Are you a local business, real estate agent, or homeowner looking for Pittsburgh drone services for photography and videography? We are here to help!

Jeremy received his FAA license for small unmanned aerial flights via the Part 107 certificate in early 2024. By holding this license, we can offer commercial drone photography and videography services while operating in accordance with all FAA airspace rules and requirements.

We presently fly with a DJI Mini 4 and are able to produce photography and videos within the greater Pittsburgh area to meet your aerial needs. 

Before inquiring, please read more about our FAA license and rules and restrictions regarding our services. While our packages are fully customizable to meet your needs, there are a few laws and flying best practices we must abide by at all times.

The photography sector has undergone a massive transformation in recent years, thanks to all the advancements of the last decade. One of the technologies that helped bring numerous improvements is blockchain. While originally the blockchain was created for cryptocurrencies and to help people understand how to buy Bitcoin at the best price possible, now this technology has found applications in various industries, including photography.

Blockchain is a distributed and decentralized ledger that records transactions with the help of nodes across several computers. It provides transparency, immutability, and security to digital assets. These characteristics also made blockchain ideal for the photography sector, where some issues have been identified over the years, including counterfeit products and infringement. 

Let’s learn more about blockchain technology and how it can benefit the photography industry. 

Image source: https://www.freepik.com/free-photo/happy-female-photographer-checking-images-digital-camera-while-working-night-studio_25744789.htm?query=creative%20photography#from_view=detail_alsolike#position=6&query=creative+photography#uuid 

What is blockchain?

Blockchain works on complex mechanisms, but the general concept is quite easy to grasp. This technology can be described as a decentralized data storage that prevents data from being manipulated, owned or controlled by a single central player. Because blockchain is based on transparency and trust, the information on the ledger is available to the general public. This reduces the chances of manipulation and fraud. 

For the photography industry, the blockchain can democratize the market and offer more opportunities to people from all around the world. 

How can the photography industry transform through blockchain?

• Authenticating digital assets. One of the biggest issues photographers face is the unauthorized distribution and use of their work. But with blockchain, some of their problems could improve, as photographers will finally be able to authenticate their digital assets, thus ensuring that their rights are respected and their works remain protected. By using blockchain, each photo can be registered on the blockchain, thus having an immutable record of the usage and ownership history. In this way, artists can control their creative work more. 
• Royalty management. With blockchain, photographers can also streamline their royalty management process. Blockchain enables the use of smart contracts, which represent self-executing contracts with the agreement’s terms written in code. Because of this fact, they can automatically distribute and track royalties to photographers when their work is sold or licensed. This has plenty of advantages as it eliminates the need for intermediaries and minimizes the changes of disputes and payment delays.
• Copyright protection: Photographers face numerous challenges today, including copyright infringement, which happens when their pictures are shared or copied without consent. However, by using blockchain, artists could sign their work digitally, and only after that they would upload their image into the blockchain. This will create a tamper-proof and timestamped record, which will prove to be useful in proving the authenticity and originality of their work in case of disputes.
• Ensuring transparency in licensing. Another quite complex process is licensing, which makes it challenging for artists to understand whether they receive fair compensation or how their work is being used. However, by using blockchain technology, the licensing transactions will be recorded on a transparent and open ledger that will allow artists to benefit from real-time visibility on how their work is used and licensed, thus ensuring they receive fair compensation and proper attribution. 

What are the advantages of blockchain in the photography industry?

Blockchain allows a better distribution of work for photographers. This technology can be an efficient and cheap infrastructure for all the artists to deliver their photography better. Creators could use blockchain to distribute work to new channels, monetize their creations and sell to buyers directly.

Here are all the advantages that blockchain could bring to the photography sector.

• Enhanced security. Blockchain will offer improved security to artists by storing and encrypting their digital assets across numerous nodes. This makes it very difficult for hackers to steal or tamper with the photographs, thus maintaining the confidentiality and integrity of the photographer’s work. 
• Authenticity and trust. Blockchain provides a trustless environment where artists can share their work without worrying about plagiarism or unauthorized use. With the decentralized nature of blockchain, there is no single point of failure. Moreover, the technology is tamper-proof, and the authenticity of the photographs’ work can be proven beyond doubt.
• Better accessibility and global reach. Blockchain offers the possibility for photographers to expose their work to a worldwide audience without traditional gatekeepers or intermediaries in the way. Thus, creators can connect with collectors, buyers and art lovers from all over the world, offering new opportunities for monetization and exposure.
• Transparent and immutable recordkeeping. Blockchain provides a transparent and immutable record of transactions, thus allowing photographers to keep track of the licensing history and the usage of their work. This helps with the enforcement of copyrights and also offers valuable insights into buyer preferences and market trends.
• Streamlined payments. Blockchain uses smart contracts, which can automate the payment processes, thus ensuring photographers receive rightful earnings. Furthermore, blockchain can facilitate revenue sharing across numerous stakeholders involved in the photography sector, such as agents, models and publishers. 

