Jeff Server Photography at Inkberry Books: An exhibit with a sting

Jeff Server Photography at Inkberry Books: An exhibit with a sting

Photography and beekeeping are Jeff Server’s passions, but he did not expect to be talking about both at the opening of his photography exhibit at Inkberry Books.

On the evening of Friday, May 3, Gene Hayworth and Keith Waters of Inkberry Books hosted one of their frequent receptions highlighting the works of local artists. Niwot resident Server, whose photography will be on display throughout May, is featured this month.

Several attendees, expecting to hear Server’s remarks about his eight pieces on display in the bookstore, arrived promptly for the opening. However, when Jeff and Dawn Server were late arriving, it was apparent that something was amiss.

It happened that earlier that day nearby homeowners had discovered a most-unwanted bee swarm on their property. The Servers are well-known in Niwot for their company, Meadow Lake Honey, where they tend beehives and harvest honey. They were more than happy to capture, remove, then relocate the troublesome bees to their own property. This is normally a simple and safe exercise. Swarming bees tend to be docile and follow the queen into the capture container.

This time, however, the exercise proved to be much more challenging. When the Servers did arrive at the reception, it was with swollen limbs from numerous bee stings. Medication had reduced their discomfort and they were in surprisingly high spirits. The episode inspired an unexpected and spirited introductory question and answer session about their experience.

The exhibit itself included Server’s lovely, muted, filtered photographs, which one attendee described as “calming.” Server concentrates on landscapes within a radius of ten miles of Niwot, with just one photo in this exhibit taken in Destin, Florida.

Server mentioned that for the second time, his photographs will appear in an upcoming national photography exhibit in Louisville. This year, of 900 entries in the Louisville Art Association National Juried Photography Show and Sale, 100 were selected as finalists which will be on display. Two of Server’s photographs are among them.

He added that one of his daughters is also among the finalists. Having inspired her interest in photography, he couldn’t conceal the quiet pride in his smile. The show runs from May 24 to June 2 at the Louisville Center for the Arts at 801 Grant Avenue.

Artist receptions at Inkberry Books are relaxed community events which attract neighbors and friends. The location in a bookstore encourages discussions about reading and book recommendations. Hayworth and Waters have library and music backgrounds and are excellent hosts who make a point of drawing their guests into conversations with one another.

RIP the Dublin-NYC Portal, you were destined for greatness x

RIP the Dublin-NYC Portal, you were destined for greatness x
image

The art installation, which connected Dublin to New York via livestream, has been shut down due to ‘inappropriate behaviour’, from public nudity to 9/11 memes

15May 2024

The concept was genius in its simplicity, and simple in its genius: a two-way live video link would be set up in Dublin and New York, resulting in a “portal” through which residents of each city could watch each other and interact in real-time. It would be a work of participatory art, in the form of two 3.5-tonne screens, and maybe – just maybe – it would bring people together across continents, fostering deep interpersonal connections, sparking collective joy, and causing empathy to flourish on an international scale. What could possibly go wrong?

Quite a lot, it turns out. Introduced on May 8, the Portal lasted all of a week before it was tragically – and, let’s face it, inevitably – shut down due to “inappropriate behaviour”. You might already have seen some of this behaviour on your social feeds, like the OnlyFans model that flashed her boobs at a bunch of innocent Dubliners (“I thought the people of Dublin deserved to see my two New York homegrown potatoes,” she later told TMZ).

There’s been plenty of unruly behaviour on the Irish side too, including mooning, throwing eggs, and one “very drunk” woman slapping and grinding against the Portal before she was escorted away by Irish police. Another clip shows visitors on the Irish side holding up a phone screen that reads “RIP POP SMOKE” – cue: love hearts from the NYC side – before quickly replacing it with images of the burning Twin Towers.

“The team behind the Portal art sculpture […] has been investigating possible technical solutions to inappropriate behaviour by a small minority of people in front of the portal,” reads a statement from Dublin City Council, after it was shut down at 10pm on Tuesday (May 14). “Unfortunately the preferred solution, which would have involved blurring, was not satisfactory.”

Designed by the Lithuanian artist Benediktas Gylys, the Portal is installed at the intersection of Broadway, Fifth Avenue and 23rd Street in NYC, and on the corner of North Earl Street and O’Connell Street in Dublin. Despite the controversy, it’s expected to return after a few software updates intended to curb the display of all humanity’s worst impulses.

