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Authentic Photo of ‘Otherworldly Wreckage’ on Mars Spotted by NASA?

Authentic Photo of ‘Otherworldly Wreckage’ on Mars Spotted by NASA?
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Claim:

A NASA photo authentically shows “otherworldly wreckage” on Mars.

Context

While the photograph is genuine, what it shows is the NASA lander’s aeroshell (heat-shielded protective shell) – initially launched from Earth – and not “otherwordly wreckage,” as posts on social media misleadingly claimed.

A phenomenon described by some as “otherworldy wreckage on Mars” appears in a photograph shared across multiple social media platforms and websites since 2022. It consists of a white, triangular-shaped object with a debris field surrounding what looks to be a crash landing site.

One iteration of the “otherworldly wreckage” claim garnered more than 3.2 million views on X, as of this publication. 

A reverse-image search using Google Lens returned a public-domain image that identified the wreckage in the photo as the backshell and parachute from the Mars Ingenuity Helicopter. 

Therefore, while the photograph is genuine, it shows the NASA lander’s aeroshell – initially launched from Earth – and not “otherwordly wreckage,” as some posts on social media misleadingly claimed. 

Speaking to the Seattle Times in April 2022, Ian Clark, an engineer who worked on Perseverance’s parachute system, said of the photographs:

There’s definitely a sci-fi element to it… It exudes otherworldly, doesn’t it?

The photograph was captured from above the surface of the planet on April 19, 2022, by engineers working on the Mars Sample Return program, according to NASA’s Jet Propulsion Laboratory (JPL). It shows Perseverance’s backshell as it sits upright on the surface of Mars’ Jezero Crater. Collected from an altitude of about 26 feet, the photograph was captured by NASA’s Ingenuity Mars Helicopter during its 26th flight on Mars on April 19, 2022. 

Since February 18, 2021 – when the photograph in question was taken – the Perseverance rover has been exploring Jezero Crater, a location on Mars described by NASA as showing “promising signs of a place that was likely friendly to life in the distant past.” Perseverance studies the site by collecting rock cores and other samples of Mars material which scientists say could be retrieved and brought to Earth at a future date. 

To assist in the landing of rovers like Perseverance, scientists use what’s known as an aeroshell. An aeroshell is made up of two main components: a heat shield and a backshell. 

“Together, they encapsulate the spacecraft, tucking its science instruments, descent stage and other operational equipment safely inside,” writes Lockheed Martin, the aeronautics company that developed the Perseverance aeroshell. The company continues: 

The aeroshell’s shining moment occurs during entry, decent and landing (EDL). As the spacecraft performs a variety of maneuvers to safely land at its destination, the heat shield quite literally shields the spacecraft from the extreme heat generated during the initial descent through a planet’s atmosphere (typically around 2,700°F on Mars). In addition, the heat shield’s natural aerodynamics serve as a “brake” to help slow the spacecraft.

The cone-shaped backshell structure also plays an important role during EDL. The backshell supports the parachute and other mechanisms needed for a safe landing, including electronics and batteries. Plus, the backshell has holes for the small thrusters that help keep the spacecraft correctly oriented.

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The photograph was taken at the request of engineers working on the Mars Sample Return program, according to an accompanying descriptionwhich continued: 

The tangle of cables seen streaming out from the top of the backshell, and coated with Martian dust on the surface, are high-strength suspension lines that connect the backshell to Perseverance’s supersonic parachute (upper left). The backshell and parachute helped protect the rover in deep space and during its fiery descent toward the Martian surface.

Snopes has looked into other questionable photographs taken of Mars, including one of a so-called “portal and a wall” on the red planet, a color photograph that shows a “drilled hole,” and and another image of a supposedly mysterious object on the planet’s surface.

