About

Posts by :

How a Photographer Missed Out on $8 Million For This Portrait of a Crypto Billionaire

How a Photographer Missed Out on $8 Million For This Portrait of a Crypto Billionaire
Vitalik Buterin
The portrait of Vitalik Buterin is technically worth $8 million today.

Being a freelance photographer is not easy. Chasing invoices, dealing with late payments, the list goes on, but very few have ever missed out on a payment of $8 million that was rightfully theirs.

But that’s what happened to photographer Andrew Miller after he took a portrait of Vitalik Buterin, who co-founded the cryptocurrency Ethereum and went on to become the world’s youngest crypto billionaire.

Long before Russian-Canadian programmer Buterin made the Forbes rich list, Miller, a self-confessed gamer geek, had taken a keen interest in the enigmatic programmer and approached him with a portrait idea around the same time Buterin was launching Ethereum. Buterin agreed, but back then he was cash-strapped so one of his investors came up with the idea of paying Miller in the upcoming Ethereum currency.

Miller paid for the shoot at his own expense — which included dinner, a photo assistant, and a makeup artist — and agreed to be paid in the initial coin offering so long as it was the equivalent of the $1,200 CAD ($886) that Miller deemed to be the value of his photo shoot.

This is Where it Gets Interesting

Miller tells PetaPixel that he was supposed to have been paid for the copyright of the photo during the initial coin offering when the price of Etherum was $0.31, meaning the photographer ought to have received somewhere between 3,225 and 3,600 Ether. Today, 3,600 Ether is worth nearly $8 million (10.8 million CAD).

Vitalik Buterin

“I said if they started using it commercially they could pay me in Ether at the initial coin offering amount. They agreed in principle and would investigate how to get the coins to me through their execution of the offering. It was still a new process for them and theoretical,” Miller says.

“I met them in Vancouver two weeks later at the 2014 Coinfest and hung around for lunch and other gatherings. I queried them on how payment would play out and Anthony [an investor] set me up with a Bitcoin wallet to demonstrate how one would send coins back and forth,” he continues.

“It was always my understanding that I would receive Ether at the initial coin offering. I just thought that in the end, they didn’t use the image commercially. Everything was not traditionally public and the Ethereum website was sparse for photos.”

Suffice it to say, Miller never received the cryptocurrency and after losing contact with Buterin, he was oblivious that his photo had been disseminated commercially. It was being used in news articles, memes, fan art, and even being sold as knock-off NFTs with zero credit given to Miller.

Despite numerous attempts to reach Buterin, Miller has not heard from the Ethereum co-founder and now says he is “trapped in a situation where there is no response from Vitalik or the Ethereum organization.”

“My portraits appear to have been instrumental in shaping the positive perception of Vitalik and contributed in some small part to Ethereum’s rise,” Miller writes in an article for DIY Photography.

“Today, I am battling to gain attribution and recognition after the portraits became famous, leaving my name unspoken. The history of what I did for Vitalik was untold, and anyone looking back can see its value given the timing and what transpired afterwards. Any joy I took in seeing my photos fulfilling the role I originally intended was quelled when I learned that they had been used commercially by the Ethereum co-founders, who never fulfilled their end of the negotiation.”

Miller stresses he has never issued an invoice, largely because if he does, Canadian law requires him to declare it as income immediately and pay income and sales tax on it regardless whether he’s received the payment or not.

PetaPixel has reached out to Vitalik Buterin and Ethereum for comment but did not hear back ahead of publication.

More of Miller’s work can be found on his website and Instagram.


Image credits: Photographs by Andrew Miller.

It’s time to cast your vote for People’s Choice Wildlife Photographer of 2023

It’s time to cast your vote for People’s Choice Wildlife Photographer of 2023

Twenty-five awe-inspiring photos make up the shortlist for this year’s Wildlife Photographer of the Year’s People’s Choice Award — and now it’s time to vote for your favourite.

The Natural History Museum in London, England, shared its list of images last week, narrowed down from almost 50,000 entries sent in from 95 countries.

“Wildlife Photographer of the Year’s People’s Choice Award always offers an astounding selection of images, and this year is no different,” said Douglas Gurr, director of the Natural History Museum, in a statement. “We invite the public to join the jury and vote for their favourite; whether breathtaking beauty or a powerful story, it’s sure to be a difficult decision!”

