About

Posts by :

In northern India, Bharat Sikka photographs the Khasi people’s deep understanding of nature

In northern India, Bharat Sikka photographs the Khasi people’s deep understanding of nature

For Volume 8 of Atmos, a magazine about climate and culture, Indian photographer Bharat Sikka shot a series on the ancient Khasi tribes of his country. Located in the state of Meghalaya in northern India, the Khasis are one of the world’s few remaining matriarchal tribes, passing property and last name down from the mother. In Kongthong, a village in Meghalaya that Bharat visited for the series, residents even refer to each other using a tune that is given to them by their mother at birth, creating a melodic exchange between members of the tribes.

Beyond this, the Khasis, like many indigenous peoples, are known for their intimate connection with nature and their surroundings. Most notably, the tribes in the area engage in an age-old tradition of tree shaping. As the name would suggest, this craft involves using living trees and other plants as a medium for creating structures and works of art. This method is shared by many groups and communities around the world, however in Meghalaya, it has resulted in particularly astonishing displays of craftsmanship.

Nestled deep in the state’s ancient forests are beautiful living root bridges which have been carefully shaped over the course of hundreds of years. Made from the aerial roots of rubber fig trees, they provide safe passage over rivers that can be otherwise difficult to cross. This ingenious practice has been passed down from generation to generation, though the Khasi people cannot recall exactly when it began. However, according to their mythology, their ancestors descended from a living roots ladder that bridged the gap between heaven and earth long ago.

Photography exhibit “Sand and Feathers” by Martin (Desert) Powell

Photography exhibit “Sand and Feathers” by Martin (Desert) Powell
image

Internationally traveled photographer Martin (Desert) Powell will exhibit his photographs of birds and landscapes, “Sand and Feathers”, at the Brunswick office of Edward Jones from August 17 through November. His series of 20 photos, printed mostly on metal, showcase the uniqueness and variety of birds and the beauty of desert landscapes. An opening reception will be held on Thursday, August 17 from 4 — 6 p.m. at the Edward Jones conference room, 580 Brunswick Ave, Suite 200 in Grass Valley. Refreshments will be provided. (Edward Jones is in the same building as the River Valley Community Bank)

Powell has been a photographer for much of his life including a year spent photographing as many bird species as possible during his “Big Year” competition which resulted in 200 shots of different species. He has traveled to Belize, Panama, Costa Rica, Thailand, Trinidad, Florida, Nevada, Arizona, Wisconsin, and Alaska taking photos of birds, wildlife, and nature-scapes. “Photography is a passion. It gets me outside where I can be still, calm, and aware of my surroundings. I try to show birds in interesting ways to show their personalities. Birds are my main passion and I love the desert so much, I gave myself the nickname of Desert,” stated Powell.

Flamingo.trade revolutionizes the art market with their innovative digital NFTs

Flamingo.trade revolutionizes the art market with their innovative digital NFTs
dang can painting

dang can painting

Le Trieu Dien Painting

Le Trieu Dien Painting

art certificate

art certificate

Flamingo.trade, a leading platform in the art market, is making waves with their groundbreaking approach to art investment.

Art is not an investment. Art is something you buy because you are financially solvent enough to give yourself a pleasure of living with great works rather than having to just see them in museums.”

— Arne Glimcher

VIETNAM, August 17, 2023/EINPresswire.com/ — Flamingo.trade, a leading platform in the art market, is making waves with their groundbreaking approach to art investment. By combining digital non-fungible tokens (NFTs) with physical art, Flamingo.trade is providing art collectors and traders a safe and sound option to invest in art.

Traditionally, art collectors and traders have faced several challenges, including concerns around authenticity, provenance, and security. Flamingo.trade aims to address these concerns by leveraging the power of blockchain technology and NFTs. With Flamingo.trade, investors can now confidently trade art knowing that each piece is authenticated, transparent, and securely stored.

Digital NFTs, or non-fungible tokens, have gained significant popularity in recent years. These unique digital assets allow ownership and provenance of digital objects, such as artwork, to be securely recorded on the blockchain. Flamingo.trade takes this concept further by bridging the digital and physical art worlds. Through their platform, investors can purchase digital NFTs that represent ownership of physical art pieces. This innovative approach not only allows art collectors to diversify their portfolios but also opens up new opportunities for artists and investors alike.