Photographer turns subjects into life-sized ‘American Girl’ dolls, with an Indigenous twist

Photographer turns subjects into life-sized ‘American Girl’ dolls, with an Indigenous twist

HANOVER, N.H. — Earlier this month, photographer Cara Romero snapped away as Kaitlyn Anderson (Dartmouth College class of 2024) posed for what looked like a high-gloss fashion spread. Anderson wore native Hawaiian dress, held a ukulele, and was surrounded by Hawaiian regalia — all inside a giant doll box.

Romero, a member of the Chemehuevi Indian Tribe, makes elaborately staged photographs imbued with mythic drama. They celebrate Indigenous American cultures. Her first major solo exhibition, “Cara Romero: Panûpünüwügai (Living Light),” opens at Dartmouth’s Hood Museum of Art in January. The artist came to New Hampshire to create commissioned works with Native Hawaiian students for the show.

Kaitlyn Anderson poses in a doll-box set with Native Hawaiian props for photographer Cara Romero. Jonathan Wiggs/Globe Staff

Where to find her: www.cararomero.com

Age: 47

Making a living: As an artist

Originally from: The Chemehuevi Valley Indian Reservation in California’s Mojave Desert

Lives in: Santa Fe

Studio: The doll-house set fit under a cathedral ceiling in a private home; boom lights shone from a landing above. The models for Romero’s other photos — Amedee Conley-Kapoi, Hope Ushiroda-Garma, and Teani DeFries — were working on costumes for their photo shoots. Some tore up Palapalai fern leaves for skirts.

Photographer Cara Romero, at left, with her crew creating a work for her “First American Girl” series, featuring Native Hawaiian Kaitlyn Anderson. Jonathan Wiggs/Globe Staff

What she makes: When Romero started making her “First American Girl” series in 2015, she said, she asked herself, “How can I create these dolls that harness the incredible beauty and diversity and authenticity of many different tribes and many different Indigenous people to counter this idea of Native Americans coming from a monolithic culture?”

How she started: A black-and-white film photography class at the University of Houston changed Romero’s life. Instructor Bill Thomas asked for panoramic photos that told something more. Most students made panoramics, but missed the content.

“I would struggle and struggle with the technical, but I had no problem coming up with a story,” Romero said. “He made me realize that was something special. And I fell in love with the power of storytelling,”

Photographer Cara Romero, at right, has a show coming to the Hood Museum of Art at Dartmouth College in January. She and her crew were creating works for that show. Jonathan Wiggs/Globe Staff

How she works: Romero came to photography at the crossroads between film and digital. She uses film practices with her digital camera.

“Everything has to be done in camera,” she said. “Even though I could Photoshop the whole frame, it’s not the same as building the whole doll box. I don’t think artificial intelligence and photo illustration is ever quite the same as the magic of real photography.”

Her work is intensely collaborative. “There’s a whole lot of jazz and a whole lot of improv and a whole lot of faith that we’re going to stay creative in the moment,” she said.

In the end, everyone involved signs off on the artwork. Given historic power dynamics in the representation of Native people, collaboration is essential to Romero.

“Photography is something that when we’re involved with it, we need to have agency over representation. It’s the only way I work,” she said.

Advice for artists: “Remember to play. It’s fun to have a relationship with the spirituality of it all. Everybody can be an artist, everybody can participate. It’s a human right to participate in art, and it always gives back.”

Photographer Cara Romero in front of the doll-box set crafted for photographs she was taking of Native American students at Dartmouth College.Jonathan Wiggs/Globe Staff

Cate McQuaid can be reached at catemcquaid@gmail.com. Follow her on Instagram @cate.mcquaid.

Photographer Cara Romero steps out of the box with her ‘First American Girl’ doll portraits

Photographer Cara Romero steps out of the box with her ‘First American Girl’ doll portraits

HANOVER, N.H. — Earlier this month, photographer Cara Romero snapped away as Kaitlyn Anderson (Dartmouth College class of 2024) posed for what looked like a high-gloss fashion spread. Anderson wore a native Hawaiian costume and was surrounded by Hawaiian instruments and textiles — all inside a giant doll box.

