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Reflections on the Devitt + Kelley Finland Workshop

Reflections on the Devitt + Kelley Finland Workshop

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When an American photographer I had come to know purely through the ‘gram suggested we run a workshop on a remote island in the Finnish Archipelago, I was living in a very surreal time, the world was in the middle of a global pandemic, twerking was all over Tik Tok, oxygen tanks were being buried in backyards in India, and people were baking sourdough with reckless abandon.

No one was flying ANYWHERE and the whole idea of running a workshop on the other side of the world with someone I barely knew seemed ridiculous and bizarrely fantastic.

Why the hell not?

Fast forward 18 months and my partner Dee and I are stepping off a plane in Helsinki, six flights and 48 hours of travel later, to an empty baggage carousel.  Apparently, our luggage had other plans for their European Summer. Cool, cool, cool.

The discovery of our luggage not accompanying us to Helsinki added to the already intrepid nature of modern-day travel. So, with the weak exchange rate in our minds, and dreams of Finnish fashion in our hearts, we used our misfortune to our favour and set off on a shopping excursion – what better excuse!

Our body clocks flipped over like an egg timer, we found our best hours were early, walking mostly empty streets in the magnificent very northern summer light. Jet lag seems harder to fend off when compared to my first European trip 30 years earlier. Coffee helps and travelling with Dee means we both get to laugh a lot ‘whatever the weather’.

A few days in Helsinki sees us get our fill of Finnish food, architecture a great hotel (with the best breakfast in Helsinki IMHO) and it’s now time for Mike and I to meet our first workshop crew.

Six eager faces, some who have travelled a significant distance, and all who have confirmed they are brave, adventurous, and a little crazy(!), await us at the meeting point to board the waiting bus.

The 2023 Mike Kelly and Simon Devitt Workshop is finally underway!

We hare off in pursuit in our rental car for the two-and-a-half-hour drive west to Kasnäs. Our eyeballs were treated to stunning landscapes along the way, rock trees, achingly beautiful rural landscapes, and wildlife corridors. Kasnäs is a sleepy port town, and the meeting spot for our boat, skippered by Janne – quite simply the loveliest human you’d hope to encounter.

We make a bee-line for our first stop ‘Örö’, an historic island fortress and accommodation for our students. With bags checked in (yes, theirs arrived!) we head into the dining hall for lunch – this is the first chance for everyone to get to know each other, and we chat over salmon soup before we head for workshop one, ground zero.

We are deep into the Finnish archipelago when the boat goes silent – we have rounded the final headland and our workshop location for the next 48 hours has come into view.

Project Ö’ is special. 

It’s an island that’s a football field and a half in size. Pine, rock and the bluest blue water take over the visuals. We are met by Aleksi, the owner builder and visionary for this incredible island experience and dwelling who welcomes us with a friendliness and quirkiness that I’ve begun to learn is common amongst the Fins.

The feeling of dragging six (18 by the end of the three workshops) very talented and eager photographers to the far side of the globe suddenly becomes very overwhelming, and I’m sure I wasn’t alone while pondering “what the fuck have we done?” and “isn’t this fucking wild?!”.

Six students, together with Mike and I began the first of three workshops – which in summary was a healthy mix of contagious humour, impeccable fortitude, and hard work mixed with generous amounts of good food, sauna and cold plunges. 

I can’t go on without a better description of the setting.

The Archipelago in Finland is very unlike anywhere I’ve been. Rather than setting vertically like I’m used to in New Zealand, the sun slides across the sky, off on its languid journey to somewhere beneath the horizon. In the late afternoon, the light quality feels more like an eclipse than usual bright afternoon summer sun.

A photographer’s dream, dusk feels like it won’t end.

The Baltic Sea, that fills up seemingly tideless, all around the rocks that make up the archipelago, taste like a teaspoon of salt water was added for flavour. More like a lake than a sea, migrating birds flying over with regularity, anchors the feeling of stillness, nestled on this very small island. The only sea-life we encountered were jellyfish, thankfully, the non-stinging type. I did encounter a tall, white tail deer one morning on a stroll, I was the only one to see it. Apparently, they swim between islands, which is a boon for the imagination.

