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INFINITI’s Vision Qe Concept Is a Soaring Gesture of Flight + Flow

INFINITI’s Vision Qe Concept Is a Soaring Gesture of Flight + Flow

Concepts are rarely intended to be developed much beyond the exploratory phase, yet the projects still require precious time and valuable resources – both a blessing and bane. On the surface, the INFINITI Vision Qe concept is notable for its elegant and futuristic silhouette, one revealing the brand’s vision for their own EV fleet. Behind the scenes, and from a design perspective, the Vision Qe concept represents a quiet revolution – an example of the automotive industry’s migration away from physical clay modeling toward fully digital explorations intended to streamline both the development of concepts and production vehicles in the era of EVs.

Three pencil sketches of what would eventually become the Vision Qe, as drawn by Kazuki Aoyama.

Just like any other concept before it, the INFINITI Vision Qe concept began as a series of rough sketches, aggressively drawn with swept lines of aerodynamic purpose. “Everything is anchored around a single pure gesture,” said INFINITI Exterior Designer Kazuki Aoyama. A single line flows from the INFINITI emblem at the front, along the bodyside, and accelerates towards the rear, and everything follows that line,”

Early 3D render silhouettes of the Vision Qe concept

From those initial sketches, the INFINITI design team would explore new methodologies to transform drawings into a dimensional model. The quiet revolution was spearheaded by Kenji Yamauchi, a digital and clay modeler within the global INFINITI design team. With Yamauchi’s experience working in traditional clay and digital tools, the nine designers were able to establish a new “phy-gital” process allowing the INFINITI team to transform a digital render into physical 50cm concept model. This allowed the exterior design team to examine the concept’s character and proportions without the time and labor intensive requirements of modeling the vehicle from clay.

Early 3D printed silhouette of the Vision Qe concep

The early 3D-printed silhouette of the Vision Qe concept portrays a sinuous and streamlined form intended to capture the aerodynamic pose of an eagle diving for prey with its wings tucked back to reduce drag and maximize speed – more sculptural than typical automotive models.

Speedform model of the Vision Qe inspire day Constantin Brancusi's Bird in Space sculpture.

Team members studied Japanese eagles in flight, resulting in a speed form model referencing avian silhouettes and the work of sculptor Constantin Brancusi, particularly his gesture of flight, Bird in Space (L’Oiseau dans l’espace).

“As designers, we aren’t seeking to create something that’s just beautiful, rather, we want to create something that evokes a deeper response,” said INFINITI Exterior Designer Masanobu Ino. “If people feel a sense of shock or intrigue when looking at the Vision Qe concept, that’s more in line with our intention and brings to life the philosophy of Kabuku. Pairing beauty with a deeper emotional response was our goal.” The resulting full-scale concept reveals a sleek fastback sedan that looks nearly ready for production (sans its immensely intricate and beautiful wheels).

All-electric Vision Qe fastback sedan parked in a golden autumn hued setting of trees.

Photos fail to capture the unique color chemistry explored in developing the concept’s Shadow blue paint, a hue that changes depending upon viewing distance thanks to its mixture of carbon nanotubes, glass, and gold flakes to bring a sense of depth and mystique. INFINITI says the paint is intended to evoke a sense of depth as one experiences while gazing out into “a distant galaxy.”

All-electric Vision Qe fastback sedan parked in a golden autumn hued setting of trees.

All-electric Vision Qe fastback sedan parked in a golden autumn hued setting of trees.

INFINITI designers also replaced the brand’s signature double arch radiator grille with a graphic front facia sculpted with lines further accentuated by LED lights.

All-electric Vision Qe fastback sedan parked on black asphalt with white wall in the background.

All-electric Vision Qe fastback sedan parked on black asphalt with white wall in the background.

All-electric Vision Qe fastback sedan parked on black asphalt with white wall in the background.

The Vision Qe concept’s Shadow blue paint is further enhanced by the contrast against its dynamic and graphic golden spoked wheels, a design featuring a subtle gradation applied from the outer to innermost area of the spokes.

