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What Is Marketing?

What Is Marketing?
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Too often, CEOs and CMOs are not aligned on marketing’s role. Is it because they are speaking in synonyms, both saying “marketing” but meaning different things?

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“Marketing is everything and everything is marketing.”

This is both an objective truth about today’s business landscape, and the title of a 1991 book (and HBR article) by Regis McKenna that, over 30 years later, is remarkably prescient and still wildly relevant.

But if everything really is marketing—what then exactly is “marketing”? At a time when marketing’s commercial relevance generally, and the CMO’s specifically, is being questioned by many a CEO and CFO, is there value in considering what it is they’re questioning, and what they mean when they say “marketing”? Is their definition the same as their CMO’s?

It turns out, probably not.

According to a recent McKinsey survey “CEOs and CMOs aren’t always on the same page about the primary role of marketing in their companies,” with the research finding that only 50% of same-company CEOs and CMOs see the role the same way.

While not news to the CMOs living it, the data begs the question of why it’s this way and raises the specter that CMOs and CEOs—who rarely come from marketing’s ranks—are speaking in synonyms, both saying “marketing” but meaning different things. This is a bad thing 100% of the time.

As rudimentary as asking “what is marketing?” may seem, there’s always value in interrogating our default assumptions and definitions to see if they still hold true, or don’t. Especially in times of seismic change, and the past decade+ has been that for marketing and chief marketers both.

So then, what is marketing? And how do marketers define it?

According to the American Marketing Association, whose definition was codified in 2017:

“Marketing is the activity, set of institutions, and processes for creating, communicating, delivering, and exchanging offerings that have value for customers, clients, partners, and society at large.”

Me, I don’t know what this means; the definition complicates (arguably, obfuscates) but doesn’t clarify. If this is how a trade group billing itself as “the essential community for marketers” defines the practice, perhaps it’s no surprise so many CMOs and CEOs aren’t on the same page about it.

Webster’s Dictionary gets a lot closer than the AMA, offering succinctly that marketing is:

“The activity or business of promoting and selling products or services.

But having died in 1843, Mr. Webster never had to promote or sell anything in today’s commercial landscape. So, again, wondering what might have changed and what endures, I asked a small group of CMOs, from a diversity of categories, how they define marketing.

Perhaps not surprisingly—and certainly reassuringly—there was a lot of consistency, and even if the words used are different, one common perspective emerged among their answers:

Marketing is the practice of creating and capturing customer demand to drive enterprise growth. While that’s my synthesis of what was shared in this non-scientific study, here’s how nine much lauded CMOs define “marketing,” in their words, presented alphabetically (Note: some quotes have been edited lightly for brevity):

  • “Marketing is about demand creation and demand capture…(it is) a lot like campaigning. (People) “vote” when they use our services – every day is election day.” ~ Jonathan Adashek, Chief Marketing and Communications Officer, IBM
  • “(Marketing is about) understanding customers deeply, leveraging that understanding and empathy to build better products to solve their problems, and more resonant campaigns that convert better – to ultimately drive incremental growth and engagement.” ~ Kofi Amoo-Gottfried, CMO, DoorDash
  • “Connecting with your target’s needs or desires and convincing them your brand is best aligned with them.” ~ Eugenia Blackstone, CMO, Iris Powered by Generali
  • “(Marketing is) a critical component of a company’s growth strategy. Marketing drives revenue growth by deeply understanding customers, building reputation and trust in brands, and delivering customer acquisition, engagement, and retention.” ~ Lara Hood Balazs, EVP, GM and CMO, Intuit
  • “(Marketing is about) growth; influencing our target audience to choose our products and services is the core of what we do and spans both art and science.” ~ Soyoung Kang, CMO, EOS Products
  • “Marketing is the orchestration of your target’s exposure to, engagement, interaction and experience with your product/brand with the objective of creating a set of thoughts and feelings about your product/brand that will impact purchase decision-making.” ~ Janet Lee, SVP and CMO, Samsung Electronics America
  • “(Marketing is) the art and science of deeply understanding your audience and the problem your brand can uniquely solve for them, then connecting with that audience to engage them in your solution in such a way that it drives them to adopt or purchase.” ~ Micky Onurval, SEVP and Chief Marketing and Communications Officer, TIAA
  • “Marketing is the art and science of getting people interested in your company and whatever it is selling. Marketing fuels brand desire and drives growth by being the voice of the customer to the company and the voice of the company to the customer.” ~ Dara Treseder, CMO, Autodesk
  • “The role of marketing is to create demand, build customer loyalty, and strengthen brand equity.” ~ William White, CMO, Walmart

