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“Unusual tortoise” found in Florida identified as “escape artist” pet that went missing in 2020

“Unusual tortoise” found in Florida identified as “escape artist” pet that went missing in 2020

Nature: Galápagos Tortoises


Nature: Galápagos Tortoises

02:00

An African sulcata tortoise found wandering alone in Florida has been identified as a pet tortoise that went missing in 2020. The Putnam County Sheriff’s office posted about the animal on Facebook on Saturday, saying deputies spotted the “unusual tortoise” in Interlachen.

African sulcata tortoises, which are native to the Sahara Desert, are “escape artists,” as they can dig out of enclosures, the sheriff’s department said. They said the tortoise definitely seemed like someone’s pet, since the turtle “likes people and head pats.” Florida’s Wildest Animal Refuge took in the tortoise as they searched for a possible owner.

An African sulcata tortoise that went missing in 2020 has been recovered, authortities said.

Putnam County Sheriff’s Office


Little did he they know at the time, the tortoise was someone’s pet – and was last seen three and a half years ago. 

After the Facebook post went viral, followers began sending the refuge a post from 2020 about a missing tortoise, the refuge said in. Facebook post. The photos from the 2020 post matched the photos of the newly found tortoise, who went missing in the same area. 

Turns out it was the same missing tortoise – found five miles from where it went missing – and its owner has been found. 

“She is in a little bit of rough shape from spending so many cold winters here without heat, but she will be okay, and we recommended a trip to the vet,” the refuge said. 

Also known as African spurred tortoises, these animals dig deep into the earth when it’s hot, to sit in the cool underground, according to the San Diego Zoo. Like other tortoises, they have stubby feet that are good for digging. 

In 2021, two sulcata tortoises in Miami went missing after digging an escape route, according to the Miami Herald. They were reunited with their owners thanks to the Next Door app, which connects neighbors. 

Extending Marketing’s Impact Deeper Into The Revenue Cycle

Extending Marketing’s Impact Deeper Into The Revenue Cycle
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Three Keys To Leveraging Advances in Digital Media and Channels To Generate Revenue Outcomes

Marketers need to rethink their role in the modern commercial model as revenue growth evolves into a digital and data-driven team sport where resources are allocated to maximizing customer lifetime value at every stage of the revenue cycle. This is particularly true in businesses moving to digital, DTC, retail, product-led, and subscription revenue models where the emphasis is on driving omnichannel transactions, increased consumption, cross sell and upsell.

The budgets that marketers have traditionally managed have changed and shifted. Some – like traditional media and promotion – are a much smaller part of the growth equation. Others like owned and earned digital channels – and the content, systems, data and teams that make them run – have grown to command the lion’s share of both operating and capital budgets. Many of these growth budgets and assets are being shifted downstream to support value selling, digital commerce, loyalty, account development, and expansion activities. These activities are generally owned and managed by different functions. As a result over 90% of businesses are reorganizing their approach to managing the teams, channels, systems and data that support the revenue cycle according to the book Revenue Operations.

These dynamics have blurred the lines between marketing and their peers in sales, success, and service functions in the growth equation. Unless CMOs actively redefine their role to fit this modern go to market landscape, they risk being increasingly marginalized as curator of the brand, communications and media at the very front end of the revenue cycle.

How can CMOs redefine their role to contribute more value in the modern commercial model?

Look at the glass as half full. The shift to “4D” and omnichannel selling may have taken some budgets and responsibilities away from marketers. But it has also armed them with capabilities, media, technologies and channels that allow them to control the brand positioning, value story and revenue outcomes across every channel at every stage of the customer journey. “Marketers have an arsenal of social, phygital (physical plus digital), shopping, retail media, orchestrated customer experiences, AI and database tools and strategies that allow them to execute and extend their omnichannel business strategies to generate even greater revenue impact,” according to Randolph Browning, who leads Night Market, a division of Horizon Media that specializes in omnichannel and digital selling. Marketers need to take advantage of this to make themselves relevant. They need to play a bigger role aligning revenue teams, content, and processes around the customer. Those are areas where CMOs can add value and have credibility. That’s a big part of what Revenue Operations is all about.