Close up of the all-electric INFINITI Vision Qe fastback sedan's intricate spoked wheels.

Rear angled view of the all-electric INFINITI Vision Qe fastback sedan with rear lights illuminated golden.

When parked in standby mode, the Vision Qe glows with a welcoming warm, golden light. Once the driver presses the car’s start button, switching the vehicle to the drive mode the frontal illumination switches to white, while the rear digital piano keys transform to a vibrant shade of red.

The Vision Qe concept is currently on display at INFINITI’s global headquarters in Yokohama, Japan, and scheduled to make its public debut further along in 2024 at a yet to be announced motor show. We can only hope to see some of the sleek fastback sedan’s profile glide its way into the form of a production vehicle soon thereafter.

Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Call for local sculptor submissions: Sylvester Manor plans outdoor exhibit

Call for local sculptor submissions: Sylvester Manor plans outdoor exhibit
Local artists are invited to submit proposals for a new outdoor exhibition, Sculpture@Sylvester Manor, planned for this summer. Curated by art dealer and adviser Tom Cugliani, the exhibition will take place on the historic landscape of Sylvester Manor from June 21 until Sep. 7, 2024. Visual and/or written documentation proposals should be submitted by March…

Flickr’s Most Popular Camera is Fantastic for Landscapes

Flickr’s Most Popular Camera is Fantastic for Landscapes

Flickr’s most popular camera is still the iPhone if we’re broadly judging what a camera is. But if you’re speaking about devices primarily made with the idea of image capture, then things are a bit different. Sony doesn’t dominate the space on Flickr — which is still for photographers who are serious about their craft and not all in for content creation. The platform caters to photographers first. With that said, Flickr’s most popular camera should come as no surprise.

Flickr’s Most Popular Camera: The Canon EOS R5

The dedicated camera that is rated as Flickr’s most popular camera is the Canon EOS R5. According to the Camera Finder link, amongst the list of cameras used, the Canon EOS R5 is the most popular. This shows a lot of really fascinating data:

  • Since the camera came out relatively recently, photographers aren’t necessarily stuck in the DSLR world. This means that it’s not necessarily a platform for aging photographers. Instead, it could also mean that those we might consider to be aging photographers are also adapting and using cameras that they find to be great.
  • People didn’t necessarily move away to Sony because of all the marketing hype.
  • Photographers didn’t necessarily switch to medium format Fujifilm. In fact, the GFX lineup isn’t even very highly rated
  • As far as other brands go, the Nikon D850 is still highly trusted amongst many photographers.

If you go through the most popular photos using the Canon EOS R5, you find beautiful imagery made with the camera for landscape photography.

Sure, Flickr has aged quite a bit. But if you’re still a serious photographer, it’s a very important place for many of us. Flickr’s groups still hold lots of great images in the same way that sub-Reddit groups and Facebook groups do. They’re home to many conversations and have equal amounts of trolls and passionate photographers who do this for the love of it. It’s also not dictated by the same kinds of algorithms. With that said, nudity still surely gets you more clicks and views. But it’s not the driving factor. The platform isn’t also absolutely dominated by it the way that 500px is.

The Canon EOS R5 is a Landscape Photography Powerhouse

So what makes the Canon EOS R5 so good? Well, it had to do with the sensor. This isn’t the same sensor that’s present in several Sony cameras. It does color very well and has access to several lenses that are beautiful in their own right. Canon photographers might use lenses that they had previously with the EF mount system, but Canon’s RF lenses are great for landscape photography too.

It’s still my personally used most favorite camera when it comes to doing actual work. And here are several reasons why that are backed up in the review we did:

  • Weather resistance: this camera can keep working pretty much no matter what. It has never failed on me,
  • Autofocus that works: the only issues I’ve ever had with autofocus on this camera have to do with low light and people of color moving quickly
  • Good selection of lenses: All of Canon’s L glass is pretty unique
  • 45 Megapixels is enough: 45MP can print really large and it gives you enough dynamic range while also giving you a lot of nice color depth
  • Images right out of the camera look great: Canon’s image quality right out of the camera is some of my favorite. It’s not quite Fujifilm or Leica. But it can do things comparable to Panasonic’s Real Time LUT feature — though only applied to the JPEG files.