While the commonality within this small group is as above reassuring, what matters more than any singular definition is that CMOs and their C-suite colleagues align around and share a common definition—whatever it is. Speaking in synonyms, using the same word(s) but meaning different things without realizing it, leaves us sure we’re communicating when we’re not.

Without a shared definition and starting point there is far less likelihood to be any shared success. Because as Lewis Carroll wrote, “if you don’t know where you are going, any road will get you there.”

(Let me know in the comments how you see and define “marketing”. Are there important differences of opinion? Nuances and distinctions you think matter broadly?)

4 questions: West Valley JROTC and photography teacher Gregory Bynum

4 questions: West Valley JROTC and photography teacher Gregory Bynum
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I have yet to meet someone who disliked Master Sgt. Gregory Bynum’s photography class at West Valley High School. That’s because it is all about perspectives – not just how to take a photo, but why you chose to take that photo.

However, this critical thinking lens isn’t the only thing Bynum brings to the school’s students. He is also one of West Valley’s Junior Reserve Officer Training Corps (JROTC) instructors. He teaches his classes for the real world, connecting students to the jobs, technologies and skills they need to succeed. Before West Valley, he served as a career adviser. 

However, while speaking with Bynum recently, one thing remained constant as it was when I took his class two years ago: How genuinely his eyes light up at the prospect of thinking about what he can do for his students.

How has your experience as a military, college and career adviser shaped your approach to educating?

We had a focus on retention – keeping the people that you have invested in. To this day, that is probably my greatest joy and greatest struggle. I think it’s making me a better educator with regards to understanding that I only have a student for a limited amount of time.

As much as I love coming up with 450 new ideas and projects, I have to face reality. I need to tailor that down just a little bit so that not only is the classroom exciting and comes to life with some real-world relevancy, but that there’s always a culminating project at the end so that students have that sense of accomplishment.

What 21st century skills do you think are most important for students to practice and master?

Ironically enough, I still believe that one of the key areas that we have to focus on is soft skills. Being able to look a person in the eye, being able to have a handshake that means something, being able to communicate in front of audiences aren’t going to change. I watched today where they just released ChatGPT-4. But you know what? As much as that engineer is proud of his baby, he still had to have the ability to communicate with an audience and to make eye contact.

I think the human relationship will always remain the greatest technology ever created. There still needs to be that human interaction to make sure that we are still upholding those things that mean the most to us – respect for one another, appreciating what we have, having a sense of gratitude, a sense of humility, and being in a position to raise up the next generation.

What are some of the most interesting changes you have seen in recent years?

I think we are moving forward in STEM with more offerings. For example, next year through our Innovation Center partnership with the high school, I just found out that we will be offering drone license certifications through the FAA.

When I started my military career, I’ve always kind of found myself in that lane of being fortunate enough to be around technology through aviation or combat arms or different military equipment, where we were always seeing the changes in research and development moving forward. When I was a young kid joining, I wanted to be a B-52 tail gunner. And by the time I joined, that had become automated.

I always believe in researching to find the positives with technology, but also hoping that we understand the risk involved with technology, that we have to approach things in moderation. By embracing it, we are truly empowering our students to be marketable in this new era of tech.

Why is teaching students to look through different perspectives so important?

