‘After months of social distancing, my whole family came together’: Matteo Fagiolino’s best phone picture

‘After months of social distancing, my whole family came together’: Matteo Fagiolino’s best phone picture
image

As a portraitist and wedding photographer, Matteo Fagiolino likes to reflect his subjects’ personalities in his work. This photograph was taken after the first Covid lockdown ended, at the beach at Torre Pedrera, a town on the Rimini riviera in Italy.

“It was a summer afternoon after months of social distancing,” he says. “It had been so long since my whole family had spent the day together, it was a breath of fresh air for everyone.”

Fagiolino’s brother came, along with his two children – Andrea, in the foreground of this image, and Alice. “He is a very calm boy, she is a very determined girl, and I can see precisely these aspects of their character by looking at this image, especially in their eyes.”

While the children were playing in the sea at dusk, “the sun began to set and warm their faces, and I noticed their expressions reflected in the water,” Fagiolino says. “I thought it might be nice to have a memory of that day spent together, so I got out of the water and ran to get my iPhone before the light got too dim.”

Four years later, Fagiolino says the image reminds him of why he loves photography so much. “Every time we see a photograph, we strengthen the memory of that moment in our mind. I hope that people looking at this photo feel the same tranquillity I felt that afternoon. It was a moment of peace in a difficult time.”

2024 MCBHS | Stories Told in Three Dimensions

2024 MCBHS | Stories Told in Three Dimensions
Tony “T.R.” Chytka began crafting sculptures for rodeo awards, and awarded his first trophy sculpture in 1979.   “I’m getting a little better at it. After 40 years, you kind of figure things out,” he says.  …

“Digital photography is a science and film photography is a chemical miracle” says Steven Spielberg

“Digital photography is a science and film photography is a chemical miracle” says Steven Spielberg

Steven Spielberg has given the best answer I’ve ever heard about the difference between digital and film: “digital photography is a science and and film photography is a chemical miracle.”

He said that during the press junket for the 2017 movie, The Post, starring Tom Hanks and Meryl Streep. The interview has recently resurfaced on social media, and his words really hit home even more today – particularly with the explosion in film cameras and film photography we’ve seen over the past few years. 

I was recently chatting to Josh Edgoose about the pros and cons of shooting on film, and we both agreed that film is pretty much just a pain in the ass these days. (Okay, that was more my sentiment; Josh’s was, more specifically, that it just doesn’t make economical sense for him to shoot on film in 2024, given how many photos he takes.)

Still, we agreed that there was an undeniable quality to film photography. Leave it to Spielberg, though, to articulate the point better than either of us could. When interviewer Kevin McCarthy asked him why he continues to shoot on film: 

“Well, you know, digital photography is a science and and film photography is a chemical miracle. And when I say chemical miracle, it is – you never quite know what you’re gonna get after the film takes a bath, and exposes the positive from the negative. And when you get to see the print, based on your negative, there’s a lot of things that surprises me. 

“And it always looks different, always looks real. There’s grain, number one, and the grain is always moving, it’s swimming. Which means that even in a still life, of let’s say a flower on a table, that flower is alive even though it’s not moving – because the film itself, the image is alive. And that’s the difference.” 

At this point, McCarthy said, “That’s so cool!” and Spielberg replied, “It is cool.”

Yeah, it’s cool. A pain in the ass, but cool. And now I want to throw a roll of Tri-X in my Canon AE-1 and go take pictures… Check out the full interview below.

If you likewise feel inspired to go shooting on film, make sure you’re using the best 35mm film you can get. But if you just want to look like you’re shooting on film, you might be interested in the best retro cameras for the classic style with modern substance.

Artist of the Week: Jennifer Carr

Artist of the Week: Jennifer Carr

Jennifer Carr is a landscape, nature and travel photographer and photography educator in Washington.

Seattle Refined: How long have you been creating? What mediums do you work with?
Jennifer Carr: In high school, I took a semester-long photography class that taught us to develop film. My camera was an automatic, so I doubt that I learned much in the way of photography technique, but I loved the opportunity to see my images appear in the developing tray.