The fusion of digital NFTs with physical art offers several advantages for art collectors and traders. Firstly, it provides a seamless way to invest in art without the hassle of physically owning and storing the artwork. Additionally, it allows investors to participate in the digital art market, which has seen unprecedented growth in recent years. With Flamingo.trade, art enthusiasts can explore a wide range of artworks from renowned artists and invest in them with confidence.

Flamingo is committed to promoting transparency and security in the art market. Each digital NFT created on their platform is associated with a physical art piece, ensuring the authenticity and uniqueness of the artwork. Furthermore, Flamingo.trade partners with reputable art institutions and experts to verify and validate the physical art pieces represented by the NFTs. This collaboration ensures that investors can trust the quality and value of the artworks they invest in.

As the world embraces the digital revolution, Flamingo.trade continues to disrupt the art market with their innovative approach to art investment. By combining digital NFTs with physical art, they are revolutionizing the way art collectors and traders invest in art. With Flamingo.trade, art enthusiasts can now participate in the art market with confidence, knowing that their investments are safe, sound, and authenticated.

###
About Flamingo:
Originating in Vietnam, Flamingo.trade showcases an extensive array of artworks by esteemed local artists including Ha Nguyen Tri, Le Trieu Dien, Dang Can, and more. This marks the inception of a novel collection of NFT-backed art assets on a global scale.

Anh Le
Flamingo.Trade
hello@flamingo.trade
Visit us on social media:
Facebook

image

Foxboro native starts business that has women capturing their curves on canvas

Foxboro native starts business that has women capturing their curves on canvas
image

#inform-video-player-1 .inform-embed { margin-top: 10px; margin-bottom: 20px; }

#inform-video-player-2 .inform-embed { margin-top: 10px; margin-bottom: 20px; }

A former Foxboro resident who lives in Nashville is bringing her passion for empowering art to the local area by inviting women to paint portraits of themselves in the buff.

Samantha Zaruba, 33, is a mixed media artist and art empowerment teacher interested in how self-constructed narratives and media consumption make an impact on people.

Her latest series of nude figures is a revival of work she started while studying art at UMass Amherst and has lead to the creation of Paint Your Noodz, a personalized paint-and-sip art experience that allows participants to put their own curves on canvas.

Zaruba’s work has been featured in publications, including Out Voices Nashville, “Best Visual Artist,” Nashville Scene’s Best of Nashville, NPR’s Today in Nashville, in galleries, including Cëcret, COOP, Turnip Green and on album covers for Ron Gallo and Naked Giants.

Art became a passion for Zaruba when she was still just a student.

“Ms .Cahan at Foxboro High School was great. The art teacher that I was the closest with growing up was Barbara McCaulife. I took private lessons with Barbara in her Foxboro home starting at age 14 during a dark period when I was struggling. Art lessons with Barbara probably saved my life,” Zaruba said.

“One of the most valuable things she taught me that I still think about today is that ‘you can always get something back.’ What that means while painting is to go for it. Artists can get so paralyzed by fear of ‘messing something up’ that it’s a real creativity killer. Try the thing, don’t be scared to ruin it because if you did it once, you can do it again,” Zaruba said.

Zaruba likes art because it provides a sense of peace it delivers to her mind and body when she is creating.

“I love utilizing art to grapple with big concepts such as identity, media, and technology,” she said.

While Zaruba’s art may be too risqué for some, she is committed to using her work to help others.

In 2017, Zaruba started PowArt, a series of pro-bono art empowerment workshops held at various nonprofits and underserved schools and community centers around Nashville with the mission to provide art therapy and an opportunity for people to know themselves as artists.

The idea for Paint Your Noodz was born out of her own love for painting figures and her passion for empowering others by giving them an appreciation for their unique bodies.

Zaruba said she learned to paint nude figures in college at UMass Amherst and refined her skill when she started her most recent series in the spring of 2020.