I think it’s important, because that’s what education is all about. The ironic thing is that with photography we always talk about using lenses. So having the ability to look at life through different lenses gives you greater perspective and appreciation.

Through photos, you also have the ability to look at life from someone else’s viewpoint. I think that that’s something that we definitely need as a society.

• Magnus Fulton is a senior at West Valley High School.

Fine Arts Student of the Week: Sophomore follows in dad’s footsteps with photography

Fine Arts Student of the Week: Sophomore follows in dad’s footsteps with photography

Cassidy Otto

Grade: Sophomore.

Age: 15.

Fine arts focus: Photography.

Adviser nomination: “Cassidy is a very talented young photographer. She has submitted several top notch photos for her projects. What I enjoy most about Cassidy is that she likes to take photos, not because she has to, but because she wants to! Cassidy asks for feedback and is always trying to improve,” adviser Andrew Dwyer said.

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Memorable fine arts achievement: Going from snapping pictures on my phone quickly to taking time to capture the moment with a camera.

Artist most admired: My dad.

What got you interested in photography? Also my dad because I always thought his pictures were really cool for my sports teams and wanted to know the technique behind it!

What are your favorite subjects to photograph? Sports or landscape.

Do you have any projects you’re especially proud of? The depth of field/exposure project.

What’s the hardest part about taking the perfect photo? Having the patience when it’s not working how you had envisioned it.

Dream job: Either interior designer or photographer.

Extracurricular activities: Gymnastics and lacrosse.

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Favorite subject: Photography.

Favorite movie: “Furious 7.”

Favorite TV show: “Heartland.”

Favorite book: “Out of my Mind” by Sharon M. Draper.

Favorite song: “Stick Season” by Noah Kahan.

Favorite band/singer: Noah Kahan.

Favorite food: Grandma Sue’s homemade taco pie or my mom’s hotdish.

Hobbies: Hiking, photography and cooking.

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Parents: Ted and Julie Otto.

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▶️ Listen Now: How one Chicago artist is creating space for Indigenous queer, trans and two-spirit writers

▶️ Listen Now: How one Chicago artist is creating space for Indigenous queer, trans and two-spirit writers

River Ian Kerstetter is the founder of TIES Poetry, a series of open mics and readings celebrating Indigenous queer, trans and two-spirit writers. Courtesy of Max Lubbers / WBEZ

After often feeling like the only Native or queer person in a room, River Ian Kerstetter set out to make her own space with TIES Poetry.

Reset talks with Kerstetter about the group and their own artistic journey.

GUEST: River Ian Kerstetter, artist, writer and co-founder of TIES Poetry, a series of open mics and readings celebrating Indigenous queer, trans and two-spirit writers

Rosalie Favell: Indigenous Artists Facing the Camera 11/29/2023

Rosalie Favell: Indigenous Artists Facing the Camera 11/29/2023

When:
Wednesday, November 29, 2023
12:00 PM – 8:00 PM CT

Where:
Block Museum of Art, Mary and Leigh, 40 Arts Circle Drive, Evanston, IL 60208 Evanston map it

Audience:
Faculty/Staff – Student – Public – Post Docs/Docs – Graduate Students

Cost: Free and Open to All

Contact:
Lindsay Bosch  

Group:
Block Museum Exhibitions

Category:
Fine Arts

Description:

Rosalie Favell (b. 1958) is a photo-based Métis artist from Canada whose work is inspired by her Indigenous heritage.”Rosalie Favell: Indigenous Artists Facing the Camera” presents over 115 black and white portraits that speak loudly of the broad diversity of Indigenous people engaged in the arts and cultural community. The exhibition draws from the artist’s monumental archive “Facing the Camera,” consisting of more than 500 photographs taken between 2008 and 2018 in North America and Australia, as well as a selection of new portraits showcasing the vibrant and thriving community of Indigenous artists based in and near Chicago. Favell’s work is a living visual history and a critical intervention in expanding the visibility of contemporary Indigenous artists and arts professionals. 