To do that. they’ll have to overcome some entrenched perceptions about their role and financial contribution to the business. The CMOs and marketers I speak to are concerned that media has always been relegated to demand generation at the very, very front of the funnel. They continue to struggle to communicate and prove the value of their marketing investments to the board in terms of firm value and financial performance. There’s plenty of science to prove the financial value and contribution of their investments in the brand, media, sponsorships, ABM, AI and analytics. But the only scorecard that matters to the CEO, CFO and their C-suite peers is business outcomes. And the outcome that matters most to them is consistent, profitable and scalable revenue growth.

The reality is that connecting media and marketing actions to revenue is far less of a challenge in a modern commercial model. Today, every CMO has the opportunity to extend their impact through the entire revenue cycle – from awareness, through consideration, demand, transaction and beyond (into loyalty and expansion).

The media, channels, and technology are now there to do it. For example, progressive marketers are taking advantage of advanced paid, owned, and earned media channels to extend their impact at the consideration, demand and transaction stage of the customer journey.

Owned ecommerce and omnichannel sales have grown to dominate many product categories – from consumer packaged goods, apparel, electronics and hard goods – and increasingly business to business goods, services, subscriptions and SaaS solutions. Today, over 20% of retail sales now happen in digital channels through ecommerce – driving $6 Trillion in DTC sales globally, and even more omnichannel, upsell and cross sell transactions downstream.

Retail media and social commerce are among the fastest growing parts of the media mix because they allow marketers to extend their impact deeper into the revenue cycle by enhancing product packaging, placement, positioning and promotion and driving more sales transactions. Retail media will grow in North America to over 25% of total digital media spending ($100 Billion) in the next three years as almost every US retailer grows their investment in retail ad platforms like Amazon and Walmart. Social commerce – the process of selling products and services directly through social media – will drive $2 Trillion in sales globally in the next two years. Leading brands are shifting from traditional advertising to deliver engaging content, leverage influencer validation, convey benefits, simplify value propositions using platforms such as TikTok and YouTube Shopping.

In the book Revenue Operations, we push CMOs to go even further and assert more control over the conversations and communications that happen at every stage of the customer cycle. Value selling. Positioning against competitors. Addressing pain points. What’s lost on most CMOs over the age of forty is they can and should control every word that comes out of people’s lips, every RFP, every communication. “The most ambitious marketers are driving even deeper into the revenue cycle by weaving a “green thread” through every customer touchpoint, interaction and conversation along the customer journey,” says Chris Hummel, Co Author of Revenue Operations and a three time CMO. “We see marketers taking advantage of advances in sales enablement, engagement, readiness technologies and the ability of AI to proscriptively deliver, monitor and control in both human (e.g. customer support) and digital (e.g. chatbot) conversations.” For example, smart CMOs are using strategic response management platforms to govern every word in responses to RFPs, RFIS or email customer inquiries using AI, to ensure customer engagement is compliant, current, compelling, relevant and on brand.

Taking greater control of this “green thread” will help marketing leaders adjust to the realities of a more digital and data-driven growth model by aligning all stakeholders and connecting all company commercial assets, data, and business processes. It also creates enormous value. It yields a better customer experience, with consistent messaging at every interaction, and value being affirmed at every step. It eliminates margin leakage by reinforcing value at every stage of the customer journey. It generates higher returns on commercial assets by improving the utilization of expensive selling methods, training, validation content, and thought leadership. It extends and enforces value selling deep into the expansion phase of the revenue cycle – which is the primary driver of growth and engagement at most B2B companies.

How Can Marketers Take Action?

Weaving a “green thread” that generates revenue as the primary outcome of marketing and media programs is a matter of connecting the dots across marketing and sales and demonstrating the art of the possible to all of the stakeholders involved in the customer experience. Unfortunately, connecting the dots across the teams, processes, systems, channels and data sets that are required to execute revenue generating campaigns is not easy. “Organizational barriers can hinder many companies in maximizing the return on their revenue generating investments,” according to Peter Howard, who leads the Questrom Digital Business Institute at Boston University. “Marketing leaders can drive a shared core of expertise, tools, analytics and processes that support all revenue generating functions, including: sales, product development, pricing, customer service, and demand forecasting.” There are three practical ways marketing leaders can keys to leveraging advances in digital media and channels to better connect the dots across their go-to-market to generate more measurable and consistent revenue outcomes.