Participants in her Paint Your Noodz class do not have to draw themselves. Zaruba does all the drawing of each person’s reference photo on the canvas ahead of time, marking out shading so it’s as close to a paint by numbers as possible.

She leads people in bringing their body to life with acrylic paint and offers one-on-one assistance, demonstrating directly on students’ canvas so that everyone leaves with a piece of art they can be proud of.

“I started painting nude figures in college at a time when I felt really disconnected from myself. I revisited nude painting in early 2020 when this feeling reached an apex for me as it did for many others during the pandemic. In May 2020, when I picked back up the paintbrush, I had just turned 30 in lockdown and had swiftly gained almost 20 pounds in two months and did not feel at home in my body. With the raging pandemic, I felt untethered and out of control,” Zaruba said.

She said painting bodies, her own and others, has been healing.

“It’s something I wanted to give to others. Coming up with the concept of this art class in the spring of 2022 was one of those light bulb moments. A tingle in the back of my brain that felt like every single thing I had done so far in my various careers had led to the creation of this idea,” she said.

Zaruba recently helped victims of sexual assault to regain confidence through her class in Nashville.

In honor of Sexual Assault Awareness Month in April and as part of her art exhibition for the Tennessee Re-Pair Triennial, she wanted to provide survivors of sexual assault and domestic violence with an opportunity to reclaim their bodies as their own by offering a sliding scale pay-what-you-can Paint Your Noodz class.

“I love empowering others and utilizing my platform to champion causes I care about. I believe my reason for being on this planet is to help unleash people’s greatness and it’s always an honor to be part of someone’s healing journey,” she said.

Zaruba hopes to start offering Paint Your Noodz and her couple’s class Paint Your Partner when she visits family in the Foxboro area three to four times per year moving forward.

Pamela Morgan, of Foxboro, and the owner of The Craft Bar in North Attleboro agreed, to host Zaruba’s Paint Your Noodz class on Thursday, Aug. 31 at 6:30 p.m..

“I think her work is beautiful. She is very talented and I love her message. I respect any person that is involved in empowering other women,” said Morgan.

“Right away, I thought this would be a great class. I believe we both strive to foster peoples’ connections with each other and themselves while empowering them to feel good about themselves in a safe space,” Morgan said.

Zaruba said her message to artists of any age is to take action.

“Your perspective and what you have to share with the world is valuable. Don’t wait until you have something ‘perfect.’ Just go for it. Robots will not replace us. There will always be a crucial need for human-created art,” she said.

Register for Paint Your Noodz class at The Craft Bar and find information on Zaruba’s upcoming events, visit her website at samanthazaruba.com.

#inform-video-player-3 .inform-embed { margin-top: 10px; margin-bottom: 20px; }

Wedding photographer stands up La Vista bride

Wedding photographer stands up La Vista bride

OMAHA, Neb. (WOWT) – Wedding plans can be stressful enough without an important vendor shutting off communication.

A La Vista bride and her family put money down with a photographer who has gone dark as the big day approaches.

After getting engaged, Becca Odom hired Moxx Photography for wedding photos. But she says they dropped out of the picture.

“I reached out on every platform and nothing,” Becca said. “If she doesn’t want to do it, I want my money back Walking and taking people’s money isn’t the way to do it.”

Sharon Odom is Becca’s mother and three months before her turn walking down the aisle, she has a photo collection proving her communication with the wedding photographer.

“[We were] Facebook messaging and text messaging and then things just kind of stopped,” Sharon said.

But here $500 downpayment check went through.

“It’s just something that you thought was taken care of and it’s not,” Sharon said. “You put your faith in someone and you trust them, and then they’re gone and have taken the money with them.”

Sharon says her daughter found Moxx Photography on a wedding group page on Facebook.

“I think it’s fine to respond to an advertisement you see online, but do your research and dig into the company’s reputation,” said Jim Hegarty with the Better Business Bureau.

Full-time wedding photographer Chris Tierney averaged 40 ceremonies per year and he says paying half down is standard practice, but before paying, customers should get more than a snapshot resume.

“Maybe I like their pictures, but before I would give them any money, I want to meet with them and talk with them,” Tierney said. “I want to see a little bit more in-depth to their work.”