Rosalie Favell: Indigenous Artists Facing the Camera is curated by Corinne Granof, Academic Curator, and Felipe Gutierrez, 2022–23 Interdisciplinary Graduate Fellow, at The Block Museum of Art. Major support for the exhibition is provided by the National Endowment for the Arts. The exhibition is also generously supported by the David C. and Sarajean Ruttenberg Arts Foundation, the Alumnae of Northwestern University, and the Illinois Arts Council Agency.

Format Architecture Infuses Café Mars With Bright, Bold Visual Flavor

Format Architecture Infuses Café Mars With Bright, Bold Visual Flavor

Bucking the idiom “too many cooks in the kitchen,” Café Mars represents the richness achieved when architecture marinates in collaborative effort across distinct disciplines. The founders and co-chefs, Jorge Olarte and Paul D’Avino, enlisted New York-based Format Architecture to help them deliver an experience in service to their culinary narrative, Italian-American heritage, and the Gowanus neighborhood – with a dash of Format’s signature geometry. Working closely together, the eatery’s design is made as bright as its featured flavors.

Dual photo of booth bays.

“We had many conversations with the chefs in the early stages of the project about food and memory, and the multi-sensory experience that is integral to a great meal,” the firm explains. “Through these conversations, inspiration pulled from food was less direct, but mindfulness to how a visitor would smell, touch, taste, and hear in the space, let alone what they see, was very important to materiality and adjacencies throughout the project.”

Perspective through doorway.

Profile of booth with pseudo window detail to reveal brick.

Table settings.

A memorable experience begins with the pasta die door handle sourced from D. Malardi & Sons, a local, third-generation and family-run macaroni die manufacturer. The detail serves to add charm to the new space while paying homage to the building’s history as a pasta factory and Italian grocery. The restaurant’s significance is also tied to the neighborhood by its location across from the first residence of D’Avino’s great-grandfather – an emigrant from Campania, Italy in 1901.

Booth details.

Perspective of bar with stools.

Bar shelf.

“At the beginning of the project, the chefs came to us with a large scrapbook of inspiration imagery from a broad array of disparate sources: Amalfi Coast umbrellas, neon signage from old Italian restaurants, film stills from Pee Wee’s Playhouse and Beetlejuice, Hobbit-holes, stained glass booth dividers in Chicago and New York dive bars,” the firm adds. “As we were finalizing the color palette for elements in the space, and researching fabrics and upholstery that would be appropriate for the seating and booths, the chefs came to us and said, ‘think Sesame Street,’ and very specifically referred to each hue derived from the main characters.”

Dual photo of quirky bar stools with pink legs from two angles.

Dual photo of ribbed bar furniture details.

Asymmetrical yet balanced – and punchy – guests are pulled into a bright white front dining room that creates a long line of continuation through the length of the corner space. Flanking the left are six booths with custom Format yellow and white bench seatings illuminated by Andrew Neyer’s globe pendants. The original brick wall is made a backdrop at every table through colorfully backlit viewing portals punched out from an oblong yellow panel.

Long bar detail.

Dual photo of bar detail for traditional seating.

Opposite is the central bar followed by the adjacent open kitchen space, both separated by white oak paneled archways. The L-shaped, light gray counter area corresponds to a variety of curves and ribbed details from across the room while the dual tiered dining surface ensures a sense of privacy and comfort. Beyond is the cobalt blue bar outlined by LED lights. Studio Apotroes’ custom Phobos Dining Chairs, with hot pink zig-zag legs, and Grand Rapids Reece Chairs with white detailing are placed around the bar with a staccato rhythm.

Interior design details showing contrasting textures.

Brick archway detail between front and back of house.

A visual rollercoaster continues as patrons venture to the Blue Dining Room at the restaurant’s rear and are greeted with a shift in materiality – generous fenestration, exposed brick, and white hexagon floor tiles. The upholstered cobalt blue banquette seating to the left is another Format-designed original and balanced by more Grand Rapids chairs, this time detailed in blue. MushLume pendants made of mycelium with hot pink wire accents hang above bespoke Todd Higuchi tables with curvy edges adding to unrelenting cheerfulness.

