For flower and art lovers, photography and plant addicts, and especially any ‘armchair gardener’, the RHS Botanical Art & Photography show at the Saatchi Gallery is a stunner with a stellar standard, says Wendyrosie Scott. Here’s a recap.

Review: The RHS Botanical Art & Photography Show

At the Saatchi’s RHS Botanical Art & Photography show, you can witness an artist’s rendering of a flower so intricate it could translate as obsessive, and photography with such hyper-real detail you can almost feel the silky tactility of the furred foliage. Add a fragrant teaser in the form of a small display by Clive Christian’s Aroma Fusion Technology and uncover a sensual show with an aesthetic that transports the viewer into the plant world to explore at leisure.

From Art’s Elite To Diverse Aesthete

Given the RHS’ association with regency, it can also carry a sense of stuffiness or elitism. However, the charity is consciously and determinedly casting its branches ever wider with more experimental and inclusive work. Strategically exhibiting at the boldly innovative Saatchi Gallery also engenders high expectations; with 23 world-class botanical artists and 18 photographers in the UK, Italy, Portugal, Romania, the USA, South Africa, Taiwan, the Republic of Korea, Singapore, and Japan, it’s not difficult to be buoyed by it all.

Medals

The show’s ‘People’s Choice’ award is new this year, enabling visitors to vote alongside medals in Gold, Silver-Gilt and Bronze; ‘Best in Show’; and Bests in Botanical Artwork, Art Exhibit and Portfolio Photography Exhibit. The judges consider aesthetic appeal, scientific accuracy and technique, with the RHS art curator Charlotte Brooks stating: ‘We are seeing artists and photographers not only demonstrate incredible technical skill in capturing their chosen subjects but a greater emphasis on the retelling of that plant’s story. Whether external factors (climate change or extreme weather conditions, for example, as well as contribution to the local ecosystem) or the artist’s more personal interactions with it, they include those found in the wild, in our domestic gardens and even in urban settings.’

Richea Alpina by Lynn Uptin for the RHS Botanical Art and Photography Show 2024

A Breathtaking Breadth Of Work

Judging would have been an unenviable task given individuals’ credentials, which, united, provide a wallop of talent. Notable artists include Yumi Ohara (who was awarded a Silver medal) with her Japanese Cherry Blossom, which took a different approach to its more often overly romanticised depiction. Also worthy of a mention is Maria Lombardi (who won Gold), with her exquisite expressions and moving narrative entitled Tillandsia Daughters of the Wind, alongside Ann Saward’s astonishing Sarracenias (Bronze winner), Yuko Saito’s Celosias (Gold) and Lynn Uptin’s sophisticated work (Gold). 

Notable photographers include Annie Macintyre (Gold) and her dramatic depictions; Richard Milton (Silver) with his magnetic black and white images akin to O)ld Masters; Andrea Jones’s transportive imagery (Gold); and Mark Lunns enchanting Wood Recyclers (Silver Gilt). Not to mention Vanda Ralevska’s images of snow covered foliage witha resultant filigree effect (Gold) and macro photographer Barry Webb with his spectacular World of Slime (Gold).

Spirituality In Nature

An ethereal collection which remains with me is the work of photographic artist Libby Ellis (Silver-Gilt), who eloquently combines a sense of serenity and joy – no easy feat. ‘Miraculum’ presented a black-and-white series amid many colours, conveying the ingenuity and utter beauty of botanicals, and even before knowing its title, the word miraculous came to mind. In an age of AI, digitisation and editing tools overkill, the raw purity of photography impressed me with its quiet knowing and reverence. Ellis refreshingly allowed for the viewer’s interpretation instead of overt dictation and description, enabling the work to speak for itself.

The Botanical Art & Photography show contributes to a long legacy of botanical art collecting and display by the RHS, complementing their Lindley Collections of over 30,000 botanical paintings and heritage photographs. Such notable work supports a rather British sensibility which celebrates a love of plants in all their scientific and creative forms. To share this sentiment across continents brings a wondrous feeling of connection.

The RHS Botanical Art & Photography Show (Supported by Clive Christian Perfume) is running from 15 June to 7 July 2024 at the Saatchi Gallery, Kings Rd, London. rhs.org.uk

Images courtesy of the RHS Botanical Art & Photography Show

Making mistakes in photography is part of the learning process. Avoiding common pitfalls can help you improve faster and enjoy the journey more.

Coming to you from Ian Worth, this insightful video highlights five photography mistakes to avoid. Worth begins by emphasizing the importance of allocating enough time before a shoot. Rushing can stifle creativity and lead to missed opportunities. Whether you’re shooting a sunrise or any other scene, giving yourself extra time ensures you can set up properly and handle any unforeseen issues, like traffic or finding the right spot in the dark.