1.Take a “bottoms up” approach to connecting the dots by making an omnichannel campaign the focus rather than waiting for “top down” commercial transformation to happen. The most commonly used weapons for connecting these dots are “top down” commercial transformation and change management – organizational redesign, putting a “CXO” in charge of marketing, sales, product and customer success, reengineering commercial processes. Unfortunately, all of these require a significant amount of change management, leadership alignment, and time according to interviews we conducted with over 50 RevOps leaders. The fastest path to connecting the dots across the entire revenue cycle is to take a “bottoms up” approach that makes an omnichannel campaign the focus. Everyone in the organization can rally around a campaign because it is immediate, measurable, and provides customer feedback loops and learning data. Omnichannel campaigns get many stakeholders and functions involved – but with an urgency and actionability that strategy initiatives lack. Most importantly campaigns generate business outcomes today that can spark and sustain a process of continuous improvement in returns in the future. Plus, results beat business plans when it comes to justifying the investment for more aggressive change to the commercial model.

2. Start with revenue goals and work backwards to define, allocate and deploy the media and channels needed to achieve those goals. “Marketers get the unit of analysis and approach wrong when they plan, deploy and optimize their investments,” says Randolph Browning. “Rather than focus on how to optimally allocate and deploy their media to deliver downstream impact, they need to start by asking ‘how much revenue do we need to deliver” and work upstream. “Owned digital channels, Ecommerce platforms, retail media and social commerce allow marketers to control and own the revenue outcome, and use sophisticated marketing mix models, AI and integrated data sets to optimize the way they generate those revenues at every stage of the customer journey – from awareness, consideration, demand, activation and transaction – through to loyalty and cross sell.”

3. Rethink the capabilities you need from your teams and agency partners. Marketers need to invest in internal capabilities needed to support campaigns that drive revenue as a primary outcome. In particular, they need to build more muscle in integrating marketing and sales data, orchestrating omnichannel campaigns, and enabling more dynamic models for allocating marketing resources along the revenue cycle. They must also have people who can master the retailer, social media, e-commerce, and marketplace platforms that extend their programs into the transaction stage. CMOs must choose to either build these capabilities internally, borrow them from best in class partners, or reconfigure their RFPs to ensure their agency partners bring these capabilities to the table. To help marketers understand these capabilities and rethink their approach, Randolph Browning is applying the practice of a “Media Up front” to the emerging discipline of ecommerce to help brands get ahead of the trends in retailer, social media, e-commerce, and marketplace platforms, media inventory and customer dynamics shaping the modern marketing model.

KIA’s Vision of the Future of EV Design Leaves Mushroom for Innovation

KIA’s Vision of the Future of EV Design Leaves Mushroom for Innovation

We got to meet the boldly buff 2024 Kia EV9 up close just before driving off in the ludicrously fun Kia EV6, alongside the Korean brand’s full stable of electric vehicles during a recent KIA event. Sadly, we never got the opportunity to get behind the wheel of the confidently creased three-row electric SUV behemoth, as the SUV was primarily there to show off the brand’s new design language. Nevertheless, we suspected the EV9’s presence hinted of even more spirited designs coming down the pipeline. Lo and behold, Kia just announced the impending arrival of the production model Kia EV5 to kick off the brand’s self-promoted first annual Kia EV Day, flanked by two additional concept vehicles assigned the Kia Concept EV3 and Kia Concept EV4 nameplates.

The Kia EV5 is a smaller all-electric powertrain powered sibling to the three row EV9, officially launched during the brand’s recent Kia EV Day.

The EV5 is a bit of a known quantity already, a crossover previewed earlier this spring, and now nearing production intended for the Chinese market. It’s the two new concepts that warrant notice, together solidifying the notion Kia is moving away from its budget brand respectability toward a fully-electrified future nibbling on the heels of the premium segment.

Front angled view of the Kia Concept EV4 sedan agains the backdrop of a contemporary building, showcasing its angular styling, including its curvilinear notched LED headlights and a layered front vented spoiler.

