Burnand won his first photography content at Cheam School (the same Hampshire prep school attended by the King and the Prince Philip) aged just seven, after receiving a camera from his grandmother for his birthday. He went on to Harrow, where he took photographic portraits of school-leavers, before working as a stable hand and an insurance broker at Lloyds of London.

He turned to photography professionally aged 27, memorably capturing the likes of Sienna Miller, Boy George with Margaret Thatcher, and John F. Kennedy Jr. and Carolyn Bessette-Kennedy as Tatler’s Bystander photographer. He also became a firm favourite with the Royal Family, capturing birthday portraits and magazine spreads for the likes of the King and Queen Consort, Princess Anne and Zara Tindall.

The photographer previously revealed a number of secrets to getting the best photographs possible, including ‘bowls full of jelly beans’ for flower girls and page boys. He told Tatler, ‘Being a chatterbox helps, as it keeps the people you are photographing engaged, and if you are talking it stops them talking which is essential – so I guess I chatted a lot that day!’

An exhibition of photographs by John McCormick, a retiring staff photographer at the University of Lynchburg, opens this month in the Daura Museum of Art’s Gallery II. The exhibition, “Just a Guy with a Camera,” is composed of work from McCormick’s almost 40-year career in photojournalism and serves as an endcap to his 13 years at Lynchburg.

An opening reception for the exhibit will be held at 4 p.m. on Friday, May 31. The exhibition is free, open to the public, and will run through Thursday, June 20.

McCormick has had lots of ups and downs in his life. His career began at the Glasgow Daily Times, where he captured the essence of daily life in Kentucky and honed his skills. It was during this time that he met Cindy, who would become his wife and partner in many adventures throughout their lifetimes.

“It’s funny how your life changes,” he said. “My English teacher in high school sold his Mamiya-Sekor camera to me for $50 bucks and taught me how to process film. Later, [as a student] at North Carolina Wesleyan College, I supplemented my income doing images for the yearbook when I wasn’t playing baseball for the school.

“When I realized I didn’t have the goods to play Div. III baseball, I moved on to Ole Miss to complete my physical education degree. Bored, I went to a drugstore and picked up an American Photographer magazine that listed the top five schools for photojournalism.”

One of those schools was Western Kentucky University, where he completed his bachelor’s degree in photojournalism and said, “My life was forever changed.”

His career took him to newspapers such as the Nashville Banner, where he documented life in Music City and rubbed shoulders with celebrities from entertainment to politics. His daughter Kessley was born while the family was in Nashville. He continued his “prolific” career at The New & Advance in Lynchburg from 1987 to 1998.

“I photographed country music stars and Hollywood celebrities, as well as national political figures while working for the Nashville Banner,” he recalled. “I photographed the Kentucky Derby and professional football games.

“Even at the News & Advance, I was photographing U.S. presidents.”

However, after seeing the decline of newspapers and feeling sad about “seeing the worst side of humanity,” McCormick transitioned to a new chapter as a photographer in the communications and marketing office of Virginia Tech in 1998. While there, he met Deborah Blanchard, who would eventually be his first supervisor at Lynchburg.

In 2011, McCormick came to Lynchburg College, where he found a home as the College’’s first full-time photographer. His role extended beyond capturing images to nurturing new talents like Nat LeDonne ’18, who is now Duke University’s director of athletics photography, and dozens more.

“One evening, after working here for only a few weeks, I said to my wife ’Please slap me if I ever complain about this job. It’s gonna be a great gig.’ And it has been. I love the campus, I love the people. And I love the students,” he said.

And, it appears, the University of Lynchburg community loves him, too, and will feel his presence, through the images he took, for years to come.

“John McCormick has been a constant presence and innovative leader in capturing the true essence of Lynchburg,” said University President Dr. Alison Morrison-Shetlar.“His photography shows the day-by-day transformation of this campus and its community.

“When John looks through his lens, he sees the heart of this University — then he shares it with us and the world through his photos. Though his absence will be felt, his images will remain a powerful Lynchburg legacy.”

