Elton John is supported by husband David Furnish at V&A exhibition

Elton John is supported by husband David Furnish at V&A exhibition

The McCartneys gathered to support Elton John and his husband David Furnish at the launch of their photography exhibition at the Victoria and Albert Museum in London. 

It was a family affair as Sir Paul, 81, and daughters Stella, 52, and Mary, 54, gathered on Tuesday to take a look at the singer’s impressive collection at the private viewing and VIP dinner. 

The exhibition, named Fragile Beauty, includes more than 300 pieces by 140 photographers selected from their vast library of photographs. 

Elton, 77, put on an animated display as he posed for a photo with Sir Paul, Stella and Mary. 

Having earlier worn a bright pink suit and jazzy shades, the Your Song hitmaker changed into a burgundy suit. 

The McCartneys gathered to support Elton John and his husband David Furnish at the launch of their photography exhibition at the Victoria and Albert Museum in London

Having earlier worn a bright pink suit and jazzy shades, the Your Song hitmaker changed into a burgundy suit

Sir Paul proudly posed with four portrait photos of The Beatles, with the photograph of him taken decades ago at the band’s height of fame. 

Other stars taking a look at the exhibition included Nick Grimshaw, actor Russell Tovey and Simon Cowell’s ex Jackie St Clair. 

Covering the period from 1950 to the present day, they include iconic fashion shots by Irving Penn, Richard Avedon and Herb Ritts, portraits of stars including The Beatles, Frank Sinatra Marilyn Monroe and Chet Baker. 

There is also photojournalism capturing moments in history, from the Black civil rights movement of the 1960s to 1980s AIDS activism and the Sept. 11 attacks.

Newell Harbin, director of the couple´s collection, agreed that the sheer scale of the show is ‘a lot.’

‘It´s a little bit overwhelming sometimes, but it´s just wonderful,’ she said at the preview on Wednesday.

The exhibition is entitled Fragile Beauty, a name chosen by Elton that reflects his ethos, said curator Duncan Forbes, the museum´s head of photography.

The exhibition opens with elegant fashion photos from the 1950s, then gets into edgier territory with work by chroniclers of outcasts and rebels such as Robert Mapplethorpe and Nan Goldin, both artists John has collected extensively.

It was a family affair as Sir Paul, 81, and daughters Stella, 52, and Mary, 54, gathered on Tuesday to take a look at the singer's impressive collection

Sir Paul proudly posed with four portrait photos of The Beatles, with the photograph of him taken decades ago at the band's height of fame

Sir Elton took a seat as he and David posed with  Tristram Hunt, Director of the V&A, at the private viewing

Stella looked effortlessly stylish in a grey oversized suit which she teamed with a slinky silk lace top

Stella smiled as she posed with the director at the VIP dinner

Elton looked in high spirits at the private viewing where his friends could take the first look at his extensive photography collection which is going on display

Russell Tovey and Robert Diament were also in attendance

Nick Grimshaw arrived for the VIP dinner

Leila Russack, Jackie Michaelson and Kimberleigh Gelber attended the private viewing

Nick, Daniel Fletcher, Omari Douglas and Meshach Henry(L to R)

Nadine Leopold and Clara Fondberg smiled for the camera

TikTok star Lola Clark looked stylish in a pale blue dress

Fragile Beauty runs at the V&A from Saturday until January 5, 2025 (pictured Munroe Bergdorf and Otamere Guobadia)

Many of the greats from seven decades of photography are represented, from Diane Arbus, Eve Arnold, Bruce Davidson and Robert Franck to Wolfgang Tillmans, Cindy Sherman and Ai Weiwei.

Elton began collecting photographs after getting sober in the 1990s – he later said he replaced alcohol with “a much healthier addiction.” 

The singer and David, 61, have assembled one of the largest photo collections in private hands, amounting to more than 7,000 works.

They frequently loan photos for exhibitions, including some 200 for a Tate Modern show in 2016 that focused on black-and-white photographs from the early decades of the medium.

Fragile Beauty runs at the V&A from Saturday until January 5, 2025.  

