Canon’s best mirrorless camera for photography is at a record-low price

Canon’s best mirrorless camera for photography is at a record-low price

Canon has made some incredible stills cameras over the years, but there is one that stands tall above them all. That is the Canon EOS R5 Mirrorless Camera that is now on sale at Adorama for a record-low price of $2,899 (was $3,399). A $500 saving is substantial considering how great this camera is.

This is a bundle deal that includes a CFexpress card and reader so you can get up and running right away. If you also want to buy the camera with a 24-105mm f/4 L lens, then Adorama has also reduced that bundle by $600 to $3,899.

Today’s best Canon EOS R5 deal

Our Canon EOS R5 review awarded the camera 4.5 stars out of 5, quoting “The combination of a next-generation autofocus system, excellent image quality, and fast 12fps/20fps continuous shooting means this is a camera that is just as comfortable (and capable) in professionally lit studios as it is shooting breaking news stories at dusk.”

In our hands-on test, we also loved the autofocus. It’s eye and subject detection, as well as tracking abilities, are almost second to none. If you’re into animal photography, then you’ll be blown away by the animal detection. If you’re a stills photographer, there really is little not to love about this camera.

The Canon RF 35mm F1.4 lens attached to a Canon EOS R5, in the hand

(Image credit: Future | Tim Coleman)

Canon makes some of the best cameras and we’ve curated a set of our favorites in our best canon camera guide. If you’re open to other brands, then our best camera for photography is worth a look, as is our best camera for beginners guide, especially if you’re new to the hobby.

In creating ‘Photographs I could have taken but did not!,’ Thaddeus Kubis tracked down images of his childhood. He wants to help you do the same

In creating ‘Photographs I could have taken but did not!,’ Thaddeus Kubis tracked down images of his childhood. He wants to help you do the same
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SHEFFIELD — Two years ago, Thaddeus Kubis’ photography student mentioned that he and his friends took over 500 photos at his birthday party. Kubis was floored.

“I started to realize, I don’t think my family took 500 pictures in my entire childhood,” he said in an interview with The Eagle.

That led him to write and publish “Photographs I could have taken but did not!” a book comprised of photos related to his youth.

Kubis,

Ernest Cole, Photographers’ Gallery: A powerful record of life under apartheid

Ernest Cole, Photographers’ Gallery: A powerful record of life under apartheid

When Ernest Cole decided to publish a book of his photographs documenting the lives of black South Africans under apartheid, he knew that he would have to leave his home country. “I didn’t care,” he later said. Things were bad enough. Simply to pursue his career as a freelance photographer, he’d had to alter his surname of Kole and be reclassified from “black” to “coloured” – this meant he didn’t have to carry a passbook, which would have severely restricted his movement.

It also allowed him a passport. So in 1966, aged 26, he got out and settled in New York; to secure his exit visa he claimed he was taking a pilgrimage to Lourdes. A year later House of Bondage was published. This was the first comprehensive account of the realities of apartheid to be circulated outside South Africa – where, as Cole predicted, both he and the book were summarily banned. He never returned before dying, in 1990, from pancreatic cancer.

The photobook, long out of print, was reissued in 2022 by Aperture and is now the basis of an exhibition at the Photographers’ Gallery in London. (There is also a concurrent show of Cole’s later work, shot in the United States, at Autograph ABP in Shoreditch.) More than 50 years on, Cole’s images of apartheid – all black and white – have lost none of their unsettling power. It’s only a shame there isn’t room to show all of them. 

Osceola County Pulse tribute sculpture renderings

Osceola County Pulse tribute sculpture renderings
Osceola County Board of County Commission Chair Cheryl Greib and artist JEFRË talk about the renderings of the Pulse tribute sculpture they are installing in Brownie Wise Park on Lake Tohopekaliga. The design created by JEFRË is named “Wings of the Rainbow” and will stand at 49 feet tall to honor the 49 people killed in the Pulse nightclub shooting in 2016. There will also be 49 rainbow-colored angel wings featured in this moving artwork piece.

Join North Branch Land Trust for Nature Photography Day

Join North Branch Land Trust for Nature Photography Day

Celebrate with North Branch Land Trust on the Butler Preserve Barrens Trail in Hazle Township for a Guided Photography Hike. The hike leaves the Greater Hazleton Rail Trail parking lot at 10:30 am and lasts approximately 1.5 hr.

Image courtesy of North Branch Land Trust.

Barren might not mean what you think it does—at least in Northeastern Pennsylvania.

That’s a LOT of color is always a first thought visiting the barrens portion of North Branch Land Trust’s Butler Preserve in Hazle Township. Spring and summer boast the pinks and greens of blooming laurels, and even the dead of winter is speckled green with pines.

