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Art Uptown Gallery to close after 43 years in Sarasota

Art Uptown Gallery to close after 43 years in Sarasota

Long live visual arts in Sarasota.

Rising rent is forcing the Art Uptown Gallery to close its doors after 43 years. Despite its name, the gallery is located downtown, at 1367 Main St. It is the second one in the neighborhood to close this year. At the same time, new visual arts destinations are expanding in more affordable parts of town.

Art Uptown Gallery, which houses local artists in studios upstairs, will close permanently at 5 p.m. Saturday, Aug. 26. 

“The building has been sold and the gallery was unable to negotiate a lease price that would allow us to continue,” said Melanie Carlstein, gallery board president, in a statement.

Carlstein said the gallery has stocked up with the works of its artists to give patrons the opportunity to buy in the final days of operation. 

Art Uptown is the second downtown gallery to shutter in recent months. Dabbert Gallery closed in June after 18 years in business. It was located at 46 S. Palm Ave. Husband-and-wife owners David and Patricia Dabbert have maintained a sales presence online, selling fine painting and sculpture.

The Dabberts were fixtures at the First Friday Gallery Walk downtown. In a Facebook post, the couple cited rising rent as well as new development downtown as the reason for their gallery’s demise.

“The Sarasota art scene is changing,” artist Virginia Hoffman wrote on Facebook. “High-end or high-rent galleries are fading away, and more artists are finding alternative means to present their art. This is a good thing. My only concern is the market might price artists out of the alternative locations.”

While art galleries are getting pushed out of downtown, some are migrating to the nearby Limelight District, which runs along North Lime Avenue between 12th Street and Fruitville Road. The up-and-coming arts district is anchored by the popular shopping emporium, The Bazaar at Apricot and Lime, at 821 Apricot Ave.

Recent arrivals and expansions in the Limelight District include the March 30 opening of the Palmer Modern at 925 N. Lime Ave. and the addition in February of a second space by arts collective Creative Liberties at 927 N. Lime Ave. Its flagship is nearby, at 901B Apricot Ave. 

Not far away from the recognized district, Marianne Chapel’s SPAACES gallery at 2051 Princeton St. is seeking to raise $20,000 in a capital campaign it has dubbed the Major Arts District Expansion. MADE, for short, will expand the gallery’s footprint from 4,500 to 7,000 square feet and will include street frontage exposure, which SPAACES currently lacks. 

Founded in 2018, SPAACES became a not-for-profit in 2020. According to Chapel, the gallery’s vision is to “see Sarasota recognized as a cutting edge, visual arts town, a place where contemporary art and artists thrive.”

To raise awareness of the visual arts in Sarasota, a town where the performing arts need no help gaining attention, the Sarasota Studio Artists Association has organized Second Saturdays, where artists open their studios to the public and host other events. 

Second Saturdays has been spearheaded by Jen Palmer, whose husband, Craig Palmer, owns Palmer Modern. 

SAAC has published a map of local art galleries on its website, SRQArtists.com, to encourage buyers and browsers alike to come out for Second Saturday. That’s a hard slog when temperatures are approaching 100 degrees, but foot traffic is expected to pick up during season.

One way to beat the heat is to hold evening events. In late July, Creative Liberties co-founders Barbara Gerdeman and Elizabeth Goodwill hosted a Magic & Mystery Night Faire. 

The faire featured performances including stilt walking and illusions, foods including kebabs and candy apples, and sometimes spooky work by local artists. Instead of Christmas in July, the popular event hosted by Main Street retailers in Venice, think Halloween in July. 

There’s no question that fine arts galleries are facing pressure from higher rents and encroaching development. But the arts are thriving in Sarasota in unexpected places — church art galleries, pop-up events at Art Ovation Hotel and even the Saturday Farmers Market, where it’s not unusual to see a plein air practitioner armed with paintbrush, palette and an easel.

Over at the Bayfront, Art Center Sarasota is making a push to get the word out that the artists works it displays are for sale. Admission is free to the center, a nonprofit that offers curated and juried exhibitions, workshops and classes.   

A Tip for Those Who are New to Street Photography

A Tip for Those Who are New to Street Photography

Street photography often gets a lot of photographers nervous. They’re nervous because they immediately shift their mind to the worst. What if someone is angry and attacks you? What if you accidentally take a photo of a child? Indeed, our minds hyperinflate the worst parts of it. So if you’re nervous about street photography, then consider this tried and true method that we’ve used for many years.