“We are delighted by how many people have been enjoying the Portal since it was launched last week,” continues the statement form Dublin City Council. “It has become a global phenomenon, and it is important to note that the overwhelming majority of people interacting with the Dublin Portal have behaved appropriately.” 

Unfortunately, cute videos of people blowing kisses through the portal or writing sweet notes to each other are not what the Portal will be remembered for. That would be the nudity and the 9/11 memes. In a way, though, this does highlight something essential about our content-addled brains in 2024. There’s an overwhelming if mysterious desire to shock, and to be shocked. This impulse is amplified via social media, and the sense of simultaneous distance and intimacy brought about by interacting through the interface of our phone screens (or in this case a lifesized portal, but it’s basically doing the same thing).

Will updates to the Portal stop Dubliners and New Yorkers from kicking up new controversies upon its return, and turn it into the “bridge to a united planet” that was originally promised? Probably not, if people’s ability to skirt online guidelines to deliver sex, slurs, and gore to the masses is anything to go by. Still, it will be fun to watch the good people at Portals.org give it a go, and see what disastrous scenes are generated by their respective cities in the meantime.

Google’s “Ask Photos” uses AI to let you ask questions about your photos

Google’s “Ask Photos” uses AI to let you ask questions about your photos

Google’s latest I/O conference was filled with promises of AI advancements. The company introduced new AI models and showcased their integration of Gemini into every Google product or service. One of the upcoming features, “Ask Photos,” will leverage Gemini AI to simplify navigating Google Photos albums.

Remember when Google Photos first used AI to search for faces and places in your pics? Ask Photos takes that concept and cranks it to eleven with Gemini. It lets you ask natural language questions about your photo library, so you no longer have to scroll endlessly for that perfect vacation pic.

YouTube video
[embedded content]

Go to around 5:57 of the video to watch the demo

What can Ask Photos do?

“Often we snap photos to capture memories or save important details, but the information in those photos can get lost in the shuffle,” Google writes in a blog post. Ask Photos will also help you get that information. You can ask it questions about your life, and it will analyze your photos to give you answers. “Gemini’s multimodal capabilities can understand the context and subject of photos to pull out details,” Google writes. “For example, you can ask: ‘What themes have we had for Lena’s birthday parties?’. Ask Photos will understand details, like what decorations are in the background or on the birthday cake, to give you the answer.”

Ask Photos isn’t just about search. If you need help putting together a trip highlight reel, Ask Photos can analyze your photos and suggest the best shots, maybe even write a caption for you. Creativity is questionable if you care about the personal touch and creativity behind your video, though, but that’s a different topic.

How does this really work?

  • Cracking your question: Ask Photos analyzes your questions and figures out the best way to answer them. It goes beyond keywords, understanding concepts like “themed birthday party.”
  • Delivering the answer: Next, it analyzes the search results, figuring out which photos best match your question. Gemini’s ability to understand image content helps here.
  • Learning and safety: Google notes that Ask Photos is still under development, so expect some hiccups. However, they promise that safeguards are in place to ensure responses are safe. It can also learn from your corrections to improve.

What about privacy?

Your photos are personal, and Ask Photos will have to access them all to give you the answers you need. Google acknowledges the personal nature of your photos and assures us that our data is protected.

“Your personal data in Google Photos is never used for ads. And people will not review your conversations and personal data in Ask Photos, except in rare cases to address abuse or harm. We also don’t train any generative AI product outside of Google Photos on this personal data, including other Gemini models and products. As always, all your data in Google Photos is protected with our industry-leading security measures.”

Ask Photos is an experimental program with even more features on the horizon. It should be released soon, but there’s no exact date yet. While it promises a powerful way to interact with your memories, questions about privacy and how this AI tool functions remain. Only time will tell how this shakes out, but for now, get ready to ask your photos anything and see what it can do.

[via Gizmodo]

Photo London 2024: what to see at this year’s photography fair

Photo London 2024: what to see at this year’s photography fair

Somerset House welcomes the return of Photo London as it showcases its 9th edition. Featuring more than 120 exhibitors from across the globe. This year’s fair (running from 16 – 19 May) presents 400 photographers from more than 30 countries, capturing perspectives on the past, present and future of the medium.