Over the past 15 years as an educator, I have developed a series of exercises. Together with Mike, we repurposed and curated specific exercises for this series of workshops.

Our practical exercises were deliberately more challenging on the psyche than the shutter finger. Our exercises aren’t the kind of education you get from a YouTube tutorial.

‘Standing Still’ and ‘Fresh Eyes’ were designed to test the best.

Perhaps the most memorable (I’ve heard!) exercise was ‘Lord of the Flies’, which seemed apt given the eight of us were to share a very small island for the next two days. As photographers of architecture, it’s not often we have the opportunity to utilise seven people as we wish on a shoot, be it as assistants, models, or gophers! It’s even rarer to observe another photographer at work, and in this case UNDER PRESSURE!

The brief was to complete a photoshoot in a prescribed area utilising the seven other workshop attendees however you wished. There’s one minute of prep, then ten minutes of shoot time. One student after the other. It’s high tension, and high stakes with the Finland workshop 2023 LORD OF THE FLIES title (and celebrated trophy!) up for grabs.

A place isn’t a place, a place is a place in time.

As I sit at home in Wellington, New Zealand and reflect on my time in Finland, it strikes me that each of the three workshops could not have been more different. The changing weather and dynamic of each group meant each day was a distinctly unique experience. 

It reminds me of a quote by Heraclitus “No man (person) ever steps in the same river twice, for it’s not the same river and he’s not the same man (person).”

The 2024 Mike Kelley and Simon Devitt (somewhere in the world, and hopefully at a destination my luggage is happy with..) will be announced soon.

Devitt + Kelley Finland workshop 2023

Devitt + Kelley Finland workshop 2023

Uncategorized

When an American photographer I had come to know purely through the ‘gram suggested we run a workshop on a remote island in the Finnish Archipelago, I was living in a very surreal time, the world was in the middle of a global pandemic, twerking was all over Tik Tok, oxygen tanks were being buried in backyards in India, and people were baking sourdough with reckless abandon.

No one was flying ANYWHERE and the whole idea of running a workshop on the other side of the world with someone I barely knew seemed ridiculous and bizarrely fantastic.

Why the hell not?

Fast forward 18 months and my partner Dee and I are stepping off a plane in Helsinki, six flights and 48 hours of travel later, to an empty baggage carousel.  Apparently, our luggage had other plans for their European Summer. Cool, cool, cool.

The discovery of our luggage not accompanying us to Helsinki added to the already intrepid nature of modern-day travel. So, with the weak exchange rate in our minds, and dreams of Finnish fashion in our hearts, we used our misfortune to our favour and set off on a shopping excursion – what better excuse!

Our body clocks flipped over like an egg timer, we found our best hours were early, walking mostly empty streets in the magnificent very northern summer light. Jet lag seems harder to fend off when compared to my first European trip 30 years earlier. Coffee helps and travelling with Dee means we both get to laugh a lot ‘whatever the weather’.

A few days in Helsinki sees us get our fill of Finnish food, architecture a great hotel (with the best breakfast in Helsinki IMHO) and it’s now time for Mike and I to meet our first workshop crew.

Six eager faces, some who have travelled a significant distance, and all who have confirmed they are brave, adventurous, and a little crazy(!), await us at the meeting point to board the waiting bus.

The 2023 Mike Kelly and Simon Devitt Workshop is finally underway!

We hare off in pursuit in our rental car for the two-and-a-half-hour drive west to Kasnäs. Our eyeballs were treated to stunning landscapes along the way, rock trees, achingly beautiful rural landscapes, and wildlife corridors. Kasnäs is a sleepy port town, and the meeting spot for our boat, skippered by Janne – quite simply the loveliest human you’d hope to encounter.

