About

Posts by :

Photographer captures winter scene

Photographer captures winter scene
image

Eastern Wisconsin endured two snow storms in the past week including blizzard conditions over the weekend, but in their wake there is still beauty.

Tri-County News outdoors columnist/photographer Annie Mueller snapped this photo and stated, “Just like snowy owls and eagles, I never get tired of seeing cardinals in the yard, especially in the snow. I counted 10 male cardinals one afternoon. They are simply God’s work of art.”

Top photos from the 2023 Nature Photography Contest

Top photos from the 2023 Nature Photography Contest
Turtle by Alain Schroeder

Top photos from the 2023 Nature Photography Contest

Aiming to raise awareness regarding the importance of protecting the planet, The Nature Photography Contest is an independent photography competition that rolls out winners annually.

This year’s contest was judged by Luke Stackpoole, a UK-based photographer specializing in landscapes and wildlife; Cynthia Bandurek, an acclaimed nature and wildlife photographer; and Mario Cea, a renowned photographer specializing in nature and wildlife. 

The contest’s victory prize – ‘The Photographer of the Year 2023 award’ was attributed to Alain Schroeder “for his powerful and engaging images.” 

“Photographs in which he has been able to show his talent and versatility. Alain Schroeder’s photographs stand out for his commitment to the environment, with captures such as the one that has led him to win the “Sharing the Planet” category,” stated Nature. 

Among the winning photographs, Schroeder captured a floating tortoise underneath the ocean called ‘Maldives 01’, featured on the contest site.

  • The Nature Photography Contest 2023 award won by Alain Schroeder

    Photographer of the Year 2023 – Alain Schroeder

    One of the few photos that grabbed the attention of many was ‘Maldives 01,’ which depicted a floating tortoise underwater. 

    Alain Schroeder, the photographer, won the Photographer of the Year 2023 award. A statement by the Nature Photo Contest expressed: 

    “This image is just a small sample of the different photographs with which Alain Schroeder has proven to be worthy of this Photographer of the Year award.”

    The site added that the photographer featured in this first edition has been designated to decide the allocation of 400 trees to be planted. “Thanks to your support and participation, will help to take care of our planet a little bit,” stated the contest. 

  • Burning Flower by Marek Biegalski

    Natural Landscape category winner – Burning Flower by Marek Biegalski

    The photograph is named ‘Burning Flower’ and was captured by Marek Biegalski, who won the Natural Landscape category award. 

    The image depicts just as the name says – a burning flower. The color hues of the shot make it stand out. The photographer says Burning Flower was captured in Iceland while exploring “the incredible glacial river perspective” observed from high up.

    “They’re called ‘braided river’ systems, as they often resemble an intricate jumble of patterns, intertwining in an almost inexplicable fashion,” Biegalski described. “These networks of river channels flow from the glaciers toward the sea, carrying vital nutrients for the ecosystem along the way, in the form of sediment.”

    He added that the colors are original and look mesmerizing as they result from a scenario when the rivers’ flow decreases, the sediment is deposited on the river bed, which “leaves behind small temporary islands of dark volcanic sand that cause the channels of the rivers to split.”

  • Wildlife category winner – Stories in the sand by Soumya Ranjan Bhattacharyya

    Wildlife category winner – Stories in the sand by Soumya Ranjan Bhattacharyya

    The capture titled ‘Stories in the sand,’ taken by Soumya Ranjan Bhattacharyya, depicts a scorpion in the dunes in Jaisalmer, India. 

    “The scorpion is widely distributed across various terrains in India. In Jaisalmer once the evening falls, the scorpions emerge across the dunes to feed for the night,” says Bhattacharyya. 

    “The scorpions when lighted by faint UV light, emit bright blue luminescence from their body. The image was captured using a flashlight which lit up the wind and created streaks of the dunes. The scorpion was illuminated by a UV flashlight.”

  • Macrophotography category winner – The Dreamer - Philaeus chrysops by Adrian Truchta

    Macrophotography category winner – The Dreamer – Philaeus chrysops by Adrian Truchta

    Adrian Truchta shot ‘The Dreamer – Philaeus chrysops‘ – a photograph winning the Macrophotography award category at the 2023 Nature Photography Contest. 

    The photo illustrates a Philaeus chrysops female walking near her nest.

    “Morning dew, sun, and beautiful Philaeus chrysops female walking around her nest. Photoshoot in natural environment. Natural light,.” expressed Truchta. 