We’ve interviewed two photographers who adore the Canon EOS R5 for landscape photography. The first is Paul Zizka, who considers Canon to be essential to his creative vision. Photographer Lalo De Almeida also uses the Canon EOS R5. He’s not a gear fanatic, but he makes incredible images using the camera.

Legendary Photographer Rocks Out To WPDH

Legendary Photographer Rocks Out To WPDH

Bruce Gilden was seen rockin out to WPDH and The Doors in his car on Instagram.

Bruce Gilden is an American street photographer from Brooklyn, NY that is best known for his candid close-up photographs of people on the streets of New York City, using a flashgun. He’s had various books of his work published, and has received the European Publishers Award for Photography and a Guggenheim Fellowship. He’s been a member of Magnum Photos, an international photographic cooperative since 1998.

Also See: Museum at Bethel Woods Nominated For Prestigious Honor

Gilden has photographed people on the streets of New York, Japan’s yakuza mobsters, homeless people, prostitutes, and members of bike gangs between 1995 and 2000.  According to Gilden, he was fascinated by the duality and double lives of the individuals he photographed. He has also photographed rural Ireland and horseracing there as well as voodoo rituals in Haiti. He was the subject of the 2007 documentary film Misery Loves Company: The Life and Death of Bruce Gilden.

Bruce Gilden Loves The Doors, and Apparently the Home of Rock n Roll

In a video posted this week to his official Instagram page, which he has 279,000 plus followers, Bruce Gilden can be seen rockin out to The Doors “Break on Through” on 101.5 WPDH! No word on where Gilden was traveling, but we assume he was somewhere in the Hudson Valley blastig the Home of Rock n Roll. In the video, he is seen singing along to the Doors classic, and really getting into it. He then comments, “this was my favorite record when I was a kid”. Great to see that Bruce Gilden loves rockin out to WPDH like the rest of the Hudson Valley. Keep on rockin Sir!  See the Instagram video below.

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Doors Albums Ranked

The Doors did more in a short period of time than almost any other classic rock band.

Gallery Credit: Michael Gallucci

Kids can benefit from having access to nature. This photographer is bringing trees into classrooms

Kids can benefit from having access to nature. This photographer is bringing trees into classrooms

Some of the classrooms at Taft Elementary in Santa Clara, California, have one flaw in common: They don’t have windows. That’s true for Logan Earnest’s fifth grade classroom, and he felt it was affecting his students.

“Most of the day, 7/8 of the day, they’re inside,” Earnest told CBS News. “And they don’t really get to see any trees, they don’t get to see grass, the blue sky.” He said the drab, beige walls could be draining on the kids and may effect their attention span and even their attendance. 

Former school psychologist Ernesto Rodriguez told CBS News the lack of windows does affect kids, because research shows being in and around nature eases anxiety and has benefits for students. 

Rodriguez is no longer a practicing psychologist – but perhaps he knows now more than ever the impact nature has on mental health. He became a park ranger on Southern California’s Catalina Island and began focusing on his passion, landscape photography. 

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Ernesto Rodriguez taking 360 degree shots of trees overhead.

CBS News


It was during his training to become a park ranger that he learned a fact that stuck with him. “Kids who have views out windows to trees do better academically, emotionally and creatively. And more graduate and go to college,” he said. “I thought, why isn’t this being used?”

He had an idea to bring nature into rooms that were lacking and developed hospital curtains that he could print landscapes onto as a way to brighten dull rooms. Then, he had an aha moment to bring landscapes in classrooms – via the ceiling. 

“Having been a school psychologist, you don’t touch teacher’s walls. You do that, and they cut your hand off – both of them,” Rodriguez joked. “So I thought, well let’s use the ceiling, because they don’t typically use the ceiling.”