The bottom line

Blockchain technology can revolutionize the photography industry by streamlining the processes in the photo value chain, protecting rights and providing the artist with better control over their work. Blockchain is characterized by transparency, security and immutability, and these attributes can be precious in the photography industry, as this sector deals with some issues currently, including unauthorized use and copyright infringement.

As an artist, it is crucial to stay updated with the latest technological advancements because, in this way, you can explore the advantages you can add to your creative pursuit. By embracing blockchain technology in photography, you will not only protect your work better but also benefit from opening doors to revenue generation, collaboration and global recognition.

So, what is your opinion on implementing blockchain technology in the photography industry?

I only have two of my pictures up at home – and this one lives in the bathroom. It was commissioned by The Face and was among the first documentary photographs I had published. In the 1990s, everyone wanted to work for The Face. My first assignment was shooting neo-Nazis in Rome. It only took 15 years of work for me to become an overnight success. After that, I suggested a story on travellers.

It was 1992 and the Tories’ Criminal Justice Bill was due to give police new powers to stop the movement of travellers, taking away some of their rights to authorised sites. Myself and the writer Amy Raphael went off in search of travellers – and ended up at Glastonbury, where this photograph was taken. I’d had too much to smoke and was lying on the ground with my Leica when I saw Bubbleman – and a naked bloke who came along and started playing with the bubbles. As I pressed the shutter, the bubble burst and I thought: “Shit, I didn’t get it!” But when I saw the contact sheet, there it was, the very last frame – with the material covering his willy.

The Bubbleman picture was a pivotal one for me. Around the same time, I’d done an Ally Capellino catalogue that had made a splash in the fashion world. It was documentary style, with loads of people on the beach in Margate. For a time, I was set, but these things never last. In 1997, I stopped doing fashion. I had split up with my girlfriend, who was a model, and I just couldn’t do fashion any more. Then Elle sent me to shoot pictures for a “night out with a geezer” feature. I ended up in the St Moritz bar in Soho, London, drinking with one of the “dodgy characters”, talking about our our fathers. We bonded. It got me out of my misery and started me on a new project. I spent the next five years shooting The Firm: photographs of the British underworld. The book came out in 2001.

My adopted dad died when I was a baby and I was brought up by four wonderful women. My birth father was an aristocrat and photographer’s assistant, my birth mother a model. Anyone who’s got a singular background tends to hide away and a Rolleiflex camera will conceal just about your entire face as you shoot. It’s why I’m a photographer.

I enjoy the traditional aspect of composing a picture. After a while, you learn where to stand and how to avoid telegraph poles coming out of people’s heads. I was blown away by the perfect composition of the old masters like Jacques-Henri Lartigue, and Henri Cartier-Bresson who said “sharpness is a bourgeois concept” – only an old Frenchman could say that! My bible was Mary Ellen Mark’s Falkland Road: Prostitutes of Bombay, which I bought for £4.95 in WH Smith in 1979. It inspired me, the idea of this young woman among strangers, highlighting a horrible situation with real sympathy.

At the moment, I am putting together pictures I have taken over the last 25 years. I also want to honour the four women who raised me, and my mother, as well as my lifelong muses and friends. To me, photography is like that moment when you’re a child, looking at the night sky. Someone explains infinity to you and you go: “Oh my god!” It’s magical. When I take pictures now I still feel like a child, looking up at the night sky saying: “Wow!”

Jocelyn Bain Hogg’s CV

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Born: London 1962.
Trained: Newport Art College 1982-84.
Influences: “Powell and Pressburger, Jacques-Henri Lartigue.”
High point: “Garnering recognition for a difficult and personal body of work, The Firm, which kickstarted my career in documentary photography.”
Low point: “Although I’m incredibly proud of it, I’ve done so much varied and more personal work, but The Firm is what people only seem to want to know me for”
Top tip: “Get a good accountant.”