Portland Art Museum | The Official Guide to Portland

Portland Art Museum | The Official Guide to Portland

The oldest art museum in the Northwest delights visitors with its permanent collection, sculpture garden and frequent major exhibitions.

Emilly Prado

Emilly Prado is a writer, award-winning journalist and consultant living in Portland. Read More

The Portland Art Museum (PAM) has been a hub for artistic celebration and culture since its 1892 founding and continues to evolve.

Tips for Visiting the Portland Art Museum

What is the most famous piece at the Portland Art Museum?

The Portland Art Museum has several strong collections featuring thousands of talented artists. Vincent Van Gogh’s Ox-Cart painting (1884) — one of Van Gogh’s earliest works — is one of the museum’s most valuable and well-known artworks. Other notable pieces include Claude Monet’s Waterlilies (1914), Kehinde Wiley’s Likunt Daniel Ailin (2013), and work by famous artists such as Ansel Adams, Pierre Renoir, and Diego Rivera.

What is the Portland Art Museum known for?

The Portland Art Museum (PAM) is the largest museum in Oregon, with robust, diverse permanent collections and large graphic art and silver collections. PAM is also known for hosting many major visiting exhibitions.

Is the Portland Art Museum accessible for people who use wheelchairs?

Yes, all galleries, restrooms and drinking fountains are wheelchair accessible. The museum also offers wheelchairs and walkers on a first-come, first-served basis. Additional information can be found on the museum accessibility page.

When can I visit the Portland Art Museum?

The museum is open Wednesday through Sunday from 10 a.m. to 5 p.m. Holiday closures include Jan. 1, Jul. 4, Thanksgiving (Nov. 28, 2024), and Dec. 25.

Where is the Portland Art Museum?

The Portland Art Museum is a two-block campus at 1219 SW Park Ave. Portland, Oregon 97205. It is in the South Park Blocks in downtown Portland’s cultural district.

How big is the Portland Art Museum collection?

The Portland Art Museum’s permanent collection has over 42,000 objects. Additional rotating artworks are showcased during special and touring exhibitions.

Is there parking available?

On-street metered parking (90-minute, 2-hour and 5-hour) is available at $2.20 per hour Monday through Saturday from 8 a.m. to 7 p.m. and Sundays from 1 to 7 p.m., unless otherwise posted. On Sundays before 1 p.m. and on designated holidays, on-street parking is free. 

The closest private lot is Central City Parking at SW 10th and Main.

Learn more about parking options with our guide to parking in Portland.

What kind of art is in the Portland Art Museum?

The Portland Art Museum’s collections span ancient and contemporary times across many mediums. Visitors can browse Native American, Asian, African, European, Pre-Columbian, and American collections in numerous galleries and even enjoy the arts outdoors in the public sculpture garden.

How much are tickets to the Portland Art Museum?

Admission is $25 for adults and $22 for seniors and college students (with student ID). Entry is free for children ages 17 and younger, veterans and active-duty military (with ID), and Portland Art Museum members. The museum also hosts Free Quarterly Museum Days and other special free and discount days.

Special exhibition and program fees may apply.

Details are subject to change; please check the Portland Art Museum website for current information.

Does the Portland Art Museum have a cafe?

Portland Art Museum History and Campus

a large brick building, the Portland Art Museum, near a pedestrian crosswalk
The Portland Art Museum, located in two historic buildings on Portland’s South Park Blocks, is central to the city’s cultural district and houses a large and wide-ranging art collection.

Today, the Portland Art Museum spans 2.5 sweeping city blocks spread among two primary buildings. Visitors of all ages can wander through the innovative gallery displays, stocking up on artsy goods at the gift shop, or perhaps resting on sleek benches with sketchbooks in hand. As one of the largest museums on the West Coast, PAM eagerly welcomes its visitors — more than 350,000 annually — but in the beginning, the scale was smaller. The first collection, an estimated 100 plaster casts of Greek and Roman sculptures, was displayed in the museum’s original location: a section of a public library several blocks from the current campus.