Rodriguez uses his photography skills to taken 360 degree shots of tree canopies, then he prints them and fits them onto ceiling tiles, so when you look up, it feels like you’re sitting under a tree. “And it has all those elements of the science that helps calm you down, helps you focus and communicate,” he said.

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Part of the Nature in the Classroom installation on the ceiling of Logan Earnest’s classroom.

CBS News


He created a nonprofit called Nature in the Classroom and he’s installed the tree canopies in 10 school districts so far. He takes all the photos himself and the canopies are often donated to teachers.

CBS News was there when he revealed the canopy to Earnest’s fifth grade students. “Beautiful,” one student said as she entered the room and saw the new addition.

A student named Octavio told us trees bring him peace. “It is surprising to see because any time you’re inside of a school, you mostly don’t see plants. Or trees. But now it’s surprising to see that there’s trees here,” Octavio said. “I would say that it’s pretty great and beautiful.”

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Logan Earnest and his fifth grade students at Taft Elementary in Santa Clara, California. 

CBS News


Earnest said he thought there would be many positive effects on his students. “I think my attendance is going to go up. I think kids are going to want to come in here more frequently. Overall, I think the kids are going to be happier,” he said.

Rodriguez says if you still don’t believe in the science behind the art, you can try it yourself by going outside and looking up at the trees. 

“This is a marriage of both my careers as a school psychologist and a photographer,” he said. “And to be able to create imagery – and spend time out in nature creating imagery that I know is going to help people – is really a motivator.”

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A view of the Nature in the Classroom installation and Octavio, a student in Earnest’s fifth grade class.

CBS News


The Awesome Winners of the 2023 Ocean Art Photography Competition

The Awesome Winners of the 2023 Ocean Art Photography Competition

Ocean Art Photo Contest 2023

The winners of the 2023 Ocean Art Underwater Photo Competition have been announced with a picture of a paddling monkey taking home the grand prize.

This year, there were 14 categories covering all aspects of underwater photography; but it is the winner of the Portrait category that was crowned Best in Show.

Suliman Alatiqi’s shot of a crab-eating macaque swimming around the Phi Phi Islands in Thailand where the photographer spent two weeks observing and documenting the species impressed the judges enough to call it “the world’s best underwater image.”

“Although the AI revolution has quickly changed the global photographic landscape, this year’s winners are a testament to humanity’s creative perseverance over machine,” the competition’s organizers, Underwater Photography Guide, write in a press release.

“With new rules against the use of generative AI imagery in our primary categories, these photos are 100% real.”

Best in show and first place in the Portrait category. | Suliman Alatiqi
First place in the Underwater Fashion category. | Lucie Drlikova
First place in the Black and White category. | Joergen Rasmussen
First place in the Cold Water category. | Alessandro Giannaccini
First place in the Blackwater category. | Keigo Kawamura
First place in the Compact Behavior category. | Derek Singer
First place in the Compact Macro category. | Imogen Manins
First place in the Compact Wide Angle category. | Bryant Turffs
First place in the Macro category. | Alberto Casati
A male black cardinal fish spits out roughly 20,000 eggs it has been holding in its mouth for a week after the female deposited them there. First place in the Marine Life Behavior category. | Kenji Sato
First place in the Nudibranchs category. | Peter Pogany
The release of a newborn blacktip shark during a study on shark adaptation to climate change. First place in the Underwater Conservation category. | Victor Huertas
First place in the Underwater Digital Art category. | Justin Lutsky
First place in the Wide Angle category. | Suliman Alatiqi
Second place in the Black and White category. | Jon Anderson
Second place in the Compact Macro category. | Marcus Commodore
Second place in the Macro category. | Byron Conroy
Second place in the Marine Life Behavior category. | Josh Raia
Second place in the Nudibranchs category. | Yen-po Huang
Second place in the Underwater Fashion category. | Anna Aita
Second place in the Wide Angle category. | Ines Goovaerts
Third place in the Black and White category. | Serge Melesan
Third place in the Blackwater category. | Jialing Cai
Third place in the Compact Wide Angle category. | Andrea Michelutti
Third place in the Macro category. | Dennis Corpuz
Third place in the Underwater Fashion category. | Julian Nedev
Third place in the Wide Angle category. | Bryant Turffs
Fourth place in the Black and White category. | Enrico Pompei
Fourth place in the Coldwater category. | Ferenc Lorincz
Fourth place in the Portrait category. | Gabriel Jensen
Fourth place in the Wide Angle category. | Giancarlo Mazarese
Honorable Mention in the Black and White category. | Serge Melesan
Honorable Mention in the Compact Behavior category. | Keri Frankenstein
Honorable Mention in the Marine Life Behavior category. | Brandi Romano
Honorable Mention in the Portrait category. | Celia Kujala
Honorable Mention in the Marine Life Behavior category. | Todd Aki
Honorable Mention in the Portrait category. | Kat Zhou