“Like all street photography, I believe that the main purpose here is intent. If your intent is to take creepy photos of people for your own sick fetishes, then your intent is harmful. If you’re photographing a scene because you’re trying to satiate your artistic hunger, then that’s different. The way that you do it is all about what’s best for you. If you shoot from the hip though, you’re more likely to be called a pervert in public. If you shoot with the camera to your eye, you’re likely to just be yelled at by someone.”

From our article: On Shooting from the hip in street photography

Shooting From the Hip

The trick here if you’re nervous about street photography is to shoot photos from the hip. The trick is to never start out necessarily by putting the camera’s viewfinder or screen to your eye. This slows you down if you’re using a modern camera. But if you’re using a modern camera with a manual focus lens and you’re zone focusing, the whole act of shooting a frame is much faster.

So to start with, have the camera wrapped around your chest and extend the strap down to your hip. Then shoot the scenes in front of you from the hip. Yes, we know that you’re not looking through the viewfinder or the LCD screen. And that comes with the next exercise.

“I think that when I started out shooting on the street I tended to be a little self-conscious and definitely inexperienced. Going out to shoot was a bit of therapy for me at the time (and still somewhat is) and I wanted it to be a pleasant and relaxing activity but those self-conscious thoughts would get in the way from time to time. Through going out more and more often and changing my thoughts, my experiences became even more positive.”

Rinzi Ruiz in our article on how famous street photographers got over their fears.

Equipping Yourself

Ideally, when you’re doing street photography, we think that you should shoot with a prime lens and you should know your focal length. Shooting street photography with a 35mm lens? Well, at any point, you should be so familiar with your lens that you know how it’s going to see the world from any angle. Some of us see the world in 35mm. But if you don’t then reach for a 28mm, 50mm, or something else. Some folks prefer an 85mm lens just to be extra safe.

But here’s the point: if you know how your camera and lens will interpret the world with 35mm lenses, then you’ll be confident enough simply just pointing your camera at a scene and pressing the shutter.

Tips on Doing Street Photography From the Hip

Here are some essential tips on shooting street photography from the hip:

  • Sometimes you need to get closer than you think.
  • Zone focus your lens. Set it to manual focus, stop the lens down, raise your ISO up or set it to auto, set your camera to a fast shutter speed, and then just walk up to a subject and photograph it.
  • Shoot a few frames and then stop shooting and take a look at what you’ve shot. Consider the photo you again against what you wish you’d captured. Then make adjustments accordingly.
  • Zone focusing is far better than autofocusing most of the time.
  • The more narrow your aperture, the easier of a time you’ll have getting the shot.

Sunflower farm appeals against nude photography trend

Sunflower farm appeals against nude photography trend
An image of sunflowers from the Stoke Fruit Farm — AFP/Files
An image of sunflowers from the Stoke Fruit Farm — AFP/Files

Stoke Fruit Farm, located on Hayling Island off England’s southern coast, has taken to social media to make an unconventional appeal to visitors: please abstain from posing naked for photos in their sunflower fields.

The owners of the farm, siblings Sam Wilson and Nette Petley, noticed an increasing trend of individuals shedding their clothes to capture photos among the sunflowers. In a recent Facebook post, the farm administration emphasized, “We are a family area, and please keep your clothes on in the sunflowers! We are having an increase of reports of naked photography taking place, and this must not happen during our public sessions, please!”

Covering an extensive 350-acre expanse, Stoke Fruit Farm, established by the siblings’ grandfather, cultivates a variety of crops, including wheat, peas, potatoes, pumpkins, squash, sweetcorn, hay, and sunflowers.

Sam Wilson shared with CNN that there had been approximately six incidents of nude photography since the sunflower field was opened to visitors at the close of the previous month. In response to this behaviour, the farm decided to place signs around the premises to address the issue, especially after a few children were exposed to the incidents.

“We are a really free and happy farm, but we just can’t have nudity in public view,” Wilson emphasised. His sister, Nette Petley, added, “While it’s a really happy and fun place that gives you an empowering feeling, it’s important to consider the people around and show respect.”

The sunflowers were initially planted by Wilson and his then-fiancée near the church where they got married six years ago. Although the flowers didn’t bloom in time for their wedding, the couple decided to set up an honesty box for visitors to pick the flowers while they were away on their honeymoon.