During the academic year, the Daura Museum of Art is open from 9 a.m. to 4 p.m., Monday through Friday, and from noon to 4 p.m. on Saturdays. Admission is free. The museum is closed on holidays and University breaks.

For more information or appointments, email dauramuseum@lynchburg.edu or call 434.544.8595.

As a photographer, you’re likely driven by passion and a desire to capture compelling images. However, the path to a thriving photography career is often paved with challenges and frustrations. Understanding and navigating these pitfalls can significantly contribute to your success. 

Coming to you from Justin Mott, this insightful video explores common annoyances and challenges in the photography world. Mott candidly shares his personal experiences and opinions on topics ranging from gear preferences to ethical issues within the industry. His insights into the realities of professional photography, such as dealing with image copying and navigating client interactions, offer valuable lessons for aspiring and seasoned photographers alike.

Mott’s discussion about photographers who exaggerate their bios highlights the importance of authenticity and genuine accomplishment in building a sustainable career. His emphasis on respecting different genres of photography encourages a more inclusive and supportive community, recognizing the unique skills and challenges inherent in each specialization. 

Furthermore, Mott’s frustration with people asking for convenient help underscores the importance of professional courtesy and respect for others’ time. A well-crafted request that demonstrates thoughtful consideration is more likely to receive a positive response. Check out the video above for the full rundown from Mott.
 

Kickstarter Campaign Launch Set for June 4, 2024

PHILADELPHIA, PENNSYLVANIA, UNITED STATES, May 20, 2024 /EINPresswire.com/ — ServiceStock is excited to announce the upcoming launch of its Kickstarter campaign, aimed at revolutionizing the way people find and connect with high-quality stock images and creative service contributors. The campaign will launch on June 4, 2024, and early supporters can secure an exclusive early bird discount by opting in at https://servicestock.info/servicestock/

ServiceStock is a comprehensive online digital marketplace that caters to both B2B and B2C clients, including IT/tech companies, creative agencies, e-commerce and movie businesses, news media entities, bloggers, writers, and general businesses needing basic website content. The platform provides an extensive range of creative services, allowing users to access and purchase stock photography, graphic design, videography, digital services, cinematography, and filmmaking all in one place. Every customer and contributor can sign up for free, making it accessible for everyone.

Key features of ServiceStock include:

– Photography: Browse and purchase a wide range of portraits, models, and landscapes.

– Graphic Design: Access logo design, t-shirt design, and interactive design contests, supported by AI tools.

– Videography: Create, manage, and share videos with ease, using a beautifully organized video library.

– Digital Services: Find talent across various categories including UX design, software development, and web design.

– Cinematography & Filmmaking: A platform for visual storytellers to publish and collaborate on film projects.

By supporting ServiceStock on Kickstarter, backers will not only help bring this innovative project to life but also gain access to exclusive rewards. Some of the exciting rewards include free downloads of stock media assets and instant access links, a 1-year subscription for photo and graphic image downloads at competitive rates; a 1-year subscription for both image and video downloads, including HD video content; and a 1-year subscription with unlimited downloads, marketing support, and lifetime access to services without limitations.

“ServiceStock represents the power of storytelling to bridge hearts and minds,” said Louis Renaldo, co-founder of ServiceStock. “My passion for storytelling, collaboration, and authenticity drives our mission to create a platform where creative professionals can thrive. Together, we weave tapestries of emotion, intrigue, and authenticity that resonate with audiences worldwide.”

ServiceStock stands out from other stock content services by offering digital services, facilitating communication between customers and contributors, and providing tailored specialist services. This unique platform allows for the creation of customized content and provides opportunities for contributors to earn income through their digital products.

ServiceStock is not just a marketplace; it’s a movement. By supporting the Kickstarter campaign, backers will become part of a community that values innovation, creativity, and collaboration. Secure an early bird discount today by visiting https://servicestock.info/servicestock/

About ServiceStock
ServiceStock is a digital marketplace designed to bring high-quality stock photography and creative services to businesses and individuals worldwide. The mission is to connect talented contributors with customers in need of unique digital content and services. For more information, please visit https://servicestock.info.