Worth moves on to discuss the common misconception about camera gear. While high-end cameras and lenses can outperform entry-level kits, focusing too much on gear you don’t have can be detrimental. Instead, he suggests maximizing the potential of your current equipment. Knowing your gear inside out will improve your skills more than constantly yearning for the latest technology. Worth shares his own experience of enjoying wildlife photography without owning an expensive dedicated lens, emphasizing patience and creativity over gear.

The video also touches on the importance of creating unique work rather than replicating popular trends. Worth learned this lesson early in his career when he struggled to stand out by mimicking established photographers in his area. He realized that his work needed to be different and something he was passionate about. This personal approach not only makes your photography more fulfilling but also helps you connect better with your audience. Following your heart and shooting what you love can make your work stand out. That’s just the beginning, so check out the video above for the full rundown from Worth.

Digital Photography Global Market Report 2024 – Market Size, Trends, And Forecast 2024-2033

Digital Photography Global Market Report 2024 – Market Size, Trends, And Forecast 2024-2033

LONDON, GREATER LONDON, UK, June 28, 2024 /EINPresswire.com/ — The digital photography market size has grown strongly in recent years. It will grow from $50.71 billion in 2023 to $53.84 billion in 2024 at a compound annual growth rate (CAGR) of 6.2%. The growth in the historic period can be attributed to smartphone integration, social media influence, internet connectivity, software development, and e-commerce in photography gear. The digital photography market size is expected to see strong growth in the next few years. It will grow to $66.68 billion in 2028 at a compound annual growth rate (CAGR) of 5.5%. The growth in the forecast period can be attributed to artificial intelligence in imaging, virtual and augmented reality photography, subscription-based photography services, blockchain for copyright protection, and sustainability in camera manufacturing.

Increasing Number of Smartphone Users Drives Market Growth
The increasing number of smartphone users worldwide will drive the digital photography market going forward. Smartphone users use a smartphone, a cellular telephone with an integrated computer, and other functions not previously associated with cell phones, such as an operating system, the capacity to execute software programs, and web surfing. Smartphones are the primary camera for many individuals, offering convenience, portability, and increasingly advanced camera capabilities. This widespread adoption of smartphones as cameras has led to more extensive user engagement in digital photography. For instance, in 2023, according to the Global System for Mobile Communications Association, a UK-based non-profit organization for mobile network operators worldwide, by the end of 2022, over 5.4 billion individuals worldwide had enrolled in mobile service, with 4.4 billion additionally using mobile internet. Furthermore, the percentage of smartphone connections was 76% in 2022 and is predicted to climb to 92% by 2030. Therefore, the increasing number of smartphone users worldwide is expected to propel the digital photography market.

Explore comprehensive insights into the global digital photography market with a detailed sample report: https://www.thebusinessresearchcompany.com/sample_request?id=12467&type=smp

Major Players and Market Trends
Major companies operating in the digital photography market report are Samsung Electronics Co Ltd., PENTAX Imaging Co, Sony Corp, Panasonic Corp, Canon Inc., Toshiba Corporation, Fujifilm Holdings Corp, Lytro Inc., Nikon Corp, Eastman Kodak Company, Shutterstock Inc., Arri Group, Leica Camera AG, Blackmagic Design Pty Ltd., Polaroid Corporation, Red Digital Cinema LLC, Matterport Inc., OM Digital Solutions Corporation, Vivitar Corporation, Giraffe360 Limited, Kinefinity Inc., Aryeo Co, Harman Technology Limited, Algolux Inc., Loupe Photography & Video Inc.

Major companies operating in the digital photography market are concentrating their focus on developing innovative solutions such as tilt-shift lenses. Tilt-shift refers to a photographic and cinematographic technique that involves tilting and shifting the lens elements to control perspective distortion and focus. For instance, in September 2023, Fujifilm Holdings Corporation, a Japan-based multinational company announced the launch of ‘Fujinon GF30mm F/5.5 T/S’ and ‘Fujinon GF110mm F/5.6 T/S Macro’. These lenses are specifically designed for the Medium-Format Digital Mirrorless platform and are integrated with both shift and tilt capabilities. Located at the front of each lens is a tilt mechanism that can adjust the barrel up to ±8½ degrees. This adjustment results in a focal plane that is angled relative to the sensor.

Segments:
The digital photography market covered in this report is segmented –
1) By Type: Photo Processing Equipment, Interchangeable Lenses, Camera Cell Phones, Other Types
2) By Application: Photography Software, Photo Looks, Photo Processing, Other Applications
3) By Distribution Channel: Online, Offline
4) By End-User: Personal, Profession

Geographical Insights: Asia-Pacific Leading the Market
Asia-Pacific was the largest region in the digital photography market in 2023. Asia-Pacific is expected to be the fastest-growing region in the forecast period. The regions covered in the digital photography market report are Asia-Pacific, Western Europe, Eastern Europe, North America, South America, Middle East, and Africa.