My interest in photography grew after we purchased our first home and wanted to fill the walls with beautiful imagery. I bought a few books and began studying the art of photography, practicing on the local landscape and landmarks. After a few years, I had more than enough photos to fill the walls of my home and exhibited at my first arts and crafts festival. I spent many years selling my work at local shows, along the way adding in-person photography lessons. I caught the travel bug and began filling my passport with stamps, expanding from a regional landscape photographer into a full-time travel photographer. A few years ago, I introduced The Saltwater Retreat, an immersive photography retreat designed to inspire and connect like-minded women with a passion for photography. When our cross-country move to Seattle separated me from my local mentoring clients, I began offering online private and small group mentoring, getting a jump start on virtual meetups. I love getting to know aspiring photographers in the Seattle area through in-person photography lessons, and I continue to host the Saltwater Retreat three times a year on the East Coast. I am hoping to add a West Coast location in 2025.

Can you tell us about your artistic process and how the different stages work into it?
I would describe myself as a mindful photographer. I prefer to slow down and fully experience a scene before I begin photographing it. I teach my students to use their five senses when they are creating photographs to help express what they are experiencing in that moment. This better helps us depict our feelings in the image.

My images are minimally edited single-frame images. I prefer to spend my time in nature, not sitting at a desk on the computer.

Tell us about where your inspiration for your art comes from.
What I love most about photography is an image’s ability to take a viewer with you on a journey and to make them feel like part of the story. I love photographing the way that I experience the world and sharing it with others who might not be able to visit the locations that I have been lucky enough to see. My love of the outdoors has strongly influenced my photography. I feel the most inspired when I am outside, letting the calm and quiet surround me as I connect with my surroundings. Through photography, I have found a way to express how I feel when I am immersed in nature.

Do you have a specific “beat” or genre you like best – nature, food, profiles, etc.?
Nature is my happy place. Whether it’s sunrise over the Atlantic in my hometown or the night sky hanging over Mount Baker, photographing nature brings me peace and joy.

Do you have one piece of art that means more to you or is extremely special to you?
“Dawn Patrol Surfer” is a favorite of mine because it was the first photograph that I fully visualized before taking the picture. My husband and I were walking to a surf spot in Costa Rica, and I pictured him standing on the shoreline with the silhouette of the board, sunlight streaming towards him as the waves broke in the sea. This is a piece that holds personal meaning both in my growth as a photographer but also in the memory it evokes.

What experiences in your life have affected your art the most?
I recently came upon an old photograph in a shoebox at my parents. The photo is the sun setting over the Chowan River in North Carolina, where my grandparents had a river home. As a child, I spent weekends playing in the river waters, digging for arrowheads and broken pottery on the shoreline, and learning to appreciate nature. I framed that photograph and put it on my desk because it evokes a specific sense of belonging — like all those childhood moments led me to where I am today. I was raised a girly girl in frilly dresses, lace socks and Shirley Temple curls. And while I still prefer a cute outfit, you’re more likely to find me covered in dirt on a trail than in heels.

If we want to see more of your work, where should we go to find it?
The best place to view my work and learn about my offerings is my website. I also regularly share on social media on Instagram.

What is next for you? Anything you’re working on right now that you’re really excited about?
This summer, I’m super excited to be holding an exhibition at my favorite Seattle winery, Tinte Cellars. My work will be on display from late June to late August and I will be partnering with the winery to offer a photography workshop to their members and the general public.

I’m also in the planning phases to bring The Saltwater Retreat to the West Coast in 2025. If you’d like to attend, shoot me an email at jcarr@jennifercarrphotography.com to get on the waitlist!

Lastly, how do you take your coffee? (We ask everyone!)
Blonde with a sprinkle of sugar! Since moving to Seattle, I’ve discovered that I’m a true fan of the dark roasts, and I’m always looking for new roasteries to try!

About ‘Artist of the Week’: This city is packed with artists we love to feature weekly on Seattle Refined! If you have a local artist in mind that you would like to see featured, let us know at hello@seattlerefined.com. And if you’re wondering just what constitutes art, that’s the beauty of it; it’s up to you! See all of our past Artists of the Week in our dedicated section.