As the collections, public interest, and patronage alike grew, the PAM campus continued to expand and remains an iconic destination amid the idyllic South Park Blocks (a gorgeous tree-lined green space that served as Portland’s first public park in the mid-1800s.) By 1978, the Northwest Film Study Center (recently renamed PAM Center for an Untold Tomorrow) was incorporated into the museum. The Mark Building, a former Masonic Temple, was added in 2005 to house numerous administrative and curatorial offices, event spaces, the Crumpacker Family Library, which boasts around 33,000 volumes, and the Jubitz Center for Modern and Contemporary Art.

In 2023, a major renovation project began to modernize the grounds, increase accessibility, and expand the campus to include several new features, including the Rothko Pavilion. Although the museum’s permanent collections are closed for renovations for the duration, exciting rotating exhibitions will remain open through the project completion date of mid-2025.

Planning Your Visit

Exhibitions

Please note: the permanent collections will be inaccessible due to construction until mid-2025, but rotating exhibitions will be open to the public.

Permanent Collection

Visitors view an installation at the Portland Art Museum
The renowned Portland Art Museum is the oldest museum in the Pacific Northwest. Located in the heart of downtown’s Cultural District, the museum’s campus includes an outdoor sculpture court, permanent galleries and special exhibitions.

The Portland Art Museum’s permanent collections are shaped by several geographic areas, mediums and communities spanning two millennia and include paintings, sculptures, ceramics, prints, drawings, objects, and more. The permanent collections, browseable online, are categorized into American art, Asian art, European art, graphic arts, modern and contemporary art, Native American art, Northwest art, photography, and silver.

The multi-story Native American art collection, housed in the Confederated Tribes of Grand Ronde Center for Native American Art within PAM, has a sizable collection of more than 3500 artworks created by at least 200 tribal communities from the Americas. In late 2015, the museum also added the Center for Contemporary Native Art gallery to showcase the breadth of art by renowned modern-day Native American artists such as James Lavadour, Allan Houser, Maria Martinez, Wendy Red Star, and Marie Watt. During the 2024-2025 construction, PAM curator Cathleen Ash Milby will work with native communities to reimagine PAM’s galleries and exhibition spaces for Native American art. When the museum reopens in 2025, visitors can enjoy PAM’s Native art collection via special exhibitions while the museum wraps up a permanent gallery space in collaboration with Native tribes.

Rotating Exhibitions

a woman stands in an art museum

Sarah Sabino viewing her art installation in the AUX/MUTE Gallery in Portland Art Museum.

Credit: Jason Hill by better.

At PAM, several special exhibitions are presented to the public, rotating throughout the year. Major touring retrospectives like Frida Kahlo, Diego Rivera, and Mexican Modernism and Dakota Modern: The Art of Oscar Howe join groundbreaking collaborations with local community artists at the museum. These include Black Artists of Oregon (2024), curated by multi-disciplinary artist and journalist Intisar Abioto and the AUX/MUTE Gallery located at PAM CUT (which is presented by Oregon’s only Black-led radio station, The Numberz FM.)

Exhibitions on view in 2024 include Throughlines: Connections in the Collection, which uniquely pairs artworks across themes as opposed to cultural region and time, Monet to Matisse: French Moderns and Paul McCartney Photographs 1963-64: Eyes of the Storm.

Free & Nearly Free

Some of the best things to do in Portland are totally free. Connect with nature, discover local artists or learn something new.

PAM CUT

The Portland Art Museum’s Center for an Untold Tomorrow (PAM CUT) was unveiled in 2022 but was born from a rich five-decade history as the Northwest Film Center. The new name formally marks the museum’s creative pivot, expanding its scope beyond solely short and feature films to include multimedia arts such as virtual reality and artificial intelligence. 

While PAM CUT’s headquarters undergo construction to expand viewing spaces and concessions through mid-2025, including the Whitsell Auditorium, visitors can still enjoy screenings and multimedia experiences offsite at the newly launched Tomorrow Theater, which opened in 2023 in Southeast Portland’s Division neighborhood.

Explore the Arts

Within the Portland Art Museum and beyond, to local institues supporting living artists.