Back of house seating.

Dual photo blue seating details.

Dual photo blue seating details.

Quirky lighting and bathroom wallpaper details.

Outdoor seating with green furniture.

But architects weren’t the only creative forces brought in to realize this project. Artist Massimo Mongiardo was tasked to create a fresh visual identity, which included an original typeface, hand-painted pasta illustrations to adorn the entire restaurant, and neon signage. “Ultimately, the chefs had close ties with many local artisans and friends that they wanted to bring into the project directly, so this framework was really helpful for them to make sure everything felt cohesive and complementary,” the firm continues. “The earnest playfulness of this is indicative of the whimsy and joy that underscored the entire design collaboration with the chefs, and ultimately is embedded in the character of the space throughout.”

Mural on security door for restaurant.

Neon branding.

Nighttime view of exterior with neon lights.

Photography by Nick Glimenakis.

This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

With professional degrees in architecture and journalism, Joseph has a desire to make living beautifully accessible. His work seeks to enrich the lives of others with visual communication and storytelling through design. A regular contributor to titles under the SANDOW Design Group, including Luxe and Metropolis, Joseph serves the Design Milk team as their Managing Editor. When not practicing, he teaches visual communication, theory, and design. The New York-based writer has also contributed to exhibitions hosted by the AIA New York’s Center for Architecture and Architectural Digest, and recently published essays and collage illustrations with Proseterity, a literary publication.

Drama Erupts Over Abrupt Firing of Veteran White House Photographer

Drama Erupts Over Abrupt Firing of Veteran White House Photographer

The White House

Veteran White House photographer Jonathan Ernst was fired from his nearly 20-year role as a freelance and staff photographer at Reuters over what the publication is calling “gross neglect of duty.”

The event that led to his dismissal took place on the evening of October 19, Politico reports, when Ernst got into what is described as a heated disagreement with White House press aides. The veteran photographer allegedly displayed “inappropriate behavior” after he was asked to leave the Oval Office ahead of president Joe Biden’s prime-time national address.

It is not clear why he was initially asked to leave, but as the only photographer on duty that day, he pushed back on the request to leave because not only did he already set up his equipment, the request was apparently unusual. The group of television camera operators were not being asked to leave and while he could theoretically have operated his camera remotely, he expressed concern over the safety of his equipment given how packed the room was.

By the description of events, Ernst appears to have left the room but during that time got into a loud, heated verbal altercation with multiple White House aides. He was, eventually, let back into the room.

It was thought that the situation was resolved, and Ernst even brought the aides homemade cookies the following day as a sort of peace offering. However, Reuters editors reportedly reached out to the White House to ask about details of his behavior. Following a multi-week investigation in conjunction with the White House, Reuters elected to dismiss Ernst. The publication did not share the full findings of the report with Ernst or the Reuters Union.

Tim McLaughlin, the Reuters Guild chair, wrote a letter to the CEO of Reuters demanding that they rescind Ernst’s termination. In it, McLaughlin says Ernst did not threaten anyone or use inappropriate language. If true, it’s not clear what it is he did that was grounds for termination as it is not unusual for members of the White House press corps to push back given the high-stress nature of the job.

Ernst apparently has a bit of a reputation for having a short fuse when it comes to his anger and there is little doubt he may have overreacted.

“On most days I would give my right arm to be in the middle of the day’s biggest news or sports story,” Ernst has said of himself, adding credence to the belief that he would have become agitated if anyone were to have gotten in the way of his job.

However, given the secrecy of the investigation, some other members of the press corps tell Politico that Ernst had made enemies of some of the higher-ups at Reuters who were already looking at ways to “get rid of him.”


Image credits: Header photo licensed via Depositphotos.