  • Underwater category winner – Tangle by 家 住

    Underwater category winner – Tangle by 家 住

    家 住 captured an image of moray eel fish, rarely found in freshwater but rather in brackish water. 

    “Larval Moray Eel when feeling threatened,” the photographer expressed.

  • Birds category winner – Puffin in Iceland by Alessio Calviani

    Birds category winner – Puffin in Iceland by Alessio Calviani

    Alessio Calviani photographed a Puffin, a seabird that feeds by diving into the water. 

    “Puffin walking on the cliff in Iceland,” stated Calviani.

    As per the Wildlife Trust, the puffin nicknamed the ‘sea parrot’ for its vibrant bill in breeding plumage, has a serrated bill that can hold multiple fishes. A record noted 83 small sand eels in one puffin’s bill. 

  • Plant Life category winner – Pandora by Marcio Cabral

    Plant Life category winner – Pandora by Marcio Cabral

    The photo ‘Pandora,’ shot by Marcio Cabral, showcases an illuminated scene of Chapada dos Veadeiros, a Brazilian national park renowned for its diverse wildlife and stunning landscapes.

    He says the white flowers in the foreground are a rare species of Paepalanthus, a genus of plants endemic to the region.

    “They were illuminated by a scurion lamp to create a contrast with the dark sky.”

    Stretching across the hills in the backdrop, the Milky Way unveils the hues and forms of stars and nebulae.

    “This pano was taken with a specialized camera for astrophotography, which allows capturing more details of the universe,” Cabral said. 

  • Night World category winner – Los arcos y la cueva by Marc Marco

    Night World category winner – Los arcos y la cueva by Marc Marco

    The shot titled – ‘Los arcos y la cueva’ depicts a panoramic view of the Milky Way forming an arch in the sky behind a natural arch made of limestone – Es Pontàs located in the island of Mallorca in Spain

    “Panoramic night photograph in which I could capture the arch of the Milky Way passing behind the natural arch called Es Pontàs. In the photograph I could also capture a small cave in front of the arch,” said the photographer – Marc Marco.

  • Environmental impact category winner – Fatigue Sleep by Muhammad Hossain

    Environmental impact category winner – Fatigue Sleep by Muhammad Hossain

    Muhammad Hossain, a photographer, shot ‘Fatigue Sleep,’ an image in Bangladesh depicting a woman sleeping on a huge pile of garbage, mainly plastic, floating in the ocean. 

    “Many homeless people in Bangladesh have lost their homes and properties due to frequent floods, river erosion, and other natural calamities,” the photographer said. “They were forced to migrate to Dhaka city in search of a better future. These people have no place to take shelter in big cities.”

    Describing the lives of homeless individuals in South Asia, he added that their day usually begins in dump hills and streets on roads or boats to nowhere.

    “The concrete-covered street and dirt hills is a flower bed for these refugees who practically do not have any identity. They live by working as street hawkers, boatmen, laborers, and doing other odd jobs.”

  • Sharing the Planet category winner – Saving Orangutans 01 by Alain Schroeder

    Sharing the Planet category winner – Saving Orangutans 01 by Alain Schroeder

    ‘Saving Orangutans 01’ was captured in Sibolangit, SOCP Quarantine Centre, North Sumatra, Indonesia, illustrating a three-month-old female orangutan named – Brenda who has no teeth yet. She is being prepped for surgery. 

    The photographer describing the scene says: “A sedative is administered, the arm is shaved, her temperature is taken, while others hold her head or her hand out of compassion for the baby.”

    “During the three-hour procedure, Dr. Andreas Messikommer, a renowned orthopedic surgeon invited from Switzerland, will place a pin and screws to secure the damaged humerus. Brenda was confiscated from a villager in Blang Pidie on the west coast of Aceh who was keeping her as a pet,” added Alain Schroeder, the photographer.

  • Funny Nature category winner – Monday by Panisara Sripratoom

    Funny Nature category winner – Monday by Panisara Sripratoom

    Panisara Sripratoom spotted an owlet – Athene brama, emerging from a hollow within a yellow flame tree situated on the university campus, the photographer said.

    This owl species is known for its petite size, mainly nocturnal feeding habits, and common presence in urban settings.

    “Without a sharp eye, this spotted owlet goes unnoticed. The meaning of this photograph is in the presence of the large trees around the campus,” said Sripratoom. 

    “All branches from these trees were cut and removed as a precautionary measure to prevent potential dangers, such as branch breakage during the rainy season, which could cause risks to passersby. Despite this, these spotted owlets, somehow, have shown their adaptability, finding a habitat within this modified urban environment.”