Story continues below advertisement

This year’s shortlist includes a wide variety of images that are sure to delight, capture the imagination and, in some cases, make us consider the impact humans have on the natural world.

Among the most striking images is a photo of a clothing rack hanging with clothing fashioned out of the furs of the world’s most endangered big cats.


Confiscated coats in Hamburg made from the skins of some of the most endangered big cats.


Britta Jaschinski / Wildlife Photographer of the Year

A polar bear sleeping on an iceberg, a pair of hares that look as though they’re about to smooch, a rescued chimpanzee gazing out through the bars of a cage and a bull elephant kicking up garbage in a landfill, are just a few of the captivating animals caught on film.

The public is now able to vote online for their favourite image through Jan. 31.

The winner and the top four images will then be announced on Feb. 7. They will be displayed online, as well as in the in-person exhibition at the Natural History Museum.

Story continues below advertisement

Last year’s winner was Sascha Fonesca, for his image of an elusive snow leopard on a snowy mountaintop in the Indian Himalayas.


‘World of the Snow Leopard’ won the 2022 Wildlife Photographer of the Year’s People’s Choice Award.


Sascha Fonseca / Wildlife Photographer of the Year

Fonesca said it took his bait-free camera trap three years to capture the shot.

His photo won the 2022 competition with a whopping 60,466 votes.

Check out some of the finalists for this year’s award below, and head over to Wildlife Photographer of the Year to see the full list and vote for your favourite.

‘The Grassland Geladas’


Taken during the August rainy season, with looming clouds threatening a downpour, a gelada suckles its baby alongside a companion at the edge of a plateau in the Simien Mountains of Ethiopia.


Marco Gaiotti / Wildlife Photographer of the Year

‘Troublemaker’


An Adelie penguin approaches an emperor penguin and its chick during feeding time in Antarctica’s Atka Bay.


Stefan Christmann / Wildlife Photographer of the Year

‘Swallow Over Meadow’


A barn swallow flies over a meadow of cornflowers in eastern Germany.


Hermann Hirsch / Jan Lessman / Wildlife Photographer of the Year

‘Starling Murmuration’


A murmuration of starlings makes shapes in the sky above Rome, Italy.


Daniel Dencescu / Wildlife Photographer of the Year

‘Bull In A Garbage Dump’


A bull elephant surrounded by stray dogs stomps through rubbish as it scavenges at a dump in Tissamaharama, Sri Lanka.


Brent Stirton / Wildlife Photographer of the Year

‘Neighbourhood Dispute’


A mudskipper fiercely defends its territory from a trespassing crab in Roebuck Bay, Australia.


Ofer Levy / Wildlife Photographer of the Year

‘Opportunity Fox’


A young red fox scavenges in a bin in London.


Matt Maran / Wildlife Photographer of the Year

‘Tough Negotiation’


A red fox cub eyes a shrew in the Judean foothills, Israel.


Ayala Fishaimer / Wildlife Photographer of the Year

‘Aurora Jellie’


Moon jellyfish swarm in the waters of a fjord outside Tromso in northern Norway illuminated by the aurora borealis.


Audun Rikardsen / Wildlife Photographer of the Year

‘Shared Parenting’


A lion cub gets lots of attention in Maasai Mara, Kenya.


Mark Boyd / Wildlife Photographer of the Year

‘Snowshoes’


A snowshoe hare pauses in the Rocky Mountain National Park, U.S.


Deena Sveinsson / Wildlife Photographer of the Year

Story continues below advertisement

More on World

&copy 2023 Global News, a division of Corus Entertainment Inc.

Edward S. Curtis’ ‘Unpublished Plains’ comes to Valley Fine Art on Friday and Saturday

Edward S. Curtis’ ‘Unpublished Plains’ comes to Valley Fine Art on Friday and Saturday
Edward S. Curtis (1868-1952), 1908.
Valley Fine Arts/Courtesy photo

Valley Fine Art in collaboration with The Curtis Legacy Foundation is holding an event on Friday and Saturday to premiere their new exhibit based on the book “Edward S. Curtis: Unpublished Plains: Photographs, Memoirs, Conversations with Native Friends.” The event includes a meet and greet with John Graybill, Edward Curtis’ great-grandson, and his wife Colleen.