Photo courtesy of North Branch Land Trust.

“We are about a week out from full bloom for the sheep and mountain laurels, so timing couldn’t be better.” Emma Thompson, Conservation and Stewardship Coordinator at North Branch Land Trust, spent Thursday morning preparing the trail for the event. “This is such a unique ecosystem, and we are really looking forward to finding out what visitors see! Not only is the flora on full display, but we also anticipate plenty of chances to see stunning butterflies and pollinators. And, for the more keen-eyed, a variety of bird species call this habitat home.”

Photo courtesy of North Branch Land Trust.

Thomspon, along with Marketing and Development Director Karley Stasko, will be leading the June 15 hike. Staff are excited to lead this hike in conjunction with an ongoing research partnership. Thanks to a PPL Cares Grant, North Branch Land Trust has been able to work with the Pennsylvania Natural Heritage Program and WeConservePA to identify the full extent of this unique habitat. Hike participants can support their project by submitting their photos for species identification.

Photo courtesy of North Branch Land Trust.

Stasko said, “Barrens feels like a misnomer, because the life out here is truly mind-blowing. Along this hike you will have chances to see carnivorous plants, pink moths, and trees that love fire! It feels like pure fiction sometimes. Even if you’re not into taking pictures and just want to take it all in, we hope that you’ll join us in this truly special ecosystem.”

Photo courtesy of North Branch Land Trust.

The Butler Preserve Nature Photography Day Hike is free and open to all ages. Participants will meet in the Greater Hazleton Rails to Trails Parking lot on East Broad Street and begin the approximately 1-mile hike promptly at 10:30am. Staff stresses that, while no photography experience is necessary, participants should be aware that this hike leaves the paved trail into some elevation and rocky areas.

Participants who pre-register at nblt.org/events will receive a conservation gift.

Photo courtesy of North Branch Land Trust.

North Branch Land Trust is a non-profit organization committed to conserving Northeastern Pennsylvania. To register for this event, learn more about their mission, or become a member, visit nblt.org.

Featured image (top) courtesy of North Branch Land Trust.

WePresent | Glauco Canalis’ intimate portrait of Naples’ suburban youth

WePresent | Glauco Canalis’ intimate portrait of Naples’ suburban youth

On his recurring visits to the Torretta district, he lensed his subjects’ bodies as they morphed from frail into sturdy, witnessed their voices grow deeper, their faces change overnight. It was through that process that Canalis realized that “allowing an idea to brew means understanding that, sometimes, a story will shift away from your initial conception of it to take on different forms, volumes and colors—to mimic the needs of those captured in it.” 

Ultimately, the collection holds a mirror up to the growing path of Neapolitan youth, projecting their vitality, hopes and dreams back at them. “When you are forced [to be in] a dead-end context, it is hard to imagine any other alternatives,” Canalis says. “With ‘The Darker the Night, the Brighter the Stars,’ I wanted these children to see who they are, who they can be.”

Photography exhibit focuses on land, cityscapes

Photography exhibit focuses on land, cityscapes
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Escape into a world of visual landscapes and cityscapes created by seven gifted photographers this summer in Chaska.

A fine art photography exhibit titled “Escapes – Landscapes and Cityscapes” opens this month, June 23 and runs through Sept. 6 at Sower Gallery in Chaska.

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Top 5 Smartphones for Social Media-Ready Cat Photography Beyond the iPhone

Top 5 Smartphones for Social Media-Ready Cat Photography Beyond the iPhone

In light of the potential technology restrictions due to new US sanctions, tech enthusiasts are exploring alternatives to Apple’s iCloud for their social media content creation needs. Particularly for capturing crisp images of beloved pets, several smartphones rival the capabilities of the latest iPhones without relying on iCloud.

The Samsung Galaxy S24 Ultra leads the pack with its high-resolution 200-megapixel main camera that features remarkable optical image stabilization. This device outshines its Apple counterpart, the iPhone 15 Pro Max, with superior zoom capabilities and impressive video recording options, including an 8K resolution.

Honor’s Magic 6 Pro wows with its variable aperture camera sensor, which smartly adjusts to lighting conditions ensuring top-notch photos even in low light. Additionally, it boasts a high-resolution periscopic zoom lens for quality long-range shots similar to professional photography equipment, while matching the iPhone 15 in 4K video recording capabilities.

Xiaomi’s 14 Ultra brings to the table a top-tier 50-megapixel camera with a large sensor. It competes effortlessly not only with the latest iPhones but also with some DSLR cameras in terms of image quality. This powerhouse captures exquisite portraits, detailed zoomed photos, and wide-angle shots—a versatility furthered by its 8K video capturing prowess.