Oregon Contemporary

In North Portland find visual art installations and performance art to collaborations with bands, chefs and mixologists, with international curators and partnerships with Oregon art makers, Oregon Contemporary is the cutting edge of visual arts.


The Portland Book Festival

Portland Book Festival (formerly “Wordstock”) returns every November with an impressive (and extensive) lineup of local and national authors.


Time-Based Art (TBA) Festival

Portland’s Time-Based Art Festival (TBA) returns every September with 10 days of boundary-pushing performances, visual art and projects that defy categorization.

Portland Art Museum Events and Activities

a group of children participate in arts and crafts activities at the Portland Art Museum
The Portland Art Museum’s family day events help visitors of all ages connect with the museum’s collections in new ways.

The Portland Art Museum hosts ongoing programming, including tours, in-gallery curator conversations, family- and educator-centered talks, interactive classes and workshops, and more. The free Bloomberg Connects app provides a digital guide to PAM, while the online calendar lists upcoming artist talks and events.

The Portland Art Museum also serves as the primary venue for the annual Portland Book Festival. In addition to panels, signings and author conversations, the pop-up author reading series features writers reading in front of artworks throughout the galleries. Be sure to check the online calendar before going as some events may be on hiatus during construction.

Museums

Portland is known for its rich creative community, and DIY makers. From these established museums that showcase the greatest fine artists, to the mailbox-sized galleries of passions, Portland displays all kinds of art and curiosities.

Events at the Portland Art Museum

Explore fun and fascinating visual arts and events at the largest art museum in Oregon.

Journey to the Future
Saturday, May 25, 2024

Journey to the Future

Join the Portland Art Museum for a cutting-edge workshop designed for families with kids ages 11+ wh…

More Portland Events

Visit our events calendar to discover even more things to do in Portland. Search by date, event type and more.

The Backstory of a Blockbuster Native American Art Exhibition in Raleigh

The Backstory of a Blockbuster Native American Art Exhibition in Raleigh

When Nancy Strickland Fields saw the flawless craftsmanship of an AD 700 pot discovered at Town Creek Indian Mound in Mount Gilead, North Carolina, she sat in awe of its creator. “It was just so perfect, and I felt that the artist stepped forward and I could see her,” recalls the member of the Lumbee Tribe and director of the Museum of the Southeast American Indian in Pembroke. Fields knew then and there what she wanted to do for an exhibition she had been invited to guest-curate at the North Carolina Museum of Art in Raleigh. It would center around three-dimensional works, like this pot, that captured the story and spirit of Native identity. 

Over the next year and a half, she gathered contemporary pieces for the exhibition, calling upon a diverse cast of seventy-six artists, including celebrated sculptors Roxanne Swentzell and Virgil Ortiz and legendary textile weaver Margaret Roach Wheeler, plus local Southeastern artists working in various mediums. The result—titled To Take Shape and Meaning: Form and Design in Contemporary American Indian Art—runs through July 28 in Raleigh. 

image
photo: Courtesy of the North Carolina Museum of Art

Senora Lynch (Haliwa-Saponi) used red and white clay to create this bowl, titled “Woodland People Bowl.”

Over fifty tribes are represented in the exhibition, and thematically, the pieces tackle everything from Native origin stories to contemporary fashion. North Carolinian Harlen Chavis re-created the deity Bird Man in copper, inspired by a rendering of the warrior found on a gorget at Oklahoma’s Spiro Mounds. Caddo artist Raven Halfmoon contributed a huge, two-toned sculpture titled “Soku and Nish,” or Sun and Moon. Jeremy Frey fashioned an intricate beaded basket in the shape of a snowy owl, a messenger for his tribe, the Passamaquoddy. Cherokee artist Laura Walkingstick fashioned corn husk dolls, believed to protect the home, livestock, and personal wellness. Potter Kathleen Wall, who has Jemez and Chippewa ancestry, created a clay figurine portrait of her daughter that celebrates multiplicity of identity. “She’s wearing a traditional Pueblo manta dress, a Southeastern belt sash, and holds two Cherokee baskets,” Fields says. “It makes you consider what it means to be Indian today, when Native peoples might be members of multiple tribes and embody multiple identities.” 