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Louis Renaldo
ServiceStock
+1 856-332-9054
info@louisrenaldo.com
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Graduation photos and senior pictures can encapsulate the immense growth a person experiences in four years, or they can flop.

For area photographers, new trends mean new challenges. Nina Reider, a self-taught photographer who graduated from New Castle High in 2021, explained some subjects are not immediately comfortable in front of the camera, which can make the pictures look unnatural and rigid. She tries to give them inspiration and support so their personality shows in the photos.

Susan W. Patton, a Shenango Township professional photographer, said she tries to turn the shoot into an experience to get the whole picture of the subject’s personality. Part of that experience includes incorporating trends.

Trends often seen in these photos like spraying champagne everywhere or launching a cap into the air are a relatively new way to add personality and flair while displaying the photographer’s skills in stopping motion. However, photographers themselves have different opinions about them.

“I think it’s super fun,” said Oliver Sager, a hobbyist photographer who graduated from New Castle High in 2020.

Sager, who is studying for his master’s degree at Tiffin University, has been practicing photography for about five years. Shooting with sprayed champagne was one of the first graduate photos he took. His strategy was to keep clicking and hope something turned out without getting the camera wet.

His only complaint was when people did not pick up trash from the bottle after the shoot.

Reider, who graduated from Youngstown State University on May 5, has a different take on the champagne spray trend. She considers herself proficient but would not consider herself a professional.

“I think it’s basic, I’m not going to lie,” Reider said. “It’s a classic, basic, obligatory thing to do, but I support them if they want to do it.”

She also explained when trying to capture a champagne spray or cap thrown in the air, it often either flops or looks beautiful.

Besides champagne, Reider does not have as much experience with props but wants to gain more. She started taking graduate pictures in March 2022 and took her sister’s pictures in December later that year. She said she was nervous but very happy with the photos.

Like Sager, Patton likes the champagne trend and tells her clients to bring props that are meaningful to them and give insight into their personalities.

“Anytime you can turn (the photo) into a story makes it fun as long as it looks authentic,” she said.

What Patton does not like is when photos look too “Pinterest-y” with excessive props and overused poses.

Each photographer also has different styles of planning a shoot and what they like to shoot in a session.

“Every student would have a different experience, so I try to let them tell it through the photos,” Sager said.

Sager typically plans some shots ahead of time but likes to have the client lead him around campus to get their perspective on the experience, especially the iconic buildings with a wide-angle lens. If the subject is studious or athletic, they will take Sager to associated places where that part of their personality shines.

Reider typically arrives before the shoot to explore a new location and looks for spots with good lighting and backgrounds. She also looks at Pinterest before a shoot to gather inspiration.

Since Patton primarily photographs high school seniors, she is more likely to receive clients who do not want any part of the planning.

Patton prepares ahead of time by gathering information from her clients about their styles and interests. She also requests a photo of the outfits they plan to wear so she can pair them with locations that make sense — like avoiding a pink sweater with a red background.

Pricing can also differ widely between photographers, even professionals. Patton sets her session prices between $225 and $425 depending on the location, and she typically shoots anywhere from 750 to 1,200 photos in a session with her Canon R5. About 150 of those make it to the client in the final package, but Patton said it is usually more because she also tries to include candids and in-between moments. Prices fluctuate for digital or print copies.

Reider does not charge as much since she is usually taking pictures of people she knows, she said. She charges anywhere from $40 to $100 per session based on travel and editing time. She tries to cap herself at 400 photos per session with her Sony A6400, and about 100 or fewer make it to the client in the final package.

Sager’s pricing works differently because he practices with both a DSLR camera and a film camera. His session prices start at $40 and increase with the amount of film he uses. He uses a Nikon ZFC for digital and a Minolta for film.

While Sager described his style as more airy and atmospheric, Reider described her style as natural and earthy with bright colors.

Patton explained she did not have a style, but shoots what she sees. Everyone has a unique eye and pays attention to different things, she said. She also highlighted the importance of research before choosing a photographer.

“As long as you have a camera, you can create magic with a creative mind,” Reider said.

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Emily Dodd-Noble’s latest portrait series is a love letter to the city’s queer communities – and a snapshot of self-discovery