For action photography enthusiasts, the Huawei Pura70 Ultra shines with a main camera that extends from the body to meticulously capture high-speed objects. This unique feature, coupled with a set of robust lenses, keeps it on par with the latest iPhones regarding video recording quality.

Lastly, the Google Pixel 8 Pro is a formidable iPhone 15 Pro rival, especially in photo quality, thanks to its 50-megapixel camera and pixel size closely matching that of the iPhone. However, it distinguishes itself with an advanced image processing app that enriches photos with vivid and dynamic colors. It also dominates with a high-resolution telephoto lens capable of 5x quality zoom.

These smartphones demonstrate that iPhone is not the sole oasis for capturing and sharing high-quality cat photos or other social media content. With diverse features and independent cloud services, they provide reliable and innovative photography solutions for users globally.

Given the topic’s focus on smartphones for “Social Media-Ready Cat Photography Beyond the iPhone,” it is pertinent to discuss related subjects that offer a well-rounded view of the current state of smartphone photography. Below you can find an elaboration of some of these aspects, questions that arise, and associated challenges or controversies:

Advantages:
High-resolution cameras: Devices like the Samsung Galaxy S24 Ultra and Xiaomi’s 14 Ultra offer incredibly high megapixel counts, which is ideal for capturing the fine details of a cat’s fur, eyes, and expressions which are essential for cat photography.
Advanced optical image stabilization: This helps in taking sharp photos of pets, who typically do not stay still for a photo.
Low light capabilities: Honor’s Magic 6 Pro and other phones with variable aperture or large sensors perform well in different lighting conditions, essential for capturing cats indoors or in dim environments.
Unique features: Features like the extending camera on the Huawei Pura70 Ultra can offer creative and interesting perspectives for action shots of pets, which can be very appealing on social media.

Disadvantages:
Learning Curve: Some of these smartphones may have complex camera systems and manual settings that can be intimidating for casual users who are used to the straightforward camera interface of an iPhone.
Ecosystem compatibility: iPhone users might find it challenging to transition to different cloud services or operating systems when they switch devices.

Questions:
– How do these alternative smartphones compare to the iPhone in terms of durability and build quality?
– What cloud storage options are compatible with these smartphones for backing up photos and videos?
– Are there any significant differences in battery life among these smartphones, which could affect all-day photo shooting sessions?

Key Challenges:
Market Perception: iPhones are often perceived as the go-to device for social media content due to Apple’s marketing and the popularity of apps like Instagram on iOS. Convincing potential buyers that other smartphones are equally or more capable can be a challenge.
Software: While iPhones are known for their seamless integration with iOS and regular updates, some of the Android-based phones may have inconsistent update policies or software that’s less intuitive.
Data Privacy: Users migrating from iCloud may have concerns about the privacy policies of alternative cloud services when backing up their personal and cat photography.

Controversies:
– Restrictions and Sanctions: The tech market is often shaken by international trade restrictions and sanctions, which can affect the availability and support for smartphones from companies like Huawei.
– Security Concerns: Some users might have reservations about using smartphones from certain manufacturers due to perceived security threats or previous controversies involving user data.

For more information about the latest technology and smartphones, visit the main pages of these relevant and respected websites:

Samsung
Honor
Xiaomi
Huawei
Google

In conclusion, while the iPhone is a popular choice for many, the smartphones listed offer competitive and sometimes superior options for pet photography enthusiasts looking to capture their cat’s best moments for social media sharing.

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Indigenous History Month: Tailfeathers painted a valuable record of Indigenous life

Indigenous History Month: Tailfeathers painted a valuable record of Indigenous life

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Creating vivid paintings of horses, the Wild West and prairie life, Gerald David Tailfeathers was a promising artist from the time he was a boy living on Blood Reserve in Alberta. Training at prestigious art schools in Canada and the United States, Tailfeathers became one of the first professional Indigenous artists in Canada.

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Stand Off, Alta., was the birthplace of Tailfeathers on Feb. 14, 1925. His parents, Sakoyena and Estomachi, were members of the Blood tribe of the Kainai Nation in the southern region of the province. “The Blood or Kainaiwa, are one of the three nations that comprise the Blackfoot Confederacy,” according to Hugh Dempsey and Michelle Filice in The Canadian Encyclopedia, Aug. 25, 2023. Siksika and Piikani Nations are the others.

The boy grew up in a close-knit community that held traditional Plains-culture beliefs in the afterlife and the spirit world. “They used medicine bundles, performed sacred ceremonies such as the Sun Dance, and sought Shamans for spiritual guidance and healing,” said Dempsey and Felice. Tailfeathers attended the Anglican Church’s St. Paul’s Residential School for a time; although unhappy there, he was able to enjoy creating art.