We make a bee-line for our first stop ‘Örö’, an historic island fortress and accommodation for our students. With bags checked in (yes, theirs arrived!) we head into the dining hall for lunch – this is the first chance for everyone to get to know each other, and we chat over salmon soup before we head for workshop one, ground zero.

We are deep into the Finnish archipelago when the boat goes silent – we have rounded the final headland and our workshop location for the next 48 hours has come into view.

Project Ö’ is special. 

It’s an island that’s a football field and a half in size. Pine, rock and the bluest blue water take over the visuals. We are met by Aleksi, the owner builder and visionary for this incredible island experience and dwelling who welcomes us with a friendliness and quirkiness that I’ve begun to learn is common amongst the Fins.

The feeling of dragging six (18 by the end of the three workshops) very talented and eager photographers to the far side of the globe suddenly becomes very overwhelming, and I’m sure I wasn’t alone while pondering “what the fuck have we done?” and “isn’t this fucking wild?!”.

Six students, together with Mike and I began the first of three workshops – which in summary was a healthy mix of contagious humour, impeccable fortitude, and hard work mixed with generous amounts of good food, sauna and cold plunges. 

I can’t go on without a better description of the setting.

The Archipelago in Finland is very unlike anywhere I’ve been. Rather than setting vertically like I’m used to in New Zealand, the sun slides across the sky, off on its languid journey to somewhere beneath the horizon. In the late afternoon, the light quality feels more like an eclipse than usual bright afternoon summer sun.

A photographer’s dream, dusk feels like it won’t end.

The Baltic Sea, that fills up seemingly tideless, all around the rocks that make up the archipelago, taste like a teaspoon of salt water was added for flavour. More like a lake than a sea, migrating birds flying over with regularity, anchors the feeling of stillness, nestled on this very small island. The only sea-life we encountered were jellyfish, thankfully, the non-stinging type. I did encounter a tall, white tail deer one morning on a stroll, I was the only one to see it. Apparently, they swim between islands, which is a boon for the imagination.

Over the past 15 years as an educator, I have developed a series of exercises. Together with Mike, we repurposed and curated specific exercises for this series of workshops.

Our practical exercises were deliberately more challenging on the psyche than the shutter finger. Our exercises aren’t the kind of education you get from a YouTube tutorial.

‘Standing Still’ and ‘Fresh Eyes’ were designed to test the best.

Perhaps the most memorable (I’ve heard!) exercise was ‘Lord of the Flies’, which seemed apt given the eight of us were to share a very small island for the next two days. As photographers of architecture, it’s not often we have the opportunity to utilise seven people as we wish on a shoot, be it as assistants, models, or gophers! It’s even rarer to observe another photographer at work, and in this case UNDER PRESSURE!

The brief was to complete a photoshoot in a prescribed area utilising the seven other workshop attendees however you wished. There’s one minute of prep, then ten minutes of shoot time. One student after the other. It’s high tension, and high stakes with the Finland workshop 2023 LORD OF THE FLIES title (and celebrated trophy!) up for grabs.

A place isn’t a place, a place is a place in time.

As I sit at home in Wellington, New Zealand and reflect on my time in Finland, it strikes me that each of the three workshops could not have been more different. The changing weather and dynamic of each group meant each day was a distinctly unique experience. 

It reminds me of a quote by Heraclitus “No man (person) ever steps in the same river twice, for it’s not the same river and he’s not the same man (person).”

The 2024 Mike Kelley and Simon Devitt (somewhere in the world, and hopefully at a destination my luggage is happy with..) will be announced soon.

Flower sculpture will bloom at new home

Flower sculpture will bloom at new home
THE Love Flower sculpture is set to move from its Peninsula Link home by the end of the year. Love Flower, by John Meade, has been at the Cranbourne Road overpass of Peninsula Link since 2019. It replaced Reflective Lullaby, the infamous chrome gnome. The Peninsula Link overpass sculpture is replaced every four years as

How artwork became ‘heart work’ for South Dakota artists

How artwork became ‘heart work’ for South Dakota artists

This paid piece is sponsored by the Children’s Home Society.