The farm’s unexpected popularity led to the sunflower attraction expanding over time, now inviting paying visitors to explore an expansive area of around 50 acres, adorned with two million sunflowers, according to Wilson.

CIRCLES Music Festival Returns to Vancouver

CIRCLES Music Festival Returns to Vancouver

The highly anticipated CIRCLES music festival is returning to Vancouver once again on August 26. The festival will showcase the richness of Indigenous culture and art at Sunset Beach Park. 

Presented by Decolonial Clothing and ALIVE society, the ground breaking event made history with 4,000 attendees in its first year, and Circles festival is now the largest Indigenous music and arts festival in North America. 

“CIRCLES festival moves beyond music, we foster healing through celebration by providing a safe and welcoming space to gather. Rooted in our cultural values of reciprocation, CIRCLES festival seeks to impact and uplift urban Indigenous communities and center the voices of Indigenous people,” Casey Desjarais, co-founder of host Decolonial Clothing, told Native News Online. 

Desjarlias along with Dakota Bear co-founded Decolonial Clothing, which works to increase the visibility of Indigenous people and encourages decolonization through clothing. 

“We’ve mentored over 100 plus Indigenous youth into business, and have been supporting our community in various ways to help bring positive change through our business,” Bear told Native News Online. 

CIRCLES celebrates the Indigenous community’s creativity and amplifies the voices of Indigenous youth. This year’s festival includes hip-hop musicians, dancers, speakers, and visual artists taking the stage. 

The festival’s headliners feature the MTV Video Music Award-winning hip-hop artist Drezus, Juno Award winner Fawn Wood, Afro-Indigenous hip-hop Juno nominated icon Boslen and Social Media influencer and traditional hoop dancer Notorious Cree

A Missing and Murdered Indigenous Women, and Girls (MMIWG+) fashion show tribute by Decolonial Clothing and Native by Nature will be showcased. The fashion show will be showcasing pieces the brands have created together to raise awareness on #searchthelandfill movement. 

“It is important that we create opportunities for the community to connect to culture and creativity and to inspire the youth to participate in building healthy spaces for gatherings,” said Desjarais.

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Tips for great wildlife photography in the Smokies

Tips for great wildlife photography in the Smokies

TOWNSEND, Tenn. (WVLT) – For a lot of us visiting the Smokies, we simply want to see the wildlife and take home a picture of that moment. But for Barry Spruce, a photographer who has taken photos of bears, deer, birds and all that’s in the Smokies for 17 years, the perfect picture comes with patience.

In his gallery in Townsend you can see his work and how he’s captured the moments of the animals, like one of the first pieces you’ll see of three bears hanging out in a tree.

“This is in Cades Cove,” he said to WVLT News as he pointed to the photograph. “This mom actually had four cubs, but one was higher in the tree and pretty much blocked by some of the leaf foliage. So I concentrated on the three.”

After retirement, Spruce took on a hobby he’d loved since childhood: photography.

He said bears are the most popular animals in the Great Smoky Mountains to take photographs of.

“They all have a certain range and then getting the idea of what they like to do when they like to do it. And then once you know the age of the bear, you tend to fall into knowing what they’re going to do year in and year out,” he said.

Because you’ll stay a good distance away from the animals, he suggests a long range lenses. There are great places all over the Smokies to see wildlife, but that picture perfect moment could take hours, if not days, to capture.

“Cades Cove gives you just about everything. Roaring Fork has some really good seasons. But cades cove has a little bit of everything because we do have fields and woods and berries and different things,” said Spruce

He said it takes time to learn the bears’ habits, like where and when they’ll feed and when they might just play around in the meadow.

“The best thing I can say once you find a bear is to stay your distance, but let it be natural. So when you let something be natural, that’s when you get the best photography,” he added.

Click here to see more of his work.

Deer graze in the meadow in Cades Cove.
Deer graze in the meadow in Cades Cove.(WVLT)
Wildlife photographer Barry Spruce said the picture perfect moment may day hours if not days to...
Wildlife photographer Barry Spruce said the picture perfect moment may day hours if not days to capture.(Kyle Grainger, WVLT)

LGAA hosts photography and digital exhibition

LGAA hosts photography and digital exhibition
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The Lake Granbury Art Association (LGAA) is presenting a photography and digital exhibition that runs through Aug. 26. The exhibit takes place at the Shanley Gallery and is the first of its kind for the association. The last day of the exhibit coincides with Granbury’s “Last Saturday Gallery Night.” 