Take the Kia Concept EV4 for example: the EV4’s raked profile and more softly sculpted waistline communicate a greater degree of speed than its chunkier EV9 cohort, aligning it closer to the sporty EV6. In fact, the EV4 concept appears to be the outcome of a reductive exercise deemphasizing the EV6’s more sinewy styling and reducing its front bumper to pugnacious prominence, resulting in a more sophisticated and futuristic silhouette.

Side angle view of the KIA Concept EV4's and its futuristic three-spoke triangular wheel design.

And check out the Kia Concept EV4’s futuristic three-spoke triangular wheels.

But the real exciting details are to be found inside the EV4 and EV3 cabins, each operating as the showcase of the brand’s trajectory toward integrating bio-sourced and sustainable materials in their efforts to reduce environmental impact (and in the long run, save costs). Earthly aspirations drove Kia’s Color, Materials, Finish (CMF) team toward applying natural dyes derived from madder roots and walnut shells and used 100% recycled cotton to render a serene organically-themed interior that brings cars ever closer to a living room vibe.

3D render of the KIA Concept EVs's front seats, dash and center console grown and molded from mycelium, embellished with a woven green fabric design. A large wide LED display sits above the driver's side steering wheel.

Inside, that organic atmosphere is taken to an explorative extreme, with mushrooms at the heart of the Concept EV3’s console table’s soft surface. Grown, rather than molded out of plastic using the dense network of fungal threads of the mushroom known as mycelium, the molded material offers an “extremely soft surface” touchpoint to a part requiring durability and comfort.

“Using mycelium enables us to mimic the processes we see in nature and leverage it to design more sustainable solutions,” explains Marília Biill, Head of CMF Design at Kia. “The material can be grown in any shape you want using a mold. The use of mycelium is still at a very early stage, and, as part of Kia’s Sustainability Strategy, we are working with partners to accelerate development of the material. One day, by growing our own materials, we’ll be able to simplify processes, adapt forms and most importantly, be closer to nature in its essence.”

As mentioned, while mycelium-sourced materials hold a great deal of promise, scaling its growth and integrating into automotive manufacturing on a global scale has proven challenging.

3D render of the KIA Concept EV4's front seats, dash and center console, embellished with a woven walnut hued fabric design as seen from the passenger center. A large wide LED display sits above the driver's side steering wheel.

More readily attainable is the Concept EV4’s console table woven from hemp fibers, a highly sustainable and versatile material already grown and processed at scale. To Kia’s credit, the brand has already integrated Bio Polyurethane (PU) as a leather replacement, with car carpets partially made with 100% recycled PET sourced from recycled fishing lines an option.

Side profile view of the KIA Concept EV3' small SUV crossover in a light metallic hue of green. Vehicle is styled with boxy bodywork detailing, including wheels with chunky four spoke pixelated design motif.

The Kia Concept EV3’s boxy-futuristic exterior belies its organically-themed interior.

The electrification of auto has been welcome in that it has allowed brands like Kia to reimagine themselves once stymied by their past. In sum all three new designs reveal the EV9 was only an amuse-bouche ahead of a multi-course meal of EV design, mapping the evolution of Kia from a once budget brand toward a fully-electrified future nibbling on the heels of the premium segment.

Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

The Colonnade of a Barcelona University Building Embodies a 13-Meter-Tall Heart by Jaume Plensa

The Colonnade of a Barcelona University Building Embodies a 13-Meter-Tall Heart by Jaume Plensa

Photos courtesy of University of Barcelona, shared with permission

Every year on September 29, World Heart Day raises awareness of cardiovascular disease, the leading cause of death around the globe. Events range from performances and walks that route courses in the shape of a heart to major art installations, like Jaume Plensa’s enormous inflatable artwork at the University of Barcelona.

Wedged behind the rib-like colonnade of the Faculty of Medicine and Health Sciences building, the 13-meter-tall “The Secret Heart” depicts anatomically correct veins, valves, and ventricles. The work was originally commissioned in 2014 for display in Augsburg, Germany, where it was accompanied by a voice clock recording of local residents ticking off the hours, minutes, and seconds.

While The Secret Heart was on view in Barcelona for only a few days, you can explore more of Plensa’s large-scale installations on his website.