With works ranging from personal to political; from documentary to fashion, music and travel the fair yet again captures the inner-workings of human nature from mundane routines to constructed images. With so much to see, we have whittled down the highlights of Photo London 2024, and corresponding exhibits around the city.

Photo London 2024: the highlights


Sid Motion

SMG_DT0036 Dafna Talmor, Untitled (CO-161616161616161616-1) Constructed Landscapes Volume III, 2021, Edition of 5 plus 1 artist's proof, C-type handprint made from 9 collaged negatives, Framed: 22.5 x 25 4cm DAFNA TALMOR Untitled (CO-161616161616161616-1) Constructed Landscapes Volume III, 2021 C-type handprint made from 9 collaged negatives Framed: 22.5 x 25 4cm Edition of 5 plus 1 artist's proof

Dafna Talmor, Untitled. Constructed Landscapes Volume III, 2021, Edition of 5 plus 1 artist’s proof, C-type handprint made from 9 collaged negatives.

(Image credit: Dafna Talmor)

Sid Motion is an independent contemporary gallery in South London celebrating a range of vibrant artists working with mixed medias. Coinciding with Photo London 2024, the gallery is proudly hosting an ‘Open Studio’ with Dafna Talmor on 16 May, focusing on Talmor’s ‘Constructed Landscape’ series and recent publications. The former is a project consisting of two sub-series which include a collection of images initially taken as keepsakes across different locations. The images are staged landscapes carefully tight-roping between the ‘real’ and the imaginary.

sidmotiongallery.co.uk

Lola Paprocka and Pani Paul ‘Bumps’

Lola Paprocka and Pani Paul ‘Bumps’

‘Bumps’ by Lola & Pani. Published by Palm Studios

(Image credit: Lola Paprocka and Pani Paul)

In time with Photo London 2024, Lola Paprocka and Pani Paul ‘Bumps’ is debuting; curated into a book by Alister McKimm with creative direction by Jonny Lu. In the words of Ed Templeton ‘creating visual poetry by pairing the breathtaking beauty of nature on a macro and micro scale and applying the same approach to their exploration of adolescence.’ A tactile and nostalgic series is the result that looks to the promise of what the future holds.

palmstudios.co.uk

Bildnis61_JohnnyMaeHauser-courtesy of Homecoming Gallery

‘Bildnis’ by Johnny Mae Hauser. Courtesy of Homecoming Gallery. Located at Booth E11

(Image credit: Johnny Mae Hauser)

As a gallery and publisher co-curated by an international network of artists and industry experts, Homecoming Gallery sets itself in a unique position. This year they will present a solo exhibition of Johnny Mae Hauser, titled ‘Bildnis’. This will mark her UK debut, after receiving praise on her abstract pieces which focus on the fluidity of human emotion, captured through deep palettes, and painting-like compositions. These are works to view in person for their full expressive effect. Photo London 2024 will see works from Johnny Mae Hauser’s series, as well as her release of new artworks.

homecoming.gallery

Good Works and Rich Stapleton

'Penumbra' by Rich Stapleton. Courtesy of Laird and Good Company

An image from ‘Penumbra’ by Rich Stapleton. Courtesy of Laird and Good Company. Located Booth D03

(Image credit: Rich Stapleton)

Artist agency Laird and Good Company will present their second Good Works collection this year at Photo London 2024. As a philanthropic initiative, it’s a charitable print sale, made possible by twelve photographers, with 100% of profits donated to The Ocean and Us. Charles Laird notes ‘We know our industry asks a lot of the planet and we want to make an impact through our collective creative community. Through Good Works, we aim to bring visual work to life that serves a greater purpose and gives back to our environment.’ Running parallel to this, photographer Rich Stapleton will be signing his latest book ‘Penumbra’; a collection of black and white photographs spanning more than six years and across a variety of locations, from Patagonia to Bhutan, Los Angeles to Bath.

lairdandgoodcompany.com

Belmond

ROSIE MARKS_Belmond Photo London

Rosie Marks for Belmond

(Image credit: Rosie Marks)

For a consecutive year Belmond is a presenting partner for Photo London 2024, with this year’s partnership focused on contemporary travel photography. The Belmond Photographic Residency- a jury-led award supporting emerging talent- will also be announced, alongside the launch of a series of limited art books, and an associated exhibition featuring photographers Coco Capitán, Rosie Marks and Letizia Le Fur, who consider the perspectives of travel and culture- breaking the boundaries of traditional documentation techniques.