Canutillo student lands big photography gig

Canutillo student lands big photography gig
image

CANUTILLO, Texas (KVIA) — A Borderland high school senior got the invitation of a lifetime when he was hired to photograph the 90th Annual Sun Bowl game in December 2023.

18-year old Canutillo High School student Ryan Romero was hired by none other than the official University of Notre Dame publication, “The Observer,” to document the Fighting Irish.

He’s been shooting sporting events since 2022 and his portfolio includes UTEP women’s soccer and volleyball, the Rhinos, and now Notre Dame is on his resume.

“You just got to get the right moment. You got to get the players running, mid stride, when they’re coming right at you. You just have to be in the right spot at the right time,” Romero says.

He adds that a lot of his favorite pictures are complete accidents.

Ryan has been accepted by UTEP and plans to study journalism. Looks like he’s off to a fantastic start!

STUDENT LANDS BIG PHOTOGRAPHY GIG

STUDENT LANDS BIG PHOTOGRAPHY GIG
image

A local high school senior got the invitation of a lifetime when he was hired to photograph the Sun Bowl game.

18-year old Canutillo High School student Ryan Romero was hired by none other than the official University of Notre Dame publication, “The Observer,” to document the fighting Irish.

He’s been shooting sporting events since 2022 and his portfolio includes UTEP women’s soccer and volleyball, the Rhinos, and now Notre Dame is on his resume.

“You just got to get the right moment. You got to get the players running, mid stride, when they’re coming right at you. You just have to be in the right spot at the right time,” Romero says.

He adds that a lot of his favorite pictures are complete accidents.

Ryan has been accepted by UTEP and plans to study journalism. Looks like he’s off to a fantastic start!

BE PART OF THE CONVERSATION

KVIA ABC 7 is committed to providing a forum for civil and constructive conversation.

Please keep your comments respectful and relevant. You can review our Community Guidelines by clicking here

If you would like to share a story idea, please submit it here.

Building a Successful Photography Website: Essential Dos and Don’ts |

Building a Successful Photography Website: Essential Dos and Don’ts |

Creating an engaging photography website is more than just a digital showcase; it’s a pivotal element in a photographer’s professional identity and in building a successful business. This helpful video tutorial features an experienced photographer sharing a range of tips sure to improve yours.

Coming to you from Justin Mott, this enlightening video dives deep into the intricacies of building a successful photography website. Mott underscores the importance of simplicity in website names and advises against using cliché photography terms. He advocates for clear, straightforward naming, using his own site as an example. His emphasis on authenticity in representing one’s work resonates throughout the video. His advice to avoid over-embellishing one’s skills or experience is particularly significant, stressing the value of honesty and transparency in the professional photography sphere.

Mott also discusses the layout and content of a photography website. He suggests a black, white, or gray background for the main page to let the images stand out. His advice on the landing page is particularly important, recommending photographers to lead with their strongest work to immediately capture the viewer’s interest. Mott also recommends categorizing galleries based on the type of work one wants to get hired for, ensuring each category reflects a well-rounded body of work. Additionally, he encourages photographers to consider the website’s user experience, suggesting features like a lightbox for full-size image viewing. For a comprehensive understanding of how to craft a compelling photography website, check out the video above for the full rundown from Mott.

Pivot Is Part Objet D’Art, Part Adorable Portable Lamp

Pivot Is Part Objet D’Art, Part Adorable Portable Lamp

Petite and portable, the Pivot lamp by &Tradition explores the never-ending conversation that discusses the boundaries between form and function, shadow and sculpture. An interplay between natural and manmade light is what makes Pivot stand out from the masses. As a true hybrid product that checks both the “object” and “lamp” boxes, it appears distinctly different as day turns to night.

The geometric shade sits at a 45-degree angle to the base, creating a soft, inviting diffusion of light that “emulates the glow of a modern-day candle.” When natural light hits the lamp, its cubic shape and blocked colors act as an objet d’art. Once the sun begins its descent, Pivot comes to life as a luminaire, with light falling downward from the off-center shade and altering the tone of the base.

powder coated iron and mirror polished steel portable lamp on a table

“Pivot is a true hybrid product that transcends the boundary between object and portable light, operating equally in the realms of art and functionality,” Els Van Hoorebeeck, Creative and Brand Director at &Tradition, says. “Each colorway brings a completely different nuance to Pivot’s aesthetic, while the warm glow it exudes will create a comforting atmosphere when placed anywhere from bedroom side tables to living room display cabinets.”