Romero makes elaborately staged photographs imbued with mythic drama. They celebrate Indigenous American cultures. Her first major solo exhibition, “Cara Romero: Panûpünüwügai (Living Light),” opens at Dartmouth’s Hood Museum of Art in January. The artist came to New Hampshire to create commissioned works with Native Hawaiian students for the show.

Kaitlyn Anderson poses in a doll-box set with Native Hawaiian props for photographer Cara Romero. Jonathan Wiggs/Globe Staff

Where to find her: www.cararomero.com

Age: 47

Making a living: As an artist

Originally from: The Chemehuevi Valley Indian Reservation in California’s Mojave Desert

Lives in: Santa Fe

Studio: The doll-house set fit under a cathedral ceiling in a private home; boom lights shone from a landing above. The models for Romero’s other photos — Amedee Conley-Kapoi, Hope Ushiroda-Garma, and Teani DeFries — were working on costumes for their photo shoots. Some tore up Palapalai fern leaves for skirts.

Photographer Cara Romero, at left, with her crew creating a work for her “First American Girl” series, featuring Native Hawaiian Kaitlyn Anderson. Jonathan Wiggs/Globe Staff

What she makes: When Romero started making her “First American Girl” series in 2015, she said, she asked herself, “How can I create these dolls that harness the incredible beauty and diversity and authenticity of many different tribes and many different Indigenous people to counter this idea of Native Americans coming from a monolithic culture?”

How she started: A black-and-white film photography class at the University of Houston changed Romero’s life. Instructor Bill Thomas asked for panoramic photos that told something more. Most students made panoramics, but missed the content.

“I would struggle and struggle with the technical, but I had no problem coming up with a story,” Romero said. “He made me realize that was something special. And I fell in love with the power of storytelling,”

Photographer Cara Romero, at right, has a show coming to the Hood Museum of Art at Dartmouth College in January. She and her crew were creating works for that show. Jonathan Wiggs/Globe Staff

How she works: Romero came to photography at the crossroads between film and digital. She uses film practices with her digital camera.

“Everything has to be done in camera,” she said. “Even though I could Photoshop the whole frame, it’s not the same as building the whole doll box. I don’t think artificial intelligence and photo illustration is ever quite the same as the magic of real photography.”

Her work is intensely collaborative. “There’s a whole lot of jazz and a whole lot of improv and a whole lot of faith that we’re going to stay creative in the moment,” she said.

In the end, everyone involved signs off on the artwork. Given historic power dynamics in the representation of Native people, collaboration is essential to Romero.

“Photography is something that when we’re involved with it, we need to have agency over representation. It’s the only way I work,” she said.

Advice for artists: “Remember to play. It’s fun to have a relationship with the spirituality of it all. Everybody can be an artist, everybody can participate. It’s a human right to participate in art, and it always gives back.”

Photographer Cara Romero in front of the doll-box set crafted for photographs she was taking of Native American students at Dartmouth College.Jonathan Wiggs/Globe Staff

Cate McQuaid can be reached at catemcquaid@gmail.com. Follow her on Instagram @cate.mcquaid.

Back in the Dazed: Rankin’s Cool Britannia

Back in the Dazed: Rankin’s Cool Britannia
Photographyexhibition

Back in the Dazed è la prima retrospettiva nel Regno Unito a prendere in esame il decennio d’oro di Rankin come Photographic Editor da Dazed & Confused.

34 seconds ago

Anna Frattini

In London, specifically at 180 Studios, the exhibition Back in The Dazed opened a few weeks ago. This exhibit is dedicated to Rankin‘s career in the 1990s and his connection with Dazed & Confused, the iconic magazine he co-founded. It’s a true celebration of his works from 1991 to 2001, on display until June 23. The exhibition features everyone from cult celebrities to the supermodels of that era, including highly respected musical icons. Back in the Dazed is essentially a love letter to youthful creativity, all captured by a photographer who has become legendary.