 

A photo of a university building front entrance with an inflatable sculpture of a realistic human heart wedged in behind its colonnade.

 

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article The Colonnade of a Barcelona University Building Embodies a 13-Meter-Tall Heart by Jaume Plensa appeared first on Colossal.

Marik Lechner Delivers Big on ‘Mild Pain Guaranteed’

Marik Lechner Delivers Big on ‘Mild Pain Guaranteed’

Marik Lechner’s first exhibition stateside promises one thing: Mild Pain Guaranteed. Running from October 25 to December 16, 2023 at L’SPACE, the artist strays away from the paintings he’s known for in favor of large-scale, brightly colored tapestries, drawings, and embroideries made within the past five years. Born in Chernovitz, Ukraine and living in Israel since the age of 6, Lechner’s Mild Pain Guaranteed creates a world of war and bestiality. The thought reflecting the artist’s conviction that “we are basically animals. We have one hand in the sublime and one hand in the garbage.”

Jungle Machine, 2019-2020, Wool and Polyester, 106 x 114 inches

bright, colorful, abstract carpet

Mild Pain Guaranteed, 2020, Wool and Polyester, 114 x 106 inches

The exhibition’s works pull from a range of inspirational sources that include myth, religion, nature, and pop culture. The textile works even feature reoccurring characters and symbols from the latter. Using thread and wool, along with spray paint, glue, and found objects, each piece is part painting and part sculpture that feels like it’s bursting at the seams with energy.

bright, colorful, abstract carpet

Night Fruit Picking, 2022, Wool and Polyester, 114 X 118 inches

bright, colorful, abstract carpet

Sleepwalker, 2022, Wool and Polyester, 114 x 118 inches

As for the show’s name, “We passed a cosmetics store. It was advertising all the usual things – hair removal, eyebrow shaping, manicures – that women have to suffer to be seen beautiful, as objects of seduction. A large neon sign outside the shop promised Mild Pain Guaranteed. It was funny because they were trying to reassure women that the pain would be only mild, but it came out as an assurance of mild pain. This is life for you: at the very least, there will be mild pain.”

bright, colorful, abstract carpet

Paradise Reversed, 2020, Wool and Polyester, 106 x 114 inches

bright, colorful, abstract carpet

Underground, 2019, Wool and Polyester, 114 x106 inches

bright, colorful, abstract carpet

Swimming Pool, 2019, Wool and Polyester, 114 x 118 inches

bright, colorful, abstract tapestry

Demon Trapped in Heaven, 2023, Needlework

bright, colorful, abstract tapestry

Refugees, 2016

bright, colorful, abstract tapestry

Untitled, 2018

bright, colorful, abstract tapestry

Yoga Teacher, 2019, Needlework

dark drawing with a face on white paper

Drawing

dark drawing with a person and blue and yellow background on white paper

Drawing

two black animals on white background

Drawing

dark splotch with small person holding on like a balloon

Drawing

To learn more about Lechner’s Mild Pain Guaranteed on exhibition at L’SPACE, visit lspacegallery.com.

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

Dead-Eyed Tiger Staring Out From Mangrove Wins Photo Competition

Dead-Eyed Tiger Staring Out From Mangrove Wins Photo Competition
Mangrove photography awards
A Bengal tiger stares out from a mangrove in India. Overall winner of the Mangrove Photography Awards 2023. | Soham Bhattacharyya.

A photo of one of the very few tigers in the world that has adapted to a mangrove habitat has won the 2023 Mangrove Photography Awards.

The majestic big cat was captured in the Sundarbans Biosphere Reserve in West Bengal, India by Soham Bhattacharyya.

It is estimated that there are only 200 of these magnificent animals in the Sundarbans mangrove forest with only 96 thought to be in the West Bengal Forest where the photo was taken.