WFU in the news: Nov. 20-26, 2023

WFU in the news: Nov. 20-26, 2023

Afraid of overspending on holiday gifts? Set a budget.
By Daniel de Visé | USA Today
“Don’t just set a number,” said marketing professor and retail expert Roger Beahm. “I suggest building a budget from the bottom up, by listing the people you expect to buy gifts for and estimating how much you expect to spend on those people.” Once you have a budget, move those funds into a separate account, so you “know what you’re working with.” – 11/25/2023

‘Dupes’ clothing, perfume craze lures holiday shoppers as major brands fret
By Katherine Masters | Reuters
Experts say the current excitement over dupes traces back to the start of fast fashion. Inditex-owned Zara, which opened its first store in 1975, made a business of replicating luxury designs. Its shorter production cycles allowed more styles to enter the market quickly, sparking “the habit of shopping more frequently,” said Ian Taplin, a sociology and international studies professor at Wake Forest. – 11/20/2023

Some protection against infidelity? How about perspective-taking
By Christian Miller | Forbes
“Cheating in monogamous relationships is prevalent these days. Depending on how ‘infidelity’ is defined, studies have found the percentage of adults reporting some form of infidelity to range from 20% to as high as 70%. And things do not show any signs of getting better,” writes philosophy professor Christian Miller. “Fortunately new research suggests a way to help fight against temptations to cheat: adopting the perspective of one’s significant other.” – 11/22/2023

Kennedy photos 60 years after assassination
Mirage News
On November 22, 1963, President John F. Kennedy was shot and killed as he rode in his motorcade in downtown Dallas, Texas. In 2003, forty years after the assassination, art professor David Lubin published the book “Shooting Kennedy,” where he explores iconic images of Kennedy and his family and how these photographs shined a light on the American cultural landscape of the time. For the 60th anniversary of the shooting of President Kennedy, Lubin answers questions on the power of the images of the First Family then and now. – 11/21/2023

Prediction markets can tell the future. Why is the US so afraid of them?
By Oliver Roeder | Financial Times
According to a paper by Koleman Strumpf, “Betting in the run-up to elections was a cherished ritual. A widely held value was that one should be prepared to ‘back one’s beliefs’ either with money or more creative dares.” These included the loser literally eating crow, or pushing the winner around in a wheelbarrow. – 11/10/2023

Enviva, the world’s largest biomass energy company, is near collapse
By Justin Catanoso | Mongabay
“This year has been a financial disaster for Enviva, the world’s largest producer of wood pellets for the biomass energy industry. With more than $250 million in losses to date and worsening results expected in the fourth quarter, the once high-flying company’s viability, by its own admission, is in grave doubt,” writes journalism professor Justin Catanoso, a regular contributor to Mongabay. – 11/21/2023

NY AG’s plastic bottle suit called both innovative, overreach
By Sarah Jarvis | Law360
Law professor Sarah Morath is quoted extensively in this news article about the NY AG lawsuit against Pepsi-Co. for plastic pollution. – 11/17/2023

Why was a human skull on sale at a Florida thrift shop?
By Sarah Kuta | Smithsonian Magazine
“There is actually very little federal law regarding the dead,” writes law professor Tanya Marsh who specializes in laws involving human remains. “Instead, the vast majority of law respecting the dead is state law, which varies significantly.” – 11/21/2023

Pollution is displacing Black midwesterners. White homeowners are profiting.
By Adam Mahoney | In These Times
This story was originally published by Capital B and is the fourth installment of a yearlong Capital B series on the country’s current Black migration, the most significant movement of Black people in the United States in 50 years. It was made possible, in part, by a grant from the Environmental and Epistemic Justice Initiative at Wake Forest University. – 11/24/2023

Politics gears up for momentous 2024
By Paul B. Johnson | High Point Enterprise
Republican presidential nominees have carried North Carolina since Obama’s triumph 15 years ago, though the races have been competitive. Politics professor John Dinan said “North Carolina has clearly joined the ranks of states that are competitive in presidential elections. It is now one of about six to eight states that will attract significant advertising from presidential candidates in both parties.” – 11/25/2023