belmond.com

Moka pot by Lisa Jahovic. Courtesy of Flowers Gallery

‘The Third Drawer’ by Lisa Jahovic. Courtesy of Flowers Gallery. Located at Booth G26

(Image credit: Lisa Jahovic)

Coinciding with Photo London 2024, Flowers Gallery presents multidisciplinary photographer and filmmaker Lisa Jahovic’s first solo show, titled ‘The Third Drawer’. Performative dimensions are explored through analog experiments, as everyday objects take on a kinetic artistry. Jahovic explains ‘I wanted to look at everyday objects which are immobilised, and think how they could reach for something, how they could extend themselves into the world, how they could move, how they could breathe. Observing and re-forming the found objects until an alluring motion forms or an unexpected interaction unfolds. To transcend their static nature and uncover hidden narratives.’

flowersgallery.com

Deutsche Börse Photography Foundation Prize

Black and white photo of a woman with a cigarette in her mouth holding a ‘VALIE EXPORT’ cigarette pack

Valie Export- SMART EXPORT Self-Portrait, 1970. Courtesy of Valie Export, Bildrecht Wien, 2024, Photo: Gertraud Wolfschwenger

(Image credit: Valie Export)

At the Photographers’ Gallery in London, the 2024 edition of the globally renowned Deutsche Börse Photography Foundation Prize is on exhibition until 2 June. It highlights the works of the shortlisted candidates; Valie Export, Gauri Gill & Rajesh Vangad, Lebohang Kganye and Hrair Sarkissian, who all engage with urgent global issues from remnant of war and conflict, to experiences of diasporic communities and decolonisation. This prize brings together arsitis captivity to reveal what can be perceived as invisible or forgotten, and brings the viewer to the forefront of these concerns.

thephotographersgallery.org

Messums

Yuan-A Red Hand Drawn Circle (A4 print)

‘Three Easier Pieces’ by Yan Wang Preston. Yuan-A Red Hand Drawn Circle. Located at 28 Cork Street London

(Image credit: Yan Wang Preston)

Specialising in celebrating the work of a select group of leading contemporary photographers, Messums is a supportive emerging artist platform. At Photo London they present a curated selection of photography including works from Jeffrey Milstein, Jean-Vincent Simonet, Polly Penrose, Atong Atem. Yan Wang Preston also sees her second solo exhibition in London which explores the complexities of cultural migration which focuses on restaging iconic artworks in different cultural contexts.

messums.org

Vivek Vadoliya

Vivek Vadoliya Mahasagar

Vivek Vadoliya’s zine ‘Mahasagar’

(Image credit: Vivek Vadoliya)

Delve into the world of the ocean with photographer and director Vivek Vadoliya. The 32-page zine titled ‘Mahasagara’ was inspired by a frightening near-drowing experience in Madagascar. The photographs capture the ever changing nature of the ocean- starting with calm, crystal clear waters turned into choppy,swirling dark blues. Giving into the strong rip-current Vadoliya surrendered himself to the ocean, saying ‘In a dance of exhales and inhales, something shifted. I slowed down and let go and rode the wave. It was like tapping into some universal rhythm that’s been there all along. Each beat felt like a reminder that we’re all part of something bigger, something timeless.’

vivekvadoliya.com

Chose Commune

Choose Commune

(Image credit: Courtesy of Choose Commune)

Chose Commune, a French publishing house based in Marseille and directed by Cécile Poimboeuf-Koizumi, celebrates 10 years of publishing. From 16-18 May Chose Commune partnered with Webber Gallery, to bring in the decade with a series of limited and special edition books, classics, signed books and prints, and rarities from the archive. An original installation of works by Vasantha Yogananthan, Julie Cockburn, and Johanna Tagada Hoffbeck will also be on display, which was originally shown at Maison Européenne de la Photographie (MEP) in Paris, and will also be shown at Gallery 939 during Frieze LA.

webberrepresents.com

chosecommune.com

Photo London runs from 16 – 19 May at Somerset House

Photolondon.org

Museum of Australian Photography Auction

Museum of Australian Photography Auction

With so many private and even public photography galleries becoming defunct due to insane property prices and absurd ‘cost of living’ crisis, it’s important to support our remaining photo galleries to ensure we have a vibrant photography community and places to see incredible images.