When Edward Curtis began photographing Indigenous peoples in the early 1900s, he had only six years of classroom education and no formal training in art, history, science, or other academic disciplines. Despite this, he became one of the 20th century’s most famous photographers and ethnologists. Today he is remembered for his twenty-volume masterpiece, “The North American Indian,” a publication that took nearly three decades to complete.

It is speculated that Curtis took 40,000 images during his career; however, only 2,234 were included in his magnum opus. Thousands of photographs did not make it into Curtis’ books; many were never seen by anyone other than the photographer and his assistant. Many of these photographs were packed away; the boxes were stored in the back of closets or stashed in attics and basements as this innocuous piece of history was passed down through Curtis’ descendants. When Edward Curtis’ great-grandson, John Graybill, became the proprietor of those boxes of forgotten photographs, he recognized both their beauty and the history they contained. These unpublished images, encompassing both special events and everyday life and ranging from Alaska to Oklahoma, are featured in the upcoming exhibition and corresponding book, “Unpublished Plains: Photographs, Memoirs, Conversations with Native Friends”.



The exhibit, premiering at the Buena Vista Heritage Museum, will feature more than just a selection of photographs. While the photos remain at the heart of the project, the exhibit strives to blend aesthetic and educational experiences. Storyboards will accompany the photographs, offering both descriptions of the different tribes represented and commentary from various current Great Plains tribal citizens.

The exhibit will also include a sneak preview of CLF’s Descendant Project. What started as an attempt to track down descendants of the Native Americans documented initially by Edward Curtis has blossomed into an endeavor that blends Curtis’ 20th-century photography with current 21st-century technology to deliver the Native voices of today. Utilizing an app on their smartphone, visitors will scan the portraits of these descendants, giving them access to interview clips with those people. Through this, visitors will be able to hear stories directly from Native voices, even when speakers aren’t present in the museum.



Visit https://www.valleyfineart.com for the full schedule of events.

Google Pixel 8 has AI-enhanced photography

Google Pixel 8 has AI-enhanced photography

Google is trying anything it can to stand out with its smartphone, which looks more and more like an iPhone.  Their latest handset taps into AI-powered photography to make taking photos easier and allow people to manipulate an image to make it look better.

MORE: GOOGLE’S BILLION-DOLLAR SECRET TO FORCE IPHONE OWNERS INTO USING ITS SERVICES

The essentials of Google’s new Pixel 8 phone

The Google Pixel 8 is the latest smartphone from Google. The Pixel 7 was released in 2022. The Pixel 8 has a smoother 120Hz OLED panel that gets significantly brighter, faster hardware that’s ideal for gaming, and a larger battery that should last all day. 

Future-proofing the Pixel 8 will mean you will get seven years of software updates, according to Google, which is unprecedented for an Android smartphone. This means that the Pixel 8 will get the latest version of Android and the security patches until roughly 2030, which is longer historically than some iPhones. This puts the Pixel 8 in a league of its own, as it potentially offers a longer lifespan for your phone.

A standard shot of the dock and city with Google Pixel 8

Google Pixel 8 vs. Google Pixel 7

Feature Google Pixel 8 Google Pixel 7
Operating System Android 14 Android 12
Display 6.2-inch OLED, Smooth Display 6.0-inch OLED
Processor Google Tensor G3 Qualcomm Snapdragon 765G
Storage Options 128GB, 256GB 128GB, 256GB
Memory 8GB 6GB
Rear Cameras 50MP main, 12MP ultrawide 12.2MP main, 16MP ultrawide
Front Camera 10.5MP 8MP
Battery Life 24-hour+ battery life Up to 24 hours talk time
Wireless Charging Yes Yes
5G Support Yes Yes
Water Resistance IP68 IP68
Colors Hazel, Obsidian, Rose Just Black, Clearly White

Some of the main differences between the Google Pixel 8 vs. Google Pixel 7

  • The Google Pixel 8 has a newer and faster processor, the Google Tensor G3, which is designed by Google itself and optimized for AI and machine learning tasks.
  • The Google Pixel 8 has a larger and smoother display, with a 6.2-inch OLED screen that supports a 120Hz refresh rate, compared to the 6.0-inch OLED screen with a 90Hz refresh rate on the Google Pixel 7.
  • The Google Pixel 8 has more memory, with 8GB of RAM, compared to the 6GB of RAM on the Google Pixel 7. This means the Google Pixel 8 can handle more apps and multitasking without slowing down.
  • The Google Pixel 8 has better cameras, with a 50MP main camera and a 10.5MP front camera, compared to the 12.2MP main camera and the 8MP front camera on the Google Pixel 7.
  • The Google Pixel 8 also has improved features such as Night Sight, Portrait Mode, and Cinematic Pan.
  • The Google Pixel 8 has a newer operating system, Android 14, which offers more features and security updates than Android 12, which is the operating system on the Google Pixel 7.