Jon Crane has loved art since he was a child.

“I was always the kid in the back of the class in trouble for doodling,” said the well-known South Dakota artist. “It was just a natural thing.”

Crane grew up in New Jersey. After serving in the Air Force, he decided to pursue a career in art. “I put my time in and have avoided a real job for 47 years now.”

Today, Crane lives with his wife, Gail, in Hill City. Twenty-some years ago he had a gallery in town — now owned by another person — where he did watercolor demonstrations. When he was finished, a friend named Denny McKay would auction off the painting, with the proceeds going to a different charity each year.

One year, the charity receiving the donation was Children’s Home Society of South Dakota. A fundraising campaign for a Creative Arts Endowment was underway to pay for arts education, which was not covered by state funding.

“Denny McKay came to us, and he said: ‘You know, I love the Children’s Home. They’re a great organization. Would you mind if we made this into a bigger event?’” Crane said. The Cranes agreed.

Now in its 17th year, the annual Jon Crane Children’s Home Society Benefit Auction has become a unique signature event in Rapid City.

It has expanded Children’s Home Society’s network of supporters, volunteers and friends. And it has raised nearly $1 million for the Creative Arts Endowment and Children’s Home Child Advocacy Center.

Heart work of Richard DuBois

Crane wasn’t the only prominent South Dakota watercolor artist interested in Children’s Home Society. Richard DuBois, a Black Hills native who taught art at Black Hills State University for 35 years, also had a soft spot for the Children’s Home Society kids.

After his retirement, DuBois continued to teach painting to individuals and groups from his home studio.

And in 2007, DuBois and his wife, Rose, began hosting groups of children from Black Hills Children’s Home.

“We would have a vanload of children come to our home,” Rose DuBois said. “Richard would buy them little art kits that had the paints and the brushes and the aprons and the little water bottles … and taught them how to paint.”

The same year, a handful of DuBois’ painting students created an informal group called Dick’s Chicks. They took classes from DuBois until his death in 2014.

“We made a decision as a group that we wanted to move forward painting together to honor Richard’s legacy,” artist Melissa Wood said.

And out of Dick’s Chicks was born the Dream Team, which was a group of artists who made a commitment to teach art to kids at Black Hills Children’s Home.

“Richard would talk to us about Children’s Home, and so we were aware of the work and how passionate he was about helping these kids,” Wood explained. “And we wanted to pass down what he gave to us so generously.”

Every year since DuBois’ death — except during the pandemic — Dream Team members have volunteered to teach art at Black Hills Children’s Home. Their visits give children special opportunities to express themselves through art and to learn new skills.

Assistant director of schools Tara Chayka saidt children treasure these experiences. “We’ve had kids over the years who have discovered a talent within them that they didn’t even know they had,” she said. “We get to see little artists start to bloom.”

Community of artists, community of support

Many Dick’s Chicks and Dream Team members generously donate work and volunteer for the annual art auction.

Each year, more than 20 artists donate their work to help raise funds for Children’s Home Society. The event includes dinner and an exciting silent auction. Tickets sell out every year.

When the Creative Arts Endowment campaign goal was met, Children’s Home Society brought on a visual arts teacher and music teacher at its two campuses in the Black Hills and Sioux Falls.

“Art helps our kids to heal, to grow and to find themselves,” said Lisa Compton, Sioux Falls Children’s Home art teacher. “It’s that silent voice having an opportunity to come out.”

For the past several years, funds raised from the art auction benefit Children’s Home Child Advocacy Center, a Rapid City-based program providing forensic interviews for children who have been abused or witnessed extreme violence. The program is 55 percent funded by donations.

Through their artwork and their generosity, both Crane and DuBois helped spread awareness of Children’s Home Society and its mission. Their efforts have brought together a community of artists and art lovers who support children through instruction, role modeling and fundraising.

Learn more here about the annual Jon Crane Children’s Home Society Benefit Auction, which was held Sept. 29, and view a video about the event.

