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Working with Peter Obi, happiest days of my life— Lady photographer

Working with Peter Obi, happiest days of my life— Lady photographer

Esther Umoh, a poet and the Chief Executive Officer of Pendrops Photography, tells BLESSING ENENAITE about her career and other issues

What influenced your decision to become a photographer, and how long have you been practising?

Depression influenced my decision to become a photographer. I am a poet and a creative person. I decided to open a photography studio as a business, and I had someone manage it for me. At a point, the person managing it left and I was confused. It led me to a bad state. However, in August 2022, I underwent training in photography.

What are the challenges you have faced so far in your career?

Photography is quite expensive and not as cheap as people might think it is. The financial aspect, and being able to master the craft itself are the two challenges for me.

What are your notable works so far?

Working with the 2023 presidential candidate of the Labour Party, Peter Obi, is one of my major works so far. Also, taking the picture of the teenage boy on the road who stood in front of Obi’s motorcade when we went for a (presidential) rally in Lagos, is one of my notable pictures so far.

How did you feel after the picture of that teenager went viral?

I initially did not know I took that picture. I was just taking random photos, trying to capture moments, because one does not know which particular picture might be the best. I posted all the pictures. It was after the event that I went on Twitter and I saw that people were talking about it. I was surprised and happy, because after that picture went viral, people recognised the boy. He was helped and taken back to school. That was really fulfilling for me.

Did you get any benefits from that picture?

No, I did not. However, I believe that all rewards come from God.

You were one of Peter Obi’s official photographers during the presidential campaign. How would you describe your experience working with him?

I think anyone that sees Obi will be excited. Imagine having to work with him all through the campaign period almost every day; those were practically the happiest days of my life. When he was the governor of Anambra State, I was in secondary school, so, I did not really know much about him. Fast forward to the presidential elections, I had to read up on him, and I was really impressed, especially with him saying that he had never stolen any government money. I believe him because nobody has come out to refute his claims. To me, that indicated integrity. My father is also someone who does not joke with his integrity. It felt good to see someone else who represented what my dad and my family represents.

After working with Obi, my perception of him has become even more positive. He loves getting things done. Nothing is impossible with him, and inasmuch as it is doable, one cannot tell him that it is not doable. He loves to go for what he wants.

The elections caused a lot of rancour, with many relationships being negatively affected. Did you have a similar experience?

Yes, I did. I had to ‘block’ many people (on social media). I consider anyone who does not want a better Nigeria to be an enemy of the country.

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Tell us about your family and educational background?

I am from Akwa Ibom State. I studied Communication Arts at the University of Uyo, Akwa Ibom. My dad worked with the Independent National Electoral Commission for about 35 years. Until his retirement, he was an administrative secretary at INEC. I am the fifth of seven children.

My mum is a businesswoman, but she is currently serving her people as the Vice Chairman of Udunguko Local Government in Akwa Ibom.

You once stated that four of your siblings are lawyers. Why did you decide to toe a different path?

It was a matter of choice. I could have also become a lawyer, but I decided not to toe that line. Also, I used to be really interested in football, but I could not play. So, my dad said I should go into football commentary. That was why I decided to study Communication Arts.

You dress like a tomboy. Have you always been that way?

I don’t really have a reason for the way I dress. I just want to be free (comfortable). One thing one should not do to a creative is to gag them. I don’t like to be gagged. I often get comments about my looks. Whether one looks good or bad, one would surely get comments. However, I have mostly got positive comments. I don’t think anybody can look at me and say I am not pretty, or commend the way I dress.

What plans do you have for your career?

I want to advance it. I want to use my skill to help people, and engage in activities that would make the common person on the street hopeful about their goals.

What are your most memorable moments as a photographer?

My memorable moments are when I am able to visualise a certain picture the way I want it to look like, and I am able to actually bring it to life. Capturing a moment properly and editing it to tell the story one wants to tell is quite memorable for me.

Who are the people you look up to as a photographer?

I respect photographers such as TY Bello and Joshua Okoro. I also admire my friends who are good photographers, such as Jude Monami, who was actually the person who trained me in photography.

What are your other areas of interest?

I am a poet, and event manager.

Gigantic sculptures at St. James Court Art Show

Gigantic sculptures at St. James Court Art Show

LOUISVILLE, Ky. — One of the largest art shows is back in Louisville this weekend.

The St. James Court Art Show returned for its 66th year in a row.


What You Need To Know

  • The St. James Court Art Show returned for its 66th year in Louisville.
  • Joe Autry, 44, is back for his third year at the show showing off his sculptures
  •  Autry works on each sculpture for weeks using trees that developers were planning to discard
  • The art show attracts 250,000 people on average every year

Joe Autry, 44, has been sculpting since he was 17 years old. He started out in bronze sculpting and for the last 15 years he has made chainsaw wood carving his full-time job.

“I really like extreme things, and, you know, carving with a chainsaw seems pretty extreme, so it’s kind of exciting. It stays exciting,” Autry said. “Every day that I’m carving is exciting.”