Long exposure shot of the Dock with Google Pixel 8

MORE: HOW TO TAKE PHOTOS IN LOW LIGHT USING YOUR PHONE

Revolutionizing photography with AI-powered camera system 

At the heart of the Pixel 8 lies its extraordinary AI-powered camera system, which promises to take your photography to new heights.

Innovative “Best Take” tool

Among its standout features is “Best Take.”  Here’s what I like about this innovative tool. It automatically selects the best shots from a series of similar photos, ensuring you never miss the perfect moment. Whether it’s a group photo or a candid shot, “Best Take” combines multiple frames into a single picture.

A standard shot of the Brooklyn Bridge with Google Pixel 8

“Magic Editor” feature

Another notable feature is the “Magic Editor” integrated into Google Photos. This tool allows users to add custom edits and studio-quality enhancements to any photo with ease. Improve lighting, adjust backgrounds, and even fix image blur from photos taken on your old iPhone or Android device. Pixel 8’s “Magic Editor” brings out the best in your pictures with just a few taps.

image

Audio Magic Eraser feature fixes bad sound

For those bothered by distracting background noises in their videos, the Pixel 8 introduces “Audio Magic Eraser.” Leveraging Google’s AI prowess, this feature reduces unwanted sounds like cars and wind, ensuring your audio remains crystal clear. It’s a revolutionary tool for content creators and anyone who values audio quality in their recordings.

Pixel 8 vs. Samsung Galaxy S23: A choice of preferences

In a world of abundant choices, choosing between the Pixel 8 and Samsung Galaxy S23 boils down to personal preferences. While both phones offer impressive camera systems, Pixel 8’s AI innovations stand out. It caters to photography enthusiasts who crave creative control and exceptional photo quality. On the other hand, the Samsung Galaxy S23 excels with its sleek design and the Dynamic AMOLED 2X display, offering stunning colors and contrast.

Comparing Google Pixel 8 vs. Samsung Galaxy S23 

  • The Google Pixel 8 has a newer and faster processor, the Google Tensor G3, which is designed by Google itself and optimized for AI and machine learning tasks.
  • The Samsung Galaxy S23 has a more powerful battery, with a 5000 mAh capacity, compared to the 4500 mAh battery on the Google Pixel 8. This means the Samsung Galaxy S23 can last longer on a single charge.
  • The Samsung Galaxy S23 has more storage options, with 128GB, 256GB, and 512GB variants, compared to the 128GB and 256GB variants on the Google Pixel 8. This means the Samsung Galaxy S23 can store more photos, videos, and apps on the phone.
  • The Samsung Galaxy S23 has a better zoom capability, with a 10x optical zoom and a 100x digital zoom, compared to the 4x optical zoom and the 20x digital zoom on the Google Pixel 8. This means the Samsung Galaxy S23 can capture more details from far away objects.
  • The Google Pixel 8 has a newer operating system, Android 14, which offers more features and security updates than Android 13, which is the operating system on the Samsung Galaxy S23.

Pricing

The Google Pixel 8 and the Samsung Galaxy S23 have different prices depending on the storage option.

For the 128GB storage option, the Google Pixel 8 costs $699, which is $100 less than the Samsung Galaxy S23, which costs $799.

This means that the Google Pixel 8 has a lower price per GB of storage than the Samsung Galaxy S23, as shown by the following calculation:

Therefore, the Google Pixel 8 offers a better value for money for the 128GB storage option than the Samsung Galaxy S23. However, there may be other factors that influence the choice of smartphone, such as design, features, performance, and brand preference.

Eco-friendly design: A step toward sustainability

Beyond its photographic prowess, the Pixel 8 sets a new standard for eco-conscious smartphones. Google has gone to great lengths to ensure this device is not only cutting-edge but also environmentally responsible, a trend being embraced industry-wide.

The phone is constructed using 100% recycled aircraft-grade aluminum, and even the glass and plastic used are 100% repurposed.