National Museum: South Wales valleys photography exhibition begins

National Museum: South Wales valleys photography exhibition begins

5 hours ago

By Rosie Mercer, BBC News

imageDan Wood Dan's daughter Megan, aged four at the time, is photographed overlooking the Bwlch mountainDan Wood

Dan Wood has fond childhood memories of visiting the Rhondda valley in south Wales with his mum.

“Every Saturday my mother would throw me in the car and we’d go up over the Bwlch mountain and visit about six different people’s houses – aunties, nieces,” he said.

“I’d be sitting in the car staring out at the landscape with all these questions about the place… it just felt like another world.”

It was these early memories which drew Dan back to the Rhondda as a photographer many years later, with his two young children in tow.

imageDan Wood Burnt-out bin over the Bwlch mountainDan Wood

“My parents are from the Rhondda so there was this connection,” said Dan, 49, from Bridgend.

“I spent two-and-a-half years up there documenting the landscape and the people… I was up there every other day.”

Dan’s work now forms part of a special exhibition at the National Museum Cardiff, exploring how the valleys were transformed by the explosion of industry and its subsequent decline.

More than 200 pieces of art are on display – including paintings, photography, film and applied art.

imageBruce Davidson Welsh Miners, 1965Bruce Davidson

The exhibition begins pre-industry, when the south Wales valleys were sparsely populated.

During the industrial revolution of 1760-1840, the large scale exploitation of iron and coal began to transform the landscape.

imageThomas Hornor Rolling MillsThomas Hornor

As industry boomed, previously rural areas became thriving communities.

The Rhondda’s population grew from 900 in 1830 to more than 100,000 by 1900.

imageEsther Grainger Portrait of a miner's wifeEsther Grainger
imageGeorge Poole Welsh Miners Morning ShiftGeorge Poole
imageErnest Zobole People and Ystrad RhonddaErnest Zobole

When a programme of coal mining closures came in the 1980s and 1990s, thousands of Welsh miners lost their jobs.

The exhibition’s curator, Dr Bronwwen Colquhoun, said the valleys communities she worked with were keen to make the exhibition about more than the area’s industrial past.

“We wanted the exhibition to be really positive about the valleys, the area and the landscape,” said Dr Colquhoun.

imageMegan Winstone A photograph of a woman in a fish and chip shop in AbercynonMegan Winstone

“We spoke with the communities who we were working with to ask them what they would want to see and how they would want to be represented.

“They didn’t want that nostalgic take on the valleys… they wanted to look at the broader, more diverse landscape.

“We’ve tried to curate the show in a way where you take more from it than just the history of industry in the area.”

The Valleys exhibition is free to enter and is on show at the National Museum Cardiff until 3 November, 2024.

Bude beach snap recognised by prestigious photography competition

Bude beach snap recognised by prestigious photography competition

16 minutes ago

imageThe Big Ladder Photographer Bude Christmas Day SwimThe Big Ladder Photographer

A photo of a Christmas swim in Cornwall has reached the final of National Geographic’s annual photographic competition.

Photographer Chris Gorman took the picture of Bude’s Christmas Day dip on his drone.

The image, which shows hundreds of revellers taking to the sea, was runner-up in the ‘People’ category for National Geographic Traveller Magazine’s competition.

Mr Gorman described getting in the publication as a “bucket list” moment.

‘Really humbling’

He said he had been visiting friends in Newquay over the Christmas period and was “always on the lookout for new things to shoot”.

The photographer decided to make the commute to from Newquay to Bude after researching previous festive swims at the beach.

He said: “In the five minutes before, when it became obvious how big the crowd was, the adrenaline started going for me because I thought this could be an amazing picture.”

Mr Gorman said finding out the image had been selected amongst other talented photographers was a “really humbling” experience.

‘So glad’

“I will admit that I’ve been published almost everywhere you can think of, but never National Geographic,” he said.

“You do get a little bit conditioned when you have pictures everywhere, but National Geographic is pretty special, to be chosen amongst some of the photographers there is a really humbling thing.

“I love going to slightly unusual locations. It might not seem unusual to people in Cornwall but let’s face it we live in a London-centric world and Bude I’m sure doesn’t get as much publicity as maybe it should.