Explore the report store to make a direct purchase of the report
https://www.thebusinessresearchcompany.com/report/digital-photography-global-market-report

Digital Photography Global Market Report 2024 from TBRC covers the following information:
• Market size data for the forecast period: Historical and Future
• Market analysis by region: Asia-Pacific, China, Western Europe, Eastern Europe, North America, USA, South America, Middle East and Africa.
• Market analysis by countries: Australia, Brazil, China, France, Germany, India, Indonesia, Japan, Russia, South Korea, UK, USA.

Trends, opportunities, strategies and so much more.
The Digital Photography Global Market Report 2024 by The Business Research Company is the most comprehensive report that provides insights on digital photography market size, digital photography market drivers and trends, digital photography market major players, competitors’ revenues, market positioning, and market growth across geographies. The digital photography market report helps you gain in-depth insights on opportunities and strategies. Companies can leverage the data in the report and tap into segments with the highest growth potential.

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The brainchild of professional photographer Shruthi Venkatasubramanian, Studio S Portraits excels in top-tier photography services. Specializing in headshots, personal branding, and contemporary portraits, the studio also provides custom experiences including maternity photography and sessions for individuals over 40. Renowned for capturing the unique essence and beauty of each subject, Studio S Portraits offers a comfortable and personalized experience, ensuring that every image reflects confidence, professionalism, and personal charm. Whether preserving precious moments or enhancing a professional image, Studio S Portraits provides exceptional quality and artistry in every photograph.

Lois Conner explores one of the most profound and complicated moments of femininity, pregnancy, in a project that later became a book—To Be, published by L’Artiere. Her artistic vision remains the guiding thread of this project, inspired by the altar paintings of the Italian Renaissance. This was the starting point of the project, created using her 7″x17″ panoramic camera.

«When I realized that my subjects sometimes had difficulty maintaining their balance, I also took horizontal portraits, thinking of the reclining portraits such as Francisco de Goya’s Maja Desnuda, Edouard Manet‘s Olympia, and André Kertész‘s Satiric Dancer. I collected copies of paintings, drawings, and photographs for inspiration and often asked my subjects to interpret gestures or poses on their own. During the time we spent together, we worked collaboratively and slowly—moving and rearranging furniture and props—to create an intimate studio, both inside their homes and sometimes outdoors in the landscape. Sometimes, partners, dogs, or cats joined us,» the photographer explains.

The Venus of Willendorf—dating back to 25,000 BC and discovered in Austria in 1908—is the oldest known representation of pregnancy that has come down to us (we also talked about it here). Recognizable and a universal symbol of motherhood, this discovery remains a reference point when discussing the representation of this theme. Conner, referring to this icon, shares an episode that we recount here, bringing us to the heart of the behind-the-scenes of To Be.

«One night in the summer of 2023 when I was developing the last negatives for this project the temperature in my darkroom reached 100 degrees. Overwhelmed by the heat and the intensity of these images, I left the negatives in a water holding bath overnight. When I went to hang them up the next morning I was horrified when the emulsion began sliding down the plastic base of the film. I hurriedly held up one of the sheets of film to the light box and took a photograph. Suddenly, there was a Venus of Willendorf of my own. Now, I see the shape or spirit of Venus in each one of these portraits, images of seen and unseen transformations that give rise to human life. I also see my own inspiration to understand and describe the pregnant form — fertility, fecundity, hope, birth, precarity and even time itself.»

It’s essential to develop resilience and adaptability to navigate the unpredictable nature of this industry. Success doesn’t follow a linear path; it’s influenced by numerous factors beyond your control.

Coming to you from Justin Mott, this insightful video delves into the highs and lows of a photographer’s journey. Mott, a seasoned professional with over 20 years of experience, emphasizes that success is not guaranteed by recognition or financial gain. He shares his personal experiences of working on high-profile editorial assignments and commercial projects, revealing that financial success often comes from unexpected sources. Mott highlights the importance of perseverance, advising you not to let setbacks deter you.

Mott also discusses the reality of the industry’s unpredictability. He notes that a big client could disappear suddenly, or a new editor might decide to take a different direction, leaving you in the lurch. The rate you charge for one client might be laughed at by another. Personal projects you pour your heart into might flop, while insignificant assignments could bring unexpected acclaim. The message is clear: the industry can be unforgiving, but resilience and adaptability are key.

Expanding on these points, Mott introduces the concept of not quitting on both micro and macro levels. On a micro level, he advises against giving up on shots that aren’t working out. Instead, try different lenses, perspectives, or lighting. On a macro level, he stresses the importance of not quitting on personal projects or growth. Even if the industry’s definition of success doesn’t align with yours, it’s crucial to keep pushing forward and redefining what success means to you. Check out the video above for the full rundown from Mott.