Before COVID-19, the Camera Club of the LGAA had a show annually. These shows were juried and judged. Members submitted entries for a fee and their piece/pieces would be considered for the show. Then the pieces selected would be judged to be awarded places and prizes. 

LGDR, Superstar Art Gallery, Implodes After Just Two Years

LGDR, Superstar Art Gallery, Implodes After Just Two Years
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Jeanne Greenberg Rohatyn will return to her previous business and Dominique Lévy, Brett Gorvy and Amalia Dayan will continue under a new name.

Just two years after four prominent dealers announced with great fanfare a merger of their Upper East Side operations, the new gallery has come apart, with one prominent member deciding to go back to running her own operation.

On Friday, the group announced that Jeanne Greenberg Rohatyn “will leave the existing partnership to reopen Salon 94, returning her focus to exhibitions at 3 East 89th Street, and to her art advisory practice.”

Dominique Lévy, Brett Gorvy and Amalia Dayan will continue under the banner of Lévy Gorvy Dayan at 19 East 64th St., presenting exhibitions and advising clients as the newly formed Art Family Office.

By putting out the news on a summer Friday — and delaying its announcement for months — the gallery clearly hoped to minimize the impact. On Thursday, Levy said in an email to this reporter’s query: “Truly a non event. We are simply following our heart and respective passion and will continue to work together in different ways.”

But given the financial weight and high profile of the gallery’s four members, the group could hardly have hoped the news would land quietly. Katya Kazakina of Artnet trumpeted: “Just in: Blue-chip gallery LGDR splits up after less than 2 years.”

And the breakup confirms what art market experts were predicting as soon as the merger was first announced: serious friction among four famously strong personalities and the firm’s likely implosion in only a matter of time.

Although the gallery presented some significant shows and put on a good face to the industry, there were obvious growing pains as the firm consolidated under Greenberg Rohatyn’s roof: a neo-Renaissance townhouse on East 89th St. that she had just opened after a major restoration and renovation by the architect Rafael Viñoly (who died in May).

The adjustment was clearly biggest for Greenberg Rohatyn, who suddenly had to share her space and lose her independence after 20 years of running her own show in locations on the Bowery and out of her Upper East Side home.

“It was a natural decision that grew out of 18 months of working together,” Greenberg Rohatyn said in an telephone interview on Friday. “I missed the ability to react quickly and put exhibitions on the floor without multiple people agreeing on it.”

Lévy said on Friday in a phone conversation: “We came in a very organic way to the conclusion that a formalized partnership of the four was not fulfilling. Therefore it became apparent that Jeanne really missed her solo practice and that Amalya, Brett and myself had a much more common language.”

The partners initially dissolved the existing businesses and merged into one entity in 2021, promoting a new model of one-stop shopping with four experienced dealers with different areas of expertise — Lévy’s, Europe; Gorvy’s, Asia; Greenberg Rohatyn’s, contemporary art; and Dayan’s, the Middle East.

The partners also hoped to better compete with the Big Boys: Gagosian, Zwirner, Pace and Hauser & Wirth.

Lévy and Gorvy gave up their Madison Avenue gallery, Lévy Gorvy (Gorvy had left Christie’s to join her in 2016). Dayan had recently left Luxembourg & Dayan, which had closed its New York space. Last spring they all moved to East 64th St.

Lévy Gorvy Dayan will start its fall season with a retrospective of Pierre Soulages, the French abstract painter who died last October. The show will be organized by Lévy, a longtime friend of the artist. The firm will continue exhibitions in London, Paris and Milan under Victoria Gelfand-Magalhaes, its European president, and in Hong Kong as Lévy Gorvy Dayan & Wei in partnership with Rebecca Wei.

In October, Salon 94 will reactivate on East 89th St., with a solo show of the American sculptor Karon Davis, “Beauty Must Suffer,” focusing on the image of the Black ballerina.

In November, the four partners will present their final joint collaboration at East 64th St., an exhibition of the painter Jenna Gribbon, featuring new large-scale portraits of her wife and muse Mackenzie Scott.

On the occasion of the merger in 2021, Lévy said: “Four musketeers are by definition stronger.” Now those four are reduced to three.