Zoom shot of Jane’s Carousel near the Brooklyn Bridge taken with Google Pixel 8

MORE: HOW TO HIDE PHOTOS ON ANDROID FROM SNOOPS

Additional upgrades

Compared to its predecessor, the Pixel 7, the Pixel 8 brings improvements across the board. Its larger and more versatile display, coupled with a variable refresh rate, delivers smoother visuals. The Google Tensor G3 chip ensures robust performance, while Android 14 offers a highly customizable operating system. Moreover, the Pixel 8 boasts extended battery life, making it ideal for those who need a device that can keep up with their busy lives.

Safety features with AI intelligence

Google Pixel phones, including the Pixel 8, come equipped with personal safety features powered by AI intelligence. In case of a car accident, the phone can swiftly call emergency services and share your precise location for a faster response which was first introduced to the iPhone.

For nighttime runners and travelers, the Pixel offers peace of mind with safety check-ins. Furthermore, it provides Crisis Alerts for natural disasters and early earthquake warnings through the Android Earthquake Alert System for those in regions prone to shaky ground.

With its stellar camera innovations, sustainability focus, and user-friendly features, the Google Pixel 8 is poised to make waves in the world of smartphones. Whether you’re a photography enthusiast or simply value a sustainable lifestyle, the Pixel 8 is arguably Google’s best smartphone yet.

Kurt’s key takeaways

The Google Pixel 8 is making waves in the smartphone landscape, offering cutting-edge AI-powered photography and a strong commitment to sustainability. Its AI camera features, including “Best Take” and “Magic Editor,” redefine photography with seamless image enhancement and audio improvement. With a focus on sustainability, the Pixel 8 uses 100% recycled materials, setting new standards for eco-friendly smartphones.

When compared to the iPhone 15, the Pixel 8 excels in AI photography while offering versatility with a customizable Android 14 OS. It also prioritizes personal safety with features like automatic emergency service calls and earthquake warnings to play catch up with Apple. The Pixel 8 builds on the success of its predecessor, the Pixel 7, which introduced a radical redesign with a borderless screen and a rear fingerprint scanner. For photographers and those in search of a new cell phone, the Google Pixel 8 represents a compelling option, blending innovation, environmental responsibility, and user-centric features.

What would make you pick an Android phone over Apple iPhone? How important is the camera to you when you purchase a phone? Let us know in the comments below.

TO GET MORE OF MY SECURITY ALERTS, SUBSCRIBE TO MY FREE CYBERGUY REPORT NEWSLETTER

Answers to the most asked CyberGuy questions:

   

🛍️ MORE HOLIDAY GIFT IDEAS

SHOPPING GUIDES:

KIDS   |    MEN    |    WOMEN    |   TEENS   |    PETS   | 

FOR THOSE WHO LOVE:

COOKING    |    COFFEE   |    TOOLS    |    TRAVEL    |    WINE    |

DEVICES:

LAPTOPS    |    TABLETS    |    PRINTERS    |    DESKTOPS    |    MONITORS  |   EARBUDS   |   HEADPHONES   |     KINDLES    |    SOUNDBARS    |

ACCESSORIES:

CAR   |    KITCHEN    |   LAPTOP    |   KEYBOARDS   |    PHONE   |    TRAVEL    | KEEP IT COZY    |

PERSONAL GIFTS:

PHOTOBOOKS    |   DIGITAL PHOTO FRAMES    |

SECURITY

ANTIVIRUS    |    VPN   |    SECURE EMAIL    |

CAN’T GO WRONG WITH THESE:

GIFT CARDS

The Center for Art Law Report on Anti Money Laundering and Art Review

The Center for Art Law Report on Anti Money Laundering and Art Review
image

The “Center for Art Law Report on Anti-Money Laundering and Art[1]is an enlightening and comprehensive guide that explores the practices of Anti-Money Laundering (AML) in the art sector across EU member states and the UK, following the enforcement of the EU’s 5th AML Directive in 2018. This Directive brought the art world under closer scrutiny by EU’s AML regulations, particularly due to the increasing association of art financing with terrorist activities.

What sets this report apart is its pioneering effort in compiling a guide of this nature. It features survey responses from leading Art Law experts across 14 jurisdictions, offering valuable insights. The report delves into the specific AML laws that apply in each country, their approach to Non-Fungible Tokens (NFTs), and the array of sanctions in place. Not only does this approach provide a comprehensive understanding of the diverse legal landscapes, but it also raises awareness about the implications for participants in the art market throughout Europe and beyond.