Naughty or nice? Triad shoppers expected to spend more, give less this season.
By Richard Craver | Greensboro News & Record
Local consumers may be shopping “more cautiously” this year, predicted marketing professor Roger Beahm. “First, inflation has reduced what shoppers can get for the dollars they are spending. This, in turn, prompts them to be more cautious in various ways: what they buy, where they buy, when they buy and even how they pay.” – 11/20/2023

Wake Forest students feed the community through Turkeypalooza
By Zyneria Byrd | Spectrum News Charlotte
The smell of stuffing and sweet potatoes filled the air inside the Campus Kitchen of Wake Forest University as they cooked more than 600 meals. “For the menu this week, we’ll have turkey, mashed potatoes, stuffing, cranberry sauce and then vegetables as a side,” said Raahim Khan, student coordinator of Campus Kitchen. This was the 17th annual Turkeypalooza event. – 11/22/2023

WFU names Brandon Gilliland senior VP for finance & administration
By Cheryl V. Walker | Wake Forest News
Wake Forest University has named Brandon Gilliland senior vice president for finance and administration, effective January 1. Gilliland returns to Wake Forest after serving for the past six years as vice president and chief financial officer at the University of Miami. He previously served at Wake Forest from 2007 to 2017, rising to the position of vice president for finance. – 11/20/2023

This announcement was also shared in the Winston-Salem Journal.

How these TWU art students are leaving their mark: A mural and a tribute

How these TWU art students are leaving their mark: A mural and a tribute

“Oh wow, that looks amazing!”

A driver offers praise to the Texas Woman’s University mural painting students, stopping to look at the northern side of the now-empty Marketing and Communications building on Oakland.

A dozen TWU students stand, squat and stretch to dab paint onto the stucco wall. The man behind the wheel grins at TWU staffers who have gathered in the parking lot, across Third Street. The art students started to transform the stained, blank 70-by-17-foot wall on Oct. 7.

TWU visual arts and design students working on a mural painting at the Denton campus.

Leo Gonzalez

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Texas Woman’s University

TWU visual arts and design students working on a mural painting at the Denton campus.

The emerging mural is a riot of color and metaphor — Oakley the owl, Minerva the Pioneer Woman, the Little Chapel in-the-Woods and a collection of symbols, color and motion.

Giovanni Valderas, the professor who leads the mural class, said the class conducted the project like a formal public art proposal. Four teams submitted requests for proposals, mural designs and budgets. A panel selected the winning design. The whole class has been painting it.

“I think the best thing about it has been that they have really worked together, and they’ve gotten to know each other,” Valderas said. “And they’ve learned some really important things through this. They’ve learned that when you’re an artist, you can’t always be too precious about your work.”

Diane Cox, a sophomore studio art major who is back at TWU for a second time after serving as a U.S. military nurse in Afghanistan, designed the winning mural.

“It wasn’t too good in those first efforts,” she said. “The process was really good, though. Gio was very direct. If something wasn’t working, he said so, and helped us understand why.”

WHAT IS – AND WHO ARE – IN THE NEW TWU MURAL

Texas Woman’s University mural painting students are transforming the north wall of the now-empty Marketing & Communications building into a work of art. The painting pays tribute to the university’s icons, Denton landmarks and diversity. Here’s who and what is on the mural:

Minerva – The face of the famous Pioneer Woman, her inscrutable gaze peering across Pioneer Circle and the land west of Denton, looms large on the left side of the mural. Students made her face more lifelike.

Oakley the Owl – TWU’s mascot, also known as Minerva’s owl, soars above all else on the mural. Oakley references the student body, the school’s legacy and school spirit. He clutches oak leaves as he surveys the mural below.

The downtown Courthouse-on-the-Square – TWU is a little further than a stone’s throw from the historic downtown Square, but the famous courthouse gets its due near Minerva.

The historic fountain at TWU – The famous fountain that sits near Hubbard Hall and the Blagg-Huey Library. A favorite spot for gatherings, studying and graduation photos, the fountain is on the right side of the mural.