The MAPh X Artist Photography Auction is taking place on 6 June 2024, and the proceeds are split evenly between the Museum and the artist. 

This year they have a stunning and unique selection of photographic works by leading contemporary Australian artists including Murray Fredericks, Anne Zahalka, Petrina Hicks, The Huxleys, Tamara Dean and so many more.

It’s important to note that the auction isn’t actually at The Museum of Australian Photography, but at the James Makin Gallery which his at 89 Islington St Collingwood VIC 3066.

The event opens at 6pm with the auction starting at 7pm.

You can book here for tickets.

Or you can click here to see the 2024 auction catalog. 

For any other enquiries, you can contact.
Lara Goode, Development and Sponsorship Coordinator
lara.goode@monash.vic.gov.au 

These photos capture the feeling of wanting to escape

These photos capture the feeling of wanting to escape

‘You’re running from what you’re feeling… you want a window into something else’: we speak to Charlie Tallott as his debut monograph, At Least Until the World Stops Going Round, launches at Photo London

15May 2024

Trigger warning: This article contains references to suicide.

The images in Charlie Tallott’s new photo book, At Least Until the World Stops Going Round, are vivid, unflinchingly intimate, and animated with a sense of energy that’s suggestive of the living world beyond the edges of the frame. Flicking through the debut monograph, the viewer can almost feel the crimson scratches on a boy’s bare back, or the textured strands of wet hair, or the raindrops illuminated by Tallott’s flash. His subjects wear bruises and casts, ripped jeans or nothing at all. The word the Leeds-born, London-based photographer uses for the feeling behind the work? “Agitation.”

This is fitting, given the backstory behind the bulk of the book’s images. “It came from a pretty dark time, a few years back,” says Tallott. “I sort of figured out what I wanted to say while I was under the care of the NHS crisis team, after a suicide attempt. I was getting looked after in a kind of ward, and I was only able to leave for about an hour a day, but I had my camera. That hour, I would go out and hunt something down that I really wanted to see, to look at, to feel something.”

These walks – guided by the images that Tallott wanted to witness and capture with his camera – became a form of “escapism,” he explains. “I was looking for beauty, or something a bit utopian, to look into a different world.” The result of this search was a set of “blissful, utopian, high-saturation” images that stood in stark contrast to the darkness he was experiencing at the same time. “You’re almost running from what you’re feeling,” he adds, of the escapist impulse that drives the series. “You want a window into something else.”

Now 24, Tallott first picked up a camera in his late teens, drawn to point-and-shoots as a way to capture the punk shows he went to at the time, and to quickly get the pictures out to his friends. After that, he started taking the camera to his nan’s house, his grandad’s snooker club, and the factories where his dad worked as a welder. For stylistic inspiration, he looked toward the black-and-white photography of the Provoke era in post-war Japan, as well as more contemporary work by the likes of Albert Elm, Chris Shaw, and Ryan McGinley.

“I don’t know why I gravitated toward all that stuff,” he says, of the factories and family homes that feature in his earlier work. “I think I was trying to tell the stories of [all these] different people.” Some of these are featured in the photo book alongside the “escapist” images he produced under NHS care, and, though the subject matter is very different, the energy – mixed with vulnerability – forms a striking through-line.

Take a look at some of the highlights from At Least Until the World Stops Going Round in the gallery above, and read more about the book in our conversation with Charlie Tallott below.

Where did the title, At Least Until the World Stops Going Round, come from?

Charlie Tallott: The title itself… first and foremost, it’s a line from a Leeds United song. That’s where I first heard it and caught onto it. But it was basically what my mum was saying to me a lot of the time, throughout that period. She used to say, like, ‘The sun’s always gonna come up tomorrow,’ or, ‘The world keeps turning,’ reminding me of life’s temporality, that the whole thing is just temporary. It puts the pressure off you. 

That kind of language, I was writing [it] down a lot, and that’s where you see the script in the book. That’s all from my mum, basically, saying that type of stuff to me, and me writing it down, taking it in, while I was in that period where I was getting looked after. Sometimes you just need reminding… especially in that type of period in your life. It’s basically someone putting their arm around you and going, ‘Don’t fucking worry about it.’