Mangrove photography awards
Shallow waters reveal mangrove roots in Brazil. Winner of the Mangroves and Landscape category | Cristiano Martins Xavier
Mangrove photography awards
In the mangrove forest of Colombia’s Utría National Park, a Common Potoo (Nyctibius griseus) is nearly indistinguishable from the surrounding branches while it perches motionless on its nest. Winner of the Mangroves and Wildlife category | Chien Lee
Mangrove photography awards
A juvenile lemon shark swims in shallow mangrove forests in the Bahamas. Winner in the Mangroves and Underwater category | Anita Kainrath
Mangrove photography awards
Nurse sharks court each other in knee-deep water in the Bahamas. Highly commended in the Mangroves and Landscape category | Shane Gross
Mangrove photography awards
Lights from the city, the Milky Way, and the Lyrid meteor shower emanate in alignment from the mangrove trees during darkness and low tide in the Philippines. Highly commended in the Mangroves and Landscape category | Aaron Ruy G. Musa
Mangrove photography awards
The mangrove forest in Ras Al Khor, UAE serves as a crucial stopover and wintering ground for thousands of migrating flamingos. These elegant birds migrate to the sanctuary in large numbers during the winter months, seeking refuge from colder climates. Ras Al Khor provides them with an abundant source of food, including the shrimp and small fish found in its brackish waters. The sight of these graceful birds against the backdrop of Dubai’s modern skyline is a stunning juxtaposition of nature and urbanity. Highly commended in the Mangroves and Wildlife category | Shyjith Onden
Mangrove photography awards
A former mangrove choked with plastic waste in Manila Bay, Philippines. Highly commended in the Mangroves and Threats category | James Whitlow Delano
Mangrove photography awards
Unique conditions in temperature, minerals, and algae turn this lagoon in Colombia pink. Photographer Felipe Santander spent four days and 15 drone batteries to capture the perfect shot, complete with the formation of birds flying over the pink lake. The salinity of the seawater combined with rising temperatures makes for an ideal situation where the microscopic pink algae can thrive. Runner up in the Mangroves and Landscape category | Felipe Santande
Mangrove photography awards
A land hermit crab wanders around at night, close to the beach of Pom Pom island, Sabah, using a plastic deodorant plug instead of a shell. Winner of the Mangroves and Threats category | Emanuele Biggi

Mangroves are a group of trees and shrubs that live in coastal intertidal zones. The trees grow in areas with low-oxygen soil, where slow-moving waters allow fine sediments to accumulate. Mangrove forests only grow in tropical zones.

Mangrove photography awards
In the Gulf of Ana María, this mangrove-dwelling American saltwater crocodile was spotted with its mouth tangled in nylon rope. Highly commended in the Mangroves and Threats category | Yordanis Méndez
Mangrove photography awards
Lemon shark pups hide in the mangroves at high tide, Bahamas. Highly commended in the Mangroves and Underwater category | Shane Gross
Mangrove photography awards
This stunning set of pictures from the Sundarbans in the Bay of Bengal won the Mangroves and People category | Mohammad Rakibul Hasan.
Mangrove photography awards
The Sundarbans, which means “beautiful forest”, is one of the most vulnerable areas in the country to the impacts of climate change. It is one of the wildest places left on Earth: a biodiversity hotspot and a complex tidal network of waterways and islands that is only accessible by boat. It is a delicate ecosystem that is under pressure from human development and the climate crisis, which is threatening the ecology of the Sundarbans. | Mohammad Rakibul Hasan.
Mangrove photography awards
Sea level rise is one of the most significant threats to the Sundarbans forest. | Mohammad Rakibul Hasan.
Mangrove photography awards
The impacts of climate change on the Sundarbans forest are impacting the lives of people in the surrounding areas. The forest is a significant source of livelihood for many people in the region, who rely on it for fishing, agriculture, and other activities. As the forest is damaged by sea level rise and extreme weather events, these people will also be affected by food and water insecurity and the loss of their homes and livelihoods. | Mohammad Rakibul Hasan.

The Mangrove Photography Awards is organized by the Mangrove Action Project who says that less than half of half the world’s original mangrove forest cover remains.

“Photographs of mangroves and contests related to them play a multifaceted role in advocating for the conservation and protection of these critical coastal forests,” says one of the judges Fulvio Eccardi.

“They raise awareness, educate, inspire action, and contribute to the scientific understanding of these ecosystems, all of which are vital for their long-term survival and the well-being of coastal communities around the world.”

