and people are tapping you to move out the way saying I am blocking them which is hard to negotiate as you have to do your job.’

Some female photographers have also expressed concerns about feeling particularly vulnerable while working at weddings.

The photographer said she had been put in some odd situations during weddings and on one occasion was even offered cocaine by a groomsman.

‘Often, the parties get crazy. When I started out as a female photographer, and guests were drinking, some people would get a little overfamiliar,’ the photographer said.

Photographers claim it is becoming almost impossible to take pictures inside churches due to the 'aggressive, rude and humiliating' behaviour of members of the clergy

Photographers taking photos during church ceremonies claim they are only trying to honour couples' wishes, noting that images of that first special first kiss are treasured

‘There was a time where I was in the groomsmen’s room to take photographs but all they wanted me to do was party with them and it made things difficult.’

Mr MP added: ‘I’ve had a few drunk people. It doesn’t bother me too much. It’s much harder when people are sober and more conscious of you.’

Mr Dingley, who has photographed more than 600 proposals, added: ‘Guests do ask when drunk ‘let me take a photo of you’ but one, I don’t want you holding my really expensive camera, and two no one wants a picture of me. 

‘I often joke about taking a selfie and there’s always plenty to do so I just go off to another circle. 

‘But I like the guests I meet and I’ll never speak to these people again so I often have a chat with them while working and it’s nice seeing everyone have a good time.’

The photographers, many who say their career is a life-long vocation, stressed that all these small annoyances are just a small part of their day and never have a huge impact.

The photographers agree that when it comes to managing a wedding, and keeping everyone as happy as possible, it all comes down to communication.

Mr MP said: ‘Wedding ceremonies are a big day and you cannot go on and it is a very competitive industry, it’s sink or swim but I love it. The fact that you make people happy seeing couples with their photos and memories that will last forever.’

Wedding photographers say it is becoming almost impossible to take pictures inside churches due to the 'aggressive, rude and humiliating' behaviour of members of the clergy

Lincolnshire-based photographer Rachel Roberts told the Mail she felt many church leaders were 'stuck in the past'

‘A lot of people think having a professional camera or smartphone will capture everything on a wedding day, but having a professional photographer who is dedicated to take photos is necessary,’ Mr Dinghy added.

‘You can’t rely on a family member or friend with a camera as you want the whole day incorporated.’

Oxford-based wedding photographer Matthew Ellacott, 50, added: ‘People have expectations at weddings. People will ask for their photos to be taken and I’ve had mothers of the bride who have strong opinions of what they would like.

‘I always feel like it is my job to please the couple and strike the tone they would like. Weddings are unpredictable and that’s part of it. 

‘Alcohol is drunk and you get bumped, things get bashed or knocked over, it happens. I’ve been fortunate enough to not meet anyone who’s been too aggressive and people who are very clear in the ideas they want.’

When it comes to church weddings, it is down to the priest or vicar’s discretion on what photographs can be taken at each church and may refuse to allow them during the ceremony at all.

Others only permit one picture during the signing of the registry. The Church of England has said that it worked with professional photographers to produce guidance for couples.

A spokesperson told MailOnline previously: ‘Our clergy welcome couples and work with them to ensure that their wedding is personal, meaningful, spiritual, and beautiful. Photography is an important part of the day for many of the couples who come to church to celebrate their wedding.

‘Good early communication between the couple, the officiant and the photographer can help to ensure that expectations are aligned, and we advise that couples discuss these matters in advance with their church, so they know what to expect.

‘We want to reassure couples that they don’t have to be churchgoers to have a church wedding, they don’t need to be christened, and we welcome couples who already have children. Just ask to find out what’s possible.’