In Austria, the approach to AML is comprehensive and encompasses various laws, such as the Financial Markets Anti-Money Laundering Act, the Beneficial Owner Registry Act, and the Trade Act. These regulations prioritize due diligence, identification of beneficial owners, and ongoing monitoring of business relationships. Special attention is given to Politically Exposed Persons (PEPs) and transactions involving high-risk countries, requiring enhanced due diligence. Failure to comply with these regulations can result in significant sanctions.

In Belgium, a law was enacted in response to the EU AML 5th Directive, which came into effect on January 1, 2022. This law applies to art transactions and covers art galleries, dealers, auction houses, and freeports, but excludes artists and public museums. It defines ‘works of visual art’ and clarifies that NFTs are generally not included in this category. The AML regime in Belgium mandates the registration of art market participants and applies to those engaging in regular trading activities involving artworks.

These insights into Austria and Belgium exemplify the EU’s approach to AML regulations in the art sector. They demonstrate the meticulous regulatory frameworks and specific compliance requirements imposed on art market participants. However, it is unfortunate that the document did not provide direct comparisons with the US approach, which would have offered a more comprehensive understanding of the differences between the two regions in combating money laundering in the art world.

The perspective on Anti-Money Laundering (AML) in the art market differs significantly in the United States. In the U.S., the main legislation governing AML is the Bank Secrecy Act (BSA), which was established in 1982 and later amended by the Anti-Money Laundering Act of 2020, a part of the National Defense Authorization Act (NDAA) of 2020. The latter specifically addresses the regulation of “antiquities.”

Here are key aspects of the U.S. Art AML Regulations:

1. Scope of Regulation: The AML Act of 2020 includes provisions for individuals “engaged in the trade of antiquities.” This encompasses advisors, consultants, and anyone involved in the business of selling antiquities. However, the exact definition of institutions or individuals to be included under these regulations is still being finalized.

2. Rulemaking and Implementation: The responsibility for determining the scope of rulemaking lies with the U.S. Treasury, in conjunction with the FBI, Attorney General, and Homeland Security. Factors such as business size, type, and location will be considered when deciding which individuals or businesses should be regulated.

3. Concerns by FinCEN: FinCEN, a part of the U.S. Treasury, has expressed concerns regarding money laundering and terrorist financing in the trade of art and antiquities.

4. Proposed Rulemaking: In 2021, FinCEN published an Advanced Notice of Proposed Rulemaking, seeking feedback on various aspects related to the application of the BSA to the trade of antiquities. However, as of July 2023, no regulations pursuant to the AML Act have been drafted or proposed, and FinCEN has surpassed the deadline set by Congress for taking this action.

5. High Risks/Red Flags: The specific high risks or red flags associated with money laundering in the art market are yet to be clarified in the implementing regulations. However, there is a focus on high-value trades in antiquities and the identification of actual purchasers, as well as agents or intermediaries involved in transactions.

6. Record-Keeping and Reporting Requirements: Current regulations for financial institutions include reporting cash transactions exceeding $10,000 and filing Suspicious Activity Reports (SARs). However, the specific requirements for antiquities dealers and a broader range of participants in the art market are still being finalized.

7. Reporting System: FinCEN provides an e-filing system for SARs, enabling regulated entities to report suspicions of money laundering.

The approach taken by the United States is still in the development stage. Key aspects, such as the scope of regulations, high-risk factors, and specific reporting and record-keeping requirements, are yet to be finalized. This stands in contrast to the more established and detailed frameworks in the European Union, where the 5th Directive has been implemented across various member states, accompanied by specific guidelines for art market participants.

While this report is innovative and comprehensive, it is important to note that it does not constitute legal advice. Rather, it serves as a valuable compilation that enhances our understanding of the intricacies of Art AML laws. The inclusion of the US approach for comparison purposes adds an extra layer of depth, making it a must-read for professionals and enthusiasts alike who are eager to navigate the complex intersection of art and AML regulations. Overall, this is an excellent read for anyone interested in either anti-money laundering laws or the global art market.

