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Kerala artist’s Italian ‘Dream’ comes true

Kerala artist’s Italian ‘Dream’ comes true

Express News Service

KOCHI:  Salvador Dali blended the worlds of reality and dreams in most of his artworks. The Spanish legend and his surreal paintings have awed and inspired countless art enthusiasts worldwide, and artist C B Shibu is one among them.

Piqued by Dali’s artworks, which nudge one to explore the subconscious mind, Shibu recently made an oil painting titled ‘Dream’. And that frame has now bagged the second prize at the ongoing Biennale Internazionale dell’ Umorismo nell’ Arte (Festival of Humour in Art) in Italy.

The 32nd edition of the fest, organised by the municipality of Tolentino, showcases 2,400 works by 745 artists from 40 countries. Shibu shared the second spot with Italian artist Sergio Tessarolo. “This was my maiden attempt at this Italian biennale. I wanted the work to be out-of-the-box, surreal,” says Shibu, who hails from Cherai. 

“I have been researching the works of Salvador Dali. His dream-like images have nuanced layers, and that inspired me to come up with the painting ‘Dream’.” The work features a vast sea with crimson shimmers of the setting sun. By the shore, two children gaze towards the horizon. Though the description seems like any other sunset painting, on close observation, one notices the sun is ‘setting’ in the middle of the sea.

“The painting can be interpreted in several ways,” explains Shibu. “When we dream, our subconscious mind form multiple random images. Some don’t sync with the real world. Moreover, there was a time when ancient Indians talked about the various suns. The imagery in the ‘Dream’ could well be something set in a parallel universe.” 

Though buoyed by the biennale delight, Shibu says financial constraints would not let him travel to Italy. “Artists will have to bear their entire expense. It’s a great opportunity, but I don’t have the wherewithal,” he adds. The 44-year-old has been pursuing art for over two decades now. His big break was receiving the third position in the Aydin Dogan International Cartoon competition held in Turkey in 2007. 

Last year, his work, titled ‘The Tree’, received a silver medal in the International Cartoon and Illustration Exhibition conducted by the Chinese government.

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Sculptural Holiday Window Displays

Sculptural Holiday Window Displays
holiday window display – Shawn Kolodny, an artist known for his playful works exploring the geometric synergies of nature, has collaborated with the renowned fragrance bran…

Over 100 Indigenous artists raise $60,000 for Palestinians

Over 100 Indigenous artists raise $60,000 for Palestinians

Quill Christie-Peters said she hoped the Turtle Island Indigenous Artists for Palestine art raffle fundraiser she organized would raise $20,000, and in the first hour $15,000 was raised.

Christie-Peters is an Anishinaabe artist from Lac des Mille Lacs First Nation on Lake Superior and one of many Indigenous artists and activists supporting Palestinians.

“I put the call out for only 24 hours for Indigenous artists to donate their work and got over 100 people wanting to do so,” she said.

In total, Turtle Island Indigenous Artists for Palestine raised $60,000 to put toward aid for people in Gaza.

Of the money, $25,000 is going to Glia International, a medical equipment company that is 3D printing medical supplies for Gaza, $2,500 to the Palestinian Youth Movement in Canada and funds were donated to community-led aid efforts, Christie-Peters said.

Woodland Art, owl w 2 people.
A Spiritual Place by Jared Tait, one of the pieces donated to the Turtle Island Indigenous Artists for Palestine fundraiser. (Jared Tait/Instagram)

“It’s important to witness and carry those realities in our hearts and funnel them so that we can take action and have the courage,” Christie-Peters said.

She said support for Israel shown by Canada and the United States is demonstrative of “how much our struggles are intertwined.”

“We made a difference and also made a really bold statement, too…’This is how much we care,'” said Christie-Peters.

“You know, our people often don’t come from the richest of people, but we are generous.”

A ‘misconstrual of history’

Chris Sankey, a former elected band councillor and businessman from Lax Kw’alaams Band in British Columbia, recently wrote he doesn’t think it’s “our place to project our own politics onto a conflict half a world away.”

In a column for the Macdonald-Laurier Institute, a national public policy think tank, Sankey wrote that calls to action by Indigenous people in support of Palestinians brought “shame to their respective communities and embarrassed all Indigenous Canadians” by undermining the progress made toward reconciliation.  