The TWU Little Chapel-in-the-Woods – The panel that gave the mural design a greenlight wanted the mural to be interactive, so the design team put the Little Chapel in the center of the mural, and at a size that is perfect for people to shoot a selfie in front of. The chapel is one of Denton’s most important structures. It was designed by Denton’s most famous architect, O’Neil Ford. TWU professor and modernist painter Toni LaSelle directed the art in the chapel, including the stained glass windows.

Monarch butterfly & Hummingbird – These creatures honor the butterfly garden on campus that attracts the Monarch and Ruby-throated hummingbirds to campus.

Heart rhythm pattern – A heart rhythm reached from end to end on the mural, referencing TWU’s award-winning nursing program and the emotional connections that education inspires.

Diversity – The mural references the different cultural backgrounds of the student body with a kente cloth to acknowledge both African and African-Americans who have attended and earned degrees. A milagro, a traditional Mexican religious charm or altar ornament, references the growing Hispanic student population. There is also a pride rainbow to honor LGBTQ students, graduates, faculty and staff. The Monarch butterfly does double-duty on the mural, also honoring the culture of Mexican and Mexican-American students, faculty and staff at the university.

Books – You’ll see a number of open books with TWU-maroon binding that turn into birds. The books pay tribute to education, democracy and the freedom of students — and Americans — to read authors and books of their choice.

Rheyna Antoine, a senior studio art major in the class, said she found the process challenging, but found the project satisfying.

“Usually when you’re doing painting and drawing, you’re working on your own, so it’s been really good, really interesting to do a project like this where you work with other people, and you come up with an idea as a team,” she said.

The painters said they know that the mural might be provocative to some people — especially the Pride rainbow, the African kente cloth and the Mexican milagro that frame the top of the Little Chapel in-the-Woods. The books in the mural communicate that TWU supports the freedom of inquiry and reference the artists’ objection to book bans in American public and school libraries.

“We understand that some people might get offended,” Antoine said. “There is a lot going on right now, with certain states, like Florida, making laws about how history can be taught, and teaching that slavery benefited the slaves. We’ve talked about it.”

Senior Felicity Sanders said the class talked about what university leaders wanted, as well — a mural that seconds the recent ”Dream Big” campaign, which aims to raise $125 million for the university’s 125th anniversary. But the campaign is also a celebration of the diversity at TWU.

TWU visual arts and design students working on a mural painting at the Denton campus. Leo Gonzalez/Texas Woman’s University

Leo Gonzalez

/

Texas Woman’s University

TWU visual arts and design students working on a mural painting at the Denton campus.

“We wanted to do something that recognizes all of the different cultures and identities on campus,” Sanders said. “TWU is a place for everyone.”

Senior Flor Bejar and Sanders said the mural has taught the class about the reality of creating a mural, which often means changing techniques and designs after the project gets started.

“You just don’t know what’s going to happen until you start,” Bejar said.

The class had to clean the wall, then prime it. Valderas said the stucco wall soaked up several coats of primer, and the artists are having to press the paint onto the wall.

Colby Parsons, the interim dean of the TWU Department of Visual Arts, said the mural marks an important moment for art students.

“I’m impressed with what they’ve been able to accomplish together,” he said. “I’ve been here for 27 years. I don’t know if this mural is a first, other than the brick murals. But I haven’t seen a project like this here.”

Valderas said he has listened as students give voice to what they hope will be enduring inspiration for students and for the people who live in the nearby neighborhood.

“I know that, sometimes, I’ll be driving to campus and I’ll be so tired,” Cox said. “Sometimes, I find myself saying, ‘Can I keep doing this?’ But I get here and it’s like, yes, I can do this.

“I like to think that other students like me will see this and know that, no matter where they come from or what they’re going through, they can get through school. That they can look at this mural and see themselves in it and know that. You know? That they look at this, see themselves and know that someone else did it.”