Over $120,000 worth of prizes were handed out. For more information and to learn more about this year’s contest, head to the competition’s website.

A photographic journey in Bangkok with Xiaomi

A photographic journey in Bangkok with Xiaomi

Not even a week ago, Alessia Glaviano – Head of Global PhotoVogue – a guest on our Spigola podcast, reminded us that it no longer matters whether you shoot with a camera or a smartphone. What matters is the intention behind the shot, not the means. We pondered deeply on this statement, and although there was initially some skepticism, we concluded that to take a true stance on the matter, we had to try it ourselves: capturing moments solely with a smartphone, but with the same attitude we would have had with a professional camera. Xiaomi provided us with the opportunity and the means.

Almost by chance, Xiaomi presented us with a challenge: to visit a distant place and attempt to capture its uniqueness using the brand-new Redmi Note 13 Pro+ 5G. And so began our journey, short but very intense, in Bangkok.

All the promises of this new device – which, along with four others, forms the new Redmi Note 13 Series, further enriching the brand’s Redmi Note lineup – were substantial. Starting from the battery, rechargeable to 100% in just 19 minutes with a lasting capacity of days (not hours), and of course, the camera system consisting of 3 cameras, including a main 200 MP camera, an ultra-wide-angle camera, and a macro camera.

We decided to put Xiaomi to the test in every moment spent in the Thai capital. The first stop was at the Royal Palace and the Wat Pho temple, where the goal was to capture the colors of the mosaics and decorations.

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Being one of the most touristy places in the city, we encountered many people who, like us, were fascinated by the architecture of these sacred places. The Redmi Note 13 Pro+ 5G came to our aid in this moment as well. The smartphone is equipped with AI-based editing tools that, among other things, allow us to remove people who accidentally end up in our shots. You know those photos you see on Instagram of tourist spots always empty? Now you can have them too, effortlessly!

But a city is not only visited during the day; often, it comes to life at night, illuminated by a myriad of different lights. In our case, the lights were those of the legendary tuk-tuks, indispensable in a trip to Bangkok. In this case, the challenge was formidable: darkness, colored lights, movement. All the ingredients for a challenging shot were present.

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Not content with just the shot, we continued to play with AI tools and added a bit more movement, some stars, many stars.

When traveling, we know very well that we are not only captivated by architecture, landscape, and glimpses, but we also focus on the faces we encounter on the streets. However, we often don’t have much time to photograph them, sometimes because they move, other times because we are the ones on the move. That’s exactly what happened to us in the characteristic Thai markets, first and foremost the Floating Market.

Reviewing the photos on the return flight and at home with friends was like reliving the journey once again, leaving no detail behind.

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In Bangkok, on the occasion of the launch of the new Redmi Note 13 Series, the brand also introduced the brand-new Xiaomi Watch 4 and Xiaomi Buds 5 Pro. Visit Xiaomi’s website to discover all the features of these devices.

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Photos shot on Xiaomi Redmi Note 13 Pro+ 5G