Making the Best of Bad Conditions in Landscape Photography

Making the Best of Bad Conditions in Landscape Photography

Perhaps one of the most frustrating parts of landscape photography is that you do not have any control over the conditions, and if nature does not feel like cooperating that day, you can end up with a real struggle on your hands. That does not mean you should just give up and pack it in, though. This great video follows an experienced landscape photographer as he deals with such a day and perseveres in order to still come home with worthwhile images. 

Coming to you from Christian Irmler – Landscape Photographer, this interesting video follows him as he creates landscape images in the mediocre conditions. I truly believe that compelling photos can be made no matter the conditions, but where photographers often go wrong is having an idea of the shot they want in their heads and trying to force it to work when the environment just isn’t conducive to it. You will be much more satisfied if you embrace the conditions you are given and work to create photos that the light and weather work well for. Check out the video above for the full rundown from Irmler. 

And if you really want to dive into landscape photography, check out our latest tutorial, “Photographing the World: Japan With Elia Locardi!” 

Modern photography museum opens in Shanghai

Modern photography museum opens in Shanghai

The Fotografiska Museum by Suzhou Creek is now open to the public, featuring four exhibitions by Chinese and foreign artists as well as nightlife options.

Fotografiska Shanghai is the museum’s first Asian location and its fifth worldwide, after Stockholm, Tallinn, New York and Berlin.

Modern photography museum opens in Shanghai

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Fotografiska Shanghai is located by Suzhou Creek.

It takes up 4,600 square meters of space and is located near the famous Sihang Warehouse in Jing’an District. Along with exhibition spaces, there is room for dance, music, seminars, lectures and other cross-border events.

What makes Fotografiska unique is that its exhibitions, café, open-air bar, and stores are open to the public until 11pm, giving Shanghai’s art enthusiasts a late-night option to experience art and spend time with friends.

Fotografiska’s exhibitions will not be restricted to photographs but also include movies, sculptures, and installations.

Modern photography museum opens in Shanghai

Ti Gong

The venue stays open till 11pm, giving Shanghai art lovers a late-night option.

“Photography is an old medium, but with so many new methods like sound, video, and even AI, we are curious to see what young Chinese artists will present to us,” said Pauline Benthede, Fotografiska Global VP of Exhibitions.

The four opening shows, which feature both domestic and international artists, will be open to the public until at least January 15, 2024.

“White Nights in Wonderland” by photographer Feng Li encourages visitors to witness the spectacle of contemporary society in all its strange, nuanced, and visceral detail as seen through the photographer’s lens.

Modern photography museum opens in Shanghai

Ti Gong

Photographer Feng Li (left) introduces his works to visitors.

“White Nights in Wonderland,” curated by international photographer Holly Roussell, comprises around 200 images taken over 20 years, offering never-before-seen photos as well as recontextualizing some of Feng’s iconic works.

“Abstraction and the Altered Landscape” features works by Canadian photographer Edward Burtynsky from two projects. Burtynsky’s artistic approach has evolved over 40 years, and abstraction has become a major way of expression for him.

Modern photography museum opens in Shanghai

Ti Gong

Edward Burtynsky’s “Abstraction and the Altered Landscape”

The majority of the photographs in this exhibition were taken from fixed-wing aircraft, helicopters, and drones, so there is a visual continuity in seeing the landscape from lofty vantage points that expose the patterns, structure, and scale of the Earth’s surface.

“Fan Xi: Simulation Play” features an assortment of “new plant species” cultivated by the artist Fan Xi in a domain of supernatural vegetation. By trimming, cutting, collaging, and assembling digitalized nature, real-world dimensions are distorted and new axes of perception are formed.

The exhibition seeks to challenge the conventional method of creation and encourage exploration of a broader approach to photography’s interpretation.

Modern photography museum opens in Shanghai

Ti Gong

“Fan Xi: Simulation Play”

“Variations of 96 Chords in Space” by multidisciplinary artist Samson Young is a video installation that incorporates computer programming, music, and performance.

It combines various images, colors, and music. Various mediums are combined using computer algorithms that arrange and layer them in both random and sequential sequences.

If you go:

Fotografiska Shanghai

Address: No.127 Guangfu Road, Jing’an District 光复路127号

Open hour: 10:30am – 11pm (closed on Monday)

Tickets: 120 yuan, 80 yuan for students and elderly