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photo: Courtesy of the Raven Halfmoon and Kouri + Corrao Gallery, Santa Fe, NM

Raven Halfmoon’s “Soku & Nish (Sun & Moon – Caddo),” in ceramic and glaze.

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photo: Courtesy of the Minneapolis Institute of Art

“Adaptation II” by Jamie Okuma (Luiseño/Shoshone e-Bannock/Wailaki/Okinawan) takes shoes designed by Christian Louboutin and adds leather, glass beads, porcupine quills, sterling silver cones, brass sequins, and chicken feathers.

Fields invites everyone—both Native and non-Native—to come and engage with the art. “I hope the exhibition shows who we are and that we are still here, we are diverse, and we have so many stories to tell,” she says. “The range of art, from basketry to ceramics to mixed media, shows the commanding breadth of art from Native America…it is not only Native American art, it’s American art.”

The three-dimensional aspect of all of the pieces, whether they’re baskets or stiletto heels, lends the show a special force. “For Native peoples, when we give something shape, we give it meaning and it takes on a life,” Fields explains. “That means this exhibition is alive.” 

Silence sizzles in ‘Tiptoeing Through the Kitchen’, Luhring Augustine’s latest group show

Silence sizzles in ‘Tiptoeing Through the Kitchen’, Luhring Augustine’s latest group show

The exhibition delves into the mysteries and emotions buried beneath the surface of a photograph

After midnight, when the streets are empty and the houses dark, even the softest of rustles can seem unbearably intense. That is the feeling conveyed by the beautiful exhibition of photography at Luhring Augustine gallery, on view until June 8. It encompasses the work of seven artists, who span generations, genders, and ethnicities, each in their own way reticent and inscrutable, some stirringly so. Unlike many recent shows, in Tiptoeing Through the Kitchen, no intellectual scaffolding demands dismantling, and it leaves the omnipresence of digital technology out of discussion. Instead, it focuses on intimate personal revelations, but only in bits and pieces—the sort of wounded, whispered half-words that simmer with tension.

The young Brooklyn-based photographer Shaun Pierson emerges as the star of the group. His most potent portraits involve men old enough to be his grandfather. In this show, a work features one of them kneeling down and turning the camera back on Pierson, who reclines nude on a draped table. Propped up on his right elbow, he echoes a bushy-browed, mustachioed Olympia. A few test shots line the wall behind him, each pointing to a different part of his body. The work, like Manet’s 1863 masterpiece, straddles a divide between explicit eroticism and a kind of raunchy sexlessness. The result is striking if uneasy.

Left: Shaun Pierson, Untitled (Model), 2023. Courtesy of the artist and Luhring Augustine, New York. Right: Sheida Soleimani, Remorse, 2023. Courtesy of the artist, Edel Assanti, London, and Luhring Augustine, New York.

Equally weird, but more kitschy, is the work of the Iranian-American artist Sheida Soleimani. Her abundant use of toy-like sceneries and props gives her tableaux a comically deadpan drama. A tremendous portrait shows two elders whose faces are obscured by paper cutouts, one playing the role of patient, the other her doctor. Then there is a zany shot of three baby birds trampling one another for a single berry fed from a tweezer, followed by a picture of a raven lying stiffly on its back, a walnut in its beak. A possible paradox unfolds about old age as a second childhood, but also the infantilizing nature of elderly care.

Much of the work grapples with photography’s possibilities for ambiguity and obfuscation. To that end, there is no escaping the names Wolfgang Tillmans, Adrienne Salinger, and Collier Schorr, whose influences loom large in this show. They popularized, if not pioneered, a resistance to narrative, evading our attempts to make sense where there is none. Less obviously, but just as radically, they rejected and subverted obvious beauty. To most eyes their work has turned prettier over time, as with the bulk of left-field ideas that are now part of mainstream aesthetics. Their images give the appearance of rawness, but they impart very little personally and emotionally, often teetering on the edge of disclosure and yet, in the end, withholding. Tiptoeing sees a continuation of that style, but not without plenty of the idiosyncrasies necessary to make such desolation sing.