Rankin was one of the key photographers of the time and a central figure of the so-called Cool Britannia. The 90s vibes are palpable in the showcased photos, demonstrating his crucial impact as the Photographic Editor of Dazed & Confused.

Rankin and the Cool Britannia Conveyed by Dazed & Confused

His perspective remains – even today – one of the reasons the magazine was so successful in shaping the style and aesthetics of future English generations (and beyond). Over his ten years as Photographic Editor, Rankin shot no less than two hundred editorials for Dazed & Confused. As noted in the exhibition’s press release, «his work from this period constitutes a manifesto on how to see the world, a political statement communicated not with words but through the lens of a camera.»

Not Just Celebrities

Rankin didn’t just focus on icons like Kate Moss, Jude Law, Helen Mirren, or Robbie Williams; he also photographed working-class kids and members of the LGBTQIA+ community. His approach allowed him to become the favored photographer for Brit-pop bands and capture images of cult actors that would remain in the public’s imagination for a long time (even today). Importantly, his approach made contemporary art and experimental music accessible to everyone, providing opinions and viewpoints on these subjects as well. Back in the Dazed is the first retrospective in the UK of Rankin’s groundbreaking works from this prescient decade. More vital than ever, through Rankin’s eye, you’re invited to explore the culture and creative community celebrated worldwide.

The Changing Faces Of, Dazed & Confused, Issue 14, 1995

(c) Rankin

These folks are making sure people of all identities can be themselves in photography

These folks are making sure people of all identities can be themselves in photography
Three people stand next to each other smiling in a radio studio.
From left: Ali Pike, Tania Heath and Emyn Hayden are part of Project Power Back, a community photography project that aims to help people who are who are queer, trans, or have an otherwise underrepresented body or identity have themselves represented in photography. (Adam Walsh/CBC)

A St. John’s photography project aims to allow members of the queer, trans and other underrepresented communities feel their best — and feel like themselves.

The goal of Project Power Back, created by photographer Tania Heath, is to serve as a safe space for people of all identities to see themselves how they want to be seen and feel how they want to feel when getting their photo taken.

Heath said the concept came from parts of her own identity journey. Coming out as queer at 30, Heath said, they realized there was something missing in their work — which they discovered through learning to challenge societal norms around gender and the patriarchal system.

“The queer community gave myself the space to really dig deep into, like, ‘Who am I? Why do I do the things I do? Is it because I want to do it? Or is it because I’m being pushed?” Heath told CBC Radio’s The Signal. “Once I started exploring those and really digging for those answers, and finding out those answers for myself, that’s kind of when my photography stuff changed too.”

WATCH | See Wednesday’s full episode of The Signal: [embedded content]

Part of Project Power Back’s mission statement is making sure people feel seen and heard through a feminist, trauma-informed lens.

For hair specialist Emyn Hayden, that starts with consultations.

“We can take 20 minutes if you want to talk about your fringe for 20 minutes,” Hayden said. “If that’s where we’re at, I’m going to meet you there. And I think that consulting in a huge way allows you to meet somebody where they are.”

Stylist Ali Pike said creating that comfort also allows people to feel most like themselves, which translates to photos that subjects can feel shows them distinctly.

Pike also said locations are a key part of the process — often working in areas that don’t have inherent gender barriers like a barber shop for men or a salon for women.

“Even just to come into the salon sometimes is a barrier for folks. If you don’t see yourself represented, then it’s very hard to walk into that space with confidence. And especially to talk about who you are or how you want to be represented,”  Pike said.

“Once you start talking about who you are, as a stylist I feel like they’re the cues for me.”

Heath said more people get involved with each pop-up event, which she says is great to see as a community continues to grow.

“People coming together, like it’s so special for me,” she said. “That’s the stuff that really fires me up.”