[1] Center for Art Law is a Brooklyn-based nonprofit that offers educational resources and programming for the advancement of a vibrant arts and law community. Center for Art Law – At the intersection of visual arts and the law (itsartlaw.org)

The makers of pro photography app Halide venture into video with Kino, due this February

The makers of pro photography app Halide venture into video with Kino, due this February

Lux, the startup and makers of the popular pro photography app Halide and others, is venturing into video. The team today announced its plans to debut a new app, Kino, arriving in roughly two months’ time, that will allow iPhone users to work with video in a more professional capacity.

The news follows advances in iPhone video capture that have allowed Apple to film its own press events using an iPhone 15 Pro Max alongside other professional equipment. Recording artist Olivia Rodrigo also released a music video for her track “Get Him Back!” using an iPhone 15 Pro.

The Lux team additionally confirms that last fall’s launch of Log video support, which Lux co-founder Ben Sandofsky says is to “videomakers as RAW is to photographers,” inspired the team to build the new app for video.

“Since we launched Halide in 2017, one of our top questions from users has been ‘When are you going to add video capture?’” says Sandofsky in an announcement video. The company’s well-received Halide app had originally capitalized on the iPhone’s support for RAW photography to win an Apple Design Award and gain it many fans, who have now been clamoring for video support in Halide.

“I’m really excited to today announce: never. Halide is never going to be able to capture video,” Sandofsky teases.

Instead, the company is developing a new app for this purpose called Kino. The reason to build this as a separate app, beyond being able to monetize the feature as an additional product, has to do with the use cases for the two products. Halide is focused on the pro photography market while Kino will focus on pro videography, so presumably will have a host of additional features that could lead to clutter if included in the Halide app.

Sandofsky says the team has a deadline of February to ship it, as he will soon be a father. So, he explains, “We thought it would be fun this time to take you along this insane journey.”

That means, instead of building in secret followed by a splashy launch, the team at Lux will take users behind the scenes of app building as they weigh things like engineering problems and design considerations that go into developing Kino.

Much more isn’t yet known about what Kino will include or when, exactly, it will arrive, but it’s likely to be another well-built app, considering the startup’s track record for iPhone photography.

Reception at UW American Heritage Center Dec. 7 Celebrates Three New E

Reception at UW American Heritage Center Dec. 7 Celebrates Three New E
black and white photo of two people standing by gravestones

The Rev. John Roberts and Andrew Basil, grandson of Sacajawea, stand at the grave
of Sacajawea, the Eastern Shoshone guide for the Lewis and Clark expedition, at Fort
Washakie. A new exhibition at UW’s American Heritage Center features 13 colorful paintings
by Irish artist Brian Whelan that celebrate the life of Roberts and his historic 66-year
ministry. (ArtSpirit Photo)

The University of Wyoming’s American Heritage Center (AHC) will celebrate the opening
of three recently installed exhibitions Thursday, Dec. 7.

These are: “Portraits of the West: Photographs of James Bama” in the loggia; “White
Robe: The Story of the Sacred Journey of the Rev. John Roberts among Native Americans”
in Gallery One; and “Unmasking the Unknown: Delving into Literary Mysteries,” a book
exhibition in the Toppan Library. 

The reception will take place from 4-5:30 p.m. It will begin with three brief talks
about each exhibition in the Stockgrowers Room, followed by a small reception and
an opportunity to view the exhibitions. 

“Portraits of the West” features the photographs of Western artist James Bama. He
was widely known as an American realist painter whose work featured Western themes.
Bama took thousands of photographs during his career to use as the basis for his work.
The exhibition features some of these fine-art photographs that are every bit as exciting
as his paintings.

“White Robe” features 13 colorful paintings by Irish artist Brian Whelan that celebrate
the life of Roberts and his historic 66-year ministry on the Wind River Indian Reservation.
ArtSpirit, the arts initiative of the Episcopal Church in Wyoming, commissioned the
touring exhibition; it will travel to Europe after its stay at UW.

“Unmasking the Unknown: Delving into Literary Mysteries” is a book exhibition selected
from the AHC’s Toppan Library. This exhibition will follow the evolution of the mystery
genre from its early beginnings to its more recent adaptations that continue to engage
with audiences of today. These works span multiple artists from Arthur Conan Doyle
to Agatha Christie to more recent novelists such as Wyoming author C.J. Box. Along
the way, it visits subgenres ranging from Gothic tales to cops-and-robbers to true-crime
dramas.