He wrote that any comparison between Indigenous people in Canada and Palestinians is a “misconstrual of history.”

Inspired by Palestinian artist

Autumn Smith, an Anishnaabe artist, said she read about the death of artist Heba Zagout and two of her children in an Israeli air strike on Gaza on Oct. 13. Zagout’s husband and two other children survived.

Wall in Gaza
Jerusalem by Heba Zagout. Zagout was known for her vibrant acrylic paintings of Palestinian villages and towns. (Heba Zagout/Instagram)

Smith, from Magnetawan First Nation just south of Sudbury, Ont., said Zagout’s art resonated with her, half a world away. 

Although she was not part of the Turtle Island Indigenous Artists for Palestine fundraiser, Smith said she wanted to express her support for Palestinians and was inspired by Zagout’s artwork.

“I recognized that love for the land she came from and for her people, and I felt really sad,” Smith said.

Zagout was known for her vibrant acrylic paintings of Palestinian villages and towns.

“All people deserve to be free,” Smith said.

Surreal Scenes Unfold in Sandy Skoglund’s Vibrant and Otherworldly Photographs

Surreal Scenes Unfold in Sandy Skoglund’s Vibrant and Otherworldly Photographs



Art
Photography

#Sandy Skoglund
#surreal

November 29, 2023

Kate Mothes

“Revenge of the Goldfish” (1981). All images © Sandy Skoglund, courtesy of Paci Contemporary, shared with permission

For more than five decades, Sandy Skoglund has explored a fusion of photography, installation, and conceptual art. The artist’s elaborately detailed scenes, built from a wide variety of materials, from furniture to papier-mâché to food, take months—sometimes years—to complete. One iconic image portrays two children in a blue bedroom, surrounded by bright orange goldfish, while in “Radioactive Cats,” we find ourselves peering at a couple in a gray kitchen as they go about normal activities among a clowder of glowing, green felines.

A new exhibition, The Imaginary Worlds of Photography, at Palazzo del Duca in Senigallia, Italy, celebrates Skoglund’s career through a survey of her remarkable photographs, emphasizing her attunement to the relationships between hues and contrasts, her subjects, and elements of each set. Often combining sculptural methods with a photographic aesthetic related to commercial advertising, she welcomes us into surreal and uncanny tableaux where instead of a clear narrative, we find realms of baffling wonder.

The Imaginary Worlds of Photography continues through June 2, 2024. Find more of Skoglund’s work on her website and Instagram.

A photograph by Sandy Skoglund of a cocktail party in a set where everyone and everything is covered in Cheetos.

“The Cocktail Party” (1992)

A fine art photograph of a gray kitchen interior with two elderly figures. A man is seated a table and a woman peers away from the viewer into a fridge. Numerous bright green cats run around.

“Radioactive Cats” (1980)

A fine art photograph featuring two people in a tableau of a living room with a table, ceiling fan, and chairs. A young child sits on the ground. Everyone and everything is covered in fuzzy black dots.

“Atomic Love” (1992)

A fine art photograph of a surreal blue interior. Two figures stand on the ceiling and appear to be floating or falling, and other figures made from mosaic glass appear to be hanging from the ceiling, too.

“Breathing Glass” (2008)

A surreal fine art photograph of a family out walking their dog in a forest where the trees have the bodies of humans.

“Fresh Hybrid” (2008)

A fine art photograph of a surreal scene in which two people appear to be dancing, both wearing red velvet outfits. In the center is a large red velvet wedding cake.

“The Wedding” (1994)

A fine art photograph of two women stepping over a bathroom floor covered in eggs. The floor also has numerous snakes and rabbits.

“Walking on Eggshells” (1997)

A surreal fine art photograph of a family in the corner of a room, coated in blue paper with snowflakes everywhere. In the foreground are figures of a young girl and some owls, also with snowflakes on them.