“I’m so glad that I shot the picture, I have to admit it was one of the best things I’ve ever done on Christmas Day really.”

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Looking for a Hand Grip Camera Strap? Here Are Our Top Picks

Looking for a Hand Grip Camera Strap? Here Are Our Top Picks
hand grip camera strap

A hand grip camera strap offers a host of advantages that cater to photographers serious about getting the shot. In the fast-paced realms of action

, outdoor, and street photography, timing is everything. Whether you’re a sports photographer, immersing yourself in the beauty of nature, or capturing the raw essence of urban life, a hand grip camera strap will enhance your ability to time the perfect shot as it’s a game-changing accessory that empowers photographers to react instantly and capture fleeting moments with unparalleled speed and precision. Unlike traditional camera straps, hand grip straps provide quick and seamless access to your camera, allowing you to effortlessly transition from observation to action. Let’s delve into why these straps are indispensable for photographers when every second matters and break down our top picks for the hand grip camera strap.

Benefits of the hand grip camera strap:

  1. Comfort and Ergonomics: Engineered to evenly distribute the weight of your camera across your hand, these straps alleviate strain on your wrist and shoulder, facilitating extended shooting sessions with ease.
  2. Security and Peace of Mind: With a hand grip camera strap, your camera remains securely affixed to your hand, mitigating the risk of accidental drops or potential theft, particularly in bustling or precarious shooting environments.
  3. Expedited Access: Unlike conventional neck straps that necessitate raising the camera to eye level, hand grip camera straps ensure rapid access to your equipment, enabling spontaneous shots without delay.

Here are our top 4 picks for a hand grip camera strap:

Peak Design Clutch Hand Strap

Peak Design Clutch Hand Strap ($65.88): Revered for its cutting-edge design and premium craftsmanship, the Peak Design Clutch Hand Strap prioritizes both comfort and security. Its customizable strap and swift-release mechanism afford tailored fitting and expedient camera access. Peak also makes a miro clutch, specifically for mirrorless cameras.

Joby UltraFit Hand Strap

Joby UltraFit Hand Strap with UltraPlate ($49.95): Engineered for optimal comfort, versatility, and strength, the Joby UltraFit Hand Strap boasts a breathable construction and ergonomic grip. Its universal attachment system ensures seamless compatibility across various camera models, catering to photographers’ diverse needs.

BlackRapid Hand Strap ($34.95): The adjustable nylon BlackRapid Hand Strap offers steadfast stability and support during extended shooting endeavors. Its robust design and firm grip instill confidence, particularly in demanding shooting scenarios. See it in action on YouTube.

OP/TECH USA SLR Wrist Strap

OP/TECH USA SLR Wrist Strap ($13.99): Compact yet reliable, the OP/TECH USA SLR Wrist Strap delivers dependable support without compromising on portability. Its swift-connect system facilitates effortless attachment and detachment, ideal for photographers on the move. This sturdy neoprene strap comes in various colors.

Investing in a hand grip camera strap is a prudent choice for photographers seeking to optimize their shooting experience. By combining comfort, security, and convenience, these straps empower you to focus on capturing the perfect shot at the perfect moment, whether you’re on the football field or on the streets of Cuba.

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Birmingham photographers highlight green spaces

Birmingham photographers highlight green spaces

A photography project in Birmingham has put a focus on green spaces and boosting people’s mental health.

The images gathered have gone on display at a gallery in the city.

Green Spaces, by Birmingham photographer Jaskirt Dhaliwal-Boora, saw residents from the Erdington area of the city explore their own connections with parks, gardens and urban green areas.

The exhibition includes new portraits by her of Alan, Jack, Jane, Hannah, Mary, Kayleigh and Melvyn, alongside their personal stories and own photographs, taken on disposable cameras during their own explorations.

“Green Spaces is a celebration of what it means for these seven individuals to be from or discover Erdington anew, and how we can immerse ourselves in nature, to uplift and hold us, to piece us back together,” said Ms Dhaliwal-Boora.

“Nature has a way to heal and calm the mind, the camera can be used as a tool to observe and treasure what’s around us.”