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Liza Saunders Named New Marketing Director

Liza Saunders Named New Marketing Director

Liza Saunders has been named the new director of marketing at the University of North Carolina Wilmington, the university announced today. 

Saunders joins UNCW after serving the past five years at George Mason University in Virginia as the social media marketing and communications manager for the School of Art. There she developed and implemented communications strategies, including social media presence on all major platforms. Additionally, Saunders coordinated marketing campaigns and community outreach events that contributed to fundraising success, and higher student enrollment and retention, particularly for students who are Black, Indigenous, and People of Color (BIPOC), first generation or low-income. Previously, Saunders served as marketing and outreach coordinator at Virginia International University.  

“Liza exudes energy and enthusiasm for the exciting work of marketing UNCW, one of the nation’s best public universities. Her professional skills as a communicator will help the Office of University Relations explore new opportunities to promote the university, expanding the ways we share our Seahawks’ stories with our campus and community,” said Andrea Weaver, UNCW chief marketing and communications officer. 

As UNCW’s first marketing director, Saunders will work with Weaver and the Office of University Relations team to develop comprehensive communications, marketing and branding strategies to further elevate UNCW and support the new 10-year Strategic Plan: Soar High, Soar Far, Soar Together. 

“I want to first thank Andrea Weaver and the entire OUR team for the opportunity to join their team,” Saunders said. “There is an unmistakable energy and excitement amongst the team to implement new strategies and explore new opportunities to promote UNCW, our alumni and our entire Seahawks community. As we look to the future, I feel honored to step into this new role and bring with me past experiences that will elevate our marketing initiatives.”

Saunders holds a B.A. in Communications and Certificate in Marketing Communications from Mary Baldwin University. She also holds a Certificate in Graphic Design and is a recipient of the Emerging Leaders Supervisor Series Certificate, both from GMU.  

A Forthcoming Book Turns a New Leaf On Remarkable Photographs of Trees From Around the World

A Forthcoming Book Turns a New Leaf On Remarkable Photographs of Trees From Around the World

Photo by Marc Alcock. All images © the photographers and Hoxton Mini Press, shared with permission

For centuries, a lone tree grew in a gully known as Sycamore Gap along Hadrian’s Wall in Northumberland, one of England’s most beloved landmarks. Last week, an act of vandalism reduced the stalwart icon to a stump, generating shock and sadness for its loss. While the National Trust works to protect the remains to see if it can regrow, the story sheds a light on trees’ vulnerability while at the same time standing as emblems of strength and resiliency.

It is timely, then, that Looking At Trees, a forthcoming book compiled with an introduction by artist Sophie Howarth, encourages us to reconnect with our natural surroundings. Images by more than two dozen contemporary photographers, including Beth Moon, Marc Alcock, and Myoung Ho Lee, explore a range of different species, ecosystems, and landscapes. From enigmatic plantations to lofty dwellings, the volume explores the diverse ways in which the woody plants are an important part of our daily lives, even if sometimes we have to remember to notice them.

Pre-order your copy on Hoxton Mini Press’s website, and if you’re in the mood for even more trees, you might also enjoy Neil Burnell’s photographs of moss-draped forests.

 

A black-and-white photo of a grove of trees.

Photo by Paul Hart

A lone palm tree standing above a suburban area.

Photo by Robert Voit

A tree on a mountainside during the golden hour.

Photo by Nicholas J R White

Photo by Marc Wendelski

A palm tree in the desert.

Photo by M’hammed Kilito

A treehouse.

Photo by David Spero

A black-and-white photo of a large conifer in the middle of a town.

Photo by Daniel Ballesteros

A forest during the golden hour.

Photo by Alexandre Miguel Maia

Mossy tree limbs.

Photo by Anna Beeke

The cover of the book 'Looking At Trees.'

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article A Forthcoming Book Turns a New Leaf On Remarkable Photographs of Trees From Around the World appeared first on Colossal.