powder coated iron and mirror polished steel portable lamp inside a glass fronted cabinet

Compact and portable, Pivot can be moved from location to location – even outdoors, but only under a covered space. Users may experiment with light and shadow in various settings from residential to commercial spaces. The spirited lamp is available in two color combinations: Blue Silver and Rusty Mint. The cool-toned Blue Silver will look at home just about anywhere, while the warmer Rusty Mint is ideal for those in search of something moodier.

powder coated iron and mirror polished steel portable lamp on a table

Crafted from powder-coated iron and mirror polished steel, the shade and base are bent and welded into the lamp’s cube shape. The components are then painted or chrome plated (for the mirror shade) to create Pivot’s hybrid appearance. The object is designed to fit &Tradition’s charging tray that can accommodate up to 12 portables at once.

powder coated iron and mirror polished steel portable lamp on a bar cart

powder coated iron and mirror polished steel portable lamp on a table

powder coated iron and mirror polished steel portable lamp on a table

powder coated iron and mirror polished steel portable lamps on a bar cart

two powder coated iron and mirror polished steel portable lamps on a white background

two powder coated iron and mirror polished steel portable lamps on a white background

two powder coated iron and mirror polished steel portable lamps on a white background

To learn more about the Pivot Lamp, visit andtradition.com.

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

Documenting the Unseen in the Photography of Luis-rey Velasco

Documenting the Unseen in the Photography of Luis-rey Velasco

“Twenty years [later], the work still stands today,” Velasco told Art & Object in a recent interview. “I witnessed this [while] working with my father as a land surveyor assistant. He has taken me to fringes of society that [have] been unseen and unheard [in] the San Joaquin Valley of California. This was less than a year ago.”

In 104 Degrees, an image taken in 1998, Velasco chose to photograph a farm worker in the early afternoon, trading a wide value range for predominant highlights to convey the intense sunlight and heat during the late summer harvest. Velasco stepped rather uneasily in front of the tractor to take this image, shares Ledesma.

In Eric, Velasco depicts the titular youth sitting on a tractor in dappled light. Ledesma cites this work and its community-focused narrative as particularly poignant. Eric’s grandfather — the only Black tobacco farmer in Stovall, NC — had just passed away, so locals were helping Eric’s family cure and farm tobacco. After Velasco photographed the laborers during lunch, they encouraged him to continue while they worked, later asking Velasco how much they owed him for his photographs. “There was a great amount of humility,” said Velasco.

Velasco conjures evocative narratives with certain compositions. In an untitled work from 1999 taken on the same day as Eric, a stern adolescent sits inside a doorway, working with tobacco leaves. The white-hot exterior light spills around the young laborer and into the barn, illuminating the boot-printed texture of the dirt floor before gradually dissipating into the pitch-black interior in dramatic contrast reminiscent of a Caravaggio painting.

Interview: The Color Network On the Significance of Building Community, Teaching Diversity, and Facilitating Access for Artists of Color

Interview: The Color Network On the Significance of Building Community, Teaching Diversity, and Facilitating Access for Artists of Color

The Color Network website. All images © the artists

Let’s rewind to 1991. Ceramic artist and professor Bobby Scroggins, who was frustrated by the lack of access and recognition for artists and craftspeople of color—particularly Black artists—took matters into his own hands. At the conference of the National Council on Education for the Ceramic Arts (NCECA), he sought out Black and Brown faces in the crowd and organized informal chats, inviting peers and colleagues to form a cohort. Soon, The Color Network was born.

The original organization ran until 2014. Fast-forward to 2018 when a conversation at the annual NCECA conference spearheaded by artists Natalia Arbelaez and April D. Felipe initiated a new organization with the same name. I sat down for an interview with three of TCN’s co-organizers, including Arbelaez, George Rodriguez, and Magdolene Dykstra, who put it best when she described the power of making resources available:

Educators and curators are well aware of needing to question the models they’ve been following and decenter previously prioritized groups. For me, as an educator, that’s the most exciting aspect of the database: there is no longer any excuse for any educator to say that they just don’t know any artists of color.

Read the interview.

 

Three people wear face masks and stand over a table where they are looking at various ceramic pieces.

Kiln opening at Watershed Residency, 2022, with Shaya Ishaq, George Rodriguez, and Yesha Panchal

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Interview: The Color Network On the Significance of Building Community, Teaching Diversity, and Facilitating Access for Artists of Color appeared first on Colossal.