The exhibition at Ikon Gallery runs from June 12-23.

Tour the world with photographer Patrick

Tour the world with photographer Patrick

CELEBRATING THE ARTS

Join the Artists of Carriage House Gallery from 4-7 p.m. Saturday and experience the evolution of photographer Darryl Patrick as he tells of his growth into better equipment and an expanded view of the world around us.

Enjoy wine, light bites and the opportunity of stimulating conversation during the gallery’s “Kick Off To Summer” event, open and free to the public at 110 Rosewood Ave. in Boerne.

‘I try to capture rawness and beauty at the same time’: Gabriel Moses on his career

‘I try to capture rawness and beauty at the same time’: Gabriel Moses on his career

In his shooting-star career, 25-year-old photographer Gabriel Moses has worked with some towering female talents, rapper Little Simz, singer-songwriter and producer Tems, and fashion designer and singer Mowalola Ogunlesi among them. The south Londoner has also shot football legend Zinedine Zidane, multi-hyphenate Pharrell Williams, and rapper Central Cee, while directing a music video (FE!N) for Travis Scott – none of whom come up short in the creativity department. But, for Moses, it’s the women who stand tall.

Gabriel Moses on his new book Regina

Photo of woman in bath with heavyweight champion belt over side

In bath with a wrestling belt, 2024

(Image credit: © Gabriel Moses_Prestel)

Cue the title and the framing of the Anglo-Nigerian’s first photography book. ‘There’s a word throughout my career that I scream at every opportunity, and it’s “Regina”!’ Moses writes in the foreword to the monograph, a collection of his rich, colour-saturated work for magazines, fashion houses and brands. Regina – queen in Latin, as any fule kno – is his tribute to the figures and forces who have shaped him. Moses grew up ‘around lots of women who appreciated beauty. That’s a massive part of what I celebrate [in my work]. So for me it feels very important to pay homage to them.’

‘My mum was a flower arranger, so I have an appreciation of colour’

Gabriel Moses

Photo of woman in conical bra, smoking cigarette by G Moses

Woman in conical bra, 2024

(Image credit: ©Gabriel Moses_Prestel)

He continues, ‘Some of my first experiences of seeing images when I was a kid were pictures of my grandparents and my mum. There were so many elements that I loved: in aged [family] photos, the colours change a certain way. [The people are] sweating [because] they’re in Nigeria. In the black and white images, the skin [tones] looked different. And my mum used to be a flower arranger, so I have an appreciation of colour.’ Accordingly, when he began taking photographs in his late teens, the self-taught Moses ‘was trying to create something that has a rawness but a beauty to it at the same time’.

Photography duet by Gabriel Moses

A diptych, 2021, 2024

(Image credit: © Gabriel Moses_Prestel)

Fellow photographer Nick Knight is a key influence

Another key influence: Nick Knight, whose work echoes through Moses’ lush, evocative, style. Paying it back and paying it forward, Regina includes an in-conversation between the two Londoners – a generation and 40 years apart but a spirit together. ‘I would have come across Nick pretty late,’ muses Moses of his early encounters with Knight’s work. ‘But I connected with him straight off. We’re very much opposites. At the same time, there are so many similarities in how we carry ourselves. He’s a very humble guy [despite] having shot everything there is to do in the world.’

Black Ballet dancers by Gabriel Moses

Ballet dancers

(Image credit: © Gabriel Moses_Prestel)

It’s both Knight’s industry and artistry that appeal to the younger man. ‘Nick is an example of longevity, which I’m always focused on,’ says an authentic prodigy who landed his first commission, aged 18, from Nike. That longevity, Moses already understands, means evolving his style. But ask him how he thinks that will happen, and his reply speaks more to self-belief than to defined aesthetic aspirations. ‘The way I work and the way I see [things] is very spiritual. So if I don’t love a project, if I don’t think it suits what I’m trying to do, I’m very happy saying no.’

Gabriel Moses, Regina (published by Prestel), £33, at Amazon

Man with gun to head, by Gabriel Moses

Image shot for Replica Man Magazine, 2022

(Image credit: © Gabriel Moses_Prestel)