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Diving into art education, Tailfeathers followed the path of his uncle, Percy Plainswoman. A self-taught artist, Plainswoman signed his work with his Blackfoot name, Two Gun. He was “the first Kainai to make his living as an artist,” noted Lethbridge Historical Society.

An innately talented youngster, Gerald Tailfeathers sold his first painting, “a portrait of Big Bull, for five dollars in 1937 at the age of 12,” stated Dr. Cora J. Voyageur in My Heroes Have Always Been Indians: A Century of Great Indigenous Albertans (Brush Education Inc. 2018). The next year, he participated in his first art exhibit “at the Fort McLeod branch of the Canadian Handicraft Guild.”

Enrolled at St. Mary Lake Summer Art School, the teenager trained with professional portrait artists Winold Reiss and Carl Linck at Glacier National Park in Montana. Furthering his education with the best instructors, Tailfeathers received a scholarship to study at the Banff Centre School of Fine Arts in 1941, training “under the tutelage of Charles Comfort, Walter Phillips and H.G. Glyde,” mentioned Lethbridge Historical Society.

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The blossoming artist next studied commercial and graphic art at Calgary’s Provincial School of Technology and Art. The young man wasn’t quite finished yet. He made his way to Arizona for instruction in cast-bronze sculpture with artist George Phippin.

Along the way, Tailfeathers “was influenced by the cowboy school of painting led by Charles Russell and the Oklahoma School of Indian painting, reported John Warner and Joseph Dipple in The Canadian Encyclopedia, April 12, 2024. Tailfeathers used his immense skill to record the lives of the people of the Kainai Nation on paper and canvas.

Completing his training by 1944, Tailfeathers launched “a career of city life as a commercial artist and draughtsman, taking up tempera as a medium,” wrote Nancy-Lou Patterson in Canadian Native Art: Arts and Crafts of Canadian Indians and Eskimos (Collier-Macmillan Canada, Ltd., 1976). By the mid-1950s, he emerged from an artistic slump to work with the “Glenbow Foundation, where he began to work in pen and ink, a medium in which he has perfect control.”

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Tailfeathers painted prolifically, creating images of Kainai life in the 1800s. He was determined to produce art with historically accuracy, and “in 1958 he began to use a style based upon that of Indian artists in the American Southwest, a conventionalized ‘Indian art’ style which he uses with facility,” Patterson described. Over a significant portion of his career, Tailfeathers followed advice given to him early on, to Anglicize his name. Most of his artworks were signed as Gerald T. Fethers. By the 1960s, he changed his signature to his true name.

Enjoying the benefits as a respected and popular artist, Tailfeathers attempted to build a home in Calgary, only to find that it could cause loss of his Indigenous status. Instead, after 18 years in the city, the artist returned to the reserve.

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The work of Tailfeathers gained a large following during the 1950s and 1960s, earning him respect as one of Canada’s first professional Indigenous artists. Frequently painting with watercolours and ink on paper, Tailfeathers also produced works in graphite, charcoal and coloured pencil. Occasionally, he painted with oil on canvas and canvas board, and gouache on paper. Achieving a Canadian first, a painting by Tailfeathers was published as the cover art for Western Horseman magazine’s December 1958 issue.

Receiving commissions, the artist was contracted to produce “paintings for the Indians of Canada Pavilion at Expo 67 in Montreal, the Glenbow Museum in Calgary and for Canada Post,” said Native Art in Canada. Tailfeathers’ collection of paintings is considered a valuable record of Indigenous history in the 19th century. Exhibiting his fine art at several shows in North America, in the mid-1960s, Tailfeathers applied his brushes to paper to create illustrations for two children’s books by Cliff Faulkner.

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Briefly entered politics, Tailfeathers was elected to a term on Council for Kainai First Nation, and was “one of seven First Nations Canadian artists that advised the federal government on production and marketing of Indigenous craftwork,” said Voyageur, “and provided recommendations on art programming, grants and services.”

Tailfeathers reached a national audience when Canada Post issued the series “Indians of Canada, Indians of the Plains” including two of his paintings. One of the eight-cent postage collection was the colourful, expressive “Fancy Dancer,” issued Oct. 4, 1972.

In 1974, Tailfeathers received an honorary doctorate of laws degree (LLD) from University of Lethbridge. Just a year later, 50-year-old Gerald Tailfeathers died at Kainai Reserve. The industrious artist was married to Irene Goodstriker, and they were parents to four daughters.

Visit the Glenbow Museum at Glenbow.org to view a portion of the gallery’s 60 paintings created by the illustrious Indigenous artist Gerald Tailfeathers.

Susanna McLeod is a writer living in Kingston.

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