He said he saves trees from local developers who are going to turn the trunks to mulch, so that way he can turn the trunks into art.

“A lot of my sculptures are influenced by maybe some mythological stories or legends or different practices,” he said. “I’m also a yoga practitioner, so I’m really interested in eastern philosophies.”

The Louisville native is one of 600 artists at this year’s St. James Court Art Show. This is his third year at the show.

“I guess the most interesting one right now is this cobra over here, it’s my most recent piece,” Autry said. “It’s a nine-foot cobra that I finished a day before the event and so I enjoy that piece the most right now.”

He said it takes anywhere from weeks to months to finish a piece, and when it’s done, it’s bittersweet.

“You know, after every project that, it’s kind of like, oh, it’s over. But then, there’s always a new one that’s coming up on the horizon, just like a sunrise,” he said.

You can find his artwork around the commonwealth in parks and museums.

“Kind of a never a dull moment unless you don’t know how to sharpen your saw,” he said.

You can check out Autry’s work at the art show this weekend. The art show attracts roughly 250,000 people on average every year and admission is free.

Experience elite Native American art with return of Cherokee Art Market Oct. 14-15

Experience elite Native American art with return of Cherokee Art Market Oct. 14-15
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TULSA – A celebration of authentic Native art, Cherokee Art Market returns to Hard Rock Tulsa Oct 14-15. At one of the largest Native American art markets in the state, guests will enjoy the authentic work of 150 elite Native American artists from across the country.

“The list of artists accepted into the 2023 Cherokee Art Market is exceptional, and each year it grows stronger with more diversity in the categories and more tribal nations represented,” said Cherokee Nation Principal Chief Chuck Hoskin Jr. “Visitors will see the works of talented creators across Indian Country. We are so proud of this market – one of the most respected juried art markets in the nation – and what it means for our artisan community, as well as the local economic impact it provides annually.”

More than 40 tribes will be represented at the 18th annual Cherokee Art Market, with artwork ranging from beadwork, pottery, paintings, basketry, sculptures, textiles and more. 

Guests can meet directly with each juried artist and learn more about their work. In addition, the market will feature cultural demonstrations, presentations and conversations with some of the nation’s top Native American artists each day. 

“As we approach nearly two decades of Cherokee Art Market, we can’t help but be incredibly proud of how this event has grown and evolved,” said Donna Tinnin, senior manager of programs and events for Cherokee Nation Cultural Tourism. “One thing that has always stood out is our immersive cultural demonstrations that enhance the guest experience. This year we are expanding those efforts to include featured presentations and conversations with key industry stakeholders like our friends at the Indian Arts and Crafts Board. We look forward to providing an entertaining, educational and engaging experience for all.”

Participating artists also compete for their share of more than $75,000 in prize money and top honors and special recognition such as the Best of Show, Innovator Award, Culture Keeper and more awarded across nearly 30 categories. 

An opening reception will be held in the Sky Room at Hard Rock Tulsa on Friday, Oct. 13, at 7 p.m. to welcome artists and announce winning work. The public is welcome to attend the reception for $35 per person. Tickets will be available for purchase at the door.

Cherokee Art Market is presented by Cherokee Nation Businesses. Co-sponsors include Native American Art Magazine and Tulsa People.

The family-friendly event is open to the public 10 a.m. to 5 p.m. in the Sequoyah Convention Center at Hard Rock Tulsa. Admission is only $5 at the door.

Hard Rock Hotel & Casino Tulsa is located off Interstate 44 at exit 240. For more information, visit www.hardrockcasinotulsa.com.

Sunset Heights opens doors to history with 19th annual home tour and art market

Sunset Heights opens doors to history with 19th annual home tour and art market

On Saturday, the historic Sunset Heights Neighborhood hosted its 19th Annual Tour of Homes offering visitors a glimpse into the captivating history of seven historic homes.

Hal Marcus Gallery, located at 1308 N. Oregon Street hosted an exclusive pop-up art market featuring local artists’ works for visitors touring the homes.

Established in 1901, Sunset Heights stands as one of the nation’s earliest master-planned communities.

This neighborhood boasts a wealth of history and distinctive architectural designs.

The 19th Annual Tour of Homes provided a unique opportunity for the community to explore El Paso’s most historically significant neighborhood, showcasing meticulously preserved and renovated homes that offer a distinctive urban living experience in the heart of downtown.

Featured Homes:

Burges House – 603 W. Yandell

Sunset Parlor – 1307 N. Oregon St.

Poessiger Home – 604 Stewart Ct. (first-time inclusion)

The Woman’s Club of El Paso – 1400 N. Mesa

Kohlberg House / Fischer Home – 525 Corto Way

Trost House / McGregor Home – 1013 W. Yandell Dr.

The Sunset Heights Neighborhood Improvement Association, in organizing this event, showcased the architectural heritage and historical significance of this charming neighborhood.

Proceeds from the tour supported ongoing efforts to restore and enhance the neighborhood’s integrity.

Sunset Heights stands among the earliest planned neighborhoods in the United States.