Download our free CBC News app to sign up for push alerts for CBC Newfoundland and Labrador. Click here to visit our landing page.

Photography helped Derek Hitchens see the world

Photography helped Derek Hitchens see the world
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In the 1950s, Derek Hitchens’ camera captured torn up postwar English landscapes as a photographer for the Royal Air Force. It must have been exciting work, though apparently he later complained about being sick and tired of having to hang out of aircraft shooting photos.

Derek was born Nov. 22, 1931, in London, one of Walter and Florence Hitchens’ three children. Walter had served with the RAF as a carpenter.

Iphone photography school reviews and announcement of 80% discount For new customers

Iphone photography school reviews and announcement of  80% discount For new customers
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Lifestyle photography at it best without fancy camera

Iphone photography school recent customers’ reviews has made them the go to program to learn iphone photography.

iPhone photography schools offer valuable instruction, but the real magic lies in mastering the fundamental concepts they teach, like the hidden features on your iphone to take professional images.”

— CMO at gurus coach

ALBUQUERQUE, NEW MEXICO, UNITED STATES, June 10, 2024 /EINPresswire.com/ — Iphone photography continues to gain momentum as smartphones are now capable of capturing high quality professional images. People think they need a $6,000 camera to be able to take high quality images, many don’t know how to take professional shots using their iphone, nor do they know the best Secret kept by Apple that will enhance every shot taken on their iphone. No matter how much they try they don’t know how to use their Iphones to take stunning and beautiful images while they are on a vacation, at a party, an event, etc. Images from an iphone are as good as images on an expensive professional Camera when the right techniques are used. Iphone photography school in a bid to help more people learn how to take stunning photos with their iPhone is running an 80% discount on their page for a limited time.

A customer Debbie Redmond said this about Iphone photography school “I have learned so much since starting the course. Already people are starting to comment on my photos and I have a long way to go with the course yet! It’s great to be able to properly understand all the things the iPhone camera can do and how to get the best shots.” Iphone photography school has a series of courses of 67 videos in 621 minutes that teach precisely how to use the iphone that many people already have to capture breathtaking images unlocking Hidden features on the iphone. Members of the iphone photography school receive daily tips and tricks, they also learn about the 5 common ways people lose image quality and how to avoid them.

Sign Up to the iphone photography school with 80% discount

The iphone photography school is not just for beginners. Photography experts can also learn a lot about iPhone photography from the courses in the program.

Jaakko Valvanne, a reviewer, with over 55 years of photography experience, noted that they gained valuable new insights into the art of photography after taking the iphone photography school courses. The reviewer specifically mentioned learning how to use hidden features of the iPhone camera which improved their overall photo quality. The iphone photography school has a large community of people: thousands of people that can give students feedback on the images they have taken. This also helps foster a great learning experience. There is an inbuilt AI that gives the iphone photography school members high quality feedback on photos they are taking.

Iphone photography school has a training where the instructor Emil Pakarklis will be analyzing 459 iPhone photos for mistakes so that students don’t make similar mistakes. The iphone photography school costs $49 one time price and there is also a flexibility that spans 3 months: the payment of $19 per month.

There is also a 30 days money back guarantee which makes it even risk free. Not many courses can offer a 30 days money back guarantee. Iphone photography school has been able to teach 590,000 paying students and has been in the industry for over 10 years which makes them confident in offering the guarantee. This also shows that their students are getting results with the Content in the program. The knowledge gained can be used when on a trip, at a wedding, or at a loved one’s birthday. People who also want to grow an audience quickly on social media will need this program. Professionals can even use the skills learnt in the program. There are reports from customers of people commenting on their photos once they started implementing what they’ve learnt in the program. The best time to get the course is now because of the current 80% discount.

80% discount for new customers of the Iphone photography school link

Eniola Akinduyo
Gurus coach
+234 816 710 2973
eniola@guruscoach.com

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