Kevin Landers, a veteran photographer in New York City, captures moments that are so apparently banal they become invisible to most of us. Here are loosened cobwebs, crochet blankets hanging out to dry on a clothesline, shopping carts filled with blow molds of animals and saints. We’re never sure what we’re looking at because the photos are, on the one hand, stirring in their quietness; on the other, they feel strange, distant, and out of context. That sense of displacement, physical and psychological, also drives a group of collages by the Mexican artist Gonzalo Reyes Rodriguez. For the show he cuts out rectangles from the middle of his own seemingly random snapshots and then fills in the gaps with photographs he purchased from a bookshop in Mexico City, creating a portal to the world of another man. Somewhere in between a kind of wistful longing arises.

Left: Sophia Chai, ㅗ(0927-01), 2023. Courtesy of the artist and Luhring Augustine, New York. Right: Brittany Nelson, Face on Mars, 2024. Courtesy of the artist, PATRON, Chicago, and Luhring Augustine, New York.

The exhibition also looks at photography that involves some degree of abstraction. Take, for example, the work of Sophia Chai, a Rochester-based artist who was born in South Korea but immigrated to New York City at the age of 14. What appear to us as no more than thin wobbly stripes are actually closeups of letters from the Korean alphabet that she has painted on the walls and floor of her studio. In that process, the characters drift in and out of meaning. Part remembered, part forgotten, they are beautiful.

Memory also inflects the great work of William Eric Brown, who was born in Argentina and lives in New York City. A series of intersecting lines in graphite, like a murmur, run through pictures of calving icebergs and glaciers that the artist’s father took in Antarctica while serving in the U.S. Navy in the 1950s. Similarly, Brittany Nelson turns found or archival images into something more brooding and more of a mystery. Like much else in the show, the appeal of her grainy, black-and-white prints lies in their obscurity. We see a mask, dry, dusty lands, lights that pulse and flutter like the fins of a goldfish. And we hear silences sizzle and lead their refrains down dead ends.

Ceremony at Yosemite National Park for new Ansel Adams Forever Stamps

Ceremony at Yosemite National Park for new Ansel Adams Forever Stamps

FRESNO, Calif. (KFSN) — Ansel Adams is being stamped into history.

On Wednesday, the US Postal Service honored the photographer and his work by turning them into postage. A special First day of Issue ceremony was held, during which 16 forever stamps were unveiled. The stamps feature some of Ansel Adams’ most iconic and striking photographs.

They show some of the most well-known vistas around Yosemite, from Half Dome to the Merced River.

“People come from all over the world to see the park and people ask me all the time, ‘Oh where did Ansel Adams take that photo?” said Scott Gediman, a park ranger and spokesperson for Yosemite National Park.

The beauty of Yosemite draws in thousands of people every year.

From its towering trees, roaring waterfalls, and soaring granite walls. Of course, you try to capture the breathtaking beauty on camera.

But few can capture it like Ansel Adams did.

His photographs captured the park’s stunning sights like few others have. Now, people can send a small piece of that beauty across the nation.

“We hope these new stamps will inspire a renewed appreciation of Ansel Adams and his art,” said Daniel Tangherlini, a member of the U.S. Postal Service Board of Governors.

Ansel’s ties to Central California go beyond the images he took. He also planted roots in the area.

His grandson, Matthew Adams, grew up in Fresno and still has family there.

He is proud of his grandfather’s legacy.

“Ansel’s legacy is incredible and we don’t want to do anything to diminish that,” said Matthew. “Ansel fought very hard for the environment and for decency and human rights.”

Matthew said not only did his grandfather love photography, but he also loved collecting stamps, which makes Wednesday’s ceremony a fitting tribute.

Gediman hopes that when people look at these stamps, they see and feel Ansel’s impact on America.

“I feel that we have a responsibility to not only care for this planet but to instill that stewardship within young people,” said Gediman.

It’s a legacy forever remembered. Stamped in people’s memories.

The postal service has printed 20 million stamps featuring the art of Ansel Adams. If you want your own set, you can buy them online, or at your local post office.

For news updates, follow Ana Torrea on Facebook, Twitter and Instagram.

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