Many of its homes date back to the early 1900s and boast renowned architects such as Henry C. Trost, Edward Kneezel, and Mabel Welch according to organizers.

Funds raised from this event contribute to the Sunset Neighborhood Improvement Association’s mission to continually restore and enhance the neighborhood’s character and appeal.

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Deborah Turbeville captivating fashion photography remembered in new book

Deborah Turbeville captivating fashion photography remembered in new book

American photographer Deborah Turbeville’s work has intrigued and captivated audiences for decades. Her brooding, almost surreal fashion photography landed her a job at Harper Bazaar in the 1970s and has since been celebrated for her evocative, dreamlike imagery. Five decades later, and commemorating the tenth anniversary of her death, her latest book Deborah Turbeville: Photocollage shines a spotlight on the area of work that makes her an iconic artistic powerhouse – her photo collages. 

Unlike her contemporaries in fashion photography, Turbeville approached her craft with a deliberate sense of playfulness. She used techniques such as xeroxing, cutting, scraping, pinning prints together, and even writing in the margins to create narrative sequences that transcend the confines of single, glossy images. Her work occupies a liminal space between art and commerce, challenging traditional notions of fashion photography.

• Check out the  50 best photographers ever including icons such as Henri Cartier Bresson, Diane Arbus and Helmut Newton. 

Chateau Raray, Raray, France, 1985 (Image credit: Deborah Turbeville)

Untitled (Asser Levy Bathhouse), from the series ‘Bathhouse’, New York, after 1975  (Image credit: Deborah Turbeville)

From Passport: Concerning the Disappearance of Alix, 1990 (Image credit: Deborah Turbeville)

Untitled, Hoboken, New Jersey, 1975 (Image credit: Deborah Turbeville)

Views of staircase, salons, billiard room and curtained room off the foyer of The Breakers, from the series ‘Newport Remembered’, Newport, Rhode Island, 1992–93 (Image credit: Deborah Turbeville)

This collection of 180 images is the result of extensive research from the Deborah Turbeville archive. The carefully curated publication showcases a diverse range of commercial and personal projects, with many previously unpublished images. It features insightful texts contributed by Vince Aletti, Anna Tellgren, and Felix Hoffmann, offering readers a deeper understanding of how Turbeville redefined fashion photography on her own terms. Her work, in contrast to the stereotypes assigned by male photographers, presents a more nuanced and authentic portrayal of femininity rather than the highly sexualized images we are so used to seeing. 

Born in Boston, Massachusetts in 1934, Deborah Turbeville sadly passed away in 2013 leaving an indelible mark on the world of fashion photography. Her work graced the pages of renowned publications such as Vogue, Harper’s Bazaar, Nova, and The New York Times.

Nathalie Herschdorfer, Director of Photo Elysee-Museum of Photography in Lausanne, Switzerland, has played a crucial role in the creation of this remarkable book. Known for her books Coming into Fashion, Afterwards: Contemporary Photography Confronting the Past, and Body: The Photography Book, Herschdorfer’s insightful introduction delves into the professional and personal life of Turbeville, highlighting her successes and celebrating her contribution to photography. 

Deborah Turbeville: Photocollage

Front cover of Deborah Turbeville: Photocollage (Image credit: © Thames & Hudson)

Deborah Turbeville: Photocollage is an essential book for any coffee table with modern relevance to those with a passion for fashion photography and the female gaze. It invites readers to explore the artistic innovation and timeless allure of Turbeville’s work, cementing her place as a visionary photographer who transcended boundaries and challenged conventions. As we embrace her legacy, we can appreciate her enduring influence on the art of photography and the ever-evolving landscape of fashion. Copies will be available from published Thames & Hudson from October 12 in the UK, and in November in the US, for £55/$75/AU$110. 

Check out the best film cameras – retro classics that have been a mainstay in the analog world

Question of the Week: What is your experience with secondhand photography gear?

Question of the Week: What is your experience with secondhand photography gear?

Tamron – Need lightweight, compact mirrorless lenses? Tamron has you covered, with superior optics perfect for any situation. With weather sealing and advanced image stabilization, you’ll open up your creative possibilities.

Radiant Photo – Radiant Photo superior quality finished photos with perfect color rendition, delivered in record time. Your photos — simply RADIANT. The way they are meant to be.

AfterShoot – AfterShoot helps photographers cull their photos faster, leaving them more time to spend on creative tasks. Save $10 with the code PHOTOFOCUS10.

Mylio Photos – Access your photos from anywhere, without the cloud! Easily showcase your photos on-the-go, resolve duplicates, find faces and look for those stunning locations.

Skylum – Your photos, more beautiful in minutes. Skylum adapts to your style and skill level. Check out Luminar Neo’s unique sky replacement and portrait editing tools, now available.

B&H – B&H is a world renowned supplier of all the gear photographers, videographers, and cinematographers need and want to create their very best work.

MPB – Grab used but perfectly working cameras and lenses for less, or turn your old gear into cash by trading and selling them on MPB!