“Winter” (2018)

#Sandy Skoglund
#surreal

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Surreal Scenes Unfold in Sandy Skoglund’s Vibrant and Otherworldly Photographs

Surreal Scenes Unfold in Sandy Skoglund’s Vibrant and Otherworldly Photographs

“Revenge of the Goldfish” (1981). All images © Sandy Skoglund, courtesy of Paci Contemporary, shared with permission

For more than five decades, Sandy Skoglund has explored a fusion of photography, installation, and conceptual art. The artist’s elaborately detailed scenes, built from a wide variety of materials, from furniture to papier-mâché to food, take months—sometimes years—to complete. One iconic image portrays two children in a blue bedroom, surrounded by bright orange goldfish, while in “Radioactive Cats,” we find ourselves peering at a couple in a gray kitchen as they go about normal activities among a clowder of glowing, green felines.

A new exhibition, The Imaginary Worlds of Photography, at Palazzo del Duca in Senigallia, Italy, celebrates Skoglund’s career through a survey of her remarkable photographs, emphasizing her attunement to the relationships between hues and contrasts, her subjects, and elements of each set. Often combining sculptural methods with a photographic aesthetic related to commercial advertising, she welcomes us into surreal and uncanny tableaux where instead of a clear narrative, we find realms of baffling wonder.

The Imaginary Worlds of Photography continues through June 2, 2024. Find more of Skoglund’s work on her website and Instagram.

 

A photograph by Sandy Skoglund of a cocktail party in a set where everyone and everything is covered in Cheetos.

“The Cocktail Party” (1992)

A fine art photograph of a gray kitchen interior with two elderly figures. A man is seated a table and a woman peers away from the viewer into a fridge. Numerous bright green cats run around.

“Radioactive Cats” (1980)

A fine art photograph featuring two people in a tableau of a living room with a table, ceiling fan, and chairs. A young child sits on the ground. Everyone and everything is covered in fuzzy black dots.

“Atomic Love” (1992)

A fine art photograph of a surreal blue interior. Two figures stand on the ceiling and appear to be floating or falling, and other figures made from mosaic glass appear to be hanging from the ceiling, too.

“Breathing Glass” (2008)

A surreal fine art photograph of a family out walking their dog in a forest where the trees have the bodies of humans.

“Fresh Hybrid” (2008)

A fine art photograph of a surreal scene in which two people appear to be dancing, both wearing red velvet outfits. In the center is a large red velvet wedding cake.

“The Wedding” (1994)

A fine art photograph of two women stepping over a bathroom floor covered in eggs. The floor also has numerous snakes and rabbits.

“Walking on Eggshells” (1997)

A surreal fine art photograph of a family in the corner of a room, coated in blue paper with snowflakes everywhere. In the foreground are figures of a young girl and some owls, also with snowflakes on them.

“Winter” (2018)

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Surreal Scenes Unfold in Sandy Skoglund’s Vibrant and Otherworldly Photographs appeared first on Colossal.

Graduate Summer Scholars

Graduate Summer Scholars

“Bear the Burden of Borders” is a mixed media artwork highlighting the plight of kolbars, Kurdish porters who risk their lives in the Zagros Mountains to carry sanctioned items into Iran.

Sahar Tarighi, master’s candidate in the Department of Art and Design, created two artworks over the summer of 2023 that explore universal themes of human rights, racism, borders and political boundaries.

Originally from Iranian Kurdistan, Tarighi wanted to bring attention to the plight of kolbars. These Kurdish porters traverse the Zagros Mountains between Iraq and Iran carrying items that are readily available on the Iraqi side of the border, such as appliances, but are sanctioned in Iran. The journey is treacherous and often results in injury or death for the kolbars. 

“It’s all talking about land, power and authority figures, patriarchy and monarchy. Stuff that we are struggling with is just universal,” Taghiri said. She aims to serve her people through her art, “to bring more attention, to raise awareness, to amplify their voices.”

Dakota Stevens, a curatorial-track doctoral candidate in art history, also has a goal to raise awareness through engaged scholarship. Stevens’ dissertation is on indigenous-authored murals across North America.

In the course of his research, he identified the need for a searchable archive that maps murals created by indigenous artists. 

“There’s not a ton of recognition of indigenous muralists,” Stevens said. “My practice is all about working with and engaging the communities.”

In 2022, the summer scholarship program enabled Stevens to create a proof of concept for the site, and he hopes to someday hire programmers to make the site a user-generated platform, allowing artists to submit their own biographies and interpretations of their work.