Sharon Odom says all communication with Moxx Photography came through texts and emails, not in person.

But 6 News called the number the Odoms have for the photographer, and the woman who answered the phone denied more than just standing up the bride.

She says she isn’t even a wedding photographer.

But Sharon believes a signed contract and copy of a cashed check will provide a sheriff’s investigator with a clearer picture.

“I just want my money back,” Sharon said.

Moxx Photography is not accredited or rated by the Better Business Bureau, but the bureau is investigating the complaint.

There is, however, a Wedding Professionals Association of Nebraska, but they’re not familiar with Moxx Photography either.

Final Take Films is a leader of the organization and provided tips for hiring a wedding photographer:

  • Look to see if they advertise on any other medium besides Facebook. A legitimate company puts a lot of effort into building a brand by having multiple channels.
  • Always interview the vendor before booking. Find out how long they’ve been in the business if they have any references, and what they’re offering.
  • Ask your other vendors about any vendor you are considering booking. Weddings run smoothly if all vendors work well together.

RRB PhotoBooks : David Hurn : Photographs 1955 – 2022 – The Eye of Photography Magazine

RRB PhotoBooks : David Hurn : Photographs 1955 – 2022 – The Eye of Photography Magazine

This new book draws from the archives of photographer David Hurn to chronicle his career over a period of over 65-years. The making of this new book provided opportunity for Hurn to revisit and re-evaluate previously overlooked photographs with the benefits of time and experience, and to bring them to the fore. These lesser-seen photographs are published alongside some of his best-known works to demonstrate the longevity and breadth of his remarkable career.

The book opens with one of the first photographs ever taken by Hurn in 1955 in London, quickly followed by an image from the Hungarian Revolution in 1956—the reportage which helped to establish his reputation. Living in London during this period he became a visual narrator of the social revolution of the 1950s-1960s through changes in class and demographics whilst working for The Sunday Times, Queen Magazine and Town Magazine amongst others.

Hurn undertook numerous long-term projects in the US and the book includes a selection of this work ranging from street scenes in New York, to the deserts of California and Dolly Parton look-a-like competitions and group exercise classes in Arizona. Photographs taken across Europe in France, Greece, Ireland, Italy, Sweden, Switzerland and Yugoslavia in the intervening years show his continued versatility, often documenting where tradition and customs collided with modernity.

Some of Hurn’s best-known photographs were taken in the aftermath of the Aberfan disaster in Wales in 1966. This event held a particular poignancy for the photographer and contributed to his decision to move back to Wales from London a few years later. Once there, his intention was to go beyond cliches to photograph Wales with all its complexities. Shortly after his return in 1973 he established the School of Documentary Photography in Newport at a time when the area was in the throes of deindustrialisation with high rates of unemployment,. His aim was to teach photography as a vocation to diversify the job market. After leaving the school in 1989, Hurn eventually turned away from documentary photojournalism to create work with a more personal approach, which he still creates today from his home in Tintern, Wales.

Born in Surrey, England in 1934, but of Welsh descent, David Hurn is a self-taught photographer who began his career in 1955 as an assistant at the Reflex Agency. He became an associate member of Magnum in 1965 and a full member in 1967. In 1973, he set up the School of Documentary Photography in Newport, Wales.

In 1997 he collaborated with Professor Bill Jay on the textbook, On Being a Photographer, which has been in print ever since. Hurn’s book Wales: Land of My Father, was the result of a self-initiated project attempting to discover what is meant by the phrase ‘my culture’. It observed changes taking place in Wales from 1970 until the book’s publication by Thames and Hudson in 2000. In 2016, Hurn was awarded an honorary fellowship of the Royal Photographic Society, and in 2020, the he was the recipient of a Lucie Award for Achievement in Documentary.

 

David Hurn: Photographs 1955 – 2022
RRB Photobooks
Hardcover, 140 pages
Including essay by Isaac Blease
First edition includes 100 Special Edition copies with limited edition silverprint
£60 | £225

http://www.rrbphotobooks.com/collections/publishing/products/david-hurn-photographs-1955-2020

https://www.rrbphotobooks.com/