Where does photography fit into that period for you? Did your relationship with photography change over that time?

Charlie Tallott: I think it [changed] massively to be honest. In that period when I was only allowed out for an hour, my whole day was building up to this hour where [I’ve] got my camera, and I need to just go and feel something, and I’m gonna go and get it. And then after that, I had unlimited time with [the camera]. Right now… I don’t think, since making the book, I haven’t shot a photo in about three months, which is really odd for me. 

I’m almost sick of my work at the moment, because I’m flicking through it so much and looking over it. and there’s been a lot of editing down and killing your darlings, and being like: ‘No, get rid of that. It’s a nice photo, but it’s not saying what I want to say.’ I’m so engrossed in [the book] and obviously some of it is from quite a difficult time. It’s heavy to look at every day. It’s good, though. It’s a therapeutic thing to go through, but it’s definitely taxing.

How does it feel, now, to have this physical document – the book – that tells the story of that time?

Charlie Tallott: It’s good. It’s like a gentle reminder. I think you can slip back into those types of feelings, or a similar situation, but like the title itself… it’s like, the world’s just gonna keep turning, things are gonna come and pass, and the tide goes in and out. It’s all temporary. I think that’s the main thing I learned, and it’s quite nice to have a permanent documentation of these temporary things – a once-in-a-lifetime image, or things that you don’t feel very often.

You mentioned editing and killing your darlings if they didn’t serve the book. Why did you keep what you kept?

Charlie Tallott: It’s a difficult one. The subject matter is so varied. It’s like, ‘Why would you keep a swan, next to someone’s scratched back?’ But I think it’s just what you gravitate towards. It’s a visceral feeling almost. You look at it and you know, instantly, if it fits the body of work. I think a lot of them have that same kind of cloud over them. You can almost see my discontent, call it what you want, depression or whatever. You can almost feel that kind of agitation in the images, there’s a texture to them and a mood to them, this kind of escapist want.

There’s an energy in a lot of the photos. They feel like a freeze frame, or like there’s a lot going on outside the frame.

Charlie Tallott: Yeah. They’re quite busy. It feels quite like [a] snapshot ,and you’re in a whirlwind almost. They’re quite visceral, and there’s a lot of agitation and texture and angst to them, I guess.

Why do you think photography is such a good vessel for escapism?

Charlie Tallott: The escapist thing, it’s there if you want it. Like, you can go and grab this feeling, this emotion, and capture it. It’s there, and if you’re not feeling it, someone else is. Especially when you’re in a low point in life… for me, I started making my most euphoric work in that time, because you’re almost running from what you’re feeling, you want a window into something else. 

You’re just desperate to put something through your lens, and then look at it and have a permanent thing that you can hold and look at, that will take you away from where you are. Photography is quite a powerful tool in that sense. You can make tiny little windows, glimpses into other people’s worlds, other people’s feelings, your feelings. It can be pasted onto other people’s lives quite easily as well.

Is it also about cutting out what’s outside the frame?

Charlie Tallott: Yeah, and I think that’s also a big part of [it] once you’ve got the body of work. You need to cut down further, and trim, and then sequence [the images]. You’re cutting off the fat, you’re going full pelt, no filler. You need to be harsh with what you want to say, and, yeah, kill your darlings. Stop having this affection or affinity over certain images, if they’re not saying what you want to say. If they don’t work in the book, then you have to cut them no matter what, even if they’re a special image or whatever. You’re brutally cutting them out in the name of threading that needle of narrative.

At Least Until the World Stops Going Round is published by New Dimension and will launch at Photo London 2024.

If you’ve been affected by any of the issues discussed in this article, you can contact Samaritans by phone or email here

Professional Photographers Reveal The Best Disposable Cameras

Professional Photographers Reveal The Best Disposable Cameras

Kodak FunSaver, Ilford black and white camera and Fujifilm QuickSnap

The best way to party like it’s 1999? Capture your memories on a disposable camera. Whether you’re planning a big event and want your guests to capture candids of each other, going on vacation and don’t want to take an expensive camera or just like the retro feeling and screenless ease of a one-and-done photo, we asked some of our favorite professional photographers for their suggestions on disposables.

If you live for an iPhone photo and are skeptical of going back to film, Kristen Gregor, photographer and founder of Petal & Glass Photography says there are some serious perks to using disposables. Camera-shy people don’t seem to mind them as much, you get off your phone and instead of worrying about getting the perfect shot, you just get to enjoy the photos.

“It’s the best feeling in the world to get your scans back and see your memories played back in such a honest, authentic, candid way. Film is perfect for that,” Gregor told HuffPost.

Sentimentality and nostalgia are the big reasons to use film, per Haley Richter, photographer and owner of Haley Richter Photography, as film can capture modern moments in a way that looks similar to photos from your parents or grandparents. It’s this unmistakable aesthetic: the colors, the grains, the blurs and spots that can only happen with a film camera. “The quality of film is nearly impossible to replicate with digital,” she said.

The final pro of disposable cameras is how user-friendly and un-precious they are, says Josiah Blizzard, professional photographer and owner of Josiah & Steph photography. “The barrier to entry is non-existent, anyone can use one!” Blizzard told HuffPost. “Hand a disposable to your uncle, grandfather or six-year-old and they can have fun capturing memories.”

To help you start collecting memories of your own, the photographers share their top disposable cameras.

HuffPost and its publishing partners may receive a share from purchases made via links on this page. Every item is independently selected by the HuffPost Shopping team. Prices and availability are subject to change. The experts consulted for this story do not necessarily endorse the products ahead unless otherwise noted.

1
Amazon
A Kodak Fun Saver
Photographers Kristen Gregor, Haley Richter and Jason Moody say you can’t go wrong with the classic Kodak. It offers 27 pictures on 35 millimeter film, a built-in manual flash and accurate skin tone reproduction for photos of friends and family.

Moody explains that a disposable camera like this Kodak is highly portable, doesn’t demand chords or chargers and can easily be passed around a party or event to get photos from different people’s viewpoints.

“My number one suggestion though is to always use the flash on a disposable camera,” Moody told HuffPost. “The film in these cameras needs a ton of light, so unless you are photographing a subject in direct sunlight, the flash will be needed to properly expose the film.”

Gregor agrees, noting to “Use that flash!!” as the camera’s apertures (where the light gets through) are tiny. “Film loves light and color so keep that in mind for best results,” she said.

2
Amazon
A Fujifilm QuickSnap
Josiah & Steph Photography, Gregor, Richter and Moody all also suggest Fujifilm’s QuickSnap. “Those brands [Kodak and Fujifilm] have been around for decades and the film stocks are wonderful,” Richter said.

This option also gives you 27 exposures, with a built-in manual 10-foot flash, meaning the flash will capture things within 10 feet. It’s also a 35-millimeter camera that you can use indoors or outdoors.

3
Amazon
Or, the waterproof version
An editor’s choice — this waterproof disposable camera is guaranteed for fun memories at the lake, pool, beach, waterpark, ski mountain and other wet zones. It allows little ones and adults alike to still capture memories without being worried about drowning their phones in water or snow.

Like its dry counterpart, this camera option also gives you 27 exposures, yet this one operates up to 35 feet underwater and has a bigger shutter release so it’s extra easy to use in the elements.

Without getting too technical, the film in this camera has a more powerful light sensitivity, so it doesn’t have a flash option but still allows plenty of light in, making it suitable for outdoor exposures.

4
Amazon
A black and white Ilford camera
While the name may be unfamiliar to you, Moody says that Ilford cameras are part of the “main three” along with Kodak and Fujifilm. If you’re looking for black and white photos, this camera gives you 27 exposures, creating high contrast and fine grain black and white pics. It has a built-in flash, large viewfinder and solid plastic housing, making it a little more kid-friendly.
5
Amazon
A Kodak Ektar H35 reusable film camera
If you’d like the ease of a disposable camera without the waste, know that there are affordable refillable film cameras out there.

“My go-to is the Kodak Ektar H35 and H35n,” Blizzard said. “This camera gives you double the photos by cutting each frame in half meaning you get more bang for your buck. I have two of these and get 72 shots out of a roll of 35mm film.”

About as simple as a disposable, this camera has a manual built-in flash and operates by pushing the top button to take a photo and rolling the film to get to the next shot. It can use any type of 35-millimeter film, so you can play around with brands and colors like black and white or sepia. You’re